Quotes about room
page 10

“Years rolled on. France, long tossed among the surges of civil commotion, plunged at last into a gulf of fratricidal war. Blazing hamlets, sacked cities, fields steaming with slaughter, profaned altars, and ravished maidens, marked the track of the tornado. There was little room for schemes of foreign enterprise.”

Francis Parkman (1823–1893) American historian

Pt. II, Ch. 2 La Roche. Champlain. De Monts.
Pioneers of France in the New World (1865)

War

“Controlling a laser with Linux is crazy, but everyone in this room is crazy in his own way. So if you want to use Linux to control an industrial welding laser, I have no problem with your using PREEMPT_RT.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Kernel development, 2007, Torvalds, Linus http://lwn.net/Articles/396997/,. 2000s, 2007

Way, Problem

“The name philosopher, which meant originally 'lover of wisdom,' has come in some strange way to mean a man who thinks it is his business to explain everything in a certain number of large books. It will be found, I think, that in proportion to his colossal ignorance is the perfection and symmetry of the system which he sets up; because it is so much easier to put an empty room tidy than a full one.”

William Kingdon Clifford (1845–1879) English mathematician and philosopher

As quoted by A. D'Abro, The Evolution of Scientific Thought from Newton to Einstein https://archive.org/details/TheEvolutionOfScientificThought (1927)

Wisdom, Books, Way, Lovers

“A servant with this clause
Makes drudgery divine:
Who sweeps a room, as for thy laws,
Makes that and th' action fine.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Source: The Temple (1633), The Elixir, Lines 17-20

Law

“He picked out this sentence in a New Yorker casual of mine: "After dinner, the men moved into the living room," and he wanted to know why I, or the editors, had put in the comma. I could explain that one all night. I wrote back that this particular comma was Ross's way of giving the men time to push back their chairs and stand up.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

The Years with Ross (Little Brown & Co, 1957, pg.267)

Variant: From one casual of mine he picked this sentence. “After dinner, the men moved into the living room.” I explained to the professor that this was Ross’s way of giving the men time to push back their chairs and stand up. There must, as we know, be a comma after every move, made by men, on this earth.

Memo to The New Yorker (1959); reprinted in New York Times Book Review (4 December 1988); Harold Ross was the editor of The New Yorker from its inception until 1951, and well-known for the overuse of commas
From other writings

Men, Way, Time, Night

“That passivity was the essence of the problem. The human being was intended to be passive only in a condition of fatigue, and not always then. Too much passivity of body produced surplus fat, short-windedness, indigestion: passivity of mind produced the same symptoms on the mental level. a feeling of spiritual dyspepsia. Since the average human being has no purposes that are not connected with the activities of keeping alive, the black room was bound to produce passivity, increasing dullness, a state in which the mind is at once awake and static, motionless, stagnant. This sense of dullness was nothing less than the collapse of the sense of reality and of values, the retreat into one's inner world.”

Colin Wilson (1931–2013) author

Source: The Black Room (1975), p. 72

World, Feeling, Problem, Reality

“Christ leads me through no darker rooms Than He went through before.”

Richard Baxter (1615–1691) English Puritan church leader, poet, and hymn-writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 11.

Christ

“I continued for some time longer to ramble with Strauss and other school-fellows, to visit coffee-houses and billiard-rooms, but had a great antipathy to other debaucheries. The company of comedians of Mr. Seiler came just now to Celle, performing comedies and tragedies. This was a new life for me; I became acquainted with each individual of this company; they all were fond of me; the beautiful Madame Koch gave me lessons in dancing, and I suddenly deserted all my former companions, neglecting them to such a degree, that one Mackphail, considering my conduct as an insult to the whole school, sent me a challenge, which ended in ray wounding him in the hand. My father loved me dearly, but did not much inquire into my conduct; he allowed me a great deal of money, but owing to my attachment to Ferry, whose salary was but small, I provided him with money, and having myself an extravagant taste for dress, I was often in great difficulties to pay my bills, of which my father was ignorant, till my creditors became troublesome, and my good father immediately discharged them, after giving me some kind admonition.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

My Life and Confessions, for Philippine, 1786

Love, Life, Money, School

“While reading the Times of India each morning, my father spares a minute for the cartoon by R. K. Laxman. While my mother is, like a magician, making untidy sheets disappear in the bedroom and producing fresh towels in the bathroom, or braving bad weather in the kitchen, my father, in the extraordinary Chinese calm of the drawing-room, is dmiring the cartoon by R. K. Laxman, and, if my mother happens to be there, unselfishly sharing it with her. She, as expected, misunderstands it completely, laughing not at the joke but at the expressions on the faces of the caricatures, and at the hilarious fact that they talk to each other like human beings.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Afternoon Raag (1993)

Time, Reading, Drawing, Weather

“For undemocratic reasons and for motives not of State,
They arrive at their conclusions—largely inarticulate.
Being void of self-expression they confide their views to none:
But sometimes in a smoking-room, one learns why things were done.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Puzzler http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/verse/p2/puzzler.html, Stanza 3 (1909). Other works

Confidence, Motivation, Learning

“What would we really know the meaning of? The meal in the firkin; the milk in the pan; the ballad in the street; the news of the boat; the glance of the eye; the form and the gait of the body; — show me the ultimate reason of these matters; show me the sublime presence of the highest spiritual cause lurking, as always it does lurk, in these suburbs and extremities of nature; let me see every trifle bristling with the polarity that ranges it instantly on an eternal law; and the shop, the plough, and the ledger, referred to the like cause by which light undulates and poets sing; — and the world lies no longer a dull miscellany and lumber-room, but has form and order; there is no trifle; there is no puzzle; but one design unites and animates the farthest pinnacle and the lowest trench.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1830s, The American Scholar http://www.emersoncentral.com/amscholar.htm (1837)

World, Law, Nature, Light

“There was no room in him for curiosity; The capacity for observation had long since starved on the aridness of his soul.”

Tanith Lee book The Storm Lord

Source: The Storm Lord (1976), Chapter 22 (p. 303)

Soul

“Sometimes when I'm having a boring interview on the telephone, and I'm trying to think about something else because the questions are too boring, and I start looking around the room where I work, you know, full of books piled up to the sky, all different kinds of topics. I start calculating how many centuries would I have to live reading twenty-four hours a day every day of the week to make a dent in what I'd like to learn about things, it's pretty depressing. […] You know, we have little bits of understanding, glimpses, a little bit of light here and there, but there's a tremendous amount of darkness, which is a challenge. I think life would be pretty boring if we understood everything. It's better if we don't understand anything… and know that we don't, that's the important part.”

