Quotes about room
page 9

Dinesh D'Souza photo
Lu Xun photo
Blake Schwarzenbach photo

“I rang room service, and asked for a bottle of Perrier, because while I was asleep someone had come in and carpeted my throat.”

Alan Coren (1938–2007) humorist and writer from the United Kingdom

"The Night We Went To Epernay By Way Of Tours-sur-Marne".
The Sanity Inspector (1974)

Jozef Israëls photo

“He [the painter J. A. Kruseman in Amsterdam] is very amicable with his students without exposing his mastery to disdain. I sometimes see him painting from time to time. And I almost visit daily his studio. You must know that his students don't work in the same room where the big man is staying... Sometimes one or two days pass that he doesn't see our work, he let follow the students their own way most of the time... Thanks God he tells me I have feeling and talent.”

Jozef Israëls (1824–1911) Dutch painter

translation from original Dutch text: Fons Heijnsbroek
version in original Dutch (citaat uit de brief van Jozef Israëls, in het Nederlands): Hij [de schilder J.A. Kruseman te Amsterdam] gaat zeer amical met zijn discipelen om zonder zijn meesterschap aan minachting bloot te stellen. Ik zie hem nu en dan wel eens schilderen. En kom in zijn atelier bijna dagelijksch. Gij moet namenlijk weten dat zijn leerlingen niet in dezelfde kamer zitten te werken waar de groote man zit.. .Soms gaan er wel een of 2 dage voorbij dat hij het werk niet komt zien, hij laat de leerlingen meest hun eigen manier volgen.. .Hij zegt mij Gode zij dank gevoel en dispositie toe..
In a letter of Jozef Israels from Amsterdam, 16 July 1843, to his friend, pharmacist Essingh in Groningen; from R.K.D. Archive, A.S. Kok, The Hague
Quotes of Jozef Israels, 1840 - 1870

Kent Hovind photo
Peter Greenaway photo
Gabriele Münter photo
Evelyn Waugh photo
Meryl Streep photo

“I don’t know what my image is. I went to France to publicize Marvin’s Room, and one really smart young woman journalist said to me “You know, what I told people I was going to interview Meryl Streep, they were so excited…all ze woman in my office, they love you so much. But ze men - they are afraid of you.”

Meryl Streep (1949) American actress

Source: Liz Smith (1998). "The Meryl Streep Nobody Knows." Good Housekeeping, 227(3), September 1998, pp. 94-98; Cited in: Karen Hollinger The Actress: Hollywood Acting and the Female Star http://books.google.co.in/books?id=89W0QMDjA7gC&pg=PA71&dq=Meryl+Streep&hl=en#v=onepage&q=Meryl%20Streep&f=false, Taylor & Francis, 2006, p. 71

William Paley photo
Frederick Douglass photo
Evelyn Waugh photo
Victor Villaseñor photo
Edgar Rice Burroughs photo
Jeremy Corbyn photo

“No royal palace was prepared for him;
No silken courtiers slid from room to room,
Gathering together in the gorgeous gloom
Of purple hangings, drooping rich and dim;”

John Stanyan Bigg (1828–1865) British writer

Ode to the Centenary of Burns http://www.gerald-massey.org.uk/massey/dmc_burns_centenary2.htm#7 (1858)

Bill Engvall photo

“[Talking about the difference between the first and twentieth year of marriage] Remember that first year of marriage, you used to argue just so you could make up and have sex? Twenty years later, you're arguing just so they'll sleep in the other room.”

Bill Engvall (1957) American comedian and actor

Remember that first year of marriage, when you went to the bathroom? Oh, lock the bathroom door, turn on the shower, because God forbid they knew you were going poo. Twenty years later, that bathroom door is wide open...you're saying "Bring the camera!"
Remember that first year of marriage, you'd come home and go "Ugh, what a bad day at work" and your wife would go, "Oh, they shouldn't be treating you so bad. Here, go sit down, I'll get you a beer, you can tell me all about it." Twenty years later, you come home, "Ugh, I had a bad day at work," she's going, "YOU WANT TO KNOW WHAT HAPPENED AT THIS HOUSE TODAY?! While you were at your 'job'?"
Here's Your Sign Live! (2004)

Mike Oldfield photo
Marc Chagall photo
Gideon Mantell photo
Frank Bainimarama photo

“We are not going to take this Bill for granted. We asked them (the Daily Post reporters) to leave the room because they are for the Bill. And if they are for the Bill, this means they are anti-RFMF.”

