Quotes about eye
page 6

Elizabeth I of England photo

“This is the Lord's doing, and it is marvellous in our eyes.”

Elizabeth I of England (1533–1603) Queen regnant of England and Ireland from 17 November 1558 until 1603

Her reaction when she was told she was Queen (17 November 1558).

Aleksandr Solzhenitsyn photo
Georg Büchner photo
Linda Blair photo
Leonardo Da Vinci photo

“Observe the light and consider its beauty. Blink your eye and look at it. That which you see was not there at first, and that which was there is there no more.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), I Philosophy

Matthew Perry (actor) photo
Ovid photo

“Thus, while the mute creation downward bend
Their sight, and to their earthly mother tend,
Man looks aloft, and with erected eyes
Beholds his own hereditary skies.”

Pronaque quum spectent animalia cetera terram, Os homini sublime dedit, coelumque tueri Jussit, et erectos ad sidera tollere vultus.

Book I, 84 (as translated by John Dryden)
Metamorphoses (Transformations)

Catherine of Genoa photo
Suman Pokhrel photo

“The dream too thinks twice,
gets filtered to go soft
to be seated on children's eyes.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Children http://www.occupypoetry.net/children_1/</span>
From Poetry

Richard Wagner photo
Barbara Hepworth photo
Aleister Crowley photo
Henry David Thoreau photo

“It would be worth the while to look closely into the eye which has been open and seeing at such hours, and in such solitudes, its dull, yellowish, greenish eye. Methinks my own soul must be a bright invisible green.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Wednesday

Friedrich Nietzsche photo

“Greek tragedy met her death in a different way from all the older sister arts: she died tragically by her own hand, after irresolvable conflicts, while the others died happy and peaceful at an advanced age. If a painless death, leaving behind beautiful progeny, is the sign of a happy natural state, then the endings of the other arts show us the example of just such a happy natural state: they sink slowly, and with their dying eyes they behold their fairer offspring, who lift up their heads in bold impatience. The death of Greek tragedy, on the other hand, left a great void whose effects were felt profoundly, far and wide; as once Greek sailors in Tiberius' time heard the distressing cry 'the god Pan is dead' issuing from a lonely island, now, throughout the Hellenic world, this cry resounded like an agonized lament: 'Tragedy is dead! Poetry itself died with it! Away, away with you, puny, stunted imitators! Away with you to Hades, and eat your fill of the old masters' crumbs!”

Mit dem Tode der griechischen Tragödie dagegen entstand eine ungeheure, überall tief empfundene Leere; wie einmal griechische Schiffer zu Zeiten des Tiberius an einem einsamen Eiland den erschütternden Schrei hörten "der grosse Pan ist todt": so klang es jetzt wie ein schmerzlicher Klageton durch die hellenische Welt: "die Tragödie ist todt! Die Poesie selbst ist mit ihr verloren gegangen! Fort, fort mit euch verkümmerten, abgemagerten Epigonen! Fort in den Hades, damit ihr euch dort an den Brosamen der vormaligen Meister einmal satt essen könnt!"
Source: The Birth of Tragedy (1872), p. 54

Chrissie Hynde photo
Gloria Estefan photo
Johann Wolfgang von Goethe photo

“Men who give way easily to tears are good. I have nothing to do with those who hearts are dry and who eyes are dry!”

Tränenreiche Männer sind gut. Verlasse mich jeder, der trocknen Herzens, trockner Augen ist!
Bk. I, Ch. 18, R. J. Hollingdale, trans. (1971), p. 147
Elective Affinities (1809)

W.B. Yeats photo
Johannes Tauler photo
Leonardo Da Vinci photo

“The eye can best distinguish the forms of objects when it is placed between the shaded and the illuminated parts.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

Jacques Bertin photo
Thorstein Veblen photo
Jean Meslier photo

“How I suffered when I had to preach to you those pious lies that I detest in my heart. What remorse your credulity caused me! A thousand times I was on the point of breaking out publicly and opening your eyes, but a fear stronger than myself held me back, and forced me to keep silence until my death.”