Noam Chomsky (1928) american linguist, philosopher and activist

Interview in Cardiff, Wales, UK on March 11, 2011 http://www.youtube.com/watch?v=93W8II_R75Y Quotes 2010s, 2011

Life, Books, Understanding, Question

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Life, Death, Pain, People

“I want to drive home the message that we have to go beyond Copenhagen, beyond drawing room politics and sensitise ourselves, and try and make a change on an individual level.”

Manav Gupta (1967) Indian artist

"Beyond Politics, Beyond Copenhagen, For Our Children" : Treatise, Travelling trilogy, Lectures and Films on Sustainable development by Manav Gupta (2009 -2010), as quoted in Hindustan Times (25 December 2009)
2000s

Home, Change, Drawing

“People go to Vegas, and they don't know what to do; here's what you do. You go to the casino in your hotel. On your arrival, you get $100 in quarters. Take that $100 back to your hotel room and stare at it for a long, long time. Why? Because you're never going to see them again. Then you take those quarters to the bathroom and you flush them, one by one by one. And the nice thing about that is that every so often the toilet will back up, and you'll feel like a WINNER!”

Lewis Black (1948) American stand-up comedian, author, playwright, social critic and actor

The White Album (2000)

People, Feeling, Time

“I am sure that a definite limit exists to the degree of equality which is desirable. We do not want complete equality of incomes, since extra responsibility and exceptional talent require and deserve a differential reward. We are not hostile, as our opponents sometimes foolishly suggest, to 'detached residences in Bournemouth where some elderly woman has obviously more than a thousand a year'. I do not myself want to see all private education disappear; nor the Prime Minister denied an official car, as in one Scandinavian country; nor the Queen riding a bicycle; nor the House of Lords instantly abolished; nor the manufacture of Rolls-Royces banned; nor the Brigade of Guards, nor Oxford and Cambridge, nor Boodle's nor (more doubtfully) the Royal Yacht Squadron, nor even, on a rather lower level, the Milroy Room, lose their present distinctive character; nor anything so dull and colourless as this.”

Anthony Crosland book The Future of Socialism

"The Future of Socialism" (Jonathan Cape, 1956) p. 149. The remark about 'detached residences in Bournemouth' refers to an article in catholic newspaper The Tablet http://archive.thetablet.co.uk/article/31st-may-1952/4/the-old-fabians-and-the-new titled "The Old Fabians and the New" (31 May 1952, p. 4) in which Roy Jenkins is presumed to be seeking to deprive their residents of their capital.

Hostility, Education, Cars, Housing

“When we go up to the shelves in the reading-room of the British Museum, how like it is to wasps flying up and down an apricot tree that is trained against a wall, or cattle coming down to drink at a pool!”

Samuel Butler (1835–1902) novelist

Mental and Physical Pabulum
The Note-Books of Samuel Butler (1912), Part VI - Mind and Matter

Drink, Tree, Reading, Flying

“Good Lord, I went in for a check up the other day and the doctor said "You need to lay off eggs." I go "Is my cholesterol bad?" He said "No, your farts are killing everybody in this room."”

Larry the Cable Guy (1963) American stand-up comedian, actor, country music artist, voice artist

Morning Constitutions (2007)

“There is always room for improvement in our lives. Are we willing to try?! Are we going to try?!”

Mohammed Alkobaisi (1970) Iraqi Islamic scholar

Understanding Islam, "Morals and Ethics" http://vod.dmi.ae/media/96716/Ep_03_Morals_and_Ethics Dubai Media

“Over the door of his room he caused this sentence to be inscribed: "lnnocuex vivito--- Numen Adest!" He always entertained veneration and admiration for his Creator, and endeavoured to trace his science to its Author. "Tu decus omne tuis, postquam te fata tulere." (Virgilio)”

Carl Linnaeus (1707–1778) Swedish botanist, physician, and zoologist

Linnaeus Diary

Science

“Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”

Haruki Murakami book Kafka on the Shore

Kafka on the Shore (2002)

Feeling, Imagination, Flowers, Understanding

“The Germans underestimated our artillery. And they underestimated the effectiveness of our infantry against their tanks. This battle showed that tanks forced to operate in narrow quarters are of limited value; they're just guns without mobility. In such conditions nothing can take the place of small groups of infantry, properly armed, and fighting with utmost determination. I don't mean barricade street fighting—there was little of that—but groups converting every building into a fortress and fighting for it floor by floor and even room by room. Such defenders cannot be driven out either by tanks or planes. The Germans dropped over a million bombs on us but they did not dislodge our infantry from its decisive positions. On the other hand, tanks can be destroyed from buildings used as fortresses.”

Vasily Chuikov (1900–1982) Soviet military commander

Quoted in "the story of the second world war" - Page 167 - by henry steele commager

Decision, Fight

“But this logic has also worked to exclude the decorative — the decorative insofar as it functions solely as decoration. It's as though aesthetic value, quality, could be preserved only by concentrating on "absolute" or "autonomous" art: thus on visual art — including even architecture — that held and moved and stirred the beholder as sheer decoration could not. Decoration is asked to be "merely" pleasing, "merely" embellishing, and the "functional" logic of Modernism leaves no room, apparently, for such "mereness."”

Robert Morgan (1943) American art historian

This is part of the pity of Modernism, one of the sacrifices it enjoins... Clement Greenberg, Robert C. Morgan in: Clement Greenberg, Late Writings in Detached Observations http://books.google.co.in/books?id=8wFNAAAAYAAJ, University of Minnesota Press, 30 January 2007, p. 70

Art, Parting

“Just as he was an Elk, a Booster, and a member of the Chamber of Commerce, just as the priests of the Presbyterian Church determined his every religious belief and the senators who controlled the Republican Party decided in little smoky rooms in Washington what he should think about disarmament, tariff, and Germany, so did the large national advertisers fix the surface of his life, fix what he believed to be his individuality. These standard advertised wares—toothpastes, socks, tires, cameras, instantaneous hot-water heaters—were his symbols and proofs of excellence; at first sight the signs, then the substitutes, for joy and passion and wisdom.”

Sinclair Lewis book Babbitt

Babbitt (1922), Ch. 7

Life, Wisdom, Thinking, Water

“David Beckham in his last appearance at Real Madrid City's press room (14/06/07): "I want to wish the captain good luck because he has been a tower of strength for many people and for the team, and he’s been a person that a lot of people should look up to because he is very dedicated to what he does and what he believes in. Thank you to him and the rest of the team, and good luck throughout the rest of their careers.”

Raúl González (1977) Spanish footballer

http://www.realmadrid.com/articulo/rma40353.htm About

People, Appearance, Personality

“You've got half the room going totally crazy, wild, they loved everything, they wanna do something great for our country, and you have the other side, even on positive news, really positive news, like that, they were like death, and un-American, un-American. Somebody said treasonous, I mean, yeah I guess, why not? Can we call that treason, why not?”

