
Grafenwalder’s Bestiary (p. 212)
Short fiction, Galactic North (2006)
Grafenwalder’s Bestiary (p. 212)
Short fiction, Galactic North (2006)
Twelve Months That Changed the World ( Google Books link http://books.google.com/books?id=Emc1AQAAIAAJ&q), A.A. Knopf, 1943.
Twelve Months That Changed the World (1943)
Vol. 4, Pt. 1, Translated by W.P. Dickson
On the Praetor Lucius Catilina
The History of Rome - Volume 4: Part 1
1870s, Eighth State of the Union Address (1876)
Podcast Series 1 Episode 2
On Nudity
“Loveward above the glancing oar”
Watching The Needleboats At San Sabba, p. 10
Pomes Penyeach (1927)
“Long time has Thetis been scanning every corner with silent glance.”
Jamdudum tacito lustrat Thetis omnia visu.
Source: Achilleid, Book I, Line 126
Anna’s thoughts about Liza, Part III, Chapter 13
Anna Karenina (1875–1877; 1878)
Source: Argonautica (3rd century BC), Book III. Jason and Medea, Lines 1022–1024
The Owl-Critic, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: Under the Green Star (1972), Chapter 17, “A Knife in the Dark” (pp. 112-113)
Source: Presidential Address British Association for the Advancement of Science, Section A (1910), p. 283; Cited in: Moritz (1914, 108-9): Modern mathematics.
IN THE WORLD OF SCREEN & STAGE The Oakland Tribune, Oakland, California https://beladraculalugosi.wordpress.com/1930-2/ (July 6, 1930)
letter to his friend Martín Zapater https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg, March 1793; from: 'Francisco de Goya. MS Letters to Martín Zapater 1774-99', Collection of Prado - published as Cartas a Martín Zapater; ed, X. de Salas & M. Agueda, Madrid 1982, p. 211; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 127
Goya started to become deaf then, had fainting fits and spells of semi-blindness. From 1793 onward [he was 46] he became functionally deaf, till his death
1790s
Sam Harris, In Defense of Profiling http://www.samharris.org/blog/item/in-defense-of-profiling (April 28, 2012)
2010s
(15th March 1823) Poetical Catalogue of Pictures. Vandyke consulting his Mistress on a Picture in Cooke's Exhibition.
The London Literary Gazette, 1823
Source: 1940s - 1950s, Theory of Experimental Inference (1948), p. 216; cited by Jolande Jacobi (1983) The way of individuation. p. 34, translation of Der Weg zur Individuation. Rascher, Zürich 1965
“Aspen tree, your leaves glance white into the dark.”
"Aspen Tree. . ."; cited in: Ruth Golan (2006). Loving Psychoanalysis. p. 61
Emotional Architecture as Compared to Intellectual (1894)
how do I say that?"
"Well, you have to use a different word for 'solve,' " they say.
"Why?" I protested. "When I solve it, I do the same damn thing as when you solve it!"
"Well, yes, but it's a different word — it's more polite."
I gave up. I decided that wasn't the language for me, and stopped learning Japanese.
Part 5: "The World of One Physicist", "Would <U>You</U> Solve the Dirac Equation?", p. 245-246
Surely You're Joking, Mr. Feynman! (1985)
1840s, Heroes and Hero-Worship (1840), The Hero as Divinity
"Milton Avery" (1958), p. 201
1960s, Art and Culture: Critical Essays, (1961)
"A Quatrain" (trans. Jerome P. Seaton), in Sunflower Splendor: Three Thousand Years of Chinese Poetry, eds. Wu-chi Liu and Irving Yucheng Lo (1975), p. 142
Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel
“Glance their many-twinkling feet.”
I. 3, Line 11
The Progress of Poesy http://www.thomasgray.org/cgi-bin/display.cgi?text=pppo (1754)
What is Prayer?
Bartlett's Familiar Quotations, 10th ed. (1919).
J. Hanks, trans. (1985), p. 208
The Humiliation of the Word (1981)
Introduction, The Nature of Probability Theory, p. 2.
An Introduction To Probability Theory And Its Applications (Third Edition)
1840s, Heroes and Hero-Worship (1840), The Hero as Poet
Anarchism: Its Philosophy and Ideal (1896)
As quoted in Golden Gleams of Thought from the Words of Leading Orators, Divines, Philosophers, Statesmen and Poets (1881) by S. Pollock Linn; also in Still Waters http://books.google.com/books?id=VjAqAAAAYAAJ (1913)
“One glance is all that I need;
What I was searching for I've found it…”
Song lyrics, Earth Moving (1989)
Speaking Out (2006)
“The bashful virgin's sidelong looks of love,
The matron's glance that would those looks reprove.”
Source: The Deserted Village (1770), Line 29.
"The Midlands Express"
The Still Centre (1939)
Source: In the Drift (1985), Chapter 3, “Boneseeker” (pp. 99-100)
Habile façon dont la mort fauche, fait ses coupes, mais seulement des coupes sombres. Les générations ne tombent pas d'un coup; ce serait trop triste, trop visible. Par bribes. Le pré attaqué de plusieurs côtés à la fois. Un jour, l'un; l'autre, quelque temps après; il faut de la réflexion, un regard autour de soi pour se rendre compte du vide fait, de la vaste tuerie contemporaine.
