Quotes about eye
page 5

W.B. Yeats photo
Leonardo Da Vinci photo
Fernando Pessoa photo

“Man shouldn't be able to see his own face. That's what's most terrible. Nature gave him the possibility of not seeing it, as well as the incapacity of not seeing his own eyes.”

Ibid., p. 371
The Book of Disquiet
Original: O homem não deve poder ver a sua própria cara. Isso é o que há de mais terrível. A Natureza deu-lhe o dom de não a poder ver, assim como a de não poder fitar os seus próprios olhos.

Henri Barbusse photo
Claude Monet photo

“These palms are driving me crazy; the motifs are extremely difficult to seize, to put on canvas; it's so bushy everywhere, although delightful to the eye... I would like to do orange and lemon trees silhouetted against the blue sea, but cannot find them as I would like.”

Claude Monet (1840–1926) French impressionist painter

in a letter from Bordighera to friends in Paris, Jan. 1884; as cited in: Joslyn Art Museum, ‎Holliday T. Day, ‎Hollister Sturges (1987), Joslyn Art Museum: Paintings and Sculpture from the European and American Collections, p. 100
1870 - 1890

Rabindranath Tagore photo

“My heart, the bird of the wilderness, has found its sky in your eyes.”

Rabindranath Tagore (1861–1941) Bengali polymath

31
The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915)

Gottlob Frege photo

“Often it is only after immense intellectual effort, which may have continued over centuries, that humanity at last succeeds in achieving knowledge of a concept in its pure form, by stripping off the irrelevant accretions which veil it from the eye of the mind.”

Gottlob Frege (1848–1925) mathematician, logician, philosopher

Translation J. L. Austin (Oxford, 1950) as quoted by Stephen Toulmin, Human Understanding: The Collective Use and Evolution of Concepts (1972) Vol. 1, p. 56.
Grundgesetze der Arithmetik, 1893 and 1903

Barack Obama photo

“When lying to someone, look him straight in the eye.”

Mason Cooley (1927–2002) American academic

City Aphorisms, Ninth Selection (1992)

Lewis Carroll photo
Barack Obama photo
William Shakespeare photo

“Children wish fathers looked but with their eyes; fathers that children with their judgment looked; and either may be wrong.”

William Shakespeare (1564–1616) English playwright and poet

Derived from A Midsummer Night's Dream on p. 269, Aphorisms from Shakespeare (1812), Capel Lofft, Longman, Hurst, Rees, Orme and Brown, a book which rewrites in aphoristic form Shakespeare quotations, in this case the exchange between Hermia and Theseus: "I would my father look'd but with my eyes", "Rather your eyes must with his judgment look".
Misattributed

Megan Mullally photo
Albert Schweitzer photo
Sara Paxton photo
George Washington photo

“Do not conceive that fine Clothes make fine Men, any more than fine feathers make fine Birds—A plain genteel dress is more admired and obtains more credit than lace & embroidery in the Eyes of the judicious and sensible.”

George Washington (1732–1799) first President of the United States

Letter to Bushrod Washington http://rotunda.upress.virginia.edu/founders/default.xqy?keys=FOEA-chron-1780-1783-01-15-12 (15 January 1783)
1780s

Friedrich Nietzsche photo
Kurt Vonnegut photo
Louis C.K. photo

“Every day starts, my eyes open and I reload the program of misery. I open my eyes, remember who I am, what I'm like, and I just go, "Ugh" …"”

Louis C.K. (1967) American comedian and actor

Louie – Season 1, Episode 3.
Louie

Barack Obama photo
John Ronald Reuel Tolkien photo

“In Paradise perchance the eye may stray
from gazing upon everlasting Day
to see the day illumined, and renew
from mirrored truth the likeness of the True.”

