Quotes about glance
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“Grafenwalder shoots a sidelong glance at Ursula Goodglass, wondering what their marriage must be like. Clearly sex isn’t in the cards, but he doubts that it was ever the main interest in their lives. Games, especially those of prestige and subterfuge, are amongst the chief entertainments of the Rust Belt moneyed.”

Alastair Reynolds (1966) British novelist and astronomer

Grafenwalder’s Bestiary (p. 212)
Short fiction, Galactic North (2006)

Money, Marriage, Sex, Game

“I watched the living soldiers pass by the dead at the roadside without a glance, and the dead scarcely looked human. They resembled wax mannequins thrown from a show window, lying about in grotesque, inhuman postures, arms pointing toward the sky, legs frozen as though they were running. Their faces were bloodless, waxy white.”

Larry LeSueur (1909–2003) American journalist

Twelve Months That Changed the World ( Google Books link http://books.google.com/books?id=Emc1AQAAIAAJ&q), A.A. Knopf, 1943. Twelve Months That Changed the World (1943)

Lying, Dead

“We talk endlessly of the individual and of individualism, for example, when any sensible glance at major issues indicates that we live in an era of great conformism. Our societies turn upon democratic principles, yet the quasi totality of our leading citizens refuse to take part in that process and, instead, leave the exercise of political power to those for whom they have contempt. Our business leaders hector us in the name of capitalism, when most of them are no more than corporate employees, isolated from personal risk.”

John Ralston Saul (1947) Canadian author and essayist

Voltaire's Bastards (1992)

Exercises, Business, Parting, Personality

“Catilina in particular was one of the most nefarious men in that nefarious age. His villanies belong to the criminal records, not to history; but his very outward appearance - the pale countenance, the wild glance, the gait by turns sluggish and hurried - betrayed his dismal past. He possessed in a high degree the qualities which are required in the leader of such a band - the faculty of enjoying all pleasures and of bearing all privations, courage, military talent, knowledge of men, the energy of a felon, and that horrible mastery of vice which knows how to bring the weak to fall, and how to train the fallen to crime.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 1, Translated by W.P. Dickson
On the Praetor Lucius Catilina
The History of Rome - Volume 4: Part 1

Men, Pleasure, Age, History

“I glanced at the ring on my finger.
The Snake That Eats Its Own Tail, Forever and Ever … I know where I came from — but where did all you zombies come from?”

Robert A. Heinlein book "—All You Zombies—"

"—All You Zombies—" (1958)

“It took a while, but she looked in the mirror,
And she glanced at the license for my name.
A smile seemed to come to her slowly,
It was a sad smile, just the same.
And she said, "How are you Harry?"
I said, "How are you Sue?
Through the too many miles
and the too little smiles
I still remember you."”

Harry Chapin (1942–1981) American musician

Taxi
Song lyrics, Heads & Tales (1972)

Sadness, Smile

“There would be no import duties upon the supplies, machinery, etc., going from the States. The effect that would have been produced upon Cuban commerce, with these advantages to a rival, is observable at a glance. The Cuban question would have been settled long ago in favor of "free Cuba." Hundreds of American vessels would now be advantageously used in transporting the valuable woods and other products of the soil of the island to a market and in carrying supplies and emigrants to it. The island is but sparsely settled, while it has an area sufficient for the profitable employment of several millions of people.”

Ulysses S. Grant (1822–1885) 18th President of the United States

1870s, Eighth State of the Union Address (1876)

People, Question

“Damien Hirst's Mother and Child Divided (1993) is a work which can at first glance be read as nothing more than two brutally severed carcasses. "A freak show" was how the art critic of the Sunday Telegraph responded to its presentation in the Turner Prize in 1995. For me, the undoubted shock, even disgust provoked by the work is part of its appeal. Art should be transgressive. Life is not all sweet.”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

Life, Art, Reading, Parting

“I was at some night once, right. It was some night out and er, some people come running on stage. And some music started coming on. These four people came running out, it was two women, two blokes. It wasn't gay an' that. It was just a normal night -well, y'know, some party night out. These people come running on. You've got two women, you've got two blokes. They whip their knickers off. The fellas whip their undies off. All at the same time, like er, whatsit? Cheryl Baker was in it… Bucks Fizz. So that happened and all I'm saying is, right; before I had a look at the woman's bits, I just had a cheeky glance at the fellas' bits, just checkin' it out, checking everything's normal down there. Believe me, I had a look at the ladies' bits but I didn't know how long that pants were going to left off for.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 2
On Nudity

Women, People, Music, Time

“Loveward above the glancing oar”

James Joyce book Pomes Penyeach

Watching The Needleboats At San Sabba, p. 10
Pomes Penyeach (1927)

“Long time has Thetis been scanning every corner with silent glance.”
Jamdudum tacito lustrat Thetis omnia visu.

Statius book Achilleid

Source: Achilleid, Book I, Line 126

Time

“There was something in her higher than what surrounded her. There was in her the glow of the real diamond among glass imitations. This glow shone out in her exquisite, truly enigmatic eyes. The weary, and at the same time passionate, glance of those eyes, encircled by dark rings, impressed one by its perfect sincerity. Everyone looking into those eyes fancied he knew her wholly, and knowing her, could not but love her.”

Leo Tolstoy book Anna Karenina

Anna’s thoughts about Liza, Part III, Chapter 13
Anna Karenina (1875–1877; 1878)

Love, Passion, Time, Perfection

“At one moment both of them were staring at the ground in deep embarrassment; at the next they were smiling and glancing at each other with the love-light in their eyes.”

Apollonius of Rhodes book Argonautica

Source: Argonautica (3rd century BC), Book III. Jason and Medea, Lines 1022–1024

Love, Smile, Light

“Anyone who understands algebraic notation, reads at a glance in an equation results reached arithmetically only with great labour and pains.”

Antoine Augustin Cournot Researches into the Mathematical Principles of the Theory of Wealth

Source: Researches into the Mathematical Principles of the Theory of Wealth, 1897, p. 4; Cited in: Moritz (1914, 197): About mathematics as language

Pain, Understanding, Reading

“How then can the curious drawer watch, and as it were catch these lovely graces, witty smilings, and those stolen glances which suddenly like lightning pass, and another countenance taketh place, except to behold and very well note and conceit to like.”

Nicholas Hilliard Art of Limning

A Treatise Concerning the Arte of Limning, eds. R K R Thornton and T G S Cain, (Manchester, 1981), p. 77.

