Quotes about glance
page 2

“How do I defeat Apophis?”
“I’m so glad you asked!” Thoth beamed at me with his multicolored eyes. “Unfortunately, I can’t tell you.”
I glanced at Walt. “Do you want to kill him, or should I?”

Rick Riordan book The Serpent's Shadow

Source: The Serpent's Shadow

“I thought you were dead."
Magnus smiled crookedly. "What, from that scratch?" He glanced down at the reddening jacket in Alec's hand. "Okay, a deep scratch. Like, from a really, really big cat.”

Cassandra Clare The City of Lost Souls

Source: City of Lost Souls

Smile, Cats, Dead

“For God's sake, Marks, do you think anyone really wants a glance at those dried-up matchsticks you call legs?”

Lisa Kleypas (1964) American writer

Source: Seduce Me at Sunrise

God, Thinking

“For a moment, as Damon glanced toward Elena, their gazes met and something electric passed between them. It made Elena tingle all over, that look did.”

L.J. Smith (1965) American author

Source: Nightfall

“A monkey glances up and sees a banana, and that's as far as he looks. A visionary looks up and sees the moon.”

Eoin Colfer book Airman

Source: Airman

“Connor smiles with mocking warmth at him, and glances at the tattoo on his wrist. "I like your dolphin.”

Neal Shusterman book Unwind

Source: Unwind

Smile, Tattoo

“A need for revenge can burn long and hot. Especially if every glance in a mirror reinforces it.”

Suzanne Collins book Mockingjay

Source: Mockingjay

Revenge

“Free women," said Anna, wryly. She added, with an anger new to Molly, so that she earned another quick scrutinizing glance from her friend: "They still define us in terms of relationships with men, even the best of them.”

Doris Lessing book The Golden Notebook

Source: The Golden Notebook

Women, Men, Anger

“She looked across the room at, she wasn't sure why, only to find thatThey both glanced hastily away.”

Cassandra Clare book Clockwork Angel

Source: Clockwork Angel

“I glanced at George half naked in his towel, then at Barkley, completely naked in his… nothing. A vampire and a werewolf.
I shook my head. It was obvious. I was having one of my Anita Blake dreams again.”

Michelle Rowen (1971) Canadian writer

Source: Fanged & Fabulous

Dreams

“Who's that little brunette?" Suzanne asked. "I hate little petite types. Gregory doesn't look right with someone petite. Little face, little hands, little dainty feet."
"Big boobs," Beth said, glancing up.”

Elizabeth Chandler (1954) writer

Source: Kissed by an Angel/The Power of Love/Soulmates

Hate

“Thatʹs a dangerous look,ʺ said Dimitri, giving me a brief glance before returning his eyes to the road.
ʺWhat look?ʺ I asked innocently.
ʺThe one that says you just got some idea.”

Richelle Mead book Last Sacrifice

Variant: That's a dangerous look," said Dimitri, giving me a brief glance before returning his eyes to the road.
"What look?" I asked innocently.
"The one that says you just got some idea."
"I didn't just get an idea. I got aidea.
Source: Last Sacrifice

Idea

“Demon?” Gwen gasped out. Her back jerked ramrod-straight, and her face leeched of
color. “Did you just say demon?”

Oh, uh…did I say that?” Strider once again glanced around the plane helplessly. “No, no.
I think I said seaman.”

Gena Showalter (1975) American writer

Source: The Darkest Whisper

Color, Jerk, Thinking

“Like Cammie is fine," Macey said, then glanced at me. "No offense."

"None taken," I said. "I think.”

Ally Carter (1974) American writer

Source: United We Spy

Thinking

“How long have you been a Wiccan?'
'A what?'
'A pagan. A witch.'
'I'm not a witch,' I said, glancing out the door. 'I'm a wizard.'
Sanya frowned. 'What is the difference?'
'Wizard has a Z'
He looked at me blankly.
'No one appreciates me.' I muttered.”

Jim Butcher book Death Masks

Source: Death Masks

“Kieran glanced at her with shimmering eyes. Neither looked quite human: The black eye was too dark, the silver too metallic. And yet the overall effect was haunting, inhumanly beautiful.”

Cassandra Clare book Lady Midnight

Source: Lady Midnight

Beauty

“"There might simply be nothing going on that might activate it. Perhaps there isn't anything here that Alec is afraid of."
Magnus glanced at Alec and raised his eyebrows. "Boo."”

Cassandra Clare book City of Ashes

Luke and Magnus, pg. 285
Source: The Mortal Instruments, City of Ashes (2008)

“This is personal, she'd said. Real. This moment was too, even if you couldn't see it at first glance. It was fake on the outside, but so true within. You only had to look, really look to tell.”

Sarah Dessen book Just Listen

Source: Just Listen

Personality

“Juke glanced into her cup before tipping it down to her mouth. "Screw you!"
"Now come on, sugar, you know I don't swing that way."
"Whatever!”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Bleeds

Way

“… The girl raised her eyes to see who was passing by the window, and that casual glance was the beginning of a cataclysm of love that still had not ended half a century later.”