Donald J. Trump (1946) 45th President of the United States of America

Speaking in Cincinnati about Democrats did not clap https://www.youtube.com/watch?v=zjwPiE1wCU0 during his State of the Union Address (5 February 2018) 2010s, 2018, February

Love, Death, Country

“A sudden splendour seemed to kindle day
A breeze came breathing in a sweet perfume
Blown from eternal gardens, filled the room.”

Thomas Parnell (1679–1718) Anglo-Irish cleric, writer and poet.

from the poem Piety, or the Vision.

“But I have to tell you what I saw... I had entered a dark room [in the city Tunis], lit by a small, elongated horizontal window,.. The light cut sharply.... and drew itself on the stone floor... There behind the table was sitting the Jewish scribe with his arms forward, leaning on the parchment. He turned his lordly head in my direction... It was a beautiful head, delicate and translucent pale as alabaster, large and small wrinkles were lining along the small eyes and around the big curved hawk nose. A black cap covered the white skull and a low white-yellow beard lay in large tufts over the written parchment... two crutches lay slantingly on the floor beside him. How much I desired to get my sketchbook out.... but in front of the staring gaze of the scribe, I didn't find the courage to carry out my intention.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van de tekst van Jozef Israëls, in het Nederlands): Maar ik moet u vertellen wat ik zag.. Ik was een donkere ruimte binnengetreden, verlicht door een klein langwerpig horizontaal liggend raampje,.. .Scherp sneed het licht.. ..en tekende zich af op de stenen vloer.. .Daar zat achter de tafel de joodse wetschrijver met zijn armen voorover op het perkament geleund en draaide zijn vorstelijk hoofd naar mij toe;. ..Het was een prachtig hoofd, fijn en doorschijnend bleek als albast, rimpels, grote en kleine, liepen langs de kleine ogen en om de grote gekromde haviksneus. Een zwart kapje bedekte de witte schedel en een lage witgele baard lag in grote vlokken over het beschreven perkament.. ..twee krukken lagen naast hem schuin op de grond. Hoe gaarne had ik mijn schetsboek voor de dag gehaald,. ..maar voor de starende blik van de wetschrijver durfde ik mijn voornemen niet ten uitvoer te brengen.
Quote of Israëls from his text Spanje, een reisverhaal, publisher, Martinus Nijhoff, De Haag, 1899, p. unknown
Quotes of Jozef Israels, 1871 - 1900

Beauty, Courage, Light

“So there you are – you can see what it is like. The camera's hot, probing eye, these monstrous machines and their attendants – a kind of twentieth century torture chamber, that's what it is. But I must try to forget about that, and imagine that you are sitting here in the room with me.”

Harold Macmillan (1894–1986) British politician

"Call for 'A little extra effort'", The Times, 25 January 1962, p. 6.

Opening to Conservative Party political broadcast (24 January 1962), quoted in "Call for 'A little extra effort'", The Times (25 January 1962), p. 6 Macmillan decided to open by showing the television outside broadcast crew who had set up their equipment.

Ref: en.wikiquote.org - Harold Macmillan / Quotes / Prime Minister
1960s

Imagination, Forgetting

“I love Nicole. Nicole and I happen to be very great friends. Besides that, the press never get it straight. They do not print what you say… We were in Venice for Birth at the Venice Film Festival. And you know when you have a day when you go from one room to another with the roundtables with about five journalists sitting around at each table throwing questions at you all the time. So in one of these rooms, I'm sitting there. And one of the journalists said, you're an icon and Nicole Kidman's an icon and what do you think about that? And I said, why do you have to burden her with the category? She's a young woman. She's got her whole career ahead of her. Why does she have to be pegged as an icon or as anything? Let her enjoy her time. Don't, you know, suddenly put her in a slot. And that was all I said. The word "legend" never came up. It was "icon."”

Lauren Bacall (1924–2014) American actress, model

On being quoted in 2004 as saying about Nicole Kidman: "She's not a legend. She's a beginner..."
"She's not a legend," Bacall said. "She can't be a legend at whatever age she is. … You have to be older."
Larry King interview (2005)

Love, Birth, Question, Thinking

“His hallelujahs open the heavens. He utters the word "Wonderful," as if all their trumpets spoke together. And then, when he comes to earth, to make love amidst nymphs and shepherds (for the beauties of all religions found room within his breast), his strains drop milk and honey, and his love is the youthfulness of the Golden Age.”

George Frideric Handel (1685–1759) German, later British Baroque composer

Leigh Hunt Table-Talk (1851) pp. 147-8.
Criticism

Love, Youth, Age, Making love

“Suppose your father… walked into this room at the ordinary human pace of walking. And suppose just behind him was his father. How long would we have to wait before the ancestor who enters the now-open door is a creature who normally walked on all fours? The answer is a week.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

The Varieties of Scientific Experience: A Personal View of the Search for God (2006)

Waiting

“Did anyone honestly think we were going to walk into a room with the European Union, shake hands, and do a deal in half an hour? These are going to be lengthy negotiations, they're going to challenging negotiations.”

Chris Grayling (1962) British politician

2017

Thinking

“The line separating investment and speculation, which is never bright and clear, becomes blurred still further when most market participants have recently enjoyed triumphs. Nothing sedates rationality like large doses of effortless money. After a heady experience of that kind, normally sensible people drift into behavior akin to that of Cinderella at the ball. They know that overstaying the festivities—that is, continuing to speculate in companies that have gigantic valuations relative to the cash they are likely to generate in the future—will eventually bring on pumpkins and mice. But they nevertheless hate to miss a single minute of what is one helluva party. Therefore, the giddy participants all plan to leave just seconds before midnight. There's a problem, though: They are dancing in a room in which the clocks have no hands.”

Warren Buffett (1930) American business magnate, investor, and philanthropist

2000 Chairman's Letter http://www.berkshirehathaway.com/letters/2000.html Letters to Shareholders (1957 - 2012)

Money, Hate, People, Behavior

“To me, the theatre was related to the spirit. Before every performance I sat alone in my dressing-room, said my prayers, died unto myself and became my character.”

Zita Johann (1904–1993) actress

Zita Johann obituary http://www.independent.co.uk/news/people/obituary-zita-johann-1509144.html

“And I go to my room and stretch out my arms to the West—that it is far away [from here], that I will someday return. Outside those painful sensations—it is horrible to be before these people and their lives. Service and family troubles -a hard beginning, pay raise, promotion - sweet dreams, scandal - daily bread, [This is a figurative reference to Our Lord's Prayer, "give us this day our daily bread.."] and their happiness reminds me sweetly, of those who buy "for the people," and whose food you wouldn't put in your mouth. I think of Munich and of my health. All that is here is suffering and this horror of beauty and this horrible life and this overbearing literature, and the complete superfluousness of art.”

