Quotes about intensity
page 6

Erich Fromm photo
Ramakrishna photo
J.M.W. Turner photo

“Dear Jones, - Two months nearly in getting to this Terra Pictura, and at work; but the length of time is my own fault. [because] I must see the South of France, which almost knocked me up, the heat was so intense, particularly at Nismes and Avignon; and until I got a plunge into the sea at Marseilles, I felt so weak that nothing but the change of scene kept me onwards to my distant point. Genoa, and all the sea-coast from Nice to Spezzia, is remarkably rugged and fine; so is Massa... Hope that you have been better than usual, and that the pictures go on well.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote in Turner's letter from Rome, 13 Oct. 1828 to his friend George Jones; as cited in The Life of J. M. W. Turner R.A. , Walter Thornbury - A new Edition, Revised https://ia601807.us.archive.org/24/items/gri_33125004491185/gri_33125004491185.pdf; London Chatto & Windus, 1897, p. 101
1821 - 1851

John Banville photo
James Joyce photo
Agatha Christie photo
Jack Vance photo
John Ruysbroeck photo

“If every earthly pleasure were melted An intelligence in repose without images, an intuition in the light of God, and a spirit elevated in Purity to the Face of God, these three qualities united constitute the true contemplative life into a single experience and bestowed upon one man,
it would be as nothing when measured by the joy of which I write for here it is God who passes into the depths of us in all His purity,
and the soul is not only filled but overflowing.
This experience is that light that makes manifest to the soul the terrible desolation of such as live divorced from love;
it melts the man utterly; he is no longer master of his joy.
Such possession produces intoxication, the state of the spirit in which its bliss transcends the uttermost bounds of anticipation or desire.
Sometimes the ecstasy pours forth in song, sometimes in tears:
at one moment it finds expression in movement, at others in the intense stillness of burning, voiceless feeling.
Some men knowing this bliss wonder if others feel God as they do; some are assured that no living creature has ever had such experiences as theirs;
there are those who wonder that the world is not set aflame by this joy; and there are others who marvel at its nature, asking whence it comes, and what it is.
The body itself can know no greater pleasure upon earth than to participate in it;
and there are moments when the soul feels that it must shiver to fragments in the poignancy of this experience.”

John Ruysbroeck (1293–1381) Flemish mystic

An Anthology of Mysticism and Philosophy

Nicole Oresme photo
Francis Fukuyama photo
Stendhal photo

“A strange effect of marriage, such as the nineteenth century has made it! The boredom of married life inevitably destroys love, when love has preceded marriage. And yet, as a philosopher has observed, it speedily brings about, among people who are rich enough not to have to work, an intense boredom with all quiet forms of enjoyment. And it is only dried up hearts, among women, that it does not predispose to love.”

Étrange effet du mariage, tel que l'a fait le XIXe siècle! L'ennui de la vie matrimoniale fait périr l'amour sûrement, quand l'amour a précédé le mariage. Et cependant, dirait un philosophe, il amène bientôt chez les gens assez riches pour ne pas travailler, l'ennui profond de toutes les jouissances tranquilles. Et ce n'est que les âmes sèches parmi les femmes qu'il ne prédispose pas à l'amour.
Vol. I, ch. XXIII
Le Rouge et le Noir (The Red and the Black) (1830)

William S. Burroughs photo
James K. Morrow photo

“Under the midnight sun, despair acquires the intensity of sex, insomnia the vehemence of art.”