John Ronald Reuel Tolkien (1892–1973) British philologist and author, creator of classic fantasy works

Mythopoeia (1931)

Chuck Berry photo
Isaac Newton photo

“We must believe in one God that we may love & fear him. We must believe that he is the father Almighty, or first author of all things by the almighty power of his will, that we may thank & worship him & him alone for our being and for all the blessings of this life < insertion from f 43v > We must believe that this is the God of moses & the Jews who created heaven & earth & the sea & all things therein as is expressed in the ten commandments, that we may not take his name in vain nor worship images or visible resemblances nor have (in our worship) any other God then him. For he is without similitude he is the invisible God whom no eye hath seen nor can see, & therefore is not to be worshipped in any visible shape. He is the only invisible God & the only God whom we are to worship & therefore we are not to worship any visible image picture likeness or form. We are not forbidden to give the name of Gods to Angels & Kings but we are forbidden to worship them as Gods. For tho there be that are called Gods whether in heaven or in earth (as there are Gods many & Lords many) yet to us there is but one God the Father of whom are all things & we in him & our Lord Jesus Christ by whom are all things & we in him, that is, but one God & one Lord in our worship: One God & one mediator between God & man the man Christ Jesus. We are forbidden to worship two Gods but we are not forbidden to worship one God, & one Lord: one God for creating all things & one Lord for redeeming us with his blood. We must not pray to two Gods, but we may pray to one God in the name of one Lord. We must believe therefore in one Lord Jesus Christ that we may behave our selves obediently towards him as subjects & keep his laws, & give him that honour & glory & worship which is due to him as our Lord & King or else we are not his people. We must believe that this Lord Jesus is the Christ, or Messiah the Prince predicted by Daniel, & we must worship him as the Messiah or else we are no Christians. The Jews who were taught to have but one God were also taught to expect a king, & the Christians are taught in their Creed to have the same God & to believe that Jesus is that King.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

Drafts on the history of the Church (Section 3). Yahuda Ms. 15.3, National Library of Israel, Jerusalem, Israel. 2006 Online Version at Newton Project http://www.newtonproject.sussex.ac.uk/view/texts/normalized/THEM00220

Barack Obama photo
Wilhelm Von Humboldt photo

“The legislator should keep two things constantly before his eyes:
1. The pure theory developed to its minutest details;
2. The particular condition of actual things which he designs to reform.”

Wilhelm Von Humboldt (1767–1835) German (Prussian) philosopher, government functionary, diplomat, and founder of the University of Berlin

Source: The Limits of State Action (1792), Ch. 16

Ronald Reagan photo

“I know what I'm about to say now is controversial, but I have to say it. This nation cannot continue turning a blind eye and a deaf ear to the taking of some 4,000 unborn children's lives every day. That's one every 21 seconds. One every 21 seconds. We cannot pretend that America is preserving her first and highest ideal, the belief that each life is sacred, when we've permitted the deaths of 15 million helpless innocents since the Roe versus Wade decision. 15 million children who will never laugh, never sing, never know the joy of human love, will never strive to heal the sick, feed the poor, or make peace among nations. Abortion has denied them the first and most basic of human rights. We are all infinitely poorer for their loss. There's another grim truth we should face up to: Medical science doctors confirm that when the lives of the unborn are snuffed out, they often feel pain, pain that is long and agonizing. This nation fought a terrible war so that black Americans would be guaranteed their God-given rights. Abraham Lincoln recognized that we could not survive as a free land when some could decide whether others should be free or slaves. Well, today another question begs to be asked: How can we survive as a free nation when some decide that others are not fit to live and should be done away with? I believe no challenge is more important to the character of America than restoring the right to life to all human beings. Without that right, no other rights have meaning. "Suffer the little children to come unto me, and forbid them not, for such is the kingdom of God."”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

I will continue to support every effort to restore that protection including the Hyde-Jepsen respect life bill. I've asked for your all-out commitment, for the mighty power of your prayers, so that together we can convince our fellow countrymen that America should, can, and will preserve God's greatest gift.
Remarks at the Annual Convention of the National Religious Broadcasters (30 January 1984) http://www.presidency.ucsb.edu/ws/?pid=40394 · YouTube - Remarks at the Annual Convention of the National Religious Broadcasters https://www.youtube.com/watch?v=1Elph9CfsKs
1980s, First term of office (1981–1985)