Marianne von Werefkin (1860–1938) expressionist painter

1906 - 1911 Source: a letter to Alexej von Jawlensky, between December 1909 and Spring 1910; as quoted in 'Ambiguity of Home: Identity and Reminiscence in Marianne Werefkin's Return Home, c. 1909', Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909

Life, Pain, Happiness, People

“The idea so possessed my mind, that a thrill of fear ran through me, and I wished to exchange the ghastly image of my fancy for the realities around. I see them still; the very room, the dark parquet, the closed shutters, with the moonlight struggling through, and the sense I had that the glassy lake and white high Alps were beyond.”

Mary Wollstonecraft Shelley (1797–1851) English novelist, short story writer, dramatist, essayist, biographer, and travel writer

Introduction http://www.rc.umd.edu/editions/frankenstein/1831v1/intro.html to the 1831 edition of Frankenstein

Fear, Idea, Reality, Sense

“The animating purpose of James was, on the other hand, primarily moral and artistic. It is expressed in his phrase, "block universe," employed as a term of adverse criticism. Mechanism and idealism were abhorrent to him because they both hold to a closed universe in which there is no room for novelty and adventure. Both sacrifice individuality and all the values, moral and aesthetic, which hang upon individuality; for according to absolute idealism, as to mechanistic materialism, the individual is simply a part determined by the whole of which he is a part. Only a philosophy of pluralism, of genuine indetermination, and of change which is real and intrinsic gives significance to individuality. It alone justifies struggle in creative activity and gives opportunity for the emergence of the genuinely new.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Universe, Change, Animals, Parting

“How full of trifles everything is! It is only one’s thoughts that fill a room with something more than furniture.”

Wallace Stevens (1879–1955) American poet

Letter to his future wife Elsie Moll Kachel (16 May 1907); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 9

“Dear Muslima

Stop whining, will you. Yes, yes, I know you had your genitals mutilated with a razor blade, and . . . yawn . . . don't tell me yet again, I know you aren't allowed to drive a car, and you can't leave the house without a male relative, and your husband is allowed to beat you, and you'll be stoned to death if you commit adultery. But stop whining, will you. Think of the suffering your poor American sisters have to put up with.

Only this week I heard of one, she calls herself Skep"chick", and do you know what happened to her? A man in a hotel elevator invited her back to his room for coffee. I am not exaggerating. He really did. He invited her back to his room for coffee. Of course she said no, and of course he didn't lay a finger on her, but even so . . .

And you, Muslima, think you have misogyny to complain about! For goodness sake grow up, or at least grow a thicker skin.

Richard”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Blog comment, , to PZ Myers, " Always Name Names https://web.archive.org/web/20110706204901/http://scienceblogs.com/pharyngula/2011/07/always_name_names.php" (), Pharyngula, quoted in Rebecca Watson, " The Privilege Delusion http://skepchick.org/2011/07/the-privilege-delusion/", Skepchick. Regarding the Rebecca Watson elevator incident.

Death, Cars, Coffee, Thinking

“Every night, at exactly a quarter past three, something dreadful happens on the street outside our bedroom window. We peek through the curtains, yawning and shivering in the life-draining chill, and then we clamber back beneath the blankets without exchanging a word, to hug each other tightly and hope for sound sleep before it's time to rise.

Usually what we witness verges on the mundane. Drunken young men fighting, swaying about with outstretched knives, cursing incoherently. Robbery, bashings, rape. We wince to see such violence, but we can hardly be shocked or surprised any more, and we're never tempted to intervene: it's always far too cold, for a start! A single warm exhalation can coat the window pane with mist, transforming the most stomach-wrenching assault into a safely cryptic ballet for abstract blobs of light.

On some nights, though, when the shadows in the room are subtly wrong, when the familiar street looks like an abandoned film set, or a painting of itself perversely come to life, we are confronted by truly disturbing sights, oppressive apparitions which almost make us doubt we're awake, or, if awake, sane. I can't catalogue these visions, for most, mercifully, are blurred by morning, leaving only a vague uneasiness and a reluctance to be alone even in the brightest sunshine.”

Greg Egan (1961) Australian science fiction writer and former computer programmer

Scatter My Ashes http://gregegan.customer.netspace.net.au/HORROR/SCATTER/Scatter.html, published in Interzone (Spring 1988) Fiction

Life, Men, Hope, Sleep

“Some marry the first information they receive, and turn what comes later into their concubine. Since deceit is always first to arrive, there is no room left for truth.”

Baltasar Gracián book The Art of Worldly Wisdom

Cásanse algunos con la primera información, de suerte que las demás son concubinas, y como se adelanta siempre la mentira, no queda lugar después para la verdad.
Maxim 227 (p. 128)
The Art of Worldly Wisdom (1647)

Truth

“Take a look at the simplest of objects. Let's take, for example, an old chair. It seems like nothing. But think of the universe comprised within it: the sweaty hands cutting the wood that used to be a robust tree, full of energy, in the middle of a luxuriant forest by some high mountains. The loving work that built it, the joyful anticipation of the one who bought it, the tired bodies it has helped, the pains and the joys it must have endured, whether in fancy halls or in a humble dining room in your neighbourhood. Everything, everything shares life and has its importance! Even the most worn down of chair carries inside the initial force of the sap climbing from the earth, out there in the forest, and will still be useful the day when, broken into kindling, it burns in some fireplace.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

describing a children's game in his essay, Tàpies suggests looking at a chair
1945 - 1970
Source: 'El joc de saber mirar' ('The Game of Knowing How to Look'), Antoni Tàpies, Cavall Fort, núm 82, Barcelona, gener de 1967 - translated from Catalan; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC )p. 16, note 9

Love, Life, Pain, Mountain

“I felt that the murderer was in the room. Sitting with us — listening. one of us”

Agatha Christie book Murder in Mesopotamia

Amy Leatheran
Murder in Mesopotamia (1936)

“Star Wars is adolescent nonsense; Close Encounters is obscurantist drivel; Star Trek can turn your brains to puree of bat guano; and the greatest science fiction series of all time is Doctor Who! And I'll take you all on, one-by-one or all in a bunch to back it up!"
Auditorium monitors moved in, truncheons ready to club down anyone foolish enough to try jumping the lecture platform; and finally there was relative silence. And I heard scattered voices screaming from the back of the room, "Who? And I said, "Yes. Who!”

Harlan Ellison (1934–2018) American writer

Recalling an address to science-fiction fans, in his Introduction to Doctor Who and the Talons of Weng-Chiang (1977) by Terrance Dicks, p. vii

War, Star, Silence, Science

“I remember being awakened one morning by voices in the room where I slept. There was a whizzing sound which made itself heard between the voices now and then. It was the sound of spinning-wheels, and the voices were those of women spinning and carding wool. The dust of the room danced in a ray of sunshine which shone through the high narrow window that lighted the room..”