Gabriel García Márquez book Love in the Time of Cholera

Source: Love in the Time of Cholera

Love, Girl

“My head spins as I glance away, refusing to get sucked back into his gaze when so much is at risk.”

Emily Giffin (1972) American writer

Source: Love the One You're With

“Desire followed the glance, pleasure followed desire”

Leopold von Sacher-Masoch book Venus in Furs

Source: Venus in Furs

Pleasure

“Do you think 'Duke' is a good name?' she asked.

His face blanked for a second before it cleared. He glanced at the dog in consideration. 'I don't think so. He would outrank me.”

Elizabeth Hoyt (1970) American writer

Source: The Raven Prince

Dogs, Thinking

“You lose the world for a glance? Of course you do. That is what the world is for: to lose under the right circunstances.”

Julian Barnes (1946) English writer

Source: Levels of Life

World

“The human capacity for burden is like bamboo- far more flexible than you'd ever believe at first glance.”

Jodi Picoult My Sister's Keeper

Source: My Sister's Keeper

“Eye contact was a delicate matter. A quarter second of a shared glance was a violation of agreements that made the city operational.”

Don DeLillo book Cosmopolis

Source: Cosmopolis

“Oh, my God! It's a killer Pomeranian." I glanced up at Derek. "It's a tough call, but I think you can take him.”

Kelley Armstrong The Awakening

Source: The Awakening

God, Thinking

“… falling in love could be achieved in a single word—a glance.”

Ian McEwan book Atonement

Source: Atonement

Love

“It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.”

Alan Lightman book Einstein's Dreams

Source: Einstein's Dreams

World, Kiss, Past, Future

“They say sarcasm is the lowest form of wit," Valkyrie said.

China glanced at her. "They've obviously never met me.”

Derek Landy (1974) Irish children's writer

Source: Mortal Coil

“What’s Julie’s number?”

Curran glanced at me.

“Julie’s fluctuating between thirty-two and thirty-four units. Her shift coefficient is six point five and she’s been at it for sixteen hours.”

Dear God, I’d need a damn calculator.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Slays

God

“I didn't need to be rescued."
"Sorry, but my sword outranks your…" she glanced at my hand, "sock puppet.”

Kelley Armstrong book No Humans Involved

Source: No Humans Involved

“She glanced at the other diners, all of them going into their act, and thought is this what it all boils down to? Romantic love, is this all it is, a talent show?”

David Nicholls book One Day

Source: One Day

Love

“If I never meet you
In this life
Let me feel the lack
A glance from your eyes
Then my life
Will be yours”

James Jones book The Thin Red Line

Source: The Thin Red Line

Life, Feeling

“He glanced over at me, a smile twisting his lips. "Hey, no advice, Ghost Girl. Guardians should be seen and not heard."
I flipped him off for the "Ghost Girl" comment but he didn't notice because Lissa was talking to him again.”

Richelle Mead Shadow Kiss

Source: Shadow Kiss

Smile, Girl

“Cupid said, smashing another skeleton to pieces."Nico," Jason managed to say, "it's okay. I get it."

Nico glanced over, pain and misery washing across his face.

"No you don't," he said. "There's no way you can understand."Cupid chided.”

Rick Riordan book The House of Hades

Source: The House of Hades

Pain, Way, Understanding

“With a sigh of relief, Clary glanced back over her shoulder. Magnus was standing at the door to the cottage, his arms folded across his chest. Catching her eye, he grinned and dropped one eyelid in a single, glittering wink.”

Cassandra Clare book City of Glass

Source: City of Glass

“In many cases a dull proof can be supplemented by a geometric analogue so simple and beautiful that the truth of a theorem is almost seen at a glance.”

Martin Gardner (1914–2010) recreational mathematician and philosopher

"Mathematical Games", in Scientific American (October 1973); also quoted in Roger B. Nelson, Proofs Without Words: Exercises in Visual Thinking (1993), "Introduction", p. v