Lewis Carroll photo

“"Our Second Experiment", the Professor announced, as Bruno returned to his place, still thoughtfully rubbing his elbows, "is the production of that seldom-seen-but-greatly-to-be-admired phenomenon, Black Light! You have seen White Light, Red Light, Green Light, and so on: but never, till this wonderful day, have any eyes but mine seen Black Light! This box", carefully lifting it upon the table, and covering it with a heap of blankets, "is quite full of it. The way I made it was this - I took a lighted candle into a dark cupboard and shut the door. Of course the cupboard was then full of Yellow Light. Then I took a bottle of Black ink, and poured it over the candle: and, to my delight, every atom of the Yellow Light turned Black! That was indeed the proudest moment of my life! Then I filled a box with it. And now - would anyone like to get under the blankets and see it?"Dead silence followed this appeal: but at last Bruno said "I'll get under, if it won't jingle my elbows."Satisfied on this point, Bruno crawled under the blankets, and, after a minute or two, crawled out again, very hot and dusty, and with his hair in the wildest confusion."What did you see in the box?" Sylvie eagerly enquired."I saw nuffin!" Bruno sadly replied. "It were too dark!""He has described the appearance of the thing exactly!"”

the Professor exclaimed with enthusiasm. "Black Light, and Nothing, look so extremely alike, at first sight, that I don't wonder he failed to distinguish them! We will now proceed to the Third Experiment."</p>
Source: Sylvie and Bruno Concluded (1893), Chapter 21: The Professor's Lecture

Edgar Allan Poe photo
Catherine of Aragon photo
Franz Kafka photo

“Aren’t our eyes made to be torn out, and our hearts for the same purpose? At the same time it’s really not that bad; that’s an exaggeration and a lie, everything is exaggeration, the only truth is longing, which cannot be exaggerated. But even the truth of longing is not so much its own truth; it’s really an expression of everything else, which is a lie. This sounds crazy and distorted, but it’s true.
Moreover, perhaps it isn’t love when I say you are what I love the most — you are the knife I turn inside myself, this is love.”

Hat matt nicht die Augen, um sich sie auszureißen und das Herz zum gleichen Zweck? Dabei ist es ja nicht so schlimm, das ist Übertreibung und Lüge, alles ist Übertreibung, nur die Sehnsucht ist wahr, die kann man nicht übertreiben. Aber selbst die Wahrheit der Sehnsucht ist nicht so sehr ihre Wahrheit, als vielmehr der Ausdruck der Lüge alles übrigen sonst. Es klingt verdreht, aber es ist so.
Auch ist es vielleicht nicht eigentlich Liebe wenn ich sage, daß Du mir das Liebste bist; Liebe ist, daß Du mir das Messer bist, mit dem ich in mir wühle.
Letter to Milena Jesenská (14 September 1920) http://www.abyssal.de/zitate/liebe.htm
Variant translations:
In this love you are like a knife, with which I explore myself.
Letters to Milena (1952)

Ben Stein photo
Daniel Handler photo

“If you have ever peeled an onion, then you know that the first thin, papery layer reveals another thin, papery layer, and that layer reveals another, and another, and before you know it you have hundreds of layers all over the kitchen table and thousands of tears in your eyes, sorry that you ever started peeling in the first place and wishing that you had left the onion alone to wither away on the shelf of the pantry while you went on with your life, even if that meant never again enjoying the complicated and overwhelming taste of this strange and bitter vegetable.

In this way, the story of the Baudelaire orphans is like an onion, and if you insist on reading each and every thin, papery layer in A Series of Unfortunate Events, your only reward will be 170 chapters of misery in your library and countless tears in your eyes. Even if you have read the first twelve volumes of the Baudelaires' story, it is not too late to stop peeling away the layers, and to put this book back on the shelf to wither away while you read something less complicated and overwhelming. The end of this unhappy chronicle is like its bad beginning, as each misfortune only reveals another, and another, and another, and only those with the stomach for this strange and bitter tale should venture any farther into the Baudelaire onion. I'm sorry to tell you this, but that is how the story goes.”

Source: The End (2006), Chapter 1

Robert Frost photo

“Why make so much of fragmentary blue
In here and there a bird, or butterfly,
Or flower, or wearing-stone, or open eye,
When heaven presents in sheets the solid hue.”

