“To experience and live out a harmony with the world, in a manner quite different from that of everyday life — this, we have said, is the meaning of "festival." But no more intense harmony with the world can be thought of than that of "Praise of God," the worship of the Creator of this world. Now, as I have often experienced, this statement is often received with a mixture of discomfort and various other feelings, but its truth cannot be denied. The most festive festival that can be celebrated is religious worship or "cult," and there is no festival that does not get its life from such worship or does not actually derive its origin from this. There is no worship "without the gods," whether it be mardi gras or a wedding.”

Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, pp. 50–51

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Josef Pieper45

German philosopher 1904–1997

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, pp. 33–34
The Kerenyi quote is from Karl Kerenyi, Die antike Religion (Amsterdam, 1940), p. 66.

“The statement is made with certainty: a festival that does not get its life from worship, even though the connection in human consciousness be ever so small, is not to be found. To be sure, since the French Revolution, people have tried over and over to create artificial festivals without any connection with religious worship, or even against such worship, such as the "Brutus Festival" or "Labor Day," but they all demonstrate, through the forced and narrow character of their festivity, what religious worship provides to a festival. […] Clearer than the light of day is the difference between the living, rooted trees of genuine cultic festival and our artificial festivals that resemble those "maypoles," cut at the roots, and carted here and there, to be planted for some definite purpose. Of course we may have to prepare ourselves for the possibility that we are only at the dawn of an age of artificial festivals. Were we [in Germany] prepared for the possibility that the official forces, and especially the bearers of political power, would artificially create the appearance of the festive with so huge an expense in external arrangements? And that this seductive, scarcely delectable appearance of artificial "holidays" would be so totally lacking in the essential quality, that true and ultimate harmony with the world? And that such holidays would in fact depend on the suppression of that harmony and derive their dangerous seduction from that very fact?”

Josef Pieper (1904–1997) German philosopher

In the three rhetorical questions that end this quote, Pieper alludes to the Nazis' elaborately stage-managed "festivals", in particular the Nuremberg Rally, the subject of Leni Riefenstahl's classic propaganda documentary, Triumph of the Will.
Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, pp. 51–52

“Within the world of total work, the "festival" is either "a break from work" (and thus only there for the sake of work), or it is a more intensive celebration of the principles of work itself (as in the "Labor Days," and thus belongs, again, to the working world). There will naturally be "games" — like the Roman circences — but who would dignify the amusements for the masses with the name of "festival"?”

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), Leisure, the Basis of Culture, p. 53