Truth, Beauty

“Suppose a clothing manufacturer learns of a machine that will make men’s and women's overcoats for half as much labor as previously. He installs the machines and drops half his labor force.This looks at first glance like a clear loss of employment. But the machine itself required labor to make it; so here, as one offset, are jobs that would not otherwise have existed. The manufacturer, how ever, would have adopted the machine only if it had either made better suits for half as much labor, or had made the same kind of suits at a smaller cost. If we assume the latter, we cannot assume that the amount of labor to make the machines was as great in terms of pay rolls as the amount of labor that the clothing manufacturer hopes to save in the long run by adopting the machine; otherwise there would have been no economy, and he would not have adopted it.So there is still a net loss of employment to be accounted for. But we should at least keep in mind the real possibility that even the first effect of the introduction of labor-saving machinery may be to increase employment on net balance; because it is usually only in the long run that the clothing manufacturer expects to save money by adopting the machine: it may take several years for the machine to "pay for itself."After the machine has produced economies sufficient to offset its cost, the clothing manufacturer has more profits than before. (We shall assume that he merely sells his coats for the same price as his competitors, and makes no effort to undersell them.) At this point, it may seem, labor has suffered a net loss of employment, while it is only the manufacturer, the capitalist, who has gained. But it is precisely out of these extra profits that the subsequent social gains must come. The manufacturer must use these extra profits in at least one of three ways, and possibly he will use part of them in all three: (1) he will use the extra profits to expand his operations by buying more machines to make more coats; or (2) he will invest the extra profits in some other industry; or (3) he will spend the extra profits on increasing his own consumption. Whichever of these three courses he takes, he will increase employment.”

Henry Hazlitt book Economics in One Lesson

Economics in One Lesson (1946), The Curse of Machinery (ch. 7)

Women, Men, Money, Hope

“Tarzan of the Apes had decided to mark his evolution from the lower orders in every possible manner, and nothing seemed to him a more distinguishing badge of manhood than ornaments and clothing.
To this end, therefore, he collected the various arm and leg ornaments he had taken from the black warriors who had succumbed to his swift and silent noose, and donned them all after the way he had seen them worn.
About his neck hung the golden chain from which depended the diamond encrusted locket of his mother, the Lady Alice. At his back was a quiver of arrows slung from a leathern shoulder belt, another piece of loot from some vanquished black.
About his waist was a belt of tiny strips of rawhide fashioned by himself as a support for the home-made scabbard in which hung his father's hunting knife. The long bow which had been Kulonga's hung over his left shoulder.
The young Lord Greystoke was indeed a strange and war-like figure, his mass of black hair falling to his shoulders behind and cut with his hunting knife to a rude bang upon his forehead, that it might not fall before his eyes.
His straight and perfect figure, muscled as the best of the ancient Roman gladiators must have been muscled, and yet with the soft and sinuous curves of a Greek god, told at a glance the wondrous combination of enormous strength with suppleness and speed.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 13 : His Own Kind

God, War, Way, Home

“When I asked Bhutto what he thought of Assad, he described the Syrian leader as “The Levanter.” Knowing that, like himself, I was a keen reader of thrillers, the Pakistani Prime Minister knew that I would get the message. However, it was only months later when, having read Eric Ambler’s 1972 novel The Levanter that I understood Bhutto’s one-word pen portrayal of Hafez Al-Assad. In The Levanter the hero, or anti-hero if you prefer, is a British businessman who, having lived in Syria for years, has almost “gone native” and become a man of uncertain identity. He is a bit of this and a bit of that, and a bit of everything else, in a region that is a mosaic of minorities. He doesn’t believe in anything and is loyal to no one. He could be your friend in the morning but betray you in the evening. He has only two goals in life: to survive and to make money… Today, Bashar Al-Assad is playing the role of the son of the Levanter, offering his services to any would-be buyer through interviews with whoever passes through the corner of Damascus where he is hiding. At first glance, the Levanter may appear attractive to those engaged in sordid games. In the end, however, the Levanter must betray his existing paymaster in order to begin serving a new one. Four years ago, Bashar switched to the Tehran-Moscow axis and is now trying to switch back to the Tel-Aviv-Washington one that he and his father served for decades. However, if the story has one lesson to teach, it is that the Levanter is always the source of the problem, rather than part of the solution. ISIS is there because almost half a century of repression by the Assads produced the conditions for its emergence. What is needed is a policy based on the truth of the situation in which both Assad and ISIS are parts of the same problem.”

Amir Taheri (1942) Iranian journalist

Opinion: Like Father, Like Son http://www.aawsat.net/2015/02/article55341622/opinion-like-father-like-son, Ashraq Al-Awsat (February 20, 2015).

Life, Money, Truth, Game

“It is an affirmative command to give tzedaka to the poor of Israel. … Anyone who sees a poor man begging alms and turns away his glance from him and does not give him tzedaka transgresses a negative command, as it is said, "You shall not harden your heart nor shut your hand to your needy brother"”

Shlomo Ganzfried book Kitzur Shulchan Aruch

Deuteronomy 15:7
Kitzur Shulchan Aruch

Heart

“Arus saw a tall powerfully built youth, naked but for a loin-cloth, and sandals strapped high about his ankles. His skin was burned brown as by the suns of the wastelands and Arus glanced nervously at his broad shoulders, massive chest and heavy arms, A single look at the moody, broad-browed features told the watchman the man was no Nemedian. From under a mop of unruly black hair smoldered a pair of dangerous blue eyes. A long sword hung in a leather scabbard at his girdle.”