Robert Frost (1874–1963) American poet

" Fragmentary Blue http://www.ketzle.com/frost/fragblue.htm", st. 1 (1923)
1920s

Pink (singer) photo

“Have you ever fed a lover
With just your hands?
Close your eyes and trust it, just trust it.
Have you ever thrown
A fist full of glitter in the air?
Have you ever looked fear in the face,
And said I just don't care?”

Pink (singer) (1979) American singer-songwriter

Glitter in the Air, written by Pink, Billy Mann and Michele Mears
Song lyrics, Funhouse (2008)

Octavio Paz photo

“To read a poem is to hear it with our eyes; to hear it is to see it with our ears.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Alternating Current (1967)

Rainer Maria Rilke photo

“The next tide will erase the way through the mudflats,
and everything will be again equal on all sides;
but the small, far-out island already has its
eyes closed; bewildered, the dike draws a circlearound its inhabitants who were born
into a sleep in which many worlds
are silently confused, for they rarely speak,
and every phrase is like an epitaph.”

Die nächste Flut verwischt den Weg im Watt,
und alles wird auf allen Seiten gleich;
die kleine Insel draußen aber hat
die Augen zu; verwirrend kreist der Deich<p>um ihre Wohner, die in einem Schlaf
geboren werden, drin sie viele Welten
verwechseln schweigend, denn sie reden selten,
und jeder Satz ist wie ein Epitaph
Die Insel I (The Island I) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

Henri Barbusse photo
Richard Wagner photo
Alan Parsons photo

“While the children laughed
I was always afraid
Of the Smile of the clown
So I close my eyes
Till I can't see the light
And I hide from the sound

We're two of a Kind
Silence and I
We need a chance to talk things over
Two of a kind
Silence and I”

Alan Parsons (1948) audio engineer, musician, and record producer from England

"Silence and I", from the album Eye In The Sky. (Written by Alan Parsons and Eric Woolfson.)
Quotes from songs

Jacob Bronowski photo
Justin Bieber photo

“Anything above 40 is a little too old for me. I just look for a girl who is funny and has nice eyes and a smile.”

Justin Bieber (1994) Canadian singer-songwriter, record producer, and actor

Quoted in MTV Bieber ‘I Like Older Women’ http://www.mtv.co.uk/news/justin-bieber/219749-bieber-i-like-older-women, April 2010

W.B. Yeats photo

“Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.”

V, st. 2
The Tower (1928), Nineteen Hundred And Nineteen http://poetry.poetryx.com/poems/1547/

Friedrich Schiller photo
Leonardo Da Vinci photo
Galileo Galilei photo

“I have been in my bed for five weeks, oppressed with weakness and other infirmities from which my age, seventy four years, permits me not to hope release. Added to this (proh dolor! [O misery! ]) the sight of my right eye — that eye whose labors (dare I say it) have had such glorious results — is for ever lost. That of the left, which was and is imperfect, is rendered null by continual weeping.”

Galileo Galilei (1564–1642) Italian mathematician, physicist, philosopher and astronomer

Letter to Élie Diodati (4 July 1637), as translated in The Private Life of Galileo : Compiled primarily from his correspondence and that of his eldest daughter, Sister Maria Celeste (1870) http://books.google.com/books?id=ixUCAAAAYAAJ by Mary Allan-Olney, p. 278
Other quotes

Angelus Silesius photo

“Two eyes our souls possess:
While one is turned on time,
The other seeth things
Eternal and sublime”

Angelus Silesius (1624–1677) German writer

The Cherubinic Wanderer

Aldo Leopold photo
W.B. Yeats photo
Muhammad Yunus photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

“I've have tried to take from everybody [every artist in American Abstract Expressionism ]... I can't close my eyes or limit my experiences... Because I live now, I am more interested in art now. It's different as any art is different from period to period. But it's no better or worse.”