Frank Bainimarama (1954) Prime Minister of Fiji

2000, Reaction to calls from Australian Foreign Minister Alexander Downer for the Military to stay out of politics (30 September 2005)

Michelle Obama photo

“When I first arrived at school as a first-generation college student, I didn’t know anyone on campus except my brother. I didn’t know how to pick the right classes or find the right buildings. I didn’t even bring the right size sheets for my dorm room bed. I didn’t realize those beds were so long. So I was a little overwhelmed and a little isolated.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

Statements proceeding introduction of husband at College Opportunity Summit (16 January 2014) http://www.whitehouse.gov/the-press-office/2014/01/16/remarks-president-and-first-lady-college-opportunity-summit
2010s

William Moulton Marston photo

“In the spring of the freshman year, the sophmore girls held what was called "The Baby Party" which all freshmen girls were compelled to attend. At this affair, the freshmen girls were questioned as to their misdemeanors and punished for their disobedience and rebellions. The baby party was so name because the freshman girls were required to dress as babies.
At the party; the freshmen girls were put through various students under command of sophomores. Upon one occasion, for instance, the freshman girls were led into a dark corridor where their eyes were blindfolded, and their arms were bound behind them. Only one freshman at a time was taken through this corridor along which sophomore guards were stationed at intervals. This arrangement was designed to impress the girls punished with the impossibility of escape from their captresses. After a series of harmless punishments, each girl was led into a large room where all the Junior and Senior girls were assembled. There she was sentenced to go through various exhibitions, supposed to be especially suitable to punish each particular girls failure to submit to discipline imposed by the upper class girl. The sophomore girls carried long sticks with which to enforce, if necessary, the stunts which the freshmen were required to preform. While the programme did not call for a series of pre-arranged physical struggles between individual girls…frequent rebellion of the freshman against the commands of their captresses and guards furnished the most exciting portion of the entertainment according to the report of a majority of the class girls.
Nearly all the sophomores reported excited pleasantness of captivation emotion throughout the party. The pleasantness of captivation response appeared to increase when they were obliged to overcome rebellious freshmen physically, or to preform the actions from which the captive girls strove to escape….
Female behavior also contains still more evidence than male behavior that captivation emotion is not limited to inter-sex relationships. The person of another girls seems to evoke from female subjects, under appropriate circumstances, filly as strong captivation response as does that of a male.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

as quoted in Wonder Woman: Bondage and Feminism in the Marston/Peter comics, 1941-1948, pp. 64-65 by Noah Berlatsky.
The Emotions of Normal People (1928)

“Your way leads you to lands of rain and wind—
mine takes me back to our old room, our bed.”

Đặng Trần Côn (1710–1745) writer

Source: Chinh phụ ngâm, Lines 53–54

“Sometimes I think it sounds like I walked out of the room and left the typewriter running.”

Gene Fowler (1890–1960) American journalist

Attributed without citation in Military Chaplains' Review, Chaplains, U.S. Army. (1981), p. 144

“Richard Feynman presciently stated… that ‘There’s Plenty of Room at the Bottom’. …within this vast room … there will be a requirement for communication.”

Bush, S.F., Nanoscale Communication Networks, 2010, 308 pages, Artech House; 1 edition (February 28, 2010) ISBN-10: 1608070034, ISBN-13: 978-1608070039.

Martin Amis photo
Denis Papin photo

“What I say here is not to give room for believing, that Mr. Savery, who has since published this invention at London, is not actually the inventor. I do not doubt that the same thought may have occurred to him, as well as to others, without having learnt it elsewhere.”