Jean Meslier (1664–1729) French priest

Quoted in Thinker: Jean Meslier by Colin Brewer, in rationalist.org (3 July 2007) http://rationalist.org.uk/articles/1425/thinker-jean-meslier
Testament: Memoir of the Thoughts and Sentiments of Jean Meslier

Socrates photo
Socrates photo
Juan Antonio Villacañas photo

“I have an immensity which shivers in the oceans,
being, as I am, only a little fountain, small as an eye.”

Juan Antonio Villacañas (1922–2001) Spanish poet, essayist and critic

“Fountain”, from Revolt of a Newborn (1973)

Lewis Carroll photo

“"I've caught a cold," the Thing replies,
"Out there upon the landing."
I turned to look in some surprise,
And there, before my very eyes,
A little Ghost was standing!”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Canto 1, "The Trysting"
Phantasmagoria (1869)

Judy Garland photo

“As for my feelings toward "Over the Rainbow", it's become part of my life. It is so symbolic of all dreams and wishes that I'm sure that's why people sometimes get tears in their eyes when they hear it.”

Judy Garland (1922–1969) actress, singer and vaudevillian from the United States

Letter to Harold Arlen, as quoted in Over the Rainbow : The Wizard of Oz as a Secular Myth of America (1991) by Paul Nathanson, p. 340

Livy photo

“This above all makes history useful and desirable: it unfolds before our eyes a glorious record of exemplary actions.”

Livy (-59–17 BC) Roman historian

Praefatio, sec. 10
History of Rome

Su Shi photo

“The brimming waves delight the eye on sunny days;
The dimming hills give a rare view in rainy haze.
The West Lake looks like the fair lady at her best
Whether she is richly adorned or plainly dressed.”

Su Shi (1037–1101) Chinese writer

"The West Lake, the Beauty" (《饮湖上初晴后雨》) (1073), in Song of the Immortals: An Anthology of Classical Chinese Poetry, trans. Yuanchong Xu (Beijing: New World Press, 1994), p. 200

William Wilberforce photo

“If then we would indeed be “filled with wisdom and spiritual understanding;” if we would “walk worthy of the Lord unto all well pleasing, being fruitful in every good work, and increasing in the knowledge of God;” here let us fix our eyes! “Laying aside every weight, and the sin that does so easily beset us; let us run with patience the race that is set before us, Looking unto Jesus, the Author and Finisher of our faith, who for the joy that was set before him endured the cross, despising the shame, and is set down at the right hand of the throne of God.
Here best we may learn the infinite importance of Christianity. How little it can deserve to be treated in that slight and superficial way, in which it is in these days regarded by the bulk of nominal Christians, who are apt to think it may be enough, and almost equally pleasing to God, to be religious in any way, and upon any system. What exquisite folly it must be to risk the soul on such a venture, in direct contradiction to the dictates of reason, and the express declaration of the word of God! “How shall we escape, if we neglect so great salvation?”
LOOKING UNTO JESUS!
Here we shall best learn the duty and reasonableness of an absolute and unconditional surrender of soul and body to the will and service of God.—“We are not our own; for we are bought with a price,” and must “therefore” make it our grand concern to “glorify God with our bodies and our spirits, which are God’s.” Should we be base enough, even if we could do it with safety, to make any reserves in our returns of service to that gracious Saviour, who “gave up himself for us?” If we have formerly talked of compounding by the performance of some commands for the breach of others; can we now bear the mention of a composition of duties, or of retaining to ourselves the right of practising little sins! The very suggestion of such an idea fills us with indignation and shame, if our hearts be not dead to every sense of gratitude.
LOOKING UNTO JESUS!
Here we find displayed, in the most lively colours, the guilt of sin, and how hateful it must be to the perfect holiness of that Being, “who is of purer eyes than to behold iniquity.” When we see that, rather than sin should go unpunished, “God spared not his own Son,” but “was pleased[99], to bruise him and put him to grief” for our sakes; how vainly must impenitent sinners flatter themselves with the hope of escaping the vengeance of Heaven, and buoy themselves up with I know not what desperate dreams of the Divine benignity!
Here too we may anticipate the dreadful sufferings of that state, “where shall be weeping and gnashing of teeth;” when rather than that we should undergo them, “the Son of God” himself, who “thought it no robbery to be equal with God,” consented to take upon him our degraded nature with all its weaknesses and infirmities; to be “a man of sorrows,” “to hide not his face from shame and spitting,” “to be wounded for our transgressions, and bruised for our iniquities,” and at length to endure the sharpness of death, “even the death of the Cross,” that he might “deliver us from the wrath to come,” and open the kingdom of Heaven to all believers.
LOOKING UNTO JESUS!
Here best we may learn to grow in the love of God! The certainty of his pity and love towards repenting sinners, thus irrefragably demonstrated, chases away the sense of tormenting fear, and best lays the ground in us of a reciprocal affection. And while we steadily contemplate this wonderful transaction, and consider in its several relations the amazing truth, that “God spared not his own Son, but delivered him up for us all;” if our minds be not utterly dead to every impulse of sensibility, the emotions of admiration, of preference, of hope, and trust, and joy, cannot but spring up within us, chastened with reverential fear, and softened and quickened by overflowing gratitude. Here we shall become animated by an abiding disposition to endeavour to please our great Benefactor; and by a humble persuasion, that the weakest endeavours of this nature will not be despised by a Being, who has already proved himself so kindly affected towards us. Here we cannot fail to imbibe an earnest desire of possessing his favour, and a conviction, founded on his own declarations thus unquestionably confirmed, that the desire shall not be disappointed. Whenever we are conscious that we have offended this gracious Being, a single thought of the great work of Redemption will be enough to fill us with compunction. We shall feel a deep concern, grief mingled with indignant shame, for having conducted ourselves so unworthily towards one who to us has been infinite in kindness: we shall not rest till we have reason to hope that he is reconciled to us; and we shall watch over our hearts and conduct in future with a renewed jealousy, [Pg 243] lest we should again offend him. To those who are ever so little acquainted with the nature of the human mind, it were superfluous to remark, that the affections and tempers which have been enumerated, are the infallible marks and the constituent properties of Love. Let him then who would abound and grow in this Christian principle, be much conversant with the great doctrines of the Gospel.
It is obvious, that the attentive and frequent consideration of these great doctrines, must have a still more direct tendency to produce and cherish in our minds the principle of the love of Christ.”