Love, Smile

““People always talk about human sacrifice as if it were an unusual and aberrant activity,” she said thoughtfully. “Over the centuries, it’s really been fairly common in a number of societies. Think about it. There’re a number of religions in the United States whose worship centers on a particular human sacrifice.” She glanced at me.
“Jesus Christ on the cross,” I said slowly.
“Certainly. Thousands of people consume Christ’s body and blood each Sunday.”
“That’s different.”
She shrugged. “Not really. Christ died long ago in a faraway place, and that might make it seem different. His worshipers claimed he was God incarnate, but the Aztecs claimed the same for the god-king they sacrificed. It happened only once, and that speaks for moderation on the part of the Christians, but that’s not a fundamental difference, just one of degree.””

Pat Murphy book The Falling Woman

Source: The Falling Woman (1986), Chapter 10 (p. 131)

God, People, Religion, Thinking

“Just then, with a wink and a sly normal lurch,
The owl very gravely got down from his perch,
Walked round, and regarded his fault-finding critic
(Who thought he was stuffed) with a glance analytic.”

James Thomas Fields (1817–1881) American writer and publisher

The Owl-Critic, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

““I don’t understand what you mean,” I confessed in a baffled tone. Niamh gave me a long, cool, faintly amused glance.
“Don’t you? No, I can see that you do not,” she said. And with that she rolled over, her face turned from me, and fell asleep…leaving me staring at the ceiling, completely mystified, pondering the inexplicable perversities of the female mind.”

Lin Carter book Under the Green Star

Source: Under the Green Star (1972), Chapter 17, “A Knife in the Dark” (pp. 112-113)

Understanding

“I have said that mathematics is the oldest of the sciences; a glance at its more recent history will show that it has the energy of perpetual youth. The output of contributions to the advance of the science during the last century and more has been so enormous that it is difficult to say whether pride in the greatness of achievement in this subject, or despair at his inability to cope with the multiplicity of its detailed developments, should be the dominant feeling of the mathematician. Few people outside of the small circle of mathematical specialists have any idea of the vast growth of mathematical literature. The Royal Society Catalogue contains a list of nearly thirty-nine thousand papers on subjects of Pure Mathematics alone, which have appeared in seven hundred serials during the nineteenth century. This represents only a portion of the total output, the very large number of treatises, dissertations, and monographs published during the century being omitted.”

E. W. Hobson (1856–1933) British mathematician

Source: Presidential Address British Association for the Advancement of Science, Section A (1910), p. 283; Cited in: Moritz (1914, 108-9): Modern mathematics.

People, Youth, Feeling, History

“It is a peculiar role in many respects, when you see the play Dracula seems to be constantly on the stage. A casual glance would indicate that he speaks as many lines as Hamlet. Yet, as a matter of fact, the number of ‘sides’ is small. The professor really has a great many more. But, if Count Dracula is not particularly chatty, he presents other difficulties. I find that it requires time and meditation to catch the mood of the character; each performance must be approached with some care. The result is that one doesn’t weary of the part.”

Béla Lugosi (1882–1956) Hungarian actor

IN THE WORLD OF SCREEN & STAGE The Oakland Tribune, Oakland, California https://beladraculalugosi.wordpress.com/1930-2/ (July 6, 1930)

Mood, Time, Parting

“My dear soul, I can stand on my own feet, but so poorly that I don't know if my head is on my shoulders. I have no appetite or desire to do anything at all. Only your letters cheer me up – only yours. I don't know what will become of me now that I have lost sight of you; I who idolize you have given up hope that you'll ever glance at these blurred lines and get consolation from them.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Martín Zapater https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg, March 1793; from: 'Francisco de Goya. MS Letters to Martín Zapater 1774-99', Collection of Prado - published as Cartas a Martín Zapater; ed, X. de Salas & M. Agueda, Madrid 1982, p. 211; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 127 Goya started to become deaf then, had fainting fits and spells of semi-blindness. From 1793 onward [he was 46] he became functionally deaf, till his death 1790s

Hope, Soul

“With the coming of the twentieth century, there came into being a new physics which was especially concerned with phenomenon on the atomic and sub-atomic scale. …A preliminary glance over the vast territory of this new physics reveals three outstanding landmarks.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

“We should profile Muslims, or anyone who looks like he or she could conceivably be Muslim, and we should be honest about it. And, again, I wouldn’t put someone who looks like me entirely outside the bull’s-eye (after all, what would Adam Gadahn look like if he cleaned himself up?) But there are people who do not stand a chance of being jihadists, and TSA screeners can know this at a glance.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris, In Defense of Profiling http://www.samharris.org/blog/item/in-defense-of-profiling (April 28, 2012) 2010s

People, Chance

“Ah, Woman has no look so sweet
As that, when, half afraid to meet
The look she loves, blushes betray
All the suppressed glance would say.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(15th March 1823) Poetical Catalogue of Pictures. Vandyke consulting his Mistress on a Picture in Cooke's Exhibition.
The London Literary Gazette, 1823

Love

“Only Boris concerns me. When I used to watch Have I Got News For You, which as a kid I was proud to watch, full stop, I loved it when Boris Johnson came on. I didn't know who he was or what he did, I didn't think about it, I just liked him. I liked his voice, his manner, his name, his vocabulary, his self-effacing charm, humour and, of course, his hair. He has catwalk hair. Vogue cover hair, Rumplestiltskin spun it out of straw, straight-out-of-bed, drop-dead, gold-thread hair. He was always at ease with Deayton, Merton and Hislop, equal to their wit and always gave a great account of himself. "This bloke is cool," I thought. As I grew up I found out that he was an old Etonian, bully-boy, Spectator-editing Tory.
"That's weird," I thought. While I was busy becoming a world-class junkie, the man from HIGNFY became mayor. People like Boris Johnson; I like the HIGNFY Boris. He is the most popular politician in the country. Well, not in the country, on the television. There is a difference. Most people, of course, haven't met him, they've seen him on the telly. When I met Boris in his office, the nucleus of his dominion, I glanced at his library. Among the Wodehouses and the Euripides there were, of course, fierce economic tomes, capitalist manuals, bibles of domination. Eye-to-eye, the bumbling bonhomie appeared to be a lacquer of likability over a living obelisk of corporate power.”

Russell Brand (1975) British comedian, actor, and author

Russell Brand - The Guardian (2013)

Love, People, World, Boy

“No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty's glance,
And watch her feet, how they can dance.”

