Quotes about contact

A collection of quotes on the topic of contact, other, making, world.

Quotes about contact

Erwin Rommel photo

“No plan survives contact with the enemy”

Erwin Rommel (1891–1944) German field marshal of World War II
Emmy Noether photo
Nikola Tesla photo

“What we now want is closer contact and better understanding between individuals and communities all over the earth, and the elimination of egoism and pride which is always prone to plunge the world into primeval barbarism and strife… Peace can only come as a natural consequence of universal enlightenment…”

Nikola Tesla (1856–1943) Serbian American inventor

My Inventions (1919)
Context: While I have not lost faith in its potentialities, my views have changed since. War can not be avoided until the physical cause for its recurrence is removed and this, in the last analysis, is the vast extent of the planet on which we live. Only though annihilation of distance in every respect, as the conveyance of intelligence, transport of passengers and supplies and transmission of energy will conditions be brought about some day, insuring permanency of friendly relations. What we now want most is closer contact and better understanding between individuals and communities all over the earth and the elimination of that fanatic devotion to exalted ideals of national egoism and pride, which is always prone to plunge the world into primeval barbarism and strife. No league or parliamentary act of any kind will ever prevent such a calamity. These are only new devices for putting the weak at the mercy of the strong.

Sadhguru photo
Pablo Picasso photo

“Art is never chaste. It ought to be forbidden to ignorant innocents, never allowed into contact with those not sufficiently prepared. Yes, art is dangerous. Where it is chaste, it is not art.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

L'art n'est pas chaste [...], on devrait l’interdire aux ignorants innocents, ne jamais mettre en contact avec lui ceux qui y sont insuffisamment préparés. Oui, l'art est dangereux. Ou s'il est chaste, ce n'est pas de l'art.
Quote by Antonina Vallentin (1963 [1957]), Picasso, p. 168.
1960s

Jackson Pollock photo
Martin Brundle photo
H.P. Lovecraft photo

“I can better understand the inert blindness & defiant ignorance of the reactionaries from having been one of them. I know how smugly ignorant I was—wrapped up in the arts, the natural (not social) sciences, the externals of history & antiquarianism, the abstract academic phases of philosophy, & so on—all the one-sided standard lore to which, according to the traditions of the dying order, a liberal education was limited. God! the things that were left out—the inside facts of history, the rational interpretation of periodic social crises, the foundations of economics & sociology, the actual state of the world today … & above all, the habit of applying disinterested reason to problems hitherto approached only with traditional genuflections, flag-waving, & callous shoulder-shrugs! All this comes up with humiliating force through an incident of a few days ago—when young Conover, having established contact with Henneberger, the ex-owner of WT, obtained from the latter a long epistle which I wrote Edwin Baird on Feby. 3, 1924, in response to a request for biographical & personal data. Little Willis asked permission to publish the text in his combined SFC-Fantasy, & I began looking the thing over to see what it was like—for I had not the least recollection of ever having penned it. Well …. I managed to get through, after about 10 closely typed pages of egotistical reminiscences & showing-off & expressions of opinion about mankind & the universe. I did not faint—but I looked around for a 1924 photograph of myself to burn, spit on, or stick pins in! Holy Hades—was I that much of a dub at 33 … only 13 years ago? There was no getting out of it—I really had thrown all that haughty, complacent, snobbish, self-centred, intolerant bull, & at a mature age when anybody but a perfect damned fool would have known better! That earlier illness had kept me in seclusion, limited my knowledge of the world, & given me something of the fatuous effusiveness of a belated adolescent when I finally was able to get around more in 1920, is hardly much of an excuse. Well—there was nothing to be done … except to rush a note back to Conover & tell him I'd dismember him & run the fragments through a sausage-grinder if he ever thought of printing such a thing! The only consolation lay in the reflection that I had matured a bit since '24. It's hard to have done all one's growing up since 33—but that's a damn sight better than not growing up at all.”

H.P. Lovecraft (1890–1937) American author

Letter to Catherine L. Moore (7 February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 407-408
Non-Fiction, Letters

Marcel Duchamp photo

“The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from The Writings of Marcel Duchamp (Marchand du Sel) e.d. Michel Sanouille and Elmer Peterson, New York 1973, pp. 139-140
posthumous
Context: The spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation has taken place... All in all, the creative act is not performed by the artist alone; the spectator brings the work into contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.