Denis Papin (1647–1713) French physicist, mathematician and inventor

Denis Papin, as quoted by Bernard Forest de Bélidor, Architecture Hydraulique Vol.2 https://books.google.com/books?id=tBkWAAAAYAAJ, p. 309 Tr. Patrick Muirhead, The Life of James Watt https://books.google.com/books?id=MeJUAAAAcAAJ (1859) p. 145

Ursula K. Le Guin photo

“In the self-important, Falco reflected, there is always room for a little more self-importance.”

Source: The Eye of the Heron (1978), Chapter 5 (p. 66)

Jim Butcher photo
Algis Budrys photo

“There has to be an end somewhere, he thought. Each thing has to end, or there will never be any room for beginnings.”

Algis Budrys (1931–2008) American writer

The End of Summer, p. 32
The Unexpected Dimension (1960)

Brad Paisley photo
André Maurois photo

“Old age is far more than white hair, wrinkles, the feeling that it is too late and the game finished, that the stage belongs to the rising generations. The true evil is not the weakening of the body, but the indifference of the soul. Upon crossing the shadow line, it is more the desire to act than the power to do so that is lost. Is it possible, after fifty years of experiences and disappointments, to retain the ardent curiosity of youth, the desire to know and understand, the power to love wholeheartedly, the certainty that beauty, intelligence, and kindness unite naturally, and to preserve faith in the efficacy of reason? Beyond the shadow line lies the realm of even, tempered light where the eyes, not being dazzled any more by the blinding sun of desire, can see things and people as they are. How is it possible to believe in the moral perfection of pretty women if you have loved one of them? How is it possible to believe in progress when you have discovered throughout a long and difficult life that no violent change can triumph over human nature and that it is only the most ancient customs and ceremonies that can provide people with the flimsy shelter of civilization? "What's the use?" says the old man to himself. This is perhaps the most dangerous phrase he can utter, for after having said: "What's the use of struggling?" he will say one day: "What's the use of going out?" then: "What's the use of leaving my room?" then: "What's the use of leaving my bed?" and at last comes "What's the use of living?"”

André Maurois (1885–1967) French writer

which opens the portals of death.
Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Simon Newcomb photo
Henry Moore photo
Nisargadatta Maharaj photo

“(…)The body-mind is like a room. It is there, but I need not live in it all the time.”

Nisargadatta Maharaj (1897–1981) Indian guru

Body
Source: I am That, P.153.

P.G. Wodehouse photo
James D. Watson photo

“I suspect that in the beginning Maurice hoped that Rosy would calm down. Yet mere inspection suggested that she would not easily bend. By choice she did not emphasize her feminine qualities. Though her features were strong, she was not unattractive and might have been quite stunning had she taken even a mild interest in clothes. This she did not. There was never lipstick to contrast with her straight black hair, while at the age of thirty-one her dresses showed all the imagination of English blue-stocking adolescents. So it was quite easy to imagine her the product of an unsatisfied mother who unduly stressed the desirability of professional careers that could save bright girls from marriages to dull men. But this was not the case. Her dedicated austere life could not be thus explained — she was the daughter of a solidly comfortable, erudite banking family.
Clearly Rosy had to go or be put in her place. The former was obviously preferable because, given her belligerent moods, it would be very difficult for Maurice to maintain a dominant position that would allow him to think unhindered about DNA. Not that at times he'd didn't see some reason for her complaints — King's had two combination rooms, one for men, the other for women, certainly a thing of the past. But he was not responsible, and it was no pleasure to bear the cross for the added barb that the women's combination room remained dingily pokey whereas money had been spent to make life agreeable for him and his friends when they had their morning coffee.
Unfortunately, Maurice could not see any decent way to give Rosy the boot. To start with, she had been given to think that she had a position for several years. Also there was no denying that she had a good brain. If she could keep her emotions under control, there was a good chance she could really help him. But merely wishing for relations to improve was taking something of a gamble, for Cal Tech's fabulous chemist Linus Pauling was not subject to the confines of British fair play. Sooner or later Linus, who had just turned fifty, was bound to try for the most important of all scientific prizes. There was no doubt he was interested. … The thought could not be avoided that the best home for a feminist was in another person's lab.”