William Henry Davies (1871–1940) British poet

Leisure

Beauty, Star, Time, Dance

“The individuation process, as the way of development and maturation of the psyche, does not follow a straight line, nor does it always lead onwards and upwards. The course it follows is rather “stadial”, consisting of progress and regress, flux and stagnation in alternating sequence. Only when we glance back over a long stretch of the way can we notice the development. If we wish to mark out the way somehow or other, it can equally well be considered a “spiral”, the same problems and motifs occurring again and again on different levels.”

C. West Churchman (1913–2004) American philosopher and systems scientist

Source: 1940s - 1950s, Theory of Experimental Inference (1948), p. 216; cited by Jolande Jacobi (1983) The way of individuation. p. 34, translation of Der Weg zur Individuation. Rascher, Zürich 1965

Way, Problem

“Aspen tree, your leaves glance white into the dark.”

Paul Celan (1920–1970) Romanian poet and translator

"Aspen Tree. . ."; cited in: Ruth Golan (2006). Loving Psychoanalysis. p. 61

Tree

“The schools, having found the object of their long, blind searching, shall teach directness, simplicity, naturalness: they shall protect the young against palpable illusion. They shall teach that, while man once invented a process called composition, Nature has forever brought forth organisms. They shall encourage the love of Nature that wells up in every childish heart, and shall not suppress, shall not stifle, the teeming imagination of the young.
They shall teach, as the result of their own bitter experience, that conscious mental effort, that conscious emotionality, are poor mates to breed from, and that true parturition comes of a deep, instinctive, subconscious desire. That true art, springing fresh from Nature, must have in it, to live, much of the glance of an eye, much of the sound of a voice, much of the life of a life.
That Nature is strong, generous, comprehensive, fecund, subtile: that in growth and decadence she continually sets forth the drama of man's life.
That, thro' the rotating seasons, thro' the procession of the years, thro' the march of the centuries, permeating all, sustaining all, there murmurs the still, small voice of a power that holds us in the hollow of its hand.”

Louis Sullivan (1856–1924) American architect

Emotional Architecture as Compared to Intellectual (1894)

Love, Life, School, Art

“While in Kyoto I tried to learn Japanese with a vengeance. I worked much harder at it, and got to a point where I could go around in taxis and do things. I took lessons from a Japanese man every day for an hour.
One day he was teaching me the word for "see." "All right," he said. "You want to say, 'May I see your garden?' What do you say?"
I made up a sentence with the word that I had just learned.
"No, no!" he said. "When you say to someone, 'Would you like to see my garden?' you use the first 'see.' But when you want to see someone else's garden, you must use another 'see,' which is more polite."
"Would you like to glance at my lousy garden?" is essentially what you're saying in the first case, but when you want to look at the other fella's garden, you have to say something like, "May I observe your gorgeous garden?" So there's two different words you have to use.
Then he gave me another one: "You go to a temple, and you want to look at the gardens…"
I made up a sentence, this time with the polite "see."
"No, no!" he said. "In the temple, the gardens are much more elegant. So you have to say something that would be equivalent to 'May I hang my eyes on your most exquisite gardens?"
Three or four different words for one idea, because when I'm doing it, it's miserable; when you're doing it, it's elegant.
I was learning Japanese mainly for technical things, so I decided to check if this same problem existed among the scientists.
At the institute the next day, I said to the guys in the office, "How would I say in Japanese, 'I solve the Dirac Equation'?"
They said such-and-so.
"OK. Now I want to say, 'Would you solve the Dirac Equation?'”

Richard Feynman (1918–1988) American theoretical physicist

how do I say that?"
"Well, you have to use a different word for 'solve,' " they say.
"Why?" I protested. "When I solve it, I do the same damn thing as when you solve it!"
"Well, yes, but it's a different word — it's more polite."
I gave up. I decided that wasn't the language for me, and stopped learning Japanese.
Part 5: "The World of One Physicist", "Would You Solve the Dirac Equation?", p. 245-246
Surely You're Joking, Mr. Feynman! (1985)

Guy, Idea, Problem, Learning

“It is a greatness not of mere body and gigantic bulk, but a rude greatness of soul. There is a sublime uncomplaining melancholy traceable in these old hearts. A great free glance into the very deeps of thought. They seem to have seen, these brave old Northmen, what Meditation has taught all men in all ages, That this world is after all but a show,—a phenomenon or appearance, no real thing. All deep souls see into that,—the Hindoo Mythologist, the German Philosopher,—the Shakspeare, the earnest Thinker, wherever he may be.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

Men, Age, World, Soul

“A large picture can give us images of things, but a relatively small one can best re-create the instantaneous unity of nature as a view — the unity of which the eyes take in at a single glance.”

Clement Greenberg (1909–1994) American writer and artist

"Milton Avery" (1958), p. 201
1960s, Art and Culture: Critical Essays, (1961)

Nature

“The maid glanced at her employer. "Oh, you have heard of me," she said. "I am glad that he speaks of me. I would not like to think that nobody speaks of me." "No," said Mma Ramotswe. "It is better to be spoken of than not to be spoken of. Except sometimes, that is."”

Alexander McCall Smith book Tears of the Giraffe

Tears of the Giraffe, chapter 1.
The No. 1 Ladies' Detective Agency series

Thinking

“Birds the more white, against green stream
Blooms burst to flame, against blue hills
I glance, the spring is gone again.
What day, what day, can I go home?”

Du Fu (712–770) Chinese poet of the Tang Dynasty

"A Quatrain" (trans. Jerome P. Seaton), in Sunflower Splendor: Three Thousand Years of Chinese Poetry, eds. Wu-chi Liu and Irving Yucheng Lo (1975), p. 142

Home, Spring, Bird

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Smile, History, Idea, Tree

“Glance their many-twinkling feet.”

Thomas Gray (1716–1771) English poet, historian

I. 3, Line 11 The Progress of Poesy http://www.thomasgray.org/cgi-bin/display.cgi?text=pppo (1754)

“Poor Pymfyd! Your world is built of fear and dread! As for me, I have no time for such emotions.”
Pymfyd spoke in an even voice. “You are a royal princess and I may not call you a witless little fool, even should the thought cross my mind.”
Madouc turned him a sad blue-eyed glance. “So that, after all, is your concept of me.”