Robert E. Howard (1906–1936) American author

"The God in the Bowl" (1952)

Youth, Sun, Clothes

“The idea of white privilege is absolutely reprehensible. And it's not because white people aren't privileged. We have all sorts of privileges, and most people have privileges of all sorts, and you should be grateful for your privileges and work to deserve them. But the idea that you can target an ethnic group with a collective crime, regardless of the specific innocence or guilt of the constituent elements of that group - there is absolutely nothing that's more racist than that. It's absolutely abhorrent. If you really want to know more about that sort of thing, you should read about the Kulaks in the Soviet Union in the 1920's. They were farmers who were very productive. They were the most productive element of the agricultural strata in Russia. And they were virtually all killed, raped, and robbed by the collectivists who insisted that because they showed signs of wealth, they were criminals and robbers. One of the consequences of the prosecution of the Kulaks was the death of six million Ukrainians from a famine in the 1930's. The idea of collectively held guilt at the level of the individual as a legal or philosophical principle is dangerous. It's precisely this sort of danger that people who are really looking for trouble would push. Just a cursory glance at 20th century history should teach anyone who wants to know exactly how unacceptable that is.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Death, People, History, Idea

“Having finished his argument Stephen walked on in silence. He felt Cranly's hostility and he accused himself of having cheapened the eternal images of beauty. For the first time, too, he felt slightly awkward in his friend's company and to restore a mood of flippant familiarity he glanced up at the clock of the Ballast Office and smiled:”

James Joyce book Stephen Hero

It has not epiphanised yet, he said.
Stephen Hero (1944)

Hostility, Smile, Beauty, Mood

“Let the power of running be in my thighs, let me never grow tired! Let there be strength in my arms, let me stretch my arms wide, let my arms never become weak! Moving like the sunlight, like Inana, like the seven storms, those of Iškur, let me leap like a flame, blaze like lightning! Let me go wherever I look to, set foot wherever I cast my glance, reach wherever my heart desires and let me loosen my shoes in whatever place my heart has named to me! When Utu lets me reach Kulaba my city, let him who curses me have no joy thereof; let him who wishes to strive with me never say "Just let him come!" I shall have the woodcarvers fashion statues of you, and you will be breathtaking to look upon. Your name will be made famous thereby in Sumer and will redound to the credit of the temples of the great gods.”

Lugalbanda

To Anzud, in Lugalbanda and the Anzud Bird, Ur III Period (21st century BCE). http://etcsl.orinst.ox.ac.uk/cgi-bin/etcsl.cgi?text=t.1.8.2.2#

God, Shoe, Fashion, Heart

“So it is obvious that at first glance there would seem to be a paradox: the more we immerse ourselves in ourselves, the more open we become, since the closer we get to the germ of our totality the closer we are to the germ of totality of all men. We can therefore say that subjective invention is the only means of discovering objective reality, the only means that gives us the possibility of communication between men”

Piero Manzoni (1933–1963) Italian artist

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 18-19

Men, Communication, Reality

“The protreptic text, the so-called protreptikós, is an invitation to produce one's own knowledge. So one might easily think, at first glance, that protreptic was nothing more than rhetoric, and it is probably correct to speak of a particular sort of rhetoric. For protreptic texts use every possible rhetorical means with the explicit goal of engaging with a discipline in one's own way. And that is exactly the point of significant difference from rhetorical structures exclusively concerned to bring an audience to a particular point of view: in the protreptikós, language serves to talk an audience into persuading itself. … The protreptikós does not argue for a particular persuasion, but directs attention to the ways one can achieve certainty for oneself.”

Lambert Wiesing (1963) German archaeologist, humanities scholar and art historian

The Philosophy of Perception: Phenomenology and Image Theory, N. Roth, trans. (2014), p. 60 http://books.google.com/books?id=lJQIBAAAQBAJ&pg=PA60

Way, Knowledge, Thinking

“Or, to go a step further, let us glance at what science has done to establish rational foundations for physical and moral health. Science tells us how we ought to live in order to preserve the health of our own bodies, how to maintain in good conditions of existence the crowded masses of our population. But does not all the vast amount of work done in these two directions remain a dead letter in our books? We know it does. And why? Because science today exists only for a handful of privileged persons, because social inequality which divides society into two classes — the wage-slaves and the grabbers of capital — renders all its teachings as to the conditions of a rational existence only the bitterest irony to nine-tenths of mankind.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

An Appeal to the Young (1880)

Health, Books, Science, Personality

“That's the thing about pain," Augustus said, and then glanced back at me. "It demands to be felt.”

John Green book The Fault in Our Stars

Augustus "Gus" Waters, p. 63
The Fault in Our Stars (2012)

Pain

“Conan did not hesitate, nor did he even glance toward the chest that held the wealth of an epoch. With a quickness that would have shamed the spring of a hungry jaguar, he swooped, grasped the girl's arm just as her fingers slipped from the smooth stone, and snatched her up on the span with one explosive heave.”