Description of Rosalind Franklin, whose data and research were actually key factors in determining the structure of DNA, but who died in 1958 of ovarian cancer, before the importance of her work could be widely recognized and acknowledged. In response to these remarks her mother stated "I would rather she were forgotten than remembered in this way." As quoted in "Rosalind Franklin" at Strange Science : The Rocky Road to Modern Paleontology and Biology by Michon Scott http://www.strangescience.net/rfranklin.htm
The Double Helix (1968)

John Derbyshire photo
David Brin photo
Joseph Strutt photo
Richard Dawkins photo
Marshall McLuhan photo
Max Weber photo
Thomas Morton (playwright) photo
James A. Michener photo

“The really great writers are people like Emily Brontë who sit in a room and write out of their limited experience and unlimited imagination.”

James A. Michener (1907–1997) American author

As quoted in "The Michener Phenomenon" by Caryn James in The New York Times (8 September 1985)

Mary Parker Follett photo

“One of the most interesting things about business to me is that I find so many business men who are willing to try experiments. I should like to tell you about two evenings I spent last winter and the contrast between them. I went one evening to a drawing-room meeting where economists and M. Ps. talked of current affairs, of our present difficulties. It all seemed a little vague to me, did not seem really to come to grips with our problem. The next evening it happened that I went to a dinner of twenty business men who were discussing the question of centralization and decentralization. Each one had something to add from his own experience of the relation of branch firms to the central office, and the other problems included in the subject. There I found L hope for the future. There men were not theorizing or dogmatizing; they were thinking of what they had actually done and they were willing to try new ways the next morning, so to speak. Business, because it gives us the opportunity of trying new roads, of blazing new trails, because, in short, it is pioneer work, pioneer work in the organized relations of human beings, seems to me to offer as thrilling an experience as going into a new country and building railroads over new mountains. For whatever problems we solve in business management may help towards the solution of world problems, since the principles of organization and administration which are discovered as best for business can be applied to government or international relations. Indeed, the solution of world problems must eventually be built up from all the little bits of experience wherever people are consciously trying to solve problems of relation. And this attempt is being made more consciously and deliberately in industry than anywhere else.”

Mary Parker Follett (1868–1933) American academic

Source: Dynamic administration, 1942, p. xxi-xxii

Ben Carson photo

“God would grant all of us wisdom, calm, and peace, that his presence would be in the operating room, and that his will might be done.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Take The Risk (2008), p. 20

John Fante photo
Dashiell Hammett photo

“"Remember, I've got no idea what this is all about," said the girl when they were in the living room, a narrow room, where blue fought with red without ever compromising on purple.”

Dashiell Hammett (1894–1961) American writer

"The Assistant Murderer" (published in Black Mask, February 1926)
Short Stories

Greg Egan photo
John Calvin photo

“Moreover, in order that we may be aroused and exhorted all the more to carry this out, Scripture makes known that there are not one, not two, nor a few foes, but great armies, which wage war against us. For Mary Magdalene is said to have been freed from seven demons by which she was possessed [Mark 16:9; Luke 8:2], and Christ bears witness that usually after a demon has once been cast out, if you make room for him again, he will take with him seven spirits more wicked than he and return to his empty possession [Matt. 12:43-45]. Indeed, a whole legion is said to have assailed one man [Luke 8:30]. We are therefore taught by these examples that we have to wage war against an infinite number of enemies, lest, despising their fewness, we should be too remiss to give battle, or, thinking that we are sometimes afforded some respite, we should yield to idleness.
But the frequent mention of Satan or the devil in the singular denotes the empire of wickness opposed to the Kingdom of Righteousness. For as the church and fellowship of the saints has Christ as Head, so the faction of the impious and impiety itself are depicted for us together with their prince who holds supreme sway over them. For this reason, it was said: "Depart, …you cursed, into the eternal fire, prepared for the devil and his angels"”