William Wilberforce (1759–1833) English politician

Source: Real Christianity (1797), p. 240-243.

Bertrand Russell photo
Neil Young photo

“You are like a hurricane
There's calm in your eye.
And I'm gettin' blown away
To somewhere safer
Where the feeling stays.
I want to love you but
I'm getting blown away.”

Neil Young (1945) Canadian singer-songwriter

Like a Hurricane
Song lyrics, American Stars 'n Bars (1977)

Nasreddin photo
Livy photo
Adele (singer) photo

“I love seeing Lady Gaga’s boobs and bum. I love seeing Katy Perry’s boobs and bum. Love it. But that’s not what my music is about. I don’t make music for eyes, I make music for ears.”

Adele (singer) (1988) British singer-songwriter

Adele in Rolling Stone http://www.rollingstone.com/music/news/adele-opens-up-about-her-inspirations-looks-and-stage-fright-20120210, April 28, 2011.

Galileo Galilei photo

“About ten months ago a report reached my ears that a certain Fleming had constructed a spyglass by means of which visible objects, though very distant from the eye of the observer, were distinctly seen as if nearby. Of the truly remarkable effect several experiences were related, to which some persons gave credence while others denied them. A few days later a report was confirmed to me in a letter from a noble Frenchman in Paris, Jacques Badovere, which caused me to apply myself wholeheartedly to inquire into means by which I might arrive at the invention of a similar instrument. This I did shortly afterwards, my basis being the theory of refraction. First I prepared a tube of lead, at the ends I fitted two glass lenses, both plane on one side while on the other side one was spherically convex and the other concave. Then placing my eye near the concave lens I perceived objects satisfactorily large and near, for they appeared three times closer and nine times larger than when seen with the naked eye alone. Next I constructed another one, more accurate, which represented objects as enlarged more than sixty times. Finally, sparing neither labor nor expense, I succeeded in constructing for myself so excellent an instrument that objects seen by means of it appeared nearly one thousand times larger and over thirty times closer than when regarded with our natural vision.”

