Quotes about glance
page 3

Alastair Reynolds photo
John Ralston Saul photo
Theodor Mommsen photo
Robert A. Heinlein photo
Harry Chapin photo
Ulysses S. Grant photo
Nicholas Serota photo
Karl Pilkington photo
James Joyce photo

“Loveward above the glancing oar”

Watching The Needleboats At San Sabba, p. 10
Pomes Penyeach (1927)

Statius photo

“Long time has Thetis been scanning every corner with silent glance.”
Jamdudum tacito lustrat Thetis omnia visu.

Source: Achilleid, Book I, Line 126

Leo Tolstoy photo
Antoine Augustin Cournot photo

“Anyone who understands algebraic notation, reads at a glance in an equation results reached arithmetically only with great labour and pains.”

Source: Researches into the Mathematical Principles of the Theory of Wealth, 1897, p. 4; Cited in: Moritz (1914, 197): About mathematics as language

Nicholas Hilliard photo
Pat Murphy photo
James Thomas Fields photo

“Just then, with a wink and a sly normal lurch,
The owl very gravely got down from his perch,
Walked round, and regarded his fault-finding critic
(Who thought he was stuffed) with a glance analytic.”

James Thomas Fields (1817–1881) American writer and publisher

The Owl-Critic, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

E. W. Hobson photo
Béla Lugosi photo
Francisco De Goya photo

“My dear soul, I can stand on my own feet, but so poorly that I don't know if my head is on my shoulders. I have no appetite or desire to do anything at all. Only your letters cheer me up – only yours. I don't know what will become of me now that I have lost sight of you; I who idolize you have given up hope that you'll ever glance at these blurred lines and get consolation from them.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Martín Zapater https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg, March 1793; from: 'Francisco de Goya. MS Letters to Martín Zapater 1774-99', Collection of Prado - published as Cartas a Martín Zapater; ed, X. de Salas & M. Agueda, Madrid 1982, p. 211; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 127
Goya started to become deaf then, had fainting fits and spells of semi-blindness. From 1793 onward [he was 46] he became functionally deaf, till his death
1790s

James Jeans photo
Sam Harris photo
Letitia Elizabeth Landon photo

“Ah, Woman has no look so sweet
As that, when, half afraid to meet
The look she loves, blushes betray
All the suppressed glance would say.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(15th March 1823) Poetical Catalogue of Pictures. Vandyke consulting his Mistress on a Picture in Cooke's Exhibition.
The London Literary Gazette, 1823

Russell Brand photo

“Only Boris concerns me. When I used to watch Have I Got News For You, which as a kid I was proud to watch, full stop, I loved it when Boris Johnson came on. I didn't know who he was or what he did, I didn't think about it, I just liked him. I liked his voice, his manner, his name, his vocabulary, his self-effacing charm, humour and, of course, his hair. He has catwalk hair. Vogue cover hair, Rumplestiltskin spun it out of straw, straight-out-of-bed, drop-dead, gold-thread hair. He was always at ease with Deayton, Merton and Hislop, equal to their wit and always gave a great account of himself. "This bloke is cool," I thought. As I grew up I found out that he was an old Etonian, bully-boy, Spectator-editing Tory.
"That's weird," I thought. While I was busy becoming a world-class junkie, the man from HIGNFY became mayor. People like Boris Johnson; I like the HIGNFY Boris. He is the most popular politician in the country. Well, not in the country, on the television. There is a difference. Most people, of course, haven't met him, they've seen him on the telly. When I met Boris in his office, the nucleus of his dominion, I glanced at his library. Among the Wodehouses and the Euripides there were, of course, fierce economic tomes, capitalist manuals, bibles of domination. Eye-to-eye, the bumbling bonhomie appeared to be a lacquer of likability over a living obelisk of corporate power.”

Russell Brand (1975) British comedian, actor, and author

Russell Brand - The Guardian (2013)

William Henry Davies photo
Paul Celan photo

“Aspen tree, your leaves glance white into the dark.”