Joan Mitchell (1925–1992) American painter

Quote in 'Art News', September 1958, p. 41; as cited in The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 69
1950 - 1975

Joseph Goebbels photo

“The fact that the causes and effective potentialities of Bolshevism were already existent in a latent form in democracy explains why Bolshevism flourishes only on democratic soil, and is indeed generally the inevitable consequence of a radical and excessively democratic conception of the State. Bolshevism allegedly makes a classless society its aim. The equality of whatever bears a human form, which democracy applied only to political and social life, is set up as a ruling principle for economic life also. In this respect there are supposed to be no differences left. But this equality of all individuals in respect of economic goods can, in the Marxist-Bolshevist view, result only from a brutal and pitiless class struggle. … It is only logical that in connexion with this, Bolshevism should proclaim the equality of nations and races. … The opposition between the democratic and the Bolshevist mentality and conception of the State are in the last resort merely theoretical, and here we have the answer to the mysterious riddle which overshadows Europe and the explanation both of the opposition in the lives of nations to-day and of the things which they have in common. It enables us to see at once why democracy and Bolshevism, which in the eyes of the world are irrevocably opposed to one another, meet again and again on common ground in their joint hatred of and attacks on authoritarian nationalist concepts of State and State systems. For the authoritarian nationalist conception of the State represents something essentially new. In it the French Revolution is superseded.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

On National-Socialism, Bolshevism & Democracy (September 10, 1938) http://www.jewishvirtuallibrary.org/joseph-goebbels-on-national-socialism-bolshevism-and-democracy
1930s

Ray Comfort photo
Aleksandr Pushkin photo
Francois Villon photo

“Foolish love makes beasts of men:
It once caused Solomon to worship idols,
And Samson to lose his eyes.
That man is lucky who has nothing.”

Folles amours font le gens bestes:
Salmon en ydolatria,
Samson en perdit ses lunettes.
Bien est eureux qui riens n'y a!
Source: Le Grand Testament (The Great Testament) (1461), Line 629; "Double Ballade".

Emil M. Cioran photo
Stendhal photo

“The taste for freedom, the fashion and cult of happiness of the majority that the nineteenth century is infatuated with, was only a heresy in his eyes that would pass like others.”

Le goût de la liberté, la mode et le culte du bonheur du plus grand nombre, dont le XIXe siècle s'est entiché, n'étaient à ses yeux qu'une hérésie qui passera comme les autres.
Source: La Chartreuse de Parme (The Charterhouse of Parma) (1839), Ch. 7

Ed Sheeran photo
Ursula K. Le Guin photo
Thomas Mann photo

“The deep conviction... that nothing good for Germany or the world can come out of the present German regime, has made me avoid the country in whose spiritual tradition I am more deeply rooted than are those who for three years have been trying to find courage enough to declare before the world that I am not a German. And I feel to the bottom of my heart that I have done right in the eyes of my contemporaries and of posterity.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Responding to anti-semitic propaganda and to criticisms of German writers living in exile during the early years of the Nazi regime in Germany, as quoted in "Homage to Thomas Mann" in The New Republic (1 April 1936) http://www.newrepublic.com/article/114269/thomas-mann-stands-anti-semitism-stacks

Leonardo Da Vinci photo
Andreas Karlstadt photo

“God desires to indwell in my whole and total heart and cannot in any way tolerate my having an image in my mind's eye.”

Andreas Karlstadt (1486–1541) German theologian

Source: On the Removal of Images (1522), p. 117

Leonardo Da Vinci photo
Etty Hillesum photo
Wilhelm Von Humboldt photo
Henri Barbusse photo
Aaliyah photo
Kurt Vonnegut photo
William Shakespeare photo
H.P. Lovecraft photo
Plato photo
Albert Schweitzer photo
Henri Barbusse photo
Letitia Elizabeth Landon photo
Philibert de l'Orme photo
Eminem photo
Miyamoto Musashi photo
Catherine of Genoa photo
Albert Schweitzer photo