Translation by Stillman Drake in Discoveries and Opinions of Galileo (1957)
Sidereus Nuncius (Venice, 1609)

Malcolm X photo

“Never have I witnessed such sincere hospitality and the overwhelming spirit of true brotherhood as is practiced by people of all colors and races here in this ancient Holy Land, the House of Abraham, Muhammad, and all the other Prophets of the Holy Scriptures. For the past week, I have been utterly speechless and spellbound by the graciousness I see displayed all around me by people of all colors....
You may be shocked by these words coming from me. But on this pilgrimage, what I have seen, and experienced, has forced me to rearrange much of my thought-patterns previously held, and to toss aside some of my previous conclusions. This was not too difficult for me. Despite my firm convictions, I have always been a man who tries to face facts, and to accept the reality of life as new experience and new knowledge unfolds it. I have always kept an open mind, which necessary to the flexibility that must go hand in hand with every form of intelligent search for truth.

During the past eleven days here in the Muslim world, I have eaten from the same plate, drunk from the same glass, and slept in the same bed (or on the same rug) -- while praying to the same God -- with fellow Muslims, whose eyes were the bluest of blue, whose hair was the blondest of blond, and whose skin was the whitest of white. And in the words and in the actions and in the deeds of the "white" Muslims, I felt the same sincerity that I felt among the black African Muslims of Nigeria, Sudan, and Ghana.

We were truly all the same (brothers) -- because their belief in one God had removed the "white" from their minds, the 'white' from their behavior, and the 'white' from their attitude.

I could see from this, that perhaps if white Americans could accept the Oneness of God, then perhaps, too, they could accept in reality the Oneness of Man -- and cease to measure, and hinder, and harm others in terms of their "differences" in color.

With racism plaguing America like an incurable cancer, the so-called "Christian" white American heart should be more receptive to a proven solution to such a destructive problem. Perhaps it could be in time to save America from imminent disaster -- the same destruction brought upon Germany by racism that eventually destroyed the Germans themselves.

They asked me what about the Hajj had impressed me the most.... I said, "The brotherhood! The people of all races, color, from all over the world coming to gether as one! It has proved to me the power of the One God.... All ate as one, and slept as one. Everything about the pilgrimage atmosphere accented the Oneness of Man under One God.”

Malcolm X (1925–1965) American human rights activist

Text of a letter written following his Hajj (1964)

Leslie Stephen photo

“He who sees only what is before his eyes sees the worst part of every view.”

Leslie Stephen (1832–1904) British author, literary critic, and first editor of the Dictionary of National Biography

The Playground of Europe (1871; London: Longmans, Green, 1899) p. 131

Plato photo
Elizabeth I of England photo
Fiona Apple photo
Alexandros Panagoulis photo

“The teardrops which you will see
flowing from our eyes
you should never believe
signs of despair.
They are only promise
promise for Fight.”

Alexandros Panagoulis (1939–1976) Greek politician and poet

Promise, written in Military Prisons of Bogiati February 1972.
Poetry, Vi scrivo da un carcere in Grecia (I write you from a prison in Greece) (1974)

Stefan Zweig photo
Aurelius Augustinus photo

“It is no advantage to be near the light if the eyes are closed.”

Aurelius Augustinus (354–430) early Christian theologian and philosopher

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 607

Leon Trotsky photo

“In our eyes, individual terror is inadmissible precisely because it belittles the role of the masses in their own consciousness, reconciles them to their own powerlessness, and turns their eyes and hopes toward a great avenger and liberator who someday will come and accomplish his mission.”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

Why Marxists oppose Individual Terrorism http://www.marxists.org/archive/trotsky/1911/11/tia09.htm, article published in the Austrian Social Democratic paper Der Kampf (1909)

John of the Cross photo
W.B. Yeats photo

“Their eyes mid many wrinkles, their eyes,
Their ancient, glittering eyes, are gay.”

W.B. Yeats (1865–1939) Irish poet and playwright

Lapis Lazuli, st. 5
Last Poems (1936-1939)

Jules Verne photo

“We were alone. Where, I could not say, hardly imagine. All was black, and such a dense black that, after some minutes, my eyes had not been able to discern even the faintest glimmer.”