Jack Vance Lyonesse Trilogy

“I will say only this: persons who fear nothing are soon dead.”
Source: Lyonesse Trilogy (1983-1989), Madouc (1989), Chapter 3, section 3 (p. 722)

World, Sadness, Fear, Fools

“Edward rode in the backseat of my father's police car, behind the fiberglass divider, with an amused expression — probably due to my father's amused expression, and the grin that widened every time Charlie stole a glance at Edward in his rearview mirror.”

Stephenie Meyer (1973) American author

Bella Swan, p. 351
Twilight series, Eclipse (2007)

Cars, Time

“Prayer is the burden of a sigh,
The falling of a tear,
The upward glancing of an eye
When none but God is near.”

James Montgomery (1771–1854) British editor, hymn writer, and poet

What is Prayer?
Bartlett's Familiar Quotations, 10th ed. (1919).

God, Tear

““Everything, right now” is the notion that comes from the presence of images, which in effect get us used to seeing all in a single glance.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 208
The Humiliation of the Word (1981)

“The bewildered novice in chess moves cautiously, recalling individual rules, whereas the experienced player absorbs a complicated situation at a glance and is unable to account rationally for his intuition. In like manner mathematical intuition grows with experience, and it is possible to develop a natural feeling for concepts such as four dimensional space.”

William Feller (1906–1970) Croatian-American mathematician

Introduction, The Nature of Probability Theory, p. 2.
An Introduction To Probability Theory And Its Applications (Third Edition)

Feeling, Mathematics, Nature

“At a single glance I survey the whole Universe.
He will never be happy, whom such pleasures fail to please!”

Tao Yuanming (365–427) Chinese poet

"Reading the Book of Hills and Seas" (translation by A. Waley)

Happiness, Pleasure, Universe

“The built house seems all so fit,- everyway as it should be, as if it came there by its own law and the nature of things,- we forget the rude disorderly quarry it was shaped from. The very perfection of the house, as if Nature herself had made it, hides the builder's merit. Perfect, more perfect than any other man, we may call Shakspeare in this: he discerns, knows as by instinct, what condition he works under, what his materials are, what his own force and its relation to them is. It is not a transitory glance of insight that will suffice; it is deliberate illumination of the whole matter; it is a calmly seeing eye; a great intellect, in short. How a man, of some wide thing that he has witnessed, will construct a narrative, what kind of picture and delineation he will give of it,- is the best measure you could get of what intellect is in the man. Which circumstance is vital and shall stand prominent; which unessential, fit to be suppressed; where is the true beginning, the true sequence and ending? To find out this, you task the whole force of insight that is in the man. He must understand the thing; according to the depth of his understanding, will the fitness of his answer be.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Law, Understanding, Nature, Housing

“Has not experience demonstrated quite recently that Jack the Ripper performed his exploits under the eye of the London police — a most active force — and that he only left off killing when the population of Whitechapel itself began to give chase to him?
And in our every-day relations with our fellow-citizens, do you think that it is really judges, gaolers, and police that hinder anti-social acts from multiplying? The judge, ever ferocious, because he is a maniac of law, the accuser, the informer, the police spy, all those interlopers that live from hand to mouth around the Law Courts, do they not scatter demoralization far and wide into society? Read the trials, glance behind the scenes, push your analysis further than the exterior facade of law courts, and you will come out sickened.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Anarchism: Its Philosophy and Ideal (1896)

Law, Thinking, Reading

“The darkest night that ever fell upon the earth never hid the light, never put out the stars. It only made the stars more keenly, kindly glancing, as if in protest against the darkness.”

George Eliot (1819–1880) English novelist, journalist and translator

As quoted in Golden Gleams of Thought from the Words of Leading Orators, Divines, Philosophers, Statesmen and Poets (1881) by S. Pollock Linn; also in Still Waters http://books.google.com/books?id=VjAqAAAAYAAJ (1913)

Star, Light, Night

“One glance is all that I need;
What I was searching for I've found it…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Earth Moving (1989)

“These men of the cloth sought reflected glory in glorifying the inhumanity of their sinful flock of hostage takers; but in their uncompassionate hearts, could not find the will to spare a moment to cast a comforting glance at the hapless and innocent hostages who languished but a few yards away in the parliamentary complex. They joined together to desecrate the national motto: Fear God and Honour the Chief; they violated the solemn promise. And their political outriders, far and wide, high and low, military and civilian, hastened to proclaim their support for the newly invented “cause” as defined by army officer Sitiveni Rabuka (1987) and failed businessman George Speight (2000), while occasionally proclaiming not to support the means, but had not the courage to condemn and resist their evil enterprise.”

Vijay R. Singh (1931–2006) Fijian politician

Speaking Out (2006)

Men, God, Fear, Courage

“The bashful virgin's sidelong looks of love,
The matron's glance that would those looks reprove.”

Oliver Goldsmith The Deserted Village

Source: The Deserted Village (1770), Line 29.

Love

“You drive the landscape like a herd of clouds
Moving against your horizontal tower
Of steadfast speed.
All England lies beneath you like a woman
With limbs ravished
By one glance carrying all these eyes.”

Stephen Spender (1909–1995) English poet and man of letters

"The Midlands Express"
The Still Centre (1939)

Speed

“Sam stood in the center of the church, listening for the presence of God. It was a hot place. The air was blue with floating radioisotopes. She glanced up at the clouds and they staggered by as if the walls were falling in on her. She looked away quickly. The air flowed around her, calm and peaceful and blue. But there was no divine presence.”

Michael Swanwick (1950) American science fiction author

Source: In the Drift (1985), Chapter 3, “Boneseeker” (pp. 99-100)

God, Peace

“It is clever the way death reaps and gathers its harvests, but what somber harvests. Whole generations do not fall at once; that would be too sad, too visible. But bit by bit. The meadow is attacked on several sides at the same time. One day, one will go; the other, some time after; one must reflect, glance about oneself to notice the empty spaces, the vast contemporary killing.”

Alphonse Daudet (1840–1897) French novelist

Habile façon dont la mort fauche, fait ses coupes, mais seulement des coupes sombres. Les générations ne tombent pas d'un coup; ce serait trop triste, trop visible. Par bribes. Le pré attaqué de plusieurs côtés à la fois. Un jour, l'un; l'autre, quelque temps après; il faut de la réflexion, un regard autour de soi pour se rendre compte du vide fait, de la vaste tuerie contemporaine.
La doulou: (la douleur), 1887-1895 (Paris: Librairie de France, 1930) p. 29; Milton Garver (trans.) Suffering, 1887-1895 (New Haven: Yale University Press, 1934) pp. 29-30.