Paul Celan (1920–1970) Romanian poet and translator

"Aspen Tree. . ."; cited in: Ruth Golan (2006). Loving Psychoanalysis. p. 61

Louis Sullivan photo
Richard Feynman photo

“While in Kyoto I tried to learn Japanese with a vengeance. I worked much harder at it, and got to a point where I could go around in taxis and do things. I took lessons from a Japanese man every day for an hour.
One day he was teaching me the word for "see." "All right," he said. "You want to say, 'May I see your garden?' What do you say?"
I made up a sentence with the word that I had just learned.
"No, no!" he said. "When you say to someone, 'Would you like to see my garden?' you use the first 'see.' But when you want to see someone else's garden, you must use another 'see,' which is more polite."
"Would you like to glance at my lousy garden?" is essentially what you're saying in the first case, but when you want to look at the other fella's garden, you have to say something like, "May I observe your gorgeous garden?" So there's two different words you have to use.
Then he gave me another one: "You go to a temple, and you want to look at the gardens…"
I made up a sentence, this time with the polite "see."
"No, no!" he said. "In the temple, the gardens are much more elegant. So you have to say something that would be equivalent to 'May I hang my eyes on your most exquisite gardens?"
Three or four different words for one idea, because when I'm doing it, it's miserable; when you're doing it, it's elegant.
I was learning Japanese mainly for technical things, so I decided to check if this same problem existed among the scientists.
At the institute the next day, I said to the guys in the office, "How would I say in Japanese, 'I solve the Dirac Equation'?"
They said such-and-so.
"OK. Now I want to say, 'Would you solve the Dirac Equation?'”

Richard Feynman (1918–1988) American theoretical physicist

how do I say that?"
"Well, you have to use a different word for 'solve,' " they say.
"Why?" I protested. "When I solve it, I do the same damn thing as when you solve it!"
"Well, yes, but it's a different word — it's more polite."
I gave up. I decided that wasn't the language for me, and stopped learning Japanese.
Part 5: "The World of One Physicist", "Would <U>You</U> Solve the Dirac Equation?", p. 245-246
Surely You're Joking, Mr. Feynman! (1985)

Thomas Carlyle photo

“A large picture can give us images of things, but a relatively small one can best re-create the instantaneous unity of nature as a view — the unity of which the eyes take in at a single glance.”

Clement Greenberg (1909–1994) American writer and artist

"Milton Avery" (1958), p. 201
1960s, Art and Culture: Critical Essays, (1961)

Alexander McCall Smith photo
Du Fu photo

“Birds the more white, against green stream
Blooms burst to flame, against blue hills
I glance, the spring is gone again.
What day, what day, can I go home?”

Du Fu (712–770) Chinese poet of the Tang Dynasty

"A Quatrain" (trans. Jerome P. Seaton), in Sunflower Splendor: Three Thousand Years of Chinese Poetry, eds. Wu-chi Liu and Irving Yucheng Lo (1975), p. 142

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Thomas Gray photo

“Glance their many-twinkling feet.”

Thomas Gray (1716–1771) English poet, historian

I. 3, Line 11
The Progress of Poesy http://www.thomasgray.org/cgi-bin/display.cgi?text=pppo (1754)

Jack Vance photo
Stephenie Meyer photo
James Montgomery photo

“Prayer is the burden of a sigh,
The falling of a tear,
The upward glancing of an eye
When none but God is near.”

James Montgomery (1771–1854) British editor, hymn writer, and poet

What is Prayer?
Bartlett's Familiar Quotations, 10th ed. (1919).

Jacques Ellul photo

““Everything, right now” is the notion that comes from the presence of images, which in effect get us used to seeing all in a single glance.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 208
The Humiliation of the Word (1981)

Tao Yuanming photo

“At a single glance I survey the whole Universe.
He will never be happy, whom such pleasures fail to please!”

Tao Yuanming (365–427) Chinese poet

"Reading the Book of Hills and Seas" (translation by A. Waley)

Thomas Carlyle photo
Peter Kropotkin photo
George Eliot photo

“The darkest night that ever fell upon the earth never hid the light, never put out the stars. It only made the stars more keenly, kindly glancing, as if in protest against the darkness.”

George Eliot (1819–1880) English novelist, journalist and translator

As quoted in Golden Gleams of Thought from the Words of Leading Orators, Divines, Philosophers, Statesmen and Poets (1881) by S. Pollock Linn; also in Still Waters http://books.google.com/books?id=VjAqAAAAYAAJ (1913)

Mike Oldfield photo

“One glance is all that I need;
What I was searching for I've found it…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Earth Moving (1989)

Oliver Goldsmith photo
Michael Swanwick photo
Alphonse Daudet photo

“It is clever the way death reaps and gathers its harvests, but what somber harvests. Whole generations do not fall at once; that would be too sad, too visible. But bit by bit. The meadow is attacked on several sides at the same time. One day, one will go; the other, some time after; one must reflect, glance about oneself to notice the empty spaces, the vast contemporary killing.”

Alphonse Daudet (1840–1897) French novelist

Habile façon dont la mort fauche, fait ses coupes, mais seulement des coupes sombres. Les générations ne tombent pas d'un coup; ce serait trop triste, trop visible. Par bribes. Le pré attaqué de plusieurs côtés à la fois. Un jour, l'un; l'autre, quelque temps après; il faut de la réflexion, un regard autour de soi pour se rendre compte du vide fait, de la vaste tuerie contemporaine.
La doulou: (la douleur), 1887-1895 (Paris: Librairie de France, 1930) p. 29; Milton Garver (trans.) Suffering, 1887-1895 (New Haven: Yale University Press, 1934) pp. 29-30.