Leonard Bernstein photo
Friedrich Engels photo
Paramahansa Yogananda photo
Bon Scott photo
Georg Ohm photo

“The design of this Memoir is to deduce strictly from a few principles, obtained chiefly by experiment, the rationale of those electrical phenomena which are produced by the mutual contact of two or more bodies, and which have been termed galvanic; its aim is attained if by means of it the variety of facts be presented as unity to the mind.”

Georg Ohm (1789–1854) German physicist and mathematician

Introductory sentence of [Georg Simon Ohm, The Galvanic Circuit Investigated Mathematically, translated by William Francis, D. Van Nostrand Co, 1891, 11]

Ferruccio Lamborghini photo
George Orwell photo

“Poverty is what I am writing about, and I had my first contact with poverty in this slum.”

Source: Down and out in Paris and London (1933), Ch. 1
Context: I am trying to describe the people in our quarter, not for the mere curiosity, but because they are all part of the story. Poverty is what I am writing about, and I had my first contact with poverty in this slum. The slum, with its dirt and its queer lives, was first an object-lesson in poverty, and then the background of my own experiences. It is for that reason that I try to give some idea of what life was like there.

Lahiri Mahasaya photo

“Exchange unprofitable religious speculations for actual God-contact. Clear your mind of dogmatic theological debris; let in the fresh, healing waters of direct perception.”

Lahiri Mahasaya (1828–1895) Indian yogi and guru

Source: Autobiography of a Yogi (1946), Ch. 35 : The Christlike Life of Lahiri Mahasaya
Context: Solve all your problems through meditation. Exchange unprofitable religious speculations for actual God-contact. Clear your mind of dogmatic theological debris; let in the fresh, healing waters of direct perception. Attune yourself to the active inner Guidance; the Divine Voice has the answer to every dilemma of life. Though man's ingenuity for getting himself into trouble appears to be endless, the Infinite Succor is no less resourceful.

“Men don't respond to words. What they respond to is "no contact".”

Sherry Argov (1977) American writer

Source: Why Men Love Bitches: From Doormat to Dreamgirl—A Woman's Guide to Holding Her Own in a Relationship

Friedrich Nietzsche photo

“After coming into contact with a religious man I always feel I must wash my hands.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Maurice Merleau-Ponty photo
Friedrich Nietzsche photo
Robert McKee photo
Eleanor Roosevelt photo

“We take spiritual initiation when we become conscious of the Divine within us, and thereby contact the Divine without us.”

Dion Fortune (1890–1946) British occultist and author

Source: Esoteric Orders and Their Work and The Training and Work of the Initiate

Alice A. Bailey photo
Bruce Lee photo

“Take inventory of everyone with whom you have contact.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

Part 6 "Beyond System — The Ultimate Source of Jeet Kune Do"
Jeet Kune Do (1997)

José Ortega Y Gasset photo
G. H. Hardy photo
The Mother photo

“Not once do you have the feeling that you are in contact with something other than a marvellously organised mental-physical domain.”

The Mother (1878–1973) spiritual collaborator of Sri Aurobindo

On her feelings during stay in Japan, quoted in "Japan (1916-20)" and also in On the Mother: The Chronicle of a Manifestation and Ministry by K. R. Srinivasa Iyengar (1 January 1995) http://books.google.co.in/books?id=WIPXAAAAMAAJ, p. 160

Henry Mintzberg photo
Nikola Tesla photo
Bertrand Russell photo
Shiing-Shen Chern photo
H.P. Lovecraft photo