Source: Towing Jehovah (1994), Chapter 12, “Father” (p. 337)

Gino Severini photo
Hermann Hesse photo

“A man cannot live intensely except at the cost of the self”

Steppenwolf (1927)

Cyril Connolly photo
Mahatma Gandhi photo
Stephen Johnson Field photo
Samuel Taylor Coleridge photo

“Intense study of the Bible will keep any writer from being vulgar, in point of style.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Specimens of the table talk of the late Samuel Taylor Coleridge, June 14, 1830, (1835) p. 177

Bill Moyers photo
Joseph Joubert photo
Avital Ronell photo
Emil M. Cioran photo

“Some one wrote to me upon the publication of my book two years ago: “But you live in England! Poor man: then you are a preacher in the desert!” So I am. But I owe something to my desert. The desert is an excellent place for anybody who can make use of it, as biblical and post-biblical experience proves. Without my desert I should not have written my book. Without coming to England I should have become a modern creature, going in for money and motor-cars. For I was born with a fatal inclination for such lighter and brighter kind of things. I was born under a lucky star, so to say: I was born with a warm heart and a happy disposition; I was born to play a good figure in one of those delightful fêtes champêtres of Watteau, Lancret, and Boucher, with a nice little shepherdess on my arm, listening to the sweet music of Rossini and drinking the inspiring “Capri bianco” or “Verona soave” of that beautiful country Italy. But the sky over here is not blue—nor grows there any wine in England—and no Rossini ever lived here; and towards the native shepherdesses I adopted the ways of the Christian towards his beautiful ideals: I admired them intensely but kept myself afar. So there was nothing to console your thirsty and disenchanted traveller in the British Sahara. In the depths of his despair, there was sent to him, as to the traveller in the desert, an enchanting vision, a beautiful fata Morgana rising on the horizon of the future, a fertile and promising Canaan of a new creed that had arisen in Germany (there too as a revulsion against the desert): the philosophy of Friedrich Nietzsche.
So I owe something to the desert. Had I not wandered there so long, I could never have fervently wished to escape nor finally succeeded in coming out of it.”

Oscar Levy (1867–1946) German physician and writer

Preface, pp. xii-xiii.
The Revival of Aristocracy (1906)

Charles Sanders Peirce photo
Hank Green photo
John Gray photo
Ragnar Frisch photo
George William Curtis photo

“Hamilton doubted the cohesive force of the Constitution to make a nation. He was so far right, for no constitution can make a nation. That is a growth, and the vigor and intensity of our national growth transcended our own suspicions. It was typified by our material progress. General Hamilton died in 1804. In 1812, during the last war with England, the largest gun used was a thirty-six pounder. In the war just ended it was a two-thousand pounder. The largest gun then weighed two thousand pounds. The largest shot now weighs two thousand pounds. Twenty years after Hamilton died the traveler toiled painfully from the Hudson to Niagara on canal-boats and in wagons, and thence on horseback to Kentucky. Now he whirls from the Hudson to the Mississippi upon thousands of miles of various railroads, the profits of which would pay the interest of the national debt. So by a myriad influences, as subtle as the forces of the air and earth about a growing tree, has our nationality grown and strengthened, striking its roots to the centre and defying the tempest. Could the musing statesman who feared that Virginia or New York or Carolina or Massachusetts might rend the Union have heard the voice of sixty years later, it would have said to him, 'The babe you held in your arms has grown to be a man, who walks and runs and leaps and works and defends himself. I am no more a vapor, I am condensed. I am no more a germ, I am a life. I am no more a confederation, I am a nation.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Margaret Mead photo
Colin Wilson photo
Sarada Devi photo

“God is one's very own. It is the eternal relationship. He is everyone's own. One realizes Him in proportion to the intensity of one's feeling for Him.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

[Swami Tapasyananda, Swami Nikhilananda, Sri Sarada Devi, the Holy Mother; Life and Conversations, 302]

Swami Vivekananda photo
Umberto Pettinicchio photo

“It is an intense blue, born after a certain period and has in turn a key to reading. When we spread it on the sculpture, the story is burned, because the color is so vivid that what is written in the sculpture goes into the background. So, there is a process of liberation and even if the work and the blue seem very different, they have a common denominator between them, the motive of poetics. We often allow ourselves to be conditioned by the scenic apparatus.”