Robert E. Howard (1906–1936) American author

"Jewels of Gwahlur" (1935)

Girl, Spring, Wealth

“As they moved through the old barn, Adam felt Ronan's eyes glance off him and away, his disinterest practised but incomplete. Adam wondered if anyone else noticed. Part of him wished they did and immediately felt bad, because it was vanity, really: See, Adam Parrish is wantable, worthy of a crush, not just by anyone, someone like Ronan, who could want Gansey or anyone else and chose Adam for his hungry eyes”

Maggie Stiefvater (1981) American writer

pg 158
The Raven Cycle Series, Blue Lily, Lily Blue (2014)

Parting

“Sonia has achieved such terrifying power, a glance of her, a silence, just being there, is enough for her inner circle to act; she has subverted so much of the instruments of Indian democracy and she controls such huge amounts of unlisted money that sooner or later this 'karma' may come back to her under one form or the other.”

François Gautier (1959) French journalist

On Sonia Gandhi, quoted from "Why is Sonia Gandhi so scared of Narendra Modi?" http://www.dnaindia.com/india/analysis-why-is-sonia-gandhi-so-scared-of-narendra-modi-1539917, DNA India (6 May 2011)

Money, Democracy, Silence

“I started looking into these groups in America, campaigns groups who want to put stickers on the front of all school science text books saying that Evolution is only one possible theory of life on earth. Now, although this seems like a stupid idea at first, second, and thirty ninth glance, look at it once more. Give it that fortieth view. Because it's brilliant. Let's have stickers on the front of all books! Slap one on the front of the Bible saying "Of course this could all be bullsh*t. Maybe he never died! Perhaps he opened a donkey sanctuary. He had a clear bond with donkeys." Or slap one on the Theory of Gravity! "Look, that's just one man's opinion. Maybe we could all fly! R. Kelly believed it so. Why would he lie to us? What does he possibly stand to gain?"”

John Oliver (1977) English comedian

John Oliver: Terrifying Times (2008)

Life, Lie, Books, Stupidity

“Many of the greatest masters of the mathematical sciences were first attracted to mathematical inquiry by problems relating to numbers, and no one can glance at the periodicals of the present day which contain questions for solution without noticing how singular a charm such problems still continue to exert. The interest in numbers seems implanted in the human mind, and it is a pity that it should not have freer scope in this country. The methods of the theory of numbers 271 are peculiar to itself, and are not readily acquired by a student whose mind has for years been familiarized with the very different treatment which is appropriate to the theory of continuous magnitude; it is therefore extremely desirable that some portion of the theory should be included in the ordinary course of mathematical instruction at our University. From the moment that Gauss, in his wonderful treatise of 1801, laid down the true lines of the theory, it entered upon a new day, and no one is likely to be able to do useful work in any part of the subject who is unacquainted with the principles and conceptions with which he endowed it.”

James Whitbread Lee Glaisher (1848–1928) English mathematician and astronomer

Source: "Presidential Address British Association for the Advancement of Science," 1890, p. 467 : On the theory of numbers

Mathematics, Question, Problem, Universe

“It was a still afternoon — the golden light was lingering languidly among the upper boughs, only glancing down here and there on the purple pathway and its edge of faintly sprinkled moss: an afternoon in which destiny disguises her cold awful face behind a hazy radiant veil, encloses us in warm downy wings, and poisons us with violet-scented breath.”

George Eliot book Adam Bede

Adam Bede (1859)

Light

“We exchanged a meaning glance. Or, rather, two meaning glances, I giving him one and he giving me the other.”

P.G. Wodehouse book Joy in the Morning

Joy in the Morning (1947)

“As half in shade and half in sun
This world along its path advances,
May that side the sun's upon
Be all that e'er shall meet thy glances!”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Peace be around Thee.
Bartlett's Familiar Quotations, 10th ed. (1919)

World, Sun

“There is a fair woman in the west,
who is as bright as sunlight.
She wears a dress of the finest silk
and jewelry shines from her left, her right.
Her face is a charm, so full of grace,
lightly perfuming the breeze.
Climbing upward, she keeps watch for her loved one,
holding her sleeves, she faces the morning sun.
She hovers, she drifts through the sky,
waving her sleeves, she dances,
flies like the wind, like a cloud, in [a] trance.
Every so often, she glances at me,
but for me this beauty is out of reach.
Left alone, I lament my fate.”

Ruan Ji (210–263) One of the Seven Sages of the Bamboo Grove

Poem XIX, translated by Wu Fusheng and Graham Hartill in The Poem of Ruan Ji (2006), p. 39, as reported in Constructing Irregular Theology (2009) by Paul S. Chung, p. 13

Love, Fate, Beauty, Sun

““We’d like to agree with you.” He glanced at Arthur.
“We can’t, however,” Arthur said.
“For the moment, then, amicable disagreement and open minds.””