“Most men are scantily nourished on a modicum of happiness and a number of empty thoughts which life lays on their plates. They are kept in the road of life through stern necessity by elemental duties which they cannot avoid.
Again and again their will-to-live becomes, as it were, intoxicated: spring sunshine, opening flowers, moving clouds, waving fields of grain — all affect it. The manifold will-to-live, which is known to us in the splendid phenomena in which it clothes itself, grasps at their personal wills. They would fain join their shouts to the mighty symphony which is proceeding all around them. The world seem beauteous…but the intoxication passes. Dreadful discords only allow them to hear a confused noise, as before, where they had thought to catch the strains of glorious music. The beauty of nature is obscured by the suffering which they discover in every direction. And now they see again that they are driven about like shipwrecked persons on the waste of ocean, only that the boat is at one moment lifted high on the crest of the waves and a moment later sinks deep into the trough; and that now sunshine and now darkening clouds lie on the surface of the water.
And now they would fain persuade themselves that land lies on the horizon toward which they are driven. Their will-to-live befools their intellect so that it makes efforts to see the world as it would like to see it. It forces this intellect to show them a map which lends support to their hope of land. Once again they essay to reach the shore, until finally their arms sink exhausted for the last time and their eyes rove desperately from wave to wave. …
Thus it is with the will-to-live when it is unreflective.
But is there no way out of this dilemma? Must we either drift aimlessly through lack of reflection or sink in pessimism as the result of reflection? No. We must indeed attempt the limitless ocean, but we may set our sails and steer a determined course.”

Albert Schweitzer (1875–1965) French-German physician, theologian, musician and philosopher

Source: The Spiritual Life (1947), p. 256

Bertrand Russell photo

“Those who advocate common usage in philosophy sometimes speak in a manner that suggests the mystique of the 'common man.' They may admit that in organic chemistry there is need of long words, and that quantum physics requires formulas that are difficult to translate into ordinary English, but philosophy (they think) is different. It is not the function of philosophy – so they maintain – to teach something that uneducated people do not know; on the contrary, its function is to teach superior persons that they are not as superior as they thought they were, and that those who are really superior can show their skill by making sense of common sense. No one wants to alter the language of common sense, any more than we wish to give up talking of the sun rising and setting. But astronomers find a different language better, and I contend that a different language is better in philosophy. Let us take an example, that of perception. There is here an admixture of philosophical and scientific questions, but this admixture is inevitable in many questions, or, if not inevitable, can only be avoided by confining ourselves to comparatively unimportant aspects of the matter in hand. Here is a series of questions and answers.
Q. When I see a table, will what I see be still there if I shut my eyes?
A. That depends upon the sense in which you use the word 'see.'
Q. What is still there when I shut my eyes?
A. This is an empirical question. Don't bother me with it, but ask the physicists.
Q. What exists when my eyes are open, but not when they are shut?
A. This again is empirical, but in deference to previous philosophers I will answer you: colored surfaces.
Q. May I infer that there are two senses of 'see'? In the first, when I 'see' a table, I 'see' something conjectural about which physics has vague notions that are probably wrong. In the second, I 'see' colored surfaces which cease to exist when I shut my eyes.
A. That is correct if you want to think clearly, but our philosophy makes clear thinking unnecessary. By oscillating between the two meanings, we avoid paradox and shock, which is more than most philosophers do.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1950s, Portraits from Memory and Other Essays (1956), p. 159

Aleksandr Pushkin photo
Laxmi Prasad Devkota photo
Friedrich Nietzsche photo
Jonathan Safran Foer photo
H.P. Lovecraft photo

“It is just as ridiculous to get excited & hysterical over a coming cultural change as to get excited & hysterical over one's physical aging... There is legitimate pathos about both processes; but blame & rebellion are essentially cheap, because inappropriate, emotions... It is wholly appropriate to feel a deep sadness at the coming of unknown things & the departure of those around which all our symbolic associations are entwined. All life is fundamentally & inextricably sad, with the perpetual snatching away of all the chance combinations of image & vista & mood that we become attached to, & the perpetual encroachment of the shadow of decay upon illusions of expansion & liberation which buoyed us up & spurred us on in youth. That is why I consider all jauntiness, & many forms of carelessly generalised humour, as essentially cheap & mocking, & occasionally ghastly & corpselike. Jauntiness & non-ironic humour in this world of basic & inescapable sadness are like the hysterical dances that a madman might execute on the grave of all his hopes. But if, at one extreme, intellectual poses of spurious happiness be cheap & disgusting; so at the other extreme are all gestures & fist-clenchings of rebellion equally silly & inappropriate—if not quite so overtly repulsive. All these things are ridiculous & contemptible because they are not legitimately applicable... The sole sensible way to face the cosmos & its essential sadness (an adumbration of true tragedy which no destruction of values can touch) is with manly resignation—eyes open to the real facts of perpetual frustration, & mind & sense alert to catch what little pleasure there is to be caught during one's brief instant of existence. Once we know, as a matter of course, how nature inescapably sets our freedom-adventure-expansion desires, & our symbol-&-experience-affections, definitely beyond all zones of possible fulfilment, we are in a sense fortified in advance, & able to endure the ordeal of consciousness with considerable equanimity... Life, if well filled with distracting images & activities favourable to the ego's sense of expansion, freedom, & adventurous expectancy, can be very far from gloomy—& the best way to achieve this condition is to get rid of the unnatural conceptions which make conscious evils out of impersonal and inevitable limitations... get rid of these, & of those false & unattainable standards which breed misery & mockery through their beckoning emptiness.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 291
Non-Fiction, Letters, to Frank Belknap Long