Umberto Pettinicchio (1943) Italian painter

"Le colline della Brianza e i suoi stupendi campanili sono la mia ispirazione" Umberto Pettinicchio https://www.ilgiorno.it/lecco/cronaca/locale/2010/01/31/287262-colline_della_brianza_suoi_stupendi_campanili_sono_ispirazione.shtml, Castenuovo, Lecco, January 31, 2010; Elvira Carella, ilgiorno.it.

Sri Aurobindo photo
Claire Danes photo

“This business can be very erratic and intense … You can be the subject of great attention, both positive and negative. You really do have to tether yourself when you're a teen star. If you don't have that tether, then you're really lost.”

Claire Danes (1979) American actress

As quoted in The Chicago Sun-Times (10 August 2007) http://www.suntimes.com/entertainment/pearlman/504249,CNT-News-peop10.article

Marianne von Werefkin photo

“A colossal orange moon rolls as an unbelievable ball against intense blue. The silhouettes of the houses flank this blue on both sides, forming a childishly rigid little frame. As if we witness the birth of the song of flowers which are subordinated to this blue and dominated by the orange moon.”

Marianne von Werefkin (1860–1938) expressionist painter

she wrote in 1905
1895 - 1905
Source: Lettres a un Inconnu, (Notebook III, p. 120) - Aux sources de l'expressionnisme. Presentation par Gabrielle Dufour-Kowalska. Klincksieck, 1999. p. 156

James Anthony Froude photo
Roy Lichtenstein photo
Juliette Binoche photo

“I try to see my films just once. It's like a dream you've been through when it's been intense, and you just have to go through it once more just to make sure you've had it.”

Juliette Binoche (1964) French actress

Quoted at Juliette Binoche: The Art of Being http://juliettebinoche.net, her official website

George Bernard Shaw photo
Stephen Baxter photo
Norbert Wiener photo
Calvin Coolidge photo
Thomas Carlyle photo
Terence McKenna photo
Agatha Christie photo
Neal Stephenson photo
Arun Shourie photo

“The press is a ready example of their efforts, and of the skills they have acquired in this field. They have taken care to steer their members and sympathizers into journalism. And within journalism, they have paid attention to even marginal niches. Consider books. A book by one of them has but to reach a paper, and suggestions of names of persons who would be specially suitable for reviewing it follow. As I mentioned, the editor who demurs, and is inclined to send the book to a person of a different hue is made to feel guilty, to feel that he is deliberately ensuring a biased, negative review. That selecting a person from their list may be ensuring a biased acclamation is talked out. The pressures of prevailing opinion are such, and editors so eager to evade avoidable trouble, that they swiftly select one of the recommended names…
You have only to scan the books pages of newspapers and magazines over the past fifty years to see what a decisive effect even this simple stratagem has had. Their persons were in vital positions in the publishing houses: and so their kind of books were the ones that got published. They then reviewed, and prescribed each other’s books. On the basis of these publications and reviews they were able to get each other positions in universities and the like…. Even positions in institutions which most of us would not even suspect exist were put to intense use. How many among us would know of an agency of government which determines bulk purchases of books for government and other libraries. But they do! So that if you scan the kinds of books this organization has been ordering over the years, you will find them to be almost exclusively the shades of red and pink….
So, their books are selected for publication. They review each other’s books. Reputations are thereby built. Posts are thereby garnered. A new generation of students is weaned wearing the same pair of spectacles – and that means yet another generation of persons in the media, yet another generation of civil servants, of teachers in universities….”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Nastassja Kinski photo

“I always fall in love with someone while I'm working in a film. It's a joy to get up in the morning. Sometimes when I'm not infatuated, I just make things up in my mind. Making a film is such an intense thing. You're eliminating everything in your life and you're absorbed into the world of the movie. It's exciting. It's like somebody saying you have an illness and you only have this short time to live. Then you live it that life is over with. Good-bye. You never see any of the people again. But meanwhile you have this short life in which you can do and feel and fantasize about all kinds of things because you know it will soon be over. So I always fall in love. Then you slip out of it, like a skin you take off, and you're naked and you're cold but it's exciting because there is going to be something new. My relationships are as intense and as giving and as short as my parts are. I would pump everything into a person. I would give my left arm that it was for life, but it dies so shortly. And when it dies, it doesn't even leave traces. The relationship vanishes into space. When I finish a part, it's the same feeling. I leave people and people leave me, I leave parts and parts leave me. I say it is 'the flow of life,' but it affects me terribly. Every once in a while I have such a breakdown, question every move.”