Nous étions seuls. Où ? Je ne pouvais le dire, à peine l'imaginer. Tout était noir, mais d'un noir si absolu, qu'après quelques minutes, mes yeux n'avaient encore pu saisir une de ces lueurs indéterminées qui flottent dans les plus profondes nuits.
Part I, ch. VIII: Mobilis in Mobili
Twenty Thousand Leagues Under the Sea (1870)

Robert Herrick photo
Aurelius Augustinus photo
Leon Trotsky photo
Karl Marx photo

“Perseus wore a magic cap that the monsters he hunted down might not see him.
We draw the magic cap down over eyes and ears as a make-believe that there are no monsters.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Author's prefaces to the First Edition.
(Buch I) (1867)

Galileo Galilei photo
René Descartes photo

“The entire method consists in the order and arrangement of the things to which the mind’s eye must turn so that we can discover some truth.”

Rules for the Direction of the Mind: X.379
As quoted in [Clarke, Desmond M., 2006, Descartes : a Biography, Cambridge Press, 67, ISBN 978-0-521-82301-2]

Edvard Munch photo

“I thought I should make something – I felt it would be so easy – it would take form under my hands like magic.
Then people would see!
A strong naked arm – a tanned powerful neck a young woman rests her head on the arching chest.
She closes her eyes and listens with open and quivering lips to the words he whispers into her long flowing hair.
I should paint that image just as I saw it – but in the blue haze.
Those two at that moment, no longer merely themselves, but simply a link in the chain binding generation to generation.
People should understand the significance, the power of it. They should remove their hats like they do in church.
There should be no more pictures of interiors, of people reading and women knitting.
There would be pictures of real people who breathed, suffered, felt, loved.
I felt impelled – it would be easy. The flesh would have volume – the colours would be alive.
There was an interval. The music stopped. I was a little sad. I remembered how many times I had had similar thoughts – and that once I had finished the painting – they had simply shaken their heads and smiled.
Once again I found myself out on the Boulevard des Italiens.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

written in Saint Cloud, 1889
Quotes from his text: 'Saint Cloud Manifesto', Munch (1889): as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 120 -121
1880 - 1895

Kurt Vonnegut photo

“To be
the eyes
and ears
and conscience
of the Creator of the Universe,
you fool.”

Kilgore Trout's unwritten reply to the question "What is the purpose of life?"
Breakfast of Champions (1973)

Clare Boothe Luce photo
Aldo Leopold photo
James Baldwin photo
Claude Monet photo
Fernando Pessoa photo

“I have now so many fundamental thoughts, so many really metaphysical things to say, that I suddenly get tired and decide not to write more, not to think more, but allow the fever of saying to make me sleepy, and fondle, with closed eyes, as if to a cat, all that I could have said.”

Ibid., p. 56
The Book of Disquiet
Original: Tenho neste momento tantos pensamentos fundamentais, tantas coisas verdadeiramente metafísicas para dizer, que me canso de repente, e decido não escrever mais, não pensar mais, mas deixar que a febre de dizer me dê sono, e eu faça festas, como a um gato, a tudo quanto poderia ter dito.

Rabindranath Tagore photo

“Please is frail like a dewdrop, while it laughs it dies. But sorrow is strong and abiding. Let sorrowful love wake in your eyes.”

Rabindranath Tagore (1861–1941) Bengali polymath

27
The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915)

Aleksandr Pushkin photo
Aurelius Augustinus photo
Barack Obama photo
Xi Jinping photo

“[We should] set our eyes on the future. The political differences between the Chinese mainland and Taiwan should eventually be solved step by step, and [we] can not let these problems hand on from generation to generation.”

Xi Jinping (1953) General Secretary of the Communist Party of China and paramount leader of China

As quoted in "Xi calls for peaceful development of cross-Straits ties" http://www.chinadaily.com.cn/china/2013xiapec/2013-10/06/content_17011186.htm in China Daily (6 October 2013).
2010s

Kate Chopin photo
Nanak photo
Karl Dönitz photo
John Locke photo
Thomas Mann photo

“O scenes of the beautiful world! Never have you presented yourself to more appreciative eyes.”

Bk. 2, Ch. 4
Confessions of Felix Krull, Confidence Man (1954)

Leon Trotsky photo
Thomas Mann photo
Nikola Tesla photo
Lewis Carroll photo

“I wasn't asleep! said Bruno, in a deeply-injured tone. "When I shuts mine eyes, it's to show that I'm awake!"”