Greg Bear book The Forge of God

Source: The Forge of God (1987), Chapter 24 (p. 159)

“None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at all times its edge was jagged with waves that seemed thrust up in points like rocks.”

Stephen Crane book The Open Boat

Pt. I
The Open Boat (1894)

Men, Color, Time, Sea

“It comes, it comes!' they sang. 'Sleepers awake! It comes, it comes, it comes.' One dreadful glance over my shoulder I essayed — not long enough to see (or did I see?) the rim of the sunrise that shoots Time dead with golden arrows and puts to flight all phantasmal shapes. Screaming, I buried my face in the fold of the Teacher's robe. 'The morning! The morning!”

Clive Staples Lewis book The Great Divorce

I cried. 'I am caught by the morning and I am a ghost.'
Source: The Great Divorce (1944–1945), Ch. 14

Teachers, Time, Dead

“Against the wall, near the head of the bunk, was a rack filled with books. I glanced over them, noting with astonishment such names as Shakespeare, Tennyson, Poe, and De Quincey. There were scientific works too, among which were represented men such as Tyndall, Proctor, and Darwin.”

Jack London book The Sea-Wolf

Van Weydon discovers Wolf Larsen's astonishing array of reading matter. Chapter Five
The Sea-Wolf (1904)

Men, Books

“The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers. […]They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of our age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.”

Don DeLillo book White Noise

White Noise (1984)

Love, Women, Men, Secret

“I try to condense the meaning of this body [of a woman] by drawing its essential lines. The charm will then become less apparent at first glance, but in the long run it will begin emanate from the new image. This image at the same time will be enriched by a wider meaning, a more comprehensively human one, while the charm, being less apparent, will not be its only characteristic. It will be merely one element in the general conception of the figure.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 411

Time, Drawing

“But you begin to feel as you go on working that unless painting proves its right to exist by being critical and self-judging, it has no reason to exist at all - or is not even possible. The canvas is a court where the artist is prosecutor, defendant, jury and judge. Art without a trial disappears at a glance.”

Phillip Guston (1913–1980) American artist

1961 - 1980, ARTnews Annual', October 1966

Art, Feeling, Painting

“Unlike Rachel, Player One has a complete overview both of the world and of time. Player One’s life is more like a painting than it is a story. Player One can see everything with a glance and can change tenses at will. Player One has ultimate freedom, the ultimate software on the ultimate hardware. That realm is also the one place where Player One feels, for lack of a better word, normal.”

Douglas Coupland book Player One

Player One (2010)

Life, World, Feeling, Freedom

“He has now a second far greater success to gain: to seek out his real superiors, whom not the Tailor but the Almighty God has made superior to him, and see a little what he will do with these! Rebel against these also? Pass by with minatory eagle-glance, with calm-sniffing mockery, or even without any mockery or sniff, when these present themselves? The lion-hearted will never dream of such a thing. Forever far be it from him! His minatory eagle-glance will veil itself in softness of the dove: his lion- heart will become a lamb's; all is just indignation changed into just reverence, dissolved in blessed floods of noble humble love, how much heavenlier than any pride, nay, if you will, how much prouder!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)

Love, God, Dreams, Change

“I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze.”

Peter Greenaway (1942) British film director

Watching Water

Music, Way, Travel, Feeling

“While it is possible to play a single game, unrelated to any other game events past or future, it is the campaign for which these rules are designed. It is relatively simple to set up a fantasy campaign, and better still, it will cost almost nothing. In fact you will not even need miniature figures, although their occasional employment is recommended for real spectacle when battles are fought. A quick glance at the Equipment section of this booklet will reveal just how little is required. The most extensive requirement is time. The campaign referee will have to have sufficient time to meet the demands of his players, he will have to devote a number of hours to laying out the maps of his "dungeons" and upper terrain before the affair begins.”

Gary Gygax (1938–2008) American writer and game designer

Preface of the Original Dungeons & Dragons, (1 November 1973)

Game, Time, Past, Future

“I do not have the courage to force myself to search out beautiful prayers in books. There are so many of them it really gives me a headache! and each prayer is more beautiful than the others. I cannot recite them all and not knowing which to choose, I do like children who do not know how to read, I say very simply to God what I wish to say, without composing beautiful sentences, and He always understands me. For me, prayer is an aspiration of the heart, it is a simple glance directed to heaven, it is a cry of gratitude and love in the midst of trial as well as joy; finally, it is something great, supernatural, which expands my soul and unites me to Jesus.”

Thérèse of Lisieux (1873–1897) French Discalced Carmelite nun

The words in italics were underlined by Thérèse. <br class="br">Source: Story of a Soul (1897), Ch. XI: Those Whom You Have Given Me, 1896–1897 As translated by Fr. John Clarke http://www.ewtn.com/therese/readings/readng6.htm (1976), p. 242.