Nastassja Kinski (1961) German actress

As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

“What greater challenge today…. to disorder and insensitivity; what greater propaganda for integration than this emotionally intense, dramatic division of space? [quote in 1943, discussing the art of Piet Mondrian ]”

Ad Reinhardt (1913–1967) American painter

Quote of Ad Reinhardt in: Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. ?
1940 - 1955

Fulton J. Sheen photo

“All intense interest in luxury is a mark of inner poverty. The less grace there is in the soul, the more ornament must be on the body.”

Fulton J. Sheen (1895–1979) Catholic bishop and television presenter

Source: Peace of Soul (1949), Ch. 2, p. 24

Bhakti Tirtha Swami photo
Bram van Velde photo

“Van Gogh... In this world of petty calculations, he was too intense. He frightened people. They cast him out.”

Bram van Velde (1895–1981) Dutch painter

two quotes, 16 July 1970; p. 77
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

Sri Aurobindo photo
African Spir photo
Wilfred Thesiger photo
George Moore (novelist) photo
Alberto Gonzales photo
Margaret Cho photo
Michael Chabon photo
Johnny Marr photo
Jon Courtenay Grimwood photo
Gerald Durrell photo
Omar Bradley photo
Friedrich Hayek photo
Alice A. Bailey photo
Ted Kennedy photo

“Love is not an easy feeling to put into words. Nor is loyalty, or trust, or joy. But he was all of these. He loved life completely and he lived it intensely.”

Ted Kennedy (1932–2009) United States Senator

Eulogy http://www.americanrhetoric.com/speeches/ekennedytributetorfk.html for Robert F. Kennedy at St. Patrick's Cathedral, New York (8 June 1968)

“We hope this car will be less labor intensive, less material intensive, less everything intensive than anything we have done before.”

Roger Smith (executive) (1925–2007) CEO

R.B. Smith cited in: Lloyd L. Byars (1987) Strategic management: planning and implementation : concepts and cases p. 150.
Smith was talking about the new cars of the Saturn Corporation, a new brand, established as subsidiary of General Motors begin 1985 in response to the success of Japanese automobile imports in the United States.

Mao Zedong photo

“What we need is an enthusiastic but calm state of mind, and intense but orderly work.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

"Problems of Strategy in China's Revolutionary War" https://www.marxists.org/reference/archive/mao/works/red-book/ch22.htm, (December 1936), Selected Works, Vol. I, p. 211.

Ron Wyden photo
Andrew Mason photo
William S. Burroughs photo
Aldous Huxley photo
George Friedman photo
James Anthony Froude photo
George F. Kennan photo
Clarence Thomas photo
Alphonse de Lamartine photo
Sigmund Freud photo

“The sexual wishes in regard to the mother become more intense and the father is perceived as an obstacle to the; this gives rise to the Oedipus complex.”

Sigmund Freud (1856–1939) Austrian neurologist known as the founding father of psychoanalysis

1920s, The Ego and the Id (1923)

Friedrich Hayek photo
Mahasi Sayadaw photo
Carl Schmitt photo
Max Beckmann photo

“I am working here [Amsterdam] on my last big triptych, which will be a tremendous story, and which gives me a more intense life and exhilaration. My God, life is worth living!”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

In a letter to Stephan Lackner, Amsterdam, 1939; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 5
1930s

Charles Sanders Peirce photo
Fernand Léger photo
Edith Stein photo