Jean-François Millet (1814–1875) French painter

Quote, c. 1870; as cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 12
taken from Millet's youth-memories, he wrote down on request of his friend and later biographer Alfred Sensier, https://fr.wikipedia.org/wiki/Alfred_Sensier]
1870 - 1875

Women, Light, Dance

“And we saw the seed,
The minuscule Sequoia seed
In the museum by the tremendous slab
Of the tree. And imagined the seed
In soil and the growth quickened
So that we saw the seed reach out, forcing
Earth thru itself into bark, wood, the green
Needles of a redwood until the tree
Stood in the room without soil—
How much of the earth's
Crust has lived
The seed’s violence!
The shock is metaphysical.”

George Oppen (1908–1984) American poet

"Return" st. 2, 1962; New Collected Poems, New Directions, 2002, ISBN 0-811-21488-5

Imagination, Tree

“In this room, the salamander was squashed between the pages of the rhyming dictionary, thereby changing poetry forever. Here, Salome walked around with a big red fish held high up over her head. Old Father spanked her with a ballet slipper, sending her to bed without milk or honey. Dance was changed in this room, too.”

Tom Robbins Half Asleep in Frog Pajamas

Half Asleep in Frog Pajamas (1994)

Fish, Change, Dance

“Whoop, there's an elephant in the room”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 6
On Sayings

“Where do Goldman and Eaton and Trautmann and Zelliot and Gold figure in the canon of South Asian Studies? Judging from the country where they work in, the United States of America, not very high. Were they to enter a seminar room at the Association of Asian Studies meetings there would not be the buzz that would certainly accompany the entrance of diasporic scholars ten times as glamorous but not half as accomplished.”

Ramachandra Guha (1958) historian and writer from India

[Guha, Ramachandra, The Ones Who Stayed Behind, http://ramachandraguha.in/archives/the-ones-who-stayed-behind-economic-and-political-weekly.html, Economic and Political Weekly, 22nd March 2003]

Study, Time, Country

“The first article in the foregoing quotation brings to my recollection the extraordinary performances of a professed fire-eater, whose name was Powel, well known in different parts of the kingdom about forty years ago. Among other wonderful feats, I saw him do the following: He ate the burning coals from the fire; he put a large bunch of matches lighted into his mouth, and blew the smoke of the sulphur through his nostrils; he carried a red-hot heater round the room in his teeth; and broiled a piece of beef-steak upon his tongue. To perform this, he lighted a piece of charcoal, which he put into his mouth beneath his tongue, the beef was laid upon the top; and one of the spectators blew upon the charcoal, to prevent the heat decreasing, till the meat was sufficiently broiled. By way of conclusion, he made a composition of pitch, brimstone, and other compustibles, to which he added several pieces of lead; the whole was melted in an iron ladle, and then set on fire; this he called his soup; and, taking it out of the ladle with a spoon of the same metal, he ate it in its state of liquefaction, and blazing furiously, without appearing to sustain the least injury.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 237
The Sports and Pastimes of the People of England (1801), Public entertainment

Way, Light, Appearance, Parting

“One of the most potent ways to spiritualize the home is to create a sacred space, an altar, or a room used only for meditation, prayer, or spiritual reading. […] Your sacred place will become an area of high spiritual vibrations which will affect the entire house, thereby attracting pious personalities. Having a sacred space will also remind you that your home belongs to God and that you are simply the caretaker of it.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 1: Dreams: A State of Reality, p. 27

God, Way, Home, Reading

“As Christianity spread, and the Church became more secularized, this realization of the costliness of grace gradually faded. The world was Christianized, and grace became its common property. It was to be had at low cost. Yet the Church of Rome did not altogether lose the earlier vision. It is highly significant that the Church was astute enough to find room for the monastic movement … Thus monasticism became a living protest against the secularization of Christianity and the cheapening of grace. … Monasticism was represented as an individual achievement which the mass of the laity could not be expected to emulate. By thus limiting the application of the commandments of Jesus to a restricted group of specialists, the Church evolved the fatal conception of the double standard.”

Dietrich Bonhoeffer (1906–1945) German Lutheran pastor, theologian, dissident anti-Nazi

translated as The Cost of Discipleship (1959), pp. 46-47.
Discipleship (1937), Costly Grace

World

“In a full heart there is room for everything. In an empty heart there is room for nothing.”

Antonio Porchia (1885–1968) Italian Argentinian poet

En una alma llena cabe todo y en una alma vacía no cabe nada.
Voces (1943)

Heart

“There are two young Englishmen in the next rooms to ours who are superb; their two sisters, looking like umbrellas, are here too, dressed in pink, with a little friend in blue with red hair. She is a type I have tried to draw on horseback but have not succeeded.”

Henri de Toulouse-Lautrec (1864–1901) French painter

Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 56 - in a letter, Winter 1881 from Nice, where he stayed with his mother

Sister, Drawing

“Take more room, examine my 'Gate' from a little farther off, and you will see once more the effect of the whole — the effect of unity which charms you when it is deprived of its ornamentation. You must understand that my sculpture is so calculated as to melt into the principal masses. For that matter, it completes them by modeling them into the light. The essential designs are there: it is possible that in the course of the final work I may find it necessary to diminish such or such a projection, to fill out such or such a pool of shadow; nevertheless, leave this difficulty to my fifty years of artisanship and experience, and you may be sure that quite by myself I shall find the best way of finishing my work.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 281; About the sculpture The Gates of Hell

Way, Understanding, Light

“The very structures, the corridors, the rooms and offices, are eloquent testimony to our past.”

John Allen Fraser (1931) Canadian politician

Source: The House Of Commons At Work (1993), Chapter 2, The Parliament Buildings, p. 28

Past

“Why was there nothing it refused? No misery, no regret, no hateful picture too rotten to accept? Like a greedy child it snatched up everything. Just once, could it say, No thank you? I just ate and can't hold another bite?... But my greedy brain says, Oh thanks, I'd love more... my brain would go right ahead and take it and never say, No thank you. I don't want to know or have to remember that. I have other things to do: worry, for example, about tomorrow, about Denver, about Beloved, about age and sickness not to speak of love. But her brain was not interested in the future. Loaded with the past and hungry for more, it left her no room to imagine, let alone plan for, the next day.”

Toni Morrison book Beloved

Beloved (1987)

Love, Hate, Age, Imagination

“In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world.”