Love, God, Children, Books

“She [Mabel Manderson] uttered a little laugh of impatience. 'So you think he has been talking me round. No, that is not so. I am merely sure he did not do it. Ah! I see you think that absurd. But see how unreasonable you are, Mr Trent! Just now you were explaining to me quite sincerely that it was foolishness in you to have a certain suspicion of me after seeing me and being in my atmosphere, as you said.' Trent started in his chair. She glanced at him and went on: 'Now, I and my atmosphere are much obliged to you, but we must stand up for the rights of other atmospheres. I know a great deal more about Mr Marlowe's atmosphere than you know about mine even now. I saw him constantly for several years. I don't pretend to know all about him; but I do know that he is incapable of a crime of bloodshed. The idea of his planning a murder is as unthinkable to me as the idea of your picking a poor woman's pocket, Mr Trent.”

Edmund Clerihew Bentley book Trent's Last Case

Source: Trent's Last Case (1912), Chapter XIII: "Eruption"

Idea, Thinking, Sincerity

“It only requires a glance at the advertisements in American magazines to understand how strong and how continuous is woman's preoccupation with her conquest of man.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

Understanding, Strong

“Whereas the Americans thought that they were fighting for such high-minded slogans as "liberty" and "justice," they were actually fighting to stuff the money bags of the big bankers. These "free citizens" are, in fact, mere marionettes; their freedom is imaginary, and a brief glance at American work-methods and leisure-time entertainments is enough to prove conclusively that l’homme machine is not merely imminent: it is already the American reality.”

Ludwig Klages (1872–1956) German psychologist and philosopher

Sämtliche Werke, vol. 4, p. 409, as translated by Joseph Pryce

Money, Justice, Reality, Freedom

“So every possible reality, once God gives it existence, will reveal its own identity. Its life will unfold slowly, whereas God encompasses it at a single glance.”

Ivar Ekeland (1944) French mathematician

Source: The Best of All Possible Worlds (2006), Chapter 2, The Birth of Modern Science, p. 39.

Life, God, Reality

“Think about some of the highest status men in modern societies: sports stars, rock stars, politicians. At first glance, it might seem that these individuals provide further proof of men’s polygynous nature: They are often notorious for their sexual antics and infidelities (the famous scandal with Tiger Woods is a case in point)… However, the picture is not so simple. Many of these men are in the position where they have essentially an unlimited supply of potential sexual partners. Do all of them or even most of them eschew long-term relationships and opt instead for as many one-night stands and brief love affairs as possible? Sometimes, perhaps, but often they do not. These men — the most eligible bachelors, the highest status males in our species — often do what male chimpanzees never do: They fall in love and form long-term pair bonds.”

Steve Stewart-Williams (1971)

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), pp. 156-157

Love, Men, Star, Nature

“As on the crystal surface of a lake
The trembling shafts of sunlight mirrored are,
Leaping to roof-top, and, at random glancing,
Sparkle and gleam, in all directions dancing.”

Ludovico Ariosto book Orlando Furioso

Qual d'acqua chiara il tremolante lume,
Dal sol percossa o da' notturni rai,
Per gli ampli tetti va con lungo salto
A destra et a sinistra, e basso et alto.
Canto VIII, stanza 71 (tr. B. Reynolds)
Orlando Furioso (1532)

Dance

“Cause now that I can see you,
I don't think you're worth a second glance.
So much for all the promises you made, they served you well
and now you're gone and they're wasted on me.
So much for your endearing sense of charm, it served you well
and now it's gone and you're wasted on me.”

Chris Carrabba (1975) American musician

Rapid Hope Loss

Thinking, Sense

“They glanced at one another like tigers taking measure of a menacing new rival. But in this kind of jungle you could never be sure where the real danger lurked.”

Erich Segal book The Class

The Class (opening words)

“What would we really know the meaning of? The meal in the firkin; the milk in the pan; the ballad in the street; the news of the boat; the glance of the eye; the form and the gait of the body; — show me the ultimate reason of these matters; show me the sublime presence of the highest spiritual cause lurking, as always it does lurk, in these suburbs and extremities of nature; let me see every trifle bristling with the polarity that ranges it instantly on an eternal law; and the shop, the plough, and the ledger, referred to the like cause by which light undulates and poets sing; — and the world lies no longer a dull miscellany and lumber-room, but has form and order; there is no trifle; there is no puzzle; but one design unites and animates the farthest pinnacle and the lowest trench.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1830s, The American Scholar http://www.emersoncentral.com/amscholar.htm (1837)

World, Law, Nature, Light

“Cadets are people. Behind the gray suits, beneath the Pom-pom and Shako and above the miraculously polished shoes, blood flows through veins and arteries, hearts thump in a regular pattern, stomachs digest food, and kidneys collect waste. Each cadet is unique, a functioning unit of his own, a distinct and separate integer from anyone else. Part of the irony of military schools stems from the fact that everyone in these schools is expected to act precisely the same way, register the same feelings, and respond in the same prescribed manner. The school erects a rigid structure of rules from which there can be no deviation. The path has already been carved through the forest and all the student must do is follow it, glancing neither to the right nor left, and making goddamn sure he participates in no exploration into the uncharted territory around him. A flaw exists in this system. If every person is, indeed, different from every other person, then he will respond to rules, regulations, people, situations, orders, commands, and entreaties in a way entirely depending on his own individual experiences. Te cadet who is spawned in a family that stresses discipline will probably have less difficulty in adjusting than the one who comes from a broken home, or whose father is an alcoholic, or whose home is shattered by cruel arguments between the parents. Yet no rule encompasses enough flexibility to offer a break to a boy who is the product of one of these homes.”