Matt. 25:41
“Calvin: Institutes of the Christian Religion” https://books.google.com/books?isbn=1611644453 Book 1, ch.14, sect. 14, edited by John T. McNeill pp.173-174.
Institutes of the Christian Religion (1536; 1559)

Ferenc Puskás photo
Bassel Khartabil photo

“Ideas hate conference rooms”

Bassel Khartabil (1981–2015) free culture and democracy activist, Syrian political prisoner

Tweet Nov 25, 2010, 7:12AM https://twitter.com/basselsafadi/status/7813843816292353 at Twitter.com

Albert Camus photo
Bernie Sanders photo
Morrissey photo
Jodi Benson photo
Janeane Garofalo photo

“I actually was class clown, but I don't know how that happened because I've never been considered an outwardly funny person — as the people in this room will attest.”

Janeane Garofalo (1964) comedian, actress, political activist, writer

standup performance, date unknown[citation needed]
Standup routines

“Jane Seymour made my I. B. S act up. I had to leave the room.”

Radio From Hell (April 23, 2007)

“Ah, the life of a newspaper cartoonist -- how I miss the groupies, drugs and trashed hotel rooms!”

Bill Watterson (1958) American comic artist

Interview with John Campanelli of The Plain Dealer http://www.cleveland.com/living/index.ssf/2010/02/bill_watterson_creator_of_belo.html

Jerome David Salinger photo
Quentin Crisp photo
Piet Mondrian photo

“You should remember that my things are still intended to be paintings, that is to say, they are plastic representations, in and by themselves, not part of a building. Furthermore, they have been made in a small room. Also, that I use subdued colours for the time being, adapting myself to the present surroundings and to the outer world; this does not mean that I should not prefer a pure colouring. Otherwise you might think that I contradict myself in my work.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian in a letter to Theo van Doesburg, 13 Feb. 1917; as cited in 'Stijl' catalogue, 1951, p. 72; in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp 13-14
1910's

Philip Wollen photo
A. M. Homes photo

“There is no VIP room in reality, and there is no reality in this city. You can't Google the answer.”

A. M. Homes (1961) novelist and memoirst from the United States

This Book Will Save Your Life (2006)

Clive Staples Lewis photo
Frank Bainimarama photo

“You have to give it (the tiger) room. If you don't give it room, it will bite you.”

Frank Bainimarama (1954) Prime Minister of Fiji

(4 January 2005; seen as a veiled threat to politicians not to interfere with the military).
2000, 2005

Archibald Primrose, 5th Earl of Rosebery photo

“…it is a revolution without any mandate from the people. (Cheers.) Now, gentlemen, it is in the first place a revolution in fiscal methods…this Budget is introduced as a Liberal measure. If so, all I can say is that it is a new Liberalism and not the one that I have known and practised under more illustrious auspices than these. (Cheers.) Who was the greatest, not merely the greatest Liberal, but the greatest financier that this country has ever known? (A voice, "Gladstone.") I mean Mr. Gladstone. (Cheers.) With Sir Robert Peel—he, I think, occupied a position even higher than Sir Robert Peel—for boldness of imagination and scope of financing Mr. Gladstone ranks as the great financial authority of our time. (Cheers.) Now, we have in the Cabinet at this moment several colleagues, several ex-colleagues of mine, who served in the Cabinet with Mr. Gladstone…and I ask them, without a moment's fear or hesitation as to the answer that would follow if they gave it from their conscience, with what feelings would they approach Mr. Gladstone, were he Prime Minister and still living, with such a Budget as this? Mr. Gladstone would be 100 in December if he were alive; but, centenarian as he would be, I venture to say that he would make short work of the deputation of the Cabinet that waited on him with the measure, and they would soon find themselves on the stairs and not in the room. (Laughter and cheers.) In his eyes, and in my eyes, too, as a humble disciple, Liberalism and Liberty were cognate terms. They were twin-sisters. How does the Budget stand the test of Liberalism so understood and of Liberty as we have always comprehended it? This Budget seems to establish an inquisition, unknown previously in Great Britain, and a tyranny, I venture to say, unknown to mankind…I think my friends are moving on the path that leads to Socialism. How far they are advanced on that path I will not say, but on that path I, at any rate, cannot follow them an inch. (Loud cheers.) Any form of protection is an evil, but Socialism is the end of all, the negation of faith, of family, of prosperity, of the monarchy, of Empire.”