Thomas Pynchon book The Crying of Lot 49

Source: The Crying of Lot 49 (1966), Chapter 1

World, Beauty, Girl, Heart

“Everybody’s got their differences
too bad
here’s a circumstance in which the stakes are high
everybody’s got their secrets out
so sad
go around the room and see who doesn’t cry Soon enough
you’ll be free to write it off
you don’t know enough
to call a bluff
and the one who does
will never ever tell”

Aimee Mann (1960) American indie rock singer-songwriter (born 1960)

"Soon Enough" · Video https://www.youtube.com/watch?v=DkjIoIhNDVY Song lyrics, Charmer (2012)

Secret, Sadness, Cry

“We may not substitute charity for godliness; but there is room for the Divine love in the heart which has been touched by the human.”

William Morley Punshon (1824–1881) English Nonconformist minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 47.

Love, Heart

“Death takes the mean man with the proud;
The fatal urn has room for all.”
Aequa lege Necessitas Sortitur insignes et imos; Omne capax movet urna nomen.

Horace book Odes

Book III, ode i, line 14 (trans. John Conington)
Odes (c. 23 BC and 13 BC)

Death

“The test will measure whether you are an informed, engaged and productive citizen of the world, and it will take place in schools and bars and hospitals and dorm-rooms and in places of worship. You will be tested on first dates, in job interviews, while watching football and while scrolling through your Twitter feed. The test will judge your ability to think about things other than celebrity marriages, whether you'll be easily persuaded by empty political rhetoric and whether you'll be able to place your life and your community in a broader context. The test will last your entire life, and it will be comprised of the millions of decisions that, when taken together, make your life yours. And everything - everything - will be on it.”

John Green (1977) American author and vlogger

Introduction to Crash Course World History https://www.youtube.com/watch?v=Yocja_N5s1I&list=PLBDA2E52FB1EF80C9 YouTube

Life, Marriage, World, School

“His military triumphs awakened no pride nor vain glory, as they would have done had they been effected for selfish purposes. In the time of his greatest power he maintained the same simplicity of manners and appearance as in the days of his adversity. So far from affecting a regal state, he was displeased if, on entering a room, any unusual testimonials of respect were shown to him. If he aimed at a universal dominion, it was the dominion of faith; as to the temporal rule which grew up in his hands, as he used it without ostentation, so he took no step to perpetuate it in his family”

Washington Irving (1783–1859) writer, historian and diplomat from the United States

Mahomet and his successors, George P. Putnam, 1850, p. 339.
Mahomet and his successors (1849)

Family, Faith, Universe, Appearance

“All this probing and grappling we must do, out in society: how much easier, Annabelle thinks, it is to stay in rooms you know as well as your own body, having a warm meal and an evening of television, where it's all so comfortably one-way.”

John Updike book Rabbit Remembered

Rabbit Remembered (2000)

Way, Thinking

“I spend a lot of my time looking at blue,
The colour of my room and my mood…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Lionheart (1978)

Mood, Time

“We live in anti-liberal times, when individual choice is highly suspect. The driving legislative ethos is toward making all actions required or forbidden, with less and less room for human volition. Simply put, we no longer trust the idea of freedom. We can't even imagine how it would work. What a distance we have traveled from the Age of Reason to our own times.”

Lew Rockwell (1944) American libertarian author and editor

As quoted in "The Freedom of Association" http://www.lewrockwell.com/rockwell/freedom-of-association145.html (1 June 2010). 2010s

Age, Travel, Imagination, Idea

“I'm reading a very quaint American book, The Power of Positive Thinking, written, I'd suppose, by a sectarian minister, presumably of Methodist dye. (Norman Vincent Peale).. He's full of stories of prayers heard - and extols the power of prayer.."Before leaving for an important business conference I brace myself with texts like 'If God be for us, who can be against us?'… Then I stalk into the conference room, sure of my victory, and carry off the most marvellous deal.." This, in essence is the burden of the whole book. That's what people call Christian optimism. But it's wasted on us - we've been spoilt for this sort of thing… But isn't it rather self suggestion than authentic religious impulse? It doesn't seem to have dawned on him that suffering, disappointment, defeat or loss might also have some point too, or that God's designs could sometimes be hidden…”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Letters 1951-59.

God, People, Books, Disappointment

“(talking about how girls like mystery) Next time your lady leaves the room, take a dump on the floor! 'Cuz there is nothing more mysterious than a dump on the floor! And it always starts a conversation, am I right? Honey, what happened? You better hold me 'cause I'm afraid.”

Dave Attell (1965) comedian

Comedy Central Presents: Dave Attell

Girl, Time

“When guests enter the room their entertainers rise to receive them; and in all meetings men should ascend into their higher selves, imparting to one another only the best they know and love.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 160

Love, Men

“People Who Get Higher Pay Require Less Security. ITEM. It's 2004. I am presenting Why Men Earn More to the sales and marketing teams of my publisher (AMACOM). To illustrate financial risk as one of the ways to higher pay, I ask everyone in the room who is paid by commission to stand up. Eight men stand; no women. I then ask those paid by salary to stand: About equal numbers of men and women stand.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Earn More (2005), p. 107.

Women, Men, People, Way

“And as she lookt about, she did behold,
How over that same dore was likewise writ,
Be bold, be bold, and every where Be bold,
That much she muz'd, yet could not construe it
By any ridling skill, or commune wit.
At last she spyde at that same roomes upper end,
Another yron dore, on which was writ,
Be not too bold.”

Edmund Spenser The Faerie Queene

Canto 11, stanza 54
The Faerie Queene (1589–1596), Book III

Communication

“I am very dubious of the idea of spontaneity, as if what we do to be free could ever be without restrictions by ideologies, circumstances, spaces, people in the room, aesthetics and judgments.”

Mattin (1977) Spanish musician

Interview (May 2007)

People, Idea

“It was a distance about twice as long as this room; then there was a wall, and just beyond it the crematory. When the wind blew in at the south I got smoke in my cell. It was a fat smoke, big flakes of smoke - human smoke.”

Franz Halder (1884–1972) German general

To Leon Goldensohn, April 5, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004
Sourced Encyclopedia of the Third Reich Louis L. Snyder

“The predominant colour of the kitchen -- its walls, cupboards, floor, shelves -- with all the ancillary rooms -- pantries, larders, cold stores, and sculleries, is green -- Hooker's dark green, leaf-green, emerald, faded turquoise, and eau-de-nile -- like the colours of a dark wet jungle.”