La doulou: (la douleur), 1887-1895 (Paris: Librairie de France, 1930) p. 29; Milton Garver (trans.) Suffering, 1887-1895 (New Haven: Yale University Press, 1934) pp. 29-30.
Source: Growing Up Absurd (1956), p. 189.
co-authored with Wassily Kandinsky
1911 - 1914
Source: Franz Marc's Manifesto for 'the Blaue Reiter' group, (1912); as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 207
Preface (page XXI)
The Great War for Civilization (2005)
"The mad dream of a dead empire that unites Islamic rebels" http://nypost.com/2014/06/14/the-mad-dream-of-a-dead-empire-that-unites-islamic-rebels/, New York Post (June 14, 2014).
New York Post
11 August 1972; pp. 90-91
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)
EUROPE, METAPHORICALLY http://www.c3.hu/~mediumar/PETVERS1.HTM (1990).
András Petőcz: In Praise of the Sea (1999, ISBN 963 9101 51 6).
Poems
Song lyrics, Children of the Sun (1969)
"Girls in Their Summer Clothes"
Song lyrics, Magic (2007)
The End of Summer, p. 14 (originally published in Astounding Science Fiction, November 1954)
The Unexpected Dimension (1960)
“Beauty cannot be recognized with a cursory glance.”
Diary of an Unknown (1988), On Invisibility
Libs Want Men to Stop Looking at Women
The Rush Limbaugh Show
2013-12-09
http://www.rushlimbaugh.com/daily/2013/12/09/libs_want_men_to_stop_looking_at_women, quoted in * The Rush Limbaugh Guide To Sexual Harassment
Media Matters for America
2013-12-09
http://mediamatters.org/video/2013/12/09/the-rush-limbaugh-guide-to-sexual-harassment/197197
As quoted by Steve Ryfle (1998), Japan's Favourite Mon-star: The Unauthorized Biography of "The Big G", ECW Press, p. 263-64, ISBN 1550223488
Verses supposed to be written by Alexander Selkirk.
Bartlett's Familiar Quotations, 10th ed. (1919)
Source: Halakhic Man (1983), p. 83
1840s, Heroes and Hero-Worship (1840), The Hero as Prophet
I should like to call you all by name,
But they have lost the lists...
I have, woven fore them a great shroud
Out of the poor words I overheard them speak.
I remember them always and everywhere,
And if they shut my tormented mouth,
Through which a hundred million of my people cry,
Let them remember me also...
Translated by D. M. Thomas
Requiem; 1935-1940 (1963; 1987), Epilogue
K 29
Aphorisms (1765-1799), Notebook K (1789-1793)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 263.
Speech delivered at the second congress of the peace partisans (April 14, 1959).
Principles of the 14th July Revolution (1959)
Geological Sketches (1870), ch 4, p. 98 https://babel.hathitrust.org/cgi/pt?id=hvd.32044018968388;view=1up;seq=116
Wie steht es bei dem Kreisen der sogenannten Elektronen um ihren zentralen Kern? Was ist hier wirklich unmittelbar wahrgenommen worden? Nichts von den bewegten Teilchen; was vielmehr beobachtet wurde, sind Erscheinungen, welche auf den ersten Blick mit der Bewegung von Körpern gar nichts zu tun haben. Alles übrige, was zum Atommodell geführt, ist eine lange Kette von Schlüssen.
In an address to the Viennese Chemisch-Physikalische Gesellschaft http://www.cpg.univie.ac.at/, April 26, 1932, as quoted by [Joseph Braunbeck, Der andere Physiker: das Leben von Felix Ehrenhaft, Leykam Buchverlagsgesellschaft, 2003, 3701174709, 51]
Source: A Thousand-Mile Walk To the Gulf, 1916, chapter 5: Through Florida Swamps and Forests, page 151
The Deserter from The London Literary Gazette (8th June 1822) Poetic Sketches. Second Series - Sketch the Sixth
The Improvisatrice (1824)
Reading as Construction (1980)
La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s
Source: The Mentality of Apes, 1925, p. 94; As cited in: Arthur Koestler, The Act of Creation, 1964, p. 103
Sir Walter Scott Marmion (1808) Canto 4, st. 7.
Criticism
Protocols to the Experiments on Hashish, Opium and Mescaline (1927-1934)
Peace Utopias (1911)
Neill, S. (2004). A history of Christianity in India: The beginning to AD 1707. Cambridge: Cambridge University Press.
Quote from Gauguin's unfinished essay 'Notes Synthetiques', published in the July / September 1910 issue of ' Vers et Prose' XXII, pp. 51-55, as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 23
Gauguin's essay 'Notes Synthetiques' was written in Pont -Aven in 1888 and left incomplete. His essay was first published in 'Vers et Prose' XXII
1890s - 1910s