Death, Sadness, Way, Time

“I began to get up at two or three in the morning and work for twelve to fifteen hours a day. I’d get so emotionally drained by the writing, that I’d feel sick at the end of the day. My family became worried about me and they invited a friend, who was a writer in Los Angeles, to see me. He told me that he’d heard how serious I was about my writing, so he was willing to take a little time off of his busy schedule to glance at my work. I gave him the latest version of my manuscript. He took it home and came back to see me the following week. His face was long. He told me that he was sorry to say this but, as a family friend, he had the obligation to be truthful, so he’d tell me straight out that I had no talent. The book was terrible. And also, I was trying to write way beyond my mental capabilities.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Truth, Books, Family, Angels

“Their religion is unfeasible, for one cannot richly meet the glancing present … without long discipleship and secure sustenance.”

Paul Goodman book Growing Up Absurd

Source: Growing Up Absurd (1956), p. 189.

Religion

“Art today is moving in directions of which our forebears had no inkling; the Horsemen of the Apocalypse are heard galloping through the air; artistic excitement can be felt all over Europe – new artists are signalling to one another from all sides; a glance, a touch of the hand, is enough to convey understanding.”

Franz Marc (1880–1916) German painter

co-authored with Wassily Kandinsky
1911 - 1914
Source: Franz Marc's Manifesto for 'the Blaue Reiter' group, (1912); as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 207

Art, Understanding

“I don't like the definition 'war correspondent'. It is history, not journalism, that has condemned the Middle East to war. I think 'war correspondent' smells a bit, reeks of false romanticism: it has too much of the whiff of Victorian reporters who would view battles from hilltops in the company of ladies, immune to suffering, only occasionally glancing towards the distant pop-pop of cannon fire.”

Robert Fisk (1946) English writer and journalist

Preface (page XXI)
The Great War for Civilization (2005)

War, History, Thinking, Suffering

“It might come as a surprise to many, but the truth is that Islam today no longer has a living and evolving theology. In fact, with few exceptions, Islam’s last genuine theologians belong to the early part of the 19th century. Go to any mosque anywhere, whether it is in New York or Mecca, and you are more likely to hear a political sermon rather than a theological reflection. In the highly politicized version of Islam promoted by Da’esh, al Qaeda, the Khomeinists in Iran, the Taliban in Afghanistan and Boko Haram in Nigeria, God plays a cameo role at best. Deprived of its theological moorings, today’s Islam is a wayward vessel under the captaincy of ambitious adventurers leading it into sectarian feuds, wars and terrorism. Many, especially Muslims in Europe and North America, use it as a shibboleth defining identity and even ethnicity. A glance at Islam’s history in the past 200 years highlights the rapid fading of theologians. Today, Western scholars speak of Wahhabism as if that meant a theological school. In truth, Muhammad Abdul-Wahhabi was a political figure. His supposedly theological writings consist of nine pages denouncing worship at shrines of saints. Nineteenth-century “reformers” such as Jamaleddin Assadabadi and Rashid Rada were also more interested in politics than theology. The late Ayatollah Khomeini, sometimes regarded as a theologian, was in fact a politician wearing clerical costume. His grandson has collected more than 100,000 pages of his writings and speeches and poetry. Of these, only 11 pages, commenting on the first and shortest verse of the Koran, could be regarded as dabbling in theology, albeit not with great success.”

Amir Taheri (1942) Iranian journalist

"The mad dream of a dead empire that unites Islamic rebels" http://nypost.com/2014/06/14/the-mad-dream-of-a-dead-empire-that-unites-islamic-rebels/, New York Post (June 14, 2014). New York Post

God, War, Truth, School

“Over this country, when the giant Eagle flings the shadow of his wing, the land is darkened. So compact is it that the wing covers all its extent in one pause of the flight. The sea breaks on the pale line of the shore; to the Eagle's proud glance waves run in to the foot of the hills that are like rocks planted in green water.”

Hugh Walpole (1884–1941) New Zealand writer

Rogue Herries (1930) First lines

Water, Sea, Country

“What the eye can see won't get us very far. And what it can see is so limited, so restricted. But a gouache or an oil painting can be seen at a glance, can take in a whole world at a single glance.”

Bram van Velde (1895–1981) Dutch painter

11 August 1972; pp. 90-91
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

World, Painting

“She twirls herself, turns round, twirls once more,
posing, smiling, laughing, beckoning airily,
drifts off, only to turn back beckoning, offering,
repulsing, coolly firm, and then turns away,
so that you think, well, it’s hopeless, when she glances back
lightly, sidelong, her eyes opening, pupils wide,
and wider yet, and she’s laughing at you, at you alone,
laughing gaily, and you freeze, astonished,
your throat constricting, as she hovers lovely
and out of reach, out of reach and lovely,
smiling at you, her head inclined aside,
her hair brushing one cheek, there she is and yet not,
unbelievable and simply gorgeous, and your heart tightens
as she stands there so lovely, and out of reach.”

András Petőcz (1959) Hungarian writer

EUROPE, METAPHORICALLY http://www.c3.hu/~mediumar/PETVERS1.HTM (1990). András Petőcz: In Praise of the Sea (1999, ISBN 963 9101 51 6). Poems

Love, Smile, Thinking, Heart

“Oh, my love
You're searching
For your name
Beside the sea
Of dwells and dreams
Where Shadows're dancing
For your glance…
The sky would chance
The granting of a dream
To the restless soul
That dwells within your heart…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Children of the Sun (1969)

Love, Dreams, Soul, Search

“She went away, she cut me like a knife.
Hello beautiful thing, maybe you could save my life.
In just a glance, down here on magic street,
Loves a fool's dance
And I ain't got much sense, but I still got my feet.”

Bruce Springsteen (1949) American singer and songwriter

"Girls in Their Summer Clothes"
Song lyrics, Magic (2007)

Love, Life, Beauty, Fools

““Can I drive you down to your house?”
The man flicked an expressive glance along the car’s length and shook his head. “Thanks. I’ll walk. There’s still a law of averages.”
And you can take that phrase and carve it on Humanity’s headstone, Fay thought bitterly, but did not reply.”