Archibald Primrose, 5th Earl of Rosebery (1847–1929) British politician

Loud cheers.
Speech in Glasgow attacking the "People's Budget" (10 September 1909), reported in The Times (11 September 1909), pp. 7-8.

Donald J. Trump photo

“Space. A lotta room out there, right? [Buzz Aldrin interjects: To infinity and beyond! ] This is infinity, it could be infinity, we don't really don't know, but it could be, there's gotta be something, but it could be infinity, right?”

Donald J. Trump (1946) 45th President of the United States of America

Trump speaking while signing an Executive Order on the National Space Council https://www.whitehouse.gov/the-press-office/2017/06/30/remarks-president-signing-executive-order-national-space-council (30 June 2017)
2010s, 2017, June

Suze Robertson photo

“It is not so bad that my paintings have been placed in the so-called reading room [Amsterdam exhibition, probably Arti et Amicitiae at the Rokin? ]. But it will be just as you write, they will definitely have to serve for FW Jansen and others. They certainly must get the medals and have to show in a most favorable way... Are there many beautiful things exhibited or is everything rather mediocre? Is there something to see of Breitner and Bauer.”

Suze Robertson (1855–1922) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Suze Robertson's brief:) Het valt me nog mee dat mijn schilderijen in de zoogenaamde leeszaal geplaatst zijn [tentoonstelling Amsterdam, waarschijnlijk nl:Arti et Amicitiae aan het Rokin?]. Maar het zal wel net zijn zoals je schrijft, ze zullen zeker dienst moeten doen voor FW Jansen en anderen. Die moeten zeker de medailles hebben en moeten op zijn gunstigst uitkomen.. ..Is er veel moois of is alles nogal middelmatig? Is er van Breitner nog iets en Bauer.
In a letter of Suze Robertson from Heeze, 11 Sept. 1904, to her husband Richard Bisschop; as cited in Suze Robertson 1855-1922 – Schilderes van het harde en zware leven, exhibition catalog, ed. Peter Thoben; Museum Kemperland, Eindhoven, 2008, p. 12
1900 - 1922

Mary Meeker photo

“Change, opportunity, and responsibility. We’re living in a period of unprecedented change and unprecedented opportunity. Especially for the people in this room, unprecedented need for responsibility.”

Mary Meeker (1959) American venture capitalist and securities analyst

2018 Code Conference: "Mary Meeker's 2018 internet trends report" https://www.recode.net/2018/5/30/17411618/full-video-transcript-kleiner-perkins-mary-meeker-trends-presentation-slide-deck-code-2018 (30 May 2018)

Ilana Mercer photo

“There is no such thing as absolute free speech; there are only absolute rights of private property. Speech is circumscribed by private property rights. You may deliver a disquisition in my virtual or actual living room only if I permit you to so do.”

Ilana Mercer South African writer

“No More Making Whoopy in the Military?” http://barelyablog.com/no-more-making-whoopy-in-the-military Barely A Blog, December 23, 2009.
2000s, 2009

K. R. Narayanan photo
Enoch Powell photo

“Make no mistake, the real power resides not where present authority is exercised but where it is expected that authority will in future be exercised. The magnetic attraction of power is exercised by the prospect long before the reality is achieved; and the trek towards the rising sun, which is already in progress in 1972, would swell to an exodus before long. What do you imagine is the reason why Roy Jenkins is prepared to resign the front bench and divide his party in the endeavour to give a Conservative Prime Minister a majority in the House of Commons? The motive is not ignoble or discreditable—I am not asserting that—but it is a motive which it behoves people in Britain well to understand. It is the ambition to exercise his talents on the stage of Europe and to participate in taking decisions not for Britain here at home but for Europe in Brussels, Paris, Luxembourg or wherever else the imperial pavilions may be pitched. He does not, I assure you, forsee his future triumphs and achievements where his predecessors have seen them in the past – at the despatch box in the House of Commons or in the Cabinet room at Downing St. These are not good enough: the vision splendid beckons elsewhere.”