Peter Greenaway (1942) British film director

The Cook, The Thief, His Wife, and Her Lover

“Colleges being nothing but grooming schools for the middleclass non-identity which usually finds its perfect expression on the outskirts of the campus in rows of well-to-do houses with lawns and television sets in each living room with everybody looking at the same thing and thinking the same thing at the same time while the Japhies of the world go prowling in the wilderness…”

Jack Kerouac book The Dharma Bums

The Dharma Bums (1958)

World, School, Thinking, Time

“We had one night where I wanted a bunch of percussion noises at the end of song. We went into this room with three cases of percussion. Everybody just grabbed different shakers and things and was just throwing them around.
A few of the guys in the band got a little carried away and I just remember looking up and somebody was running into a wall. Another guy was leaping head first about three of four feet in the air. But other than that it was pretty sedated.”

Beck (1970) American Musician (b.1970)

The Aquarian Weekly, 15 December 1999

Guy, Night

“I'm always trying to understand myself, but it's like there's a point in the centre of the room, and there's a hundred windows to look at the same point from. All I can do is give you different angles on the same thing. God, you know, if I could find one conclusive thing in anything I would probably have something to put an anchor down on. But I can't, and I haven't met anyone that can. You can pick out anything you like in my lyrics, I don't seek to be cryptic. I love words for the sake of words, for me they're kind of free standing, and they don't really need to be explained. I think every word has its own character and colour and picture and the result you get with lyrics just depends how you put them together.”

KatieJane Garside (1968) English singer

On writing, Repeat https://web.archive.org/web/20031101121528/https://www.repeatfanzine.co.uk/interviews/queen%20adreena.htm fanzine (2003)

Love, God, Understanding, Thinking

“Have you seen a room from which faith has gone?…Like a marriage from which love has gone…And patience, patience everywhere like a fog.”

Graham Greene The Potting Shed

The Potting Shed (1957)

Love, Marriage, Faith, Patience

“As far back as 1624… Louis Savot invented the first heat-circulating fireplace. His unit was installed in the Louvre, Paris, and became the prototype for Ben Franklin's 1742 Pennsylvania stove. The 1624 French fireplace achieved 30 to 45 percent more efficiency than do most American tract home fireplaces of today! Savot surrounded the grate of his creation with a metal chamber, which had warm air outlets above the fire opening. He also supplied the fire with air from under the floor. Thus, room drafts were reduced and combustion efficiency was further improved. Few people are aware that practically all of the technical features of Franklin's Pennsylvania stove were copied from earlier inventors.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

People, Home

“One world and then another, running like a chain. One world treading on the heels of another world that plodded just ahead. One world’s tomorrow, another world’s today. And yesterday is tomorrow, and tomorrow is the past.
Except, there wasn’t any past. No past, that was, except the figment of remembrance that flitted like a night-winged thing in the shadow of one’s mind. No past that one could reach. No pictures painted on the wall of time. No film that one could run backwards and see what-once-had-been…
One road was open, but another road was closed. Not closed, of course, for it had never been. For there wasn’t any past, there never had been any, there wasn’t room for one. Where there should have been a past there was another world.”

Clifford D. Simak book City

Source: City (1952), Chapter 7, “Aesop” (pp. 195-196)

World, Time, Past, Painting

“"I see..." said the vampire thoughtfully, and slowly he walked across the room towards the window.”

Anne Rice (1941) American writer

first line
Interview With The Vampire (1976)

“The backlash is not a conspiracy, with a council dispatching agents from some central control room, nor are the people who serve its ends often aware of their role; some even consider themselves feminists. For the most part, its workings are encoded and internalized, diffuse and chameleonic. Not all of the manifestations of the backlash are of equal weight or significance, either; some are mere ephemera, generated by a culture machine that is always scrounging for a “fresh” angle. Taken as a whole, however, these codes and cajolings, these whispers and threats and myths, move overwhelmingly in one direction: they try to push women back into their “acceptable” roles — whether as Daddy's girl or fluttery romantic, active nester or passive love object.”

Susan Faludi book Backlash: The Undeclared War Against American Women

Page 16.
Backlash (1992)

Love, Women, People, Girl

“How much do you think it costs to go to college? Most people are likely to answer by adding together their expenditures on tuition, room and board, books, and the like, and then deducting any scholarship funds they may receive. Suppose that amount comes to $15,000.
Economists keep score differently. They first want to know how much you would be earning if you were not attending college. Suppose that salary is $20,000 per year. This may seem irrelevant, but because you give up these earnings by attending college, they must be added to your tuition bill. You have that much less income because of your education. On the other side of the ledger, economists would not count all of the university’s bill for room and board as part of the costs of your education. They would want to know how much more it costs you to live at school rather than at home. Economists would count only these extra costs as an educational expense because you would have incurred these costs whether or not you attend college. On balance, college is probably costing you much more than you think. And, as we will see later, taking opportunity cost into account in any personal planning will help you to make more rational decisions.”

William J. Baumol (1922–2017) American economist

William Baumol and Alan Blinder, Economics: Principles and Policy (2011), Ch. 1 : What is Economics?

People, Books, Education, School

“The temperature of the room dropped fast.”

Jonathan Stroud book The Amulet of Samarkand

Opening line.
The Amulet of Samarkand (2003)

“Once you’ve been naked in a room full of 300 people, nothing scares you. I’m not saying everyone should become a stripper but forcing yourself to do something terrifying can change your life. You realise you can do anything.”

Jodie Marsh (1978) English glamour model and television personality

Interview in The Metro http://www.metro.co.uk/showbiz/interviews/39209-60-seconds-jodie-marsh#ixzz1o9GF3Az0, undated.

Life, People, Change

“If they leave college thinking, as they usually do, that science offers a full, accurate, and literal description of man and Nature; if they think scientific research by itself yields final answers to social problems; if they think scientists are the only honest, patient, and careful workers in the world; if they think that Copernicus, Galileo, Newton, Lavoisier, and Faraday were unimaginative plodders like their own instructors; if they think theories spring from facts and that scientific authority at any time is infallible; if they think that the ability to write down symbols and read manometers is fair grounds for superiority and pride, and if they think that science steadily and automatically makes for a better world — then they have wasted their time in the science lecture room; they live in an Ivory Laboratory more isolated than the poet's tower, and they are a plain menace to the society they belong to. They are a menace whether they believe all this by virtue of being engaged in scientific work themselves or of being disqualified from it by felt or fancied incapacity.”

Jacques Barzun (1907–2012) Historian

On students, in Teacher in America (1945)

World, Spring, Nature, Problem

“[In 1938] Mussolini anti-clericalism was thus reassuring itself. Sometimes he now acknowledged that he was an outright disbeliever… [that] the papacy was a malignant tumor in the body of Italy and must 'be rooted out once and for all,’ because there was no room in Rome for both the Pope and himself.”

Denis Mack Smith (1920–2017) British historian

Source: Mussolini, 1983, p. 222

“Christianity depends finally on consciousness and experience. From other departments of the mind she may retire at times or seem to, but never from this. Sitting here, if allowed to, on the throne of the soul, she occasionally walks into the other rooms and sets them in order; and accustomed lo her presence, sooner or later the soul finds every department flooded with her light.”