Algis Budrys (1931–2008) American writer

The End of Summer, p. 14 (originally published in Astounding Science Fiction, November 1954)
The Unexpected Dimension (1960)

Law, Cars, Housing

“Beauty cannot be recognized with a cursory glance.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988), On Invisibility

Beauty

“Eagle of the land, extensive thy glance.
I would have requested an active courser
Of vigorous trot, the price of the spoil of Taliesin.
One is the violent course on the bottom and the summit,
One is the gift of a baron to a lord.
One is the herd of stags in their fight.
One is the wolf not covetous of broom,
One is the country where a son is born,
And of one form and one sound is the battle-place of warriors.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Spoils of Taliesin, a Song to Urien

Wolf, Fight, Country

“The odors perceived by the ant seem to lead to a highly standardized course of conduct; but the value of a simple stimulus, such as an odor, for conveying information depends not only on the information conveyed by the stimulus itself but on the whole nervous constitution of the sender and receiver of the stimulus as well. Suppose I find myself in the woods with an intelligent savage who cannot speak my language and whose language I cannot speak. Even without any code of sign language common to the two of us, I can learn a great deal from him. All I need to do is to be alert to those moments when he shows the signs of emotion or interest. I then cast my eyes around, perhaps paying special attention to the direction of his glance, and fix in my memory what I see or hear. It will not be long before I discover the things which seem important to him, not because he has communicated them to me by language, but because I myself have observed them. In other words, a signal without an intrinsic content may acquire meaning in his mind by what he observes at the time, and may acquire meaning in my mind by what I observed at the time. The ability that he has to pick out the moments of my special, active attention is in itself a language as varied in possibilities as the range of impressions that the two of us are able to encompass. Thus social animals may have an active, intelligent, flexible means of communication long before the development of language.”

Norbert Wiener book Cybernetics: Or Control and Communication in the Animal and the Machine

VIII. Information, Language, and Society. p. 157.
Cybernetics: Or Control and Communication in the Animal and the Machine (1948)

Intelligence, Communication, Learning, Memory

“You find yourself staring, looking at, casually glancing at a woman, but you know that it's now socially taboo. You shouldn't be doing it. And you think everybody is noticing you doing it and condemning you in their minds. You shouldn't — so you walk up to the woman and say, "Will you please ask your breasts to stop staring at my eyes?"”

Rush Limbaugh (1951) U.S. radio talk show host, Commentator, author, and television personality

Libs Want Men to Stop Looking at Women
The Rush Limbaugh Show
2013-12-09
http://www.rushlimbaugh.com/daily/2013/12/09/libs_want_men_to_stop_looking_at_women, quoted in * The Rush Limbaugh Guide To Sexual Harassment
Media Matters for America
2013-12-09
http://mediamatters.org/video/2013/12/09/the-rush-limbaugh-guide-to-sexual-harassment/197197

Thinking

“Now all that was left 'neath the bad-smelling sky
was my big empty factory…
the Lorax…
and I.
The Lorax said nothing.
Just gave me a glance,
just gave me a very sad, sad backward glance,
as he lifted himself by the seat of his pants.
And I'll never forget the grim look on his face
when he heisted himself and took leave of this place,
through a hole in the smog, without leaving a trace.
And all that the Lorax left here in this mess
was a small pile of rocks with the one word:
UNLESS.”

Dr. Seuss The Lorax

Whatever that meant . . . well, I just couldn't guess.
The Lorax (1971)

Sadness, Forgetting

“I have now done seven films as Godzilla, and I believe I have achieved most everything I have wanted to do inside the costume… Most importantly, I have always felt Godzilla should express its emotions, which is very difficult given the range of movements and expressions the suit can make. So, whatever Godzilla does - roaring, spewing his radiation breath, communicating with Godzilla Junior - I always try to add little movements that will show his emotional state, like moving his fingers, or a short glance. The Heisei Godzilla [has] a very different personality than the old Godzilla. He is very animalistic, always in motion. But I believe Godzilla is a very emotional creature.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by Steve Ryfle (1998), Japan's Favourite Mon-star: The Unauthorized Biography of "The Big G", ECW Press, p. 263-64, ISBN 1550223488

Communication, Personality

“How fleet is a glance of the mind!
Compared with the speed of its flight
The tempest itself lags behind,
And the swift-winged arrows of light.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Verses supposed to be written by Alexander Selkirk.
Bartlett's Familiar Quotations, 10th ed. (1919)

Light, Speed

“In a field of ripening corn I came to a place which had been trampled down by some ruthless foot; and as I glanced amongst the countless stalks, every one of them alike, standing there so erect and bearing the full weight of the ear, I saw a multitude of different flowers, red and blue and violet. How pretty they looked as they grew there so naturally with their little foliage! But, thought I, they are quite useless; they bear no fruit; they are mere weeds, suffered to remain only because there is no getting rid of them. And yet, but for these flowers, there would be nothing to charm the eye in that wilderness of stalks. They are emblematic of poetry and art, which, in civic life—so severe, but still useful and not without its fruit—play the same part as flowers in the corn.”

Arthur Schopenhauer book Parerga and Paralipomena

“Similes, Parables and Fables” Parerga and Paralipomena, vol. 2, § 380A
Parerga and Paralipomena (1851)

Life, Art, Flowers, Nature

“So from a brazen vase the trembling stream
Reflects the lunar or the solar beam:
Swift and elusive of the dazzled eyes,
From wall to wall the dancing glory flies:
Thence to the ceiling shoot the glancing rays,
And o'er the roof the quivering splendor plays.”

Christopher Pitt (1699–1748) English poet

Book VIII, line 33
The Æneid of Virgil (1740)

Dance

“Such is the common process of marriage. A youth and maiden meeting by chance, or brought together by artifice, exchange glances, reciprocate civilities, go home, and dream of one another. Having little to divert attention, or diversify thought, they find themselves uneasy when they are apart, and therefore conclude that they shall be happy together. They marry, and discover what nothing but voluntary blindness had before concealed; they wear out life in altercations, and charge nature with cruelty.”

Samuel Johnson book The History of Rasselas, Prince of Abissinia

Source: The History of Rasselas, Prince of Abissinia (1759), Chapter 29

Life, Marriage, Happiness, Youth

“The physicist … engages in complex and difficult calculations, involving the manipulating of ideal, mathematical quantities that, at first glance, are wholly lacking in the music of the living world and the beauty of the resplendent cosmos. It would seem as if there exists no relationship between these quantities and reality. Yet these ideal numbers that cannot be grasped by one's senses, these numbers that only are meaningful from within the system itself, only meaningful as part of abstract mathematical functions, symbolize the image of existence.”