“As for your artificial conception of "splendid & traditional ways of life"—I feel quite confident that you are very largely constructing a mythological idealisation of something which never truly existed; a conventional picture based on the perusal of books which followed certain hackneyed lines in the matter of incidents, sentiments, & situations, & which never had a close relationship to the actual societies they professed to depict... In some ways the life of certain earlier periods had marked advantages over life today, but there were compensating disadvantages which would make many hesitate about a choice. Some of the most literarily attractive ages had a coarseness, stridency, & squalor which we would find insupportable... Modern neurotics, lolling in stuffed easy chairs, merely make a myth of these old periods & use them as the nuclei of escapist daydreams whose substance resembles but little the stern actualities of yesterday. That is undoubtedly the case with me—only I'm fully aware of it. Except in certain selected circles, I would undoubtedly find my own 18th century insufferably coarse, orthodox, arrogant, narrow, & artificial. What I look back upon nostalgically is a dream-world which I invented at the age of four from picture books & the Georgian hill streets of Old Providence.... There is something artificial & hollow & unconvincing about self-conscious intellectual traditionalism—this being, of course, the only valid objection against it. The best sort of traditionalism is that easy-going eclectic sort which indulges in no frenzied pulmotor stunts, but courses naturally down from generation to generation; bequeathing such elements as really are sound, losing such as have lost value, & adding any which new conditions may make necessary.... In short, young man, I have no quarrel with the principle of traditionalism as such, but I have a decided quarrel with everything that is insincere, inappropriate, & disproportionate; for these qualities mean ugliness & weakness in the most offensive degree. I object to the feigning of artificial moods on the part of literary moderns who cannot even begin to enter into the life & feelings of the past which they claim to represent... If there were any reality or depth of feeling involved, the case would be different; but almost invariably the neotraditionalists are sequestered persons remote from any real contacts or experience with life... For any person today to fancy he can truly enter into the life & feeling of another period is really nothing but a confession of ignorance of the depth & nature of life in its full sense. This is the case with myself. I feel I am living in the 18th century, though my objective judgment knows better, & realises the vast difference from the real thing. The one redeeming thing about my ignorance of life & remoteness from reality is that I am fully conscious of it, hence (in the last few years) make allowances for it, & do not pretend to an impossible ability to enter into the actual feelings of this or any other age. The emotions of the past were derived from experiences, beliefs, customs, living conditions, historic backgrounds, horizons, &c. &c. so different from our own, that it is simply silly to fancy we can duplicate them, or enter warmly & subjectively into all phases of their aesthetic expression.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 307
Non-Fiction, Letters, to Frank Belknap Long

Thomas Mann photo
Philippe Pétain photo

“The only wealth you possess is your labour…France will become again what she should never have ceased to be—an essentially agricultural nation. Like the giant of mythology, she will recover all her strength by contact with the soil.”

Philippe Pétain (1856–1951) French military and political leader

Speech (August 1940), quoted in Pavlos Giannelia, 'France Returns to the Soil', Land and Freedom, Vol. XLI, No. 1, January-February 1941, p. 23 and Eugen Weber, 'France', in Hans Rogger and Eugen Weber (eds.), The European Right: A Historical Profile (University of California Press, 1966), p. 113.

José Saramago photo
Stephen Hawking photo

“[on the possibility of contact with an alien civilization]: I think it would be a disaster. The extraterrestrials would probably be far in advance of us. The history of advanced races meeting more primitive people on this planet is not very happy, and they were the same species. I think we should keep our heads low.”

Stephen Hawking (1942–2018) British theoretical physicist, cosmologist, and author

Appearance in the National Geographic Channel program Naked Science: Alien Contact, as quoted in The New York Times (24 November 2004) http://query.nytimes.com/gst/fullpage.html?res=9C00E2D8173EF937A15752C1A9629C8B63&sec=&spon= and a CNN transcript of an interview with Seth Shostak from Anderson Cooper 360 (26 November 2004) http://transcripts.cnn.com/TRANSCRIPTS/0411/26/acd.01.html

Nathaniel Hawthorne photo
Plato photo
Anthony Burgess photo
Bidhan Chandra Roy photo
Nikola Tesla photo
Jenna Jameson photo
Pope Francis photo
H.P. Lovecraft photo
Julius Evola photo
Stig Dagerman photo
Novalis photo

“The rude, discursive Thinker is the Scholastic (Schoolman Logician). The true Scholastic is a mystical Subtlist; out of logical Atoms he builds his Universe; he annihilates all living Nature, to put an Artifice of Thoughts (Gedankenkunststuck, literally Conjuror's-trick of Thoughts) in its room. His aim is an infinite Automaton. Opposite to him is the rude, intuitive Poet: this is a mystical Macrologist: he hates rules and fixed form; a wild, violent life reigns instead of it in Nature; all is animate, no law; wilfulness and wonder everywhere. He is merely dynamical. Thus does the Philosophic Spirit arise at first, in altogether separate masses. In the second stage of culture these masses begin to come in contact, multifariously enough; and, as in the union of infinite Extremes, the Finite, the Limited arises, so here also arise "Eclectic Philosophers" without number; the time of misunderstanding begins. The most limited is, in this stage, the most important, the purest Philosopher of the second stage. This class occupies itself wholly with the actual, present world, in the strictest sense. The Philosophers of the first class look down with contempt on those of the second; say, they are a little of everything, and so nothing; hold their views as the results of weakness, as Inconsequentism. On the contrary, the second class, in their turn, pity the first; lay the blame on their visionary enthusiasm, which they say is absurd, even to insanity.”