Source: Sylvie and Bruno Concluded (1893), Chapter 1: Bruno's Lessons

Barack Obama photo
Rumi photo

“Every tree and plant in the meadow seemed to be dancing, those which average eyes would see as fixed and still.”

Rumi (1207–1273) Iranian poet

Disputed, The Essential Rumi (1995)

Jean Jacques Rousseau photo
Brian W. Aldiss photo
William Wilberforce photo
Arthur Miller photo
Leon Trotsky photo
John Milton photo

“As ever in my great Taskmaster's eye.”

John Milton (1608–1674) English epic poet

On his being arrived to the Age of Twenty-three, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Pablo Picasso photo
Leonardo Da Vinci photo

“The eye which turns from a white object in the light of the sun and goes into a less fully lighted place will see everything as dark.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

William Collins photo

“With eyes up-raised, as one inspired,
Pale Melancholy sate retired,
And from her wild sequestered seat,
In notes by distance made more sweet,
Poured thro' the mellow horn her pensive soul.”

William Collins (1721–1759) English poet, born 1721

Source: The Passions, an Ode for Music (1747), Line 57. Compare: "Sweetest melodies / Are those that are by distance made more sweet", William Wordsworth, Personal Talk, stanza 2.

H.P. Lovecraft photo

“Your wonderment 'what I have against religion' reminds me of your recent Vagrant essay… To my mind, that essay misses one point altogether. Your "agnostic" has neglected to mention the very crux of all agnosticism—namely that the Judaeo-Christian mythology is NOT TRUE. I can see that in your philosophy truth per se has so small a place, that you can scarcely realise what it is that Galpin and I are insisting upon. In your mind, MAN is the centre of everything, and his exact conformation to certain regulations of conduct HOWEVER EFFECTED, the only problem in the universe. Your world (if you will pardon my saying so) is contracted. All the mental vigour and erudition of the ages fail to disturb your complacent endorsement of empirical doctrines and purely pragmatical notions, because you voluntarily limit your horizon—excluding certain facts, and certain undeniable mental tendencies of mankind. In your eyes, man is torn between only two influences; the degrading instincts of the savage, and the temperate impulses of the philanthropist. To you, men have but two types of emotion—lovers of the self and lovers of the race…. You are forgetting a human impulse which, despite its restriction to a relatively small number of men, has all through history proved itself as real and as vital as hunger—as potent as thirst or greed. I need not say that I refer to that simplest yet most exalted attribute of our species—the acute, persistent, unquenchable craving TO KNOW. Do you realise that to many men it makes a vast and profound difference whether or not the things about them are as they appear?… If TRUTH amounts to nothing, then we must regard the phantasma of our slumbers just as seriously as the events of our daily lives…. I recognise a distinction between dream life and real life, between appearances and actualities. I confess to an over-powering desire to know whether I am asleep or awake—whether the environment and laws which affect me are external and permanent, or the transitory products of my own brain. I admit that I am very much interested in the relation I bear to the things about me—the time relation, the space relation, and the causative relation. I desire to know approximately what my life is in terms of history—human, terrestrial, solar, and cosmical; what my magnitude may be in terms of extension,—terrestrial, solar, and cosmical; and above all, what may be my manner of linkage to the general system—in what way, through what agency, and to what extent, the obvious guiding forces of creation act upon me and govern my existence. And if there be any less obvious forces, I desire to know them and their relation to me as well.”

H.P. Lovecraft (1890–1937) American author

Letter to Maurice W. Moe (15 May 1918), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, p. 60
Non-Fiction, Letters

Livy photo
Brian W. Aldiss photo
Sai Baba of Shirdi photo

“My eye is ever on those who love me.”

Sai Baba of Shirdi (1836–1918) Hindu and muslim saint

Saying stated to his disciples

Federico Fellini photo
Gabrielle Roy photo
Jeff Lynne photo
Arthur Streeton photo
Novalis photo
Cyril Connolly photo
Edward Teller photo

“The eyes of childhood are magnifying lenses.”

Edward Teller (1908–2003) Hungarian-American nuclear physicist

Memoirs : A Twentieth Century Journey in Science and Politics (2001), co-written with Judith Shoolery, p. 5