Joseph B. Soloveitchik (1903–1993) American theologian

Source: Halakhic Man (1983), p. 83

World, Beauty, Music, Mathematics

“Henry glanced hastily at the mirror. Yes, he did look rather old. He must have overdone some of the lines on his forehead. He looked something between a youngish centenarian and a nonagenarian who had seen a good deal of trouble.”

P.G. Wodehouse (1881–1975) English author

The Man with Two Left Feet (1917)

“From of old, a thousand thoughts, in his pilgrimings and wanderings, had been in this man: What am I? What is this unfathomable Thing I live in, which men name Universe? What is Life; what is Death? What am I to believe? What am I to do? The grim rocks of Mount Hara, of Mount Sinai, the stern sandy solitudes answered not. The great Heaven rolling silent overhead, with its blue-glancing stars, answered not. There was no answer. The man's own soul, and what of God's inspiration dwelt there, had to answer!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet

Life, Death, Men, God

““I thought they were very good at what they did.”
”Of course they were good!” Brill glanced sharply. “The issue is what one chooses to be good at. The arts are fine, for hobbies. I play six instruments, myself. But they pose no great challenge to a mature mind.””

David Brin book Glory Season

Source: Glory Season (1993), Chapter 27 (p. 545)

Art

“I've woven them a garment that's prepared
out of poor words, those that I overheard, and will hold fast to every word and glance
all of my days, even in new mischance,
and if a gag should bind my tortured mouth,
through which a hundred million people shout,
then let them pray for me, as I do pray
for them, this eve of my remembrance day.”

Anna Akhmatova (1889–1966) Russian modernist poet

I should like to call you all by name,
But they have lost the lists...
I have, woven fore them a great shroud
Out of the poor words I overheard them speak.
I remember them always and everywhere,
And if they shut my tormented mouth,
Through which a hundred million of my people cry,
Let them remember me also...
Translated by D. M. Thomas
Requiem; 1935-1940 (1963; 1987), Epilogue

People

“To be content with life — or to live merrily, rather — all that is required is that we bestow on all things only a fleeting, superficial glance; the more thoughtful we become the more earnest we grow.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

K 29
Aphorisms (1765-1799), Notebook K (1789-1793)

Life

“I will guide thee with mine eye " — a glance, not a blow — a look of directing love that at once heartens to duty, and tells duty. We must be very near Him to catch that look, and very much in sympathy with Him to understand it; but when we do, we must be swift to obey.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 263.

Love, Understanding

“Peace is victorious always and for ever. Do you remember that aggression gained success and was not crushed by the last blow? Aggression, whether collective or unilateral, is inevitably to be crushed. If you just glance at courts and judges you will see that these courts and judges were formed to crush aggression or anyone who things of aggression. These courts and judges are only working for the sake of peace and ending aggression. This noble idea should prevail all over the world.”

Abd al-Karim Qasim (1914–1963) Prime Minister of Iraq

Speech delivered at the second congress of the peace partisans (April 14, 1959).
Principles of the 14th July Revolution (1959)

World, Peace, Idea, Success

“Foldings of the earth's crust, low hills, extensive plains, mountain-chains and narrow valleys, broad table-lands and wide valleys, local chimneys or volcanoes, river-beds, lake-basins, inland seas,—such are some of the phenomena which, disconnected as they seem at first glance, have nevertheless been brought under certain principles, and explained according to definite physical laws.”

Louis Agassiz (1807–1873) Swiss naturalist

Geological Sketches (1870), ch 4, p. 98 https://babel.hathitrust.org/cgi/pt?id=hvd.32044018968388;view=1up;seq=116

Law, Mountain, Sea

“What about the orbiting of the so-called electrons around their central nucleus? What has really been observed unequivocally? Nothing of the moving particle; what has rather been observed are phenomena which at first glance have nothing to do at all with the motion of bodies. Everything else that leads to the atomic model, is a long chain of inferences.”

Felix Ehrenhaft (1879–1952) Austrian physicist

Wie steht es bei dem Kreisen der sogenannten Elektronen um ihren zentralen Kern? Was ist hier wirklich unmittelbar wahrgenommen worden? Nichts von den bewegten Teilchen; was vielmehr beobachtet wurde, sind Erscheinungen, welche auf den ersten Blick mit der Bewegung von Körpern gar nichts zu tun haben. Alles übrige, was zum Atommodell geführt, ist eine lange Kette von Schlüssen. In an address to the Viennese Chemisch-Physikalische Gesellschaft http://www.cpg.univie.ac.at/, April 26, 1932, as quoted by [Joseph Braunbeck, Der andere Physiker: das Leben von Felix Ehrenhaft, Leykam Buchverlagsgesellschaft, 2003, 3701174709, 51]

“There is that in the glance of a flower which may at times control the greatest of creation's braggart lords.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: A Thousand-Mile Walk To the Gulf, 1916, chapter 5: Through Florida Swamps and Forests, page 151

Flowers, Time

“His cheek was pale as marble, and as cold;
But his lip trembled not, and his dark eyes
Glanced proudly round. But when they bared his breast
For the death-shot, and took a portrait thence,
He clenched his hands, and gasped, and one deep sob
Of agony burst from him; and he hid
His face awhile—his mother's look was there.
He could not steel his soul when he recalled
The bitterness of her despair. It passed—
That moment of wild anguish; he knelt down;
That sunbeam shed its glory over one,
Young, proud, and brave, nerved in deep energy;
The next fell over cold and bloody clay....”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Deserter from The London Literary Gazette (8th June 1822) Poetic Sketches. Second Series - Sketch the Sixth
The Improvisatrice (1824)

Death, Soul, Despair

“Nothing is more commonplace than the reading experience, and yet nothing is more unknown. Reading is such a matter of course that at first glance it seems there is nothing to say about it.”

Tzvetan Todorov (1939–2017) Bulgarian historian, philosopher, structuralist literary critic, sociologist and essayist

Reading as Construction (1980)

Reading

“As spirits transport themselves from point to point with the rapidity of thought, they may be said to see everywhere at the same time. A spirit's thought may radiate at the same moment on many different points; but this faculty depends on his purity. The more impure the spirit, the narrower is his range of sight. It is only the higher spirits who can take in a whole at a single glance.”

Allan Kardec (1804–1869) systematizer of Spiritism

Source: The Spirits' Book, p. 155.