Novalis (1772–1801) German poet and writer

Pupils at Sais (1799)

Hermann Grassmann photo

“I hate looking at photography books or illustrated magazines. This is not because of contempt. I’d rather look at contact sheets: that is where you can sense the individual.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Only Geometricians May Enter: Interview with Yves Bourde (1974), p. 62

H.P. Lovecraft photo

“Now the trickiest catch in the negro problem is the fact that it is really twofold. The black is vastly inferior. There can be no question of this among contemporary and unsentimental biologists—eminent Europeans for whom the prejudice-problem does not exist. But, it is also a fact that there would be a very grave and very legitimate problem even if the negro were the white man's equal. For the simple fact is, that two widely dissimilar races, whether equal or not, cannot peaceably coexist in the same territory until they are either uniformly mongrelised or cast in folkways of permanent and traditional personal aloofness. No normal being feels at ease amidst a population having vast elements radically different from himself in physical aspect and emotional responses. A normal Yankee feels like a fish out of water in a crowd of cultivated Japanese, even though they may be his mental and aesthetic superiors; and the normal Jap feels the same way in a crowd of Yankees. This, of course, implies permanent association. We can all visit exotic scenes and like it—and when we are young and unsophisticated we usually think we might continue to like it as a regular thing. But as years pass, the need of old things and usual influences—home faces and home voices—grows stronger and stronger; and we come to see that mongrelism won't work. We require the environing influence of a set of ways and physical types like our own, and will sacrifice anything to get them. Nothing means anything, in the end, except with reference to that continuous immediate fabric of appearances and experiences of which one was originally part; and if we find ourselves ingulphed by alien and clashing influences, we instinctively fight against them in pursuit of the dominant freeman's average quota of legitimate contentment.... All that any living man normally wants—and all that any man worth calling such will stand for—is as stable and pure a perpetuation as possible of the set of forms and appearances to which his value-perceptions are, from the circumstances of moulding, instinctively attuned. That is all there is to life—the preservation of a framework which will render the experience of the individual apparently relevant and significant, and therefore reasonably satisfying. Here we have the normal phenomenon of race-prejudice in a nutshell—the legitimate fight of every virile personality to live in a world where life shall seem to mean something.... Just how the black and his tan penumbra can ultimately be adjusted to the American fabric, yet remains to be seen. It is possible that the economic dictatorship of the future can work out a diplomatic plan of separate allocation whereby the blacks may follow a self-contained life of their own, avoiding the keenest hardships of inferiority through a reduced number of points of contact with the whites... No one wishes them any intrinsic harm, and all would rejoice if a way were found to ameliorate such difficulties as they have without imperilling the structure of the dominant fabric. It is a fact, however, that sentimentalists exaggerate the woes of the average negro. Millions of them would be perfectly content with servile status if good physical treatment and amusement could be assured them, and they may yet form a well-managed agricultural peasantry. The real problem is the quadroon and octoroon—and still lighter shades. Theirs is a sorry tragedy, but they will have to find a special place. What we can do is to discourage the increase of their numbers by placing the highest possible penalties on miscegenation, and arousing as much public sentiment as possible against lax customs and attitudes—especially in the inland South—at present favouring the melancholy and disgusting phenomenon. All told, I think the modern American is pretty well on his guard, at last, against racial and cultural mongrelism. There will be much deterioration, but the Nordic has a fighting chance of coming out on top in the end.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (January 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 253
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Michael Chekhov photo
Wilhelm Reich photo
Theodore Roosevelt photo

“Let the man of learning, the man of lettered leisure, beware of that queer and cheap temptation to pose to himself and to others as a cynic, as the man who has outgrown emotions and beliefs, the man to whom good and evil are as one. The poorest way to face life is to face it with a sneer. There are many men who feel a kind of twisted pride in cynicism; there are many who confine themselves to criticism of the way others do what they themselves dare not even attempt. There is no more unhealthy being, no man less worthy of respect, than he who either really holds, or feigns to hold, an attitude of sneering disbelief toward all that is great and lofty, whether in achievement or in that noble effort which, even if it fails, comes to second achievement. A cynical habit of thought and speech, a readiness to criticize work which the critic himself never tries to perform, an intellectual aloofness which will not accept contact with life's realities — all these are marks, not as the possessor would fain to think, of superiority but of weakness. They mark the men unfit to bear their part painfully in the stern strife of living, who seek, in the affection of contempt for the achievements of others, to hide from others and from themselves in their own weakness. The role is easy; there is none easier, save only the role of the man who sneers alike at both criticism and performance.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1910s, Citizenship in a Republic (1910)