Victor Villaseñor photo
Franz Marc photo

“Art today is moving in directions of which our forebears had no inkling; the Horsemen of the Apocalypse are heard galloping through the air; artistic excitement can be felt all over Europe – new artists are signalling to one another from all sides; a glance, a touch of the hand, is enough to convey understanding.”

Franz Marc (1880–1916) German painter

co-authored with Wassily Kandinsky
1911 - 1914
Source: Franz Marc's Manifesto for 'the Blaue Reiter' group, (1912); as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 207

Robert Fisk photo
Amir Taheri photo

“It might come as a surprise to many, but the truth is that Islam today no longer has a living and evolving theology. In fact, with few exceptions, Islam’s last genuine theologians belong to the early part of the 19th century. Go to any mosque anywhere, whether it is in New York or Mecca, and you are more likely to hear a political sermon rather than a theological reflection. In the highly politicized version of Islam promoted by Da’esh, al Qaeda, the Khomeinists in Iran, the Taliban in Afghanistan and Boko Haram in Nigeria, God plays a cameo role at best. Deprived of its theological moorings, today’s Islam is a wayward vessel under the captaincy of ambitious adventurers leading it into sectarian feuds, wars and terrorism. Many, especially Muslims in Europe and North America, use it as a shibboleth defining identity and even ethnicity. A glance at Islam’s history in the past 200 years highlights the rapid fading of theologians. Today, Western scholars speak of Wahhabism as if that meant a theological school. In truth, Muhammad Abdul-Wahhabi was a political figure. His supposedly theological writings consist of nine pages denouncing worship at shrines of saints. Nineteenth-century “reformers” such as Jamaleddin Assadabadi and Rashid Rada were also more interested in politics than theology. The late Ayatollah Khomeini, sometimes regarded as a theologian, was in fact a politician wearing clerical costume. His grandson has collected more than 100,000 pages of his writings and speeches and poetry. Of these, only 11 pages, commenting on the first and shortest verse of the Koran, could be regarded as dabbling in theology, albeit not with great success.”

Amir Taheri (1942) Iranian journalist

"The mad dream of a dead empire that unites Islamic rebels" http://nypost.com/2014/06/14/the-mad-dream-of-a-dead-empire-that-unites-islamic-rebels/, New York Post (June 14, 2014).
New York Post

Hugh Walpole photo
Bram van Velde photo

“What the eye can see won't get us very far. And what it can see is so limited, so restricted. But a gouache or an oil painting can be seen at a glance, can take in a whole world at a single glance.”

Bram van Velde (1895–1981) Dutch painter

11 August 1972; pp. 90-91
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

András Petőcz photo
Mike Oldfield photo
Bruce Springsteen photo
Algis Budrys photo
Jean Cocteau photo

“Beauty cannot be recognized with a cursory glance.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988), On Invisibility

Taliesin photo
Norbert Wiener photo

“The odors perceived by the ant seem to lead to a highly standardized course of conduct; but the value of a simple stimulus, such as an odor, for conveying information depends not only on the information conveyed by the stimulus itself but on the whole nervous constitution of the sender and receiver of the stimulus as well. Suppose I find myself in the woods with an intelligent savage who cannot speak my language and whose language I cannot speak. Even without any code of sign language common to the two of us, I can learn a great deal from him. All I need to do is to be alert to those moments when he shows the signs of emotion or interest. I then cast my eyes around, perhaps paying special attention to the direction of his glance, and fix in my memory what I see or hear. It will not be long before I discover the things which seem important to him, not because he has communicated them to me by language, but because I myself have observed them. In other words, a signal without an intrinsic content may acquire meaning in his mind by what he observes at the time, and may acquire meaning in my mind by what I observed at the time. The ability that he has to pick out the moments of my special, active attention is in itself a language as varied in possibilities as the range of impressions that the two of us are able to encompass. Thus social animals may have an active, intelligent, flexible means of communication long before the development of language.”

VIII. Information, Language, and Society. p. 157.
Cybernetics: Or Control and Communication in the Animal and the Machine (1948)

Rush Limbaugh photo

“You find yourself staring, looking at, casually glancing at a woman, but you know that it's now socially taboo. You shouldn't be doing it. And you think everybody is noticing you doing it and condemning you in their minds. You shouldn't — so you walk up to the woman and say, "Will you please ask your breasts to stop staring at my eyes?"”