Enoch Powell (1912–1998) British politician

Speech at Millom, Cumberland (29 April 1972), from A Nation or No Nation? Six Years in British Politics (Elliot Right Way Books, 1977), p. 42. Jenkins had resigned from the Shadow Cabinet and as deputy leader of the Labour Party due to Labour's opposition to British entry into the EEC. Jenkins wrote to Powell to claim what he said was "totally untrue". Four years later Jenkins would leave front line British politics to become President of the European Commission.
1970s

George W. Bush photo

“That guy is so quick, he can switch off the light and get into bed before the room is dark.”

Jack Gibson (1929–2008) Australian rugby league player and coach

Gibson making an assessment on fast winger Andrew Ettingshausen during his summary of a match on television.

Mickey Spillane photo
John Fante photo
Charlton Heston photo
Johannes Warnardus Bilders photo

“On a certain day I packed my things and went to Oosterbeek [c. 1834-36]. I saw a man lying out of the window somewhere. Farmer! are there rooms for rent nearby? - Yes sir, even here. - I went in, saw a beautiful, suitable painting room; that satisfied me, I ask for nothing more. One hundred fifty guilders was the rent [per year]. I offered a hundred sixty when he also worked the garden and planted a lot of red cabbage, because I like to see that.”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

version in original Dutch (citaat van Johannes Warnardus Bilders, in Nederlands): Ik pakte mijn rommeltje en ging op een goeden dag naar [c. 1834-36]. Daar zag ik ergens een man uit het venster liggen. Boer! zijn hier in de buurt ook kamers te huur? - Jawel meneer, hier zelfs. - Ik ging naar binnen, zag een mooie, geschikte schilderkamer; dat was mij genoeg, ik vraag naar niets meer. Honderdvijftig gulden was de huur [per jaar]. Ik bood honderdzestig als hij dan ook den tuin bewerkte en vooral veel roode kool plantte, want die zie ik graag.
p. 78
1880's, Johannes Warnardus Bilders' (1887/1900)

Kenny Dalglish photo

“What do I say to them in the dressing-room? Nothing really. Most of the time I don't even know what they are going to do myself.”

Kenny Dalglish (1951) Scottish association football player and manager

On managing Liverpool FC ( Source http://imdb.com/name/nm0197910/bio)

Philip K. Dick photo
Ogden Nash photo

“Oh, than to enjoy a storm like this
There's nothing I would rather,
Don't dive between the blankets, Miss!
Or else leave room for Father.”

Ogden Nash (1902–1971) American poet

Many Long Years Ago (1945), A Watched Example Never Boils

Edouard Manet photo

“I spent a long time, my dear Suzanne, looking for your photograph - I eventually found the album in the table in the drawing room, so I can look at your comforting face from time to time. I woke up last night thinking I heard you calling me... Every day we're expecting a major offensive to break through the iron ring that surrounds us. We are counting on the provinces, because we can't just send our little [French] army of to be massacred. Those devious Prussians may well try to starve us out.”

Edouard Manet (1832–1883) French painter

Quote from Manet's letter to his wife, Suzanne Leenhof 23 Oct. 1870, a cited in The private lives of the Impressionists Sue Roe, Harpen Collins Publishers, New York 2006, p. 78
the Prussian army was encircling Paris completely in Autumn, 1870; Manet was locked up, but had sent his wife Suzanne to the county before, out of dangerous Paris
1850 - 1875

Edward Bernays photo
George W. Bush photo
Robert A. Heinlein photo