Time, Dependency

“While thus he threw his Elbow round,
Depopulating all the Ground,
And, with his whistling Sythe, does cut
Each stroke between the Earth and Root,
The edged Stele by careless chance
Did into his own Ankle glance;
And there among the Grass fell down,
by his own Sythe, the Mower mown.”

Andrew Marvell (1621–1678) English metaphysical poet and politician

Damon The Mower.

Grass, Chance

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

Beauty, Art, Music, Soul

“At first glance they [his Bedu companions] seemed to be little better than savages, as primitive as the Danakil, but I was soon disconcerted to discover that, while they were prepared to tolerate me as a source of very welcome revenue, they never doubted my inferiority. They were Muslims and Bedu and I was neither. They had never heard of the English, for all Europeans were known to them simply as Christians, or more probably infidels, and nationality had no meaning to them. They had heard vaguely of the war as a war between the Christians, and of the Aden government as a Christian government. Their world was the desert and they had little if any interest in events that happened outside it.”

Wilfred Thesiger book Arabian Sands

Source: Arabian Sands (1959), p. 36.

War, World

“(17.2. 1914) Beyond some bars, out of arm's reach, lies an objective [a banana]; on this side, in the background of the experiment room, is placed a sawn-off castor-oil bush, whose branches can be easily broken off. It is impossible to squeeze the tree through the railings, on account of its awkward shape; besides, only one of the bigger apes could drag it as far as the bars. Sultan is let in, does not immediately see the objective, and, looking about him indifferently, sucks one of the branches of the tree. But, his attention having been drawn to the objective, he approaches the bars, glances outside, the next moment turns round, goes straight to the tree, seizes a thin slender branch, breaks it off with a sharp jerk, runs back to the bars, and attains the objective. From the turning round upon the tree up to the grasping of the fruit with the broken-off branch, is one single quick chain of action, without the least 'hiatus', and without the slightest movement that does not, objectively considered, fit into the solution described.”

Wolfgang Köhler book The Mentality of Apes

Source: The Mentality of Apes, 1925, p. 94; As cited in: Arthur Koestler, The Act of Creation, 1964, p. 103

Jerk, Tree, Indifference

“But in the glances of his eye,
A penetrating, keen, and sly
Expression found its home;
The flash of that satiric rage,
Which, bursting on the early stage,
Branded the vices of the age,
And broke the keys of Rome.
* * *
Still is thy name in high account,
And still thy verse has charms,
Sir David Lindesay of the Mount,
Lord Lion King-at-arms!”

David Lindsay (1490–1554) Scottish noble and poet

Sir Walter Scott Marmion (1808) Canto 4, st. 7.
Criticism

Age, Home, Rage

“Things are only mannequins and even the great world-historical events are only costumes beneath which they exchange glances with nothingness.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Protocols to the Experiments on Hashish, Opium and Mescaline (1927-1934)

World

“No matter how long we exist, we have our memories. Points in time which time itself cannot erase. Suffering may distort my backward glances, but even to suffering, some memories will yield nothing of their beauty or their splendor. Rather they remain as hard as gems.”

Anne Rice book Blood and Gold

Blood and Gold (2001)

Beauty, Suffering, Memory, Time

“I can't tell if a straw ever saved a drowning man, but I know that a mere glance is enough to make despair pause. For in truth we who are creatures of impulse are not creatures of despair.”

Joseph Conrad book Chance

Chance (1913), part I, Ch. 6

Truth, Despair

“Plausible as the idea of the United States of Europe as a peace arrangement may seem to some at first glance, it has on closer examination not the least thing in common with the method of thought and the standpoint of social democracy... At the present stage of development of the world market and of world economy, the conception of Europe as an isolated economic unit is a sterile concoction of the brain. Europe no more forms a special unit within world economy than does Asia or America.”

Rosa Luxemburg (1871–1919) Polish Marxist theorist, socialist philosopher, and revolutionary

Peace Utopias (1911)

World, Peace, Democracy, Idea

“To a considerable extent the shape of Xavier's missionary work was determined by this threefold authority. Personally the most modest of men, his imagination was fired by the progress of Portuguese discovery and by the thought of lands and empires to be brought within the kingdom of Christ. He had not gone out to be the supervisor of a little handful of Jesuits in a small corner of India. His own temperament may have been restless; but there is a certain magnificence in a restlessness which led him to contain within a single glance India and the Moluccas, Japan, and, even beyond Japan, China.”

Francis Xavier (1506–1552) Navarrese Basque Roman Catholic saint and missionary

Neill, S. (2004). A history of Christianity in India: The beginning to AD 1707. Cambridge: Cambridge University Press.

Men, Imagination, Christ, Personality

“The art of eloquence belongs to the realm of probability because it constantly directs its glance at the specific, variable psychic state of the audience.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), p. 40

Art

“We are able to discern not only what we already are, but what we may become, to see in ourselves germs and promises of a growth to which no bounds can be set, to dart beyond what we have actually gained to the idea of perfection as the end of our being. It is by this self-comprehending power that we are distinguished from the brutes, which give no signs of looking into themselves. Without this there would be no self-culture, for we should not know the work to be done; and one reason why self-culture is so little proposed is, that so few penetrate into their own nature. To most men, their own spirits are shadowy, unreal, compared with what is outward. When they happen to cast a glance inward, they see there only a dark, vague chaos. They distinguish, perhaps, some violent passion, which has driven them to injurious excess; but their highest powers hardly attract a thought; and thus multitudes live and die as truly strangers to themselves as to countries of which they have heard the name, but which human foot has never trodden.”

William Ellery Channing (1780–1842) United States Unitarian clergyman

Self-Culture (1838)

Men, Idea, Nature, Passion

“I've been pretty wary of street sweepers since, though it is true that since we left the European Exchange Rate Mechanism some sweepers are really quite dashing to glance at.”

Tom Baker (1934) English actor

“[In] painting…all sensations are condensed, everyone…with a single glance [has] his soul invaded by the most profound recollections…everything is summed up in one instant. Like music, it acts on the soul through the intermediary of the senses: harmonious colors correspond to the harmonies of sound.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote from Gauguin's unfinished essay 'Notes Synthetiques', published in the July / September 1910 issue of ' Vers et Prose' XXII, pp. 51-55, as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 23 Gauguin's essay 'Notes Synthetiques' was written in Pont -Aven in 1888 and left incomplete. His essay was first published in 'Vers et Prose' XXII 1890s - 1910s

Music, Color, Soul, Sense

Quotes about glance page 3

Quotes about glance
page 3