Erastus Otis Haven (1820–1881) American Methodist Episcopal bishop

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 134.

Soul, Light, Time, Dependency

“That feeling of terrible emptiness when I touched him was like going into a house that you thought would be full of people you loved, only to find it empty, and even the furniture taken. You walk from room to room, hearing your footsteps echo on the naked floors. Your voice bounces back from the empty walls, where the lines of beloved photos still show like the line around a body at a crime scene. He was gone.”

Laurell K. Hamilton (1963) Novelist

memories of Princess Meredith about encountering the body of her father, Essus; p. 40
Merry Gentry series, A Stroke of Midnight (2005)

Love, People, Feeling, Photo

“The aversion of the first Christians to the images, inspired by the Pagan simulachres, made room, during the centuries which followed the period of the persecutions, to a feeling of an entirely different kind, and the images gradually gained their favour. Reappearing at the end of the fourth and during the course of the fifth centuries, simply as emblems, they soon became images, in the true acceptation of this word; and the respect which was entertained by the Christians for the persons and ideas represented by those images, was afterwards converted into a real worship. Representations of the sufferings which the Christians had endured for the sake of their religion, were at first exhibited to the people in order to stimulate by such a sight the faith of the masses, always lukewarm and indifferent. With regard to the images of divine persons of entirely immaterial beings, it must be remarked, that they did not originate from the most spiritualised and pure doctrines of the Christian society, but were rejected by the severe orthodoxy of the primitive church. These simulachres appear to have been spread at first by the Gnostics,—i. e., by those Christian sects which adopted the most of the beliefs of Persia and India. Thus it was a Christianity which was not purified by its contact with the school of Plato,—a Christianity which entirely rejected the Mosaic tradition, in order to attach itself to the most strange and attractive myths of Persia and India,—that gave birth to the images.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1549), p. 13

People, School, Faith, Religion

““You fought well and you fought for justice.”
“Justice?” Hawkmoon called after him as he left the room. “Is there such a thing?”
“It can be manufactured in small quantities,” Fank told him. “But we have to work hard, fight well and use great wisdom to produce just a tiny amount.””

Michael Moorcock book The Runestaff

Book 3, Chapter 17 “The Sad Queen” (p. 501)
The Runestaff (1969)

Wisdom, Justice, Fight

“After thirteen hours we arrived at Bangkok airport and I raced for the smoking room. Smoking room was a big name for a small Perspex cubicle that was opaque from the outside because of the grey pressure of the fumes within. I opened the door, saw all the other smokers sitting there face to face in two tight rows, and I realised that I would have to smoke in the standing position. Then I realised I didn’t have to light up. All I had to do was breathe in. It was the moment of truth.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Smoking the Memory', on giving up smoking
Television and radio, Radio 4: A Point of View

Truth, Light

“Gilt-tooled on yard-square panels of green leather—imitation, of course—the zodiacal signs looked down from the walls of the executive lunch-room. The air was full of the chatter of voices and the clink of ice-cubes. Waiting to be attacked when the president of the company joined them (he had promised to show at one sharp) was a table laden with expensive food: hard-boiled eggs, shells intact so that it could be seen they were brown, free-range, rich in carotene; lettuces whose outer leaves had been rasped by slugs; apples and pears wearing their maggot-marks like dueling scars, in this case presumably genuine ones though it had been known for fruit growers to fake them with red-hot wires in areas where insects were no longer found; whole hams, very lean, proud of their immunity from antibiotics and copper sulphate; scrawny chickens; bread as coarse as sandstone, dark as mud and nubbled with wheat grains...”

John Brunner book The Sheep Look Up

December “HOUSE TO HOUSE”
The Sheep Look Up (1972)

Food, Waiting

“It is one of the essential qualities of a Court of justice, that its proceedings should be public, and that all parties who may be desirous of hearing what is going on, if there be room in the place for that purpose,—provided they do not interrupt the proceedings, and provided there is no specific reason why they should be removed,—have a right to be present for the purpose of hearing what is going on.”

Sir John Bayley, 1st Baronet (1763–1841) British judge

Daubney v. Cooper (1829), 10 B. & C. 240.

Justice

“One time I was in the men's room of the bar and there was a guy at the urinal. He was kind of drunk, and said to me in a mean-sounding voice, "I don't like your face. I think I'll push it in."I was scared green. I replied in an equally mean voice, "Get out of my way, or I'll pee right through ya!"”

Richard Feynman (1918–1988) American theoretical physicist

Part 4: "From Cornell to Caltech, With a Touch of Brazil", "Any Questions?", p. 177
Surely You're Joking, Mr. Feynman! (1985)

Men, Way, Guy, Thinking

“I wanted a break. I had been on the road more or less since I was 18, you know? And I hadn't known any other life, other than, you know, hotel rooms and concerts and records and studios and press conferences. … and to me, here was a chance to jump off that kind of wagon and see life for real. You know, actually my last album was called Back to Earth. So that was the meaning of it. I wanted to join the human race again. I didn't want to be a star. I didn't want to continue with that thing, because so much illusion and non-reality is connected to it. I wanted to be real. And so I — I kind of — I found an opportunity. And the actual point about music was — the imam who I met and who I first embraced Islam with in London's Central Mosque, he actually told me to continue making records.”

Cat Stevens (1948) British singer-songwriter

On the abandonment of his music career after converting to Islam, on Larry King Live (7 October 2004) http://transcripts.cnn.com/TRANSCRIPTS/0410/07/lkl.01.html

Life, Music, Star, Reality

“Puppetry's a lot harder than people realize, and it's particularly difficult doing a movie. You have this scene with all these puppets, and when something goes wrong, you've got to set the whole thing up to do it again. With people, you ask an actor to walk across the room a second or third time, and he does it. That's it.”

Jim Henson (1936–1990) American puppeteer

Interview with Associated Press (1984)

People, Time

“The mirror by the door was not a mirror by the door, it was an altar where he stood for only a moment to put on his cap before going out. The red rocking chair was a rocking of his own hips as he sat in the kitchen. Still, there was nothing of his — his own — that she could find. It was as if she were afraid she had hallucinated him and needed proof to the contrary. His absence was everywhere, stinging everything, giving the furnishings primary colors, sharp outlines to the corners of rooms and gold light to the dust collecting on table tops. When he was there he pulled everything toward himself. Not only her eyes and all her senses but also inanimate things seemed to exist because of him, backdrops to his presence. Now that he had gone, these things, so long subdued by his presence, were glamorized in his wake.”

Toni Morrison book Sula

Sula (1973)

Color, Sense, Light

Quotes about room page 10

Quotes about room
page 10