Stanley Kubrick photo

“The first really important book I read about filmmaking was The Film Technique by Pudovkin. This was some time before I had ever touched a movie camera and it opened my eyes to cutting and montage.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Interviewed by Charles Reynolds, Popular Photography (1960)

P.G. Wodehouse photo
Claude Monet photo
Huey Long photo
Tennessee Williams photo

“I never saw a more beautiful woman, enormous eyes, skin the color of Devonshire cream.”

Tennessee Williams (1911–1983) American playwright

After meeting Anna Magnani, as quoted in Tennessee Williams : Rebellious Puritan (1961) by Nancy Marie Patterson Tischler, p. 175

Malcolm X photo

“The pilgrimage to Mecca, known as the Hajj, is a religious obligation that every orthodox Muslim fulfills, if able, at least once in his or her lifetime.
The Holy Quran says it, "Pilgrimage to the House [of God built by the prophet Abraham] is a duty men owe to God; those who are able, make the journey." (3:97)

Allah said: "And proclaim the pilgrimage among men; they will come to you on foot and upon each lean camel, they will come from every deep ravine" (22:27).

Every one of the thousands at the airport, about to leave for Jeddah, was dressed this way. You could be a king or a peasant and no one would know. Some powerful personages, who were discreetly pointed out to me, had on the same thing I had on. Once thus dressed, we all had begun intermittently calling out "Labbayka! (Allahumma) Labbayka!" (Here I come, O Lord!) Packed in the plane were white, black, brown, red, and yellow people, blue eyes and blond hair, and my kinky red hair -- all together, brothers! All honoring the same God, all in turn giving equal honor to each other….

That is when I first began to reappraise the "white man." It was when I first began to perceive that "white man," as commonly used, means complexion only secondarily; primarily it described attitudes and actions. In America,"white man" meant specific attitudes and actions toward the black man, and toward all other non-white men. But in the Muslim world, I had seen that men with white complexions were more genuinely brotherly than anyone else had ever been. That morning was the start of a radical alteration in my whole outlook about "white" men.”

Malcolm X (1925–1965) American human rights activist

Text of a letter written following his Hajj (1964)

Khalil Gibran photo
Frank Gehry photo

“I think my best skill as an architect is the achievement of hand-to-eye coordination. I am able to transfer a sketch into a model into the building.”

Frank Gehry (1929) Canadian-American (b.1929)

Helen D. Hume (2010) The Art Teacher's Book of Lists. p. 304.

Neil Harbisson photo

“It's not the union between my head and the electronic eye what makes me feel 'cyborg', it's the union between the software and my brain.”

Neil Harbisson (1984) Catalan-Irish musician, artist and activist

As quoted in Ara (19 January 2011). "No som blancs ni negres, tots som taronges" http://www.ara.cat/ara_premium/ara_tu/No-blancs-negres-tots-taronges_0_411558847.html

Dejan Stojanovic photo

“Fly without wings; dream with open eyes.”

Dejan Stojanovic (1959) poet, writer, and businessman

Muse II http://www.poemhunter.com/poem/muse-ii/
From the poems written in English

Henri Barbusse photo