Rush Limbaugh (1951) U.S. radio talk show host, Commentator, author, and television personality

Libs Want Men to Stop Looking at Women
The Rush Limbaugh Show
2013-12-09
http://www.rushlimbaugh.com/daily/2013/12/09/libs_want_men_to_stop_looking_at_women, quoted in * The Rush Limbaugh Guide To Sexual Harassment
Media Matters for America
2013-12-09
http://mediamatters.org/video/2013/12/09/the-rush-limbaugh-guide-to-sexual-harassment/197197

Dr. Seuss photo
William Cowper photo

“How fleet is a glance of the mind!
Compared with the speed of its flight
The tempest itself lags behind,
And the swift-winged arrows of light.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Verses supposed to be written by Alexander Selkirk.
Bartlett's Familiar Quotations, 10th ed. (1919)

Arthur Schopenhauer photo
Christopher Pitt photo
Samuel Johnson photo
P.G. Wodehouse photo
Thomas Carlyle photo
David Brin photo
Anna Akhmatova photo

“I've woven them a garment that's prepared
out of poor words, those that I overheard, and will hold fast to every word and glance
all of my days, even in new mischance,
and if a gag should bind my tortured mouth,
through which a hundred million people shout,
then let them pray for me, as I do pray
for them, this eve of my remembrance day.”

Anna Akhmatova (1889–1966) Russian modernist poet

I should like to call you all by name,
But they have lost the lists...
I have, woven fore them a great shroud
Out of the poor words I overheard them speak.
I remember them always and everywhere,
And if they shut my tormented mouth,
Through which a hundred million of my people cry,
Let them remember me also...
Translated by D. M. Thomas
Requiem; 1935-1940 (1963; 1987), Epilogue

Georg Christoph Lichtenberg photo
Alexander Maclaren photo
Abd al-Karim Qasim photo
Louis Agassiz photo
Felix Ehrenhaft photo

“What about the orbiting of the so-called electrons around their central nucleus? What has really been observed unequivocally? Nothing of the moving particle; what has rather been observed are phenomena which at first glance have nothing to do at all with the motion of bodies. Everything else that leads to the atomic model, is a long chain of inferences.”

Felix Ehrenhaft (1879–1952) Austrian physicist

Wie steht es bei dem Kreisen der sogenannten Elektronen um ihren zentralen Kern? Was ist hier wirklich unmittelbar wahrgenommen worden? Nichts von den bewegten Teilchen; was vielmehr beobachtet wurde, sind Erscheinungen, welche auf den ersten Blick mit der Bewegung von Körpern gar nichts zu tun haben. Alles übrige, was zum Atommodell geführt, ist eine lange Kette von Schlüssen.
In an address to the Viennese Chemisch-Physikalische Gesellschaft http://www.cpg.univie.ac.at/, April 26, 1932, as quoted by [Joseph Braunbeck, Der andere Physiker: das Leben von Felix Ehrenhaft, Leykam Buchverlagsgesellschaft, 2003, 3701174709, 51]

John Muir photo

“There is that in the glance of a flower which may at times control the greatest of creation's braggart lords.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: A Thousand-Mile Walk To the Gulf, 1916, chapter 5: Through Florida Swamps and Forests, page 151

Letitia Elizabeth Landon photo
Tzvetan Todorov photo

“Nothing is more commonplace than the reading experience, and yet nothing is more unknown. Reading is such a matter of course that at first glance it seems there is nothing to say about it.”

Tzvetan Todorov (1939–2017) Bulgarian historian, philosopher, structuralist literary critic, sociologist and essayist

Reading as Construction (1980)

Allan Kardec photo
Andrew Marvell photo
Paul Gauguin photo

“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

Wilfred Thesiger photo
David Lindsay photo
Walter Benjamin photo

“Things are only mannequins and even the great world-historical events are only costumes beneath which they exchange glances with nothingness.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Protocols to the Experiments on Hashish, Opium and Mescaline (1927-1934)

Anne Rice photo
Joseph Conrad photo
Rosa Luxemburg photo
Francis Xavier photo
Ernesto Grassi photo
William Ellery Channing photo
Tom Baker photo
Paul Gauguin photo

“[In] painting…all sensations are condensed, everyone…with a single glance [has] his soul invaded by the most profound recollections…everything is summed up in one instant. Like music, it acts on the soul through the intermediary of the senses: harmonious colors correspond to the harmonies of sound.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote from Gauguin's unfinished essay 'Notes Synthetiques', published in the July / September 1910 issue of ' Vers et Prose' XXII, pp. 51-55, as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 23
Gauguin's essay 'Notes Synthetiques' was written in Pont -Aven in 1888 and left incomplete. His essay was first published in 'Vers et Prose' XXII
1890s - 1910s