Pat Conroy book The Boo

Source: The Boo (1970), p. 10

People, Alcohol, School, Family

“A painter should never speak because words are not the means at his command. Words cannot express visually dimension at a glance they can only establish their own relationship in time.
However, it is possible for a painter, at certain moments of his development to formulate some of the problems he is facing in the growth of his work. A painting cannot be explained. Words can only stimulate the act of looking.
A visual problem is never put a priori as a mathematical problem but is born in the process of painting and evolves in a state of unawareness of the painter.”

Fritz Glarner (1899–1972) Swiss artist

Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15

Mathematics, Problem, Time, Painting

“Oh, love is timid in its birth!
Watching her lightest look or stir,
As he but look'd and breathed with her.
Gay words were passing, but he leant
In silence; yet, one quick glance sent,—
His secret is no more his own,
When has woman her power not known?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto II
The Troubadour (1825)

Love, Secret, Birth, Silence

“'God!' said the Ghost, glancing around the landscape.
'God what?' asked the Spirit.
'What do you mean, "God what"?' asked the Ghost.
'In our grammar God is a noun' said the Spirit.”

Clive Staples Lewis book The Great Divorce

Source: The Great Divorce (1944–1945), Ch. 9

God

“A text is not a text unless it hides from the first comer, from the first glance, the law of its composition and the rules of its game. A text remains, moreover, forever imperceptible. Its law and its rules are not, however, harbored in the inaccessibility of a secret; it is simply that they can never be booked, in the present, into anything that could rigorously be called a perception.”

Jacques Derrida (1930–2004) French philosopher (1930-2004)

Plato's Pharmacy, intro
Dissemination (1972)

Secret, Books, Law, Game

“Oh, but it was splendid the things women were doing for men all the time, thought Jane. Making them feel, perhaps sometimes by no more than a casual glance, that they were loved and admired and desired when they were worthy of none of these things – enabling them to preen themselves and puff out their plumage like birds and bask in the sunshine of love, real or imagined, it didn't matter which.”

Barbara Pym (1913–1980) British writer

Jane and Prudence (1953), chapter 7

Love, Women, Men, Feeling

“Herman didn't interfere with me. He gave me that authority. I managed the field. Whatever went on on the field, I did it. I did every... thing. Nowadays, the manager tells everybody what to do, the manager does everything. That's why you see this [pantomiming a catcher repeatedly glancing over at the dugout]. When we played, we just looked on the field. Usually it was an infielder. The Dodgers were run by Pee Wee. Alston just sat in the dugout. Usually it was an infielder, but Herman gave me the authority.”

Willie Mays (1931) Baseball player

As quoted in "Say Hey, He's the One Who Called the Shots"

“There seems to be no agent more effective than another person in bringing a world for oneself alive, or, by a glance, a gesture, or a remark, shriveling up the reality in which one is lodged.”

Erving Goffman (1922–1982) Sociologist, writer, academic

Erving Goffman (1971), Encounters: Two Studies in the Sociology of Interaction, p. 38; As quoted by R. D. Laing in The Politics of Experience
1970s-1980s

World, Reality, Personality

“When Mrs. Casaubon was announced he started up as from an electric shock, and felt a tingling at his fingerends. Any one observing him would have seen a change in his complexion, in the adjustment of his facial muscles, in the vividness of his glance, which might have made them imagine that every molecule in his body had passed the message of a magic touch. And so it had. For effective magic is transcendent nature; and who shall measure the subtlety of those touches which convey the quality of soul as well as body, and make a man’s passion for one woman differ from his passion for another as joy in the morning light over valley and river and white mountain-top differs from joy among Chinese lanterns and glass panels? Will, too, was made of very impressible stuff. The bow of a violin drawn near him cleverly, would at one stroke change the aspect of the world for him, and his point of view shifted— as easily as his mood. Dorothea’s entrance was the freshness of morning.”

George Eliot book Middlemarch

Middlemarch (1871)

World, Soul, Imagination, Mountain

“I glance reflections of my face everyplace I go, in my mirror and in shop windows, like the lead in my own show. Do I dare look closely? See each wrinkle, scar and flaw?”

Dawud Wharnsby (1972) Canadian musician

"The War/La Ilaha Il Allah"
Out Seeing The Fields (2007)