Jennifer Beals photo
Albertus Magnus photo
G. I. Gurdjieff photo

“Man has no individual I. But there are, instead, hundreds and thousands of separate small "I"s, very often entirely unknown to one another, never coming into contact, or, on the contrary, hostile to each other, mutually exclusive and incompatible.”

G. I. Gurdjieff (1866–1949) influential spiritual teacher, Armenian philosopher, composer and writer

In Search of the Miraculous (1949)
Context: Man has no individual I. But there are, instead, hundreds and thousands of separate small "I"s, very often entirely unknown to one another, never coming into contact, or, on the contrary, hostile to each other, mutually exclusive and incompatible. Each minute, each moment, man is saying or thinking, "I". And each time his I is different. Just now it was a thought, now it is a desire, now a sensation, now another thought, and so on, endlessly. Man is a plurality. Man's name is legion.

Tenzin Gyatso photo

“As a result of more contact with people from other traditions, as time passes I have firmed my conviction that all religions can work together despite fundamental differences in philosophy.”

Tenzin Gyatso (1935) spiritual leader of Tibet

"The Nobel Evening Address" p. 115.
The Dalai Lama: A Policy of Kindness (1990)
Context: As a result of more contact with people from other traditions, as time passes I have firmed my conviction that all religions can work together despite fundamental differences in philosophy. Every religion aims at serving humanity. Therefore, it is possible for the various religions to work together to serve humanity and contribute to world peace. So, during these last few years, at every opportunity I try to develop closer relations with other religions.

Paul Karl Feyerabend photo

“The Conceptual apparatus of the theory and the emotions connected with its application, having penetrated all means of communication, all actions, and indeed the whole life of the community, now guarantees the success of methods such as transcendental deduction, analysis of usage, phenomenological analysis - which are means for further solidifying the myth… At the same time it is evident that all contact with the world is lost and the stability achieved, the semblance of absolute truth is nothing but absolute conformism.”

Pg 44&45
Against Method (1975)
Context: [continued conjecture on empiricism] At this point an "empirical" theory of the kind described becomes almost indistinguishable from a second-rate myth. In order to realize this, we need only consider a myth such as the myth of witchcraft and of demonic possession that was developed by the Roman Catholic theologians and that dominated 15th-, 16th- and 17th-century thought on the European continent. This myth is a complex explanatory system that contains numerous auxiliary hypotheses designed to cover special cases, so it easily achieves a high degree of confirmation on the basis of observation. It has been taught for a long time; its content is enforced by fear, prejudice, and ignorance, as well as by a jealous and cruel priesthood. Its ideas penetrate the most common idiom, infect all modes of thinking and many decisions which mean a great deal in human life. It provides models for the explanation of a conceivable event - Conceivable, that is, for those who have accepted it. This being the case, its key terms will be fixed in an unambiguous manner and the idea (which may have led to such a procedure in the first place) that they are copies of unchanging entities and that change of meaning, if it should happen, is due to human mistake - This idea will now be very plausible. Such plausibility reinforces all the manoeuvres which are used for the preservation of the myth (elimination of opponents included). The Conceptual apparatus of the theory and the emotions connected with its application, having penetrated all means of communication, all actions, and indeed the whole life of the community, now guarantees the success of methods such as transcendental deduction, analysis of usage, phenomenological analysis - which are means for further solidifying the myth... At the same time it is evident that all contact with the world is lost and the stability achieved, the semblance of absolute truth is nothing but absolute conformism. For how can we possibly test, or improve upon the truth of a theory if it is built in such a manner then any conceivable event can be described, and explained, in terms of its principles? The only way of investigating such all-embracing principles would be to compare them with a different set of equally all embracing principles- but this procedure has been excluded from the very beginning.

Aristotle photo
Margaret Atwood photo

“After a year or two of keeping my head down and trying to pass myself off as a normal person, I made contact with the five other people at my university who were interested in writing”

Margaret Atwood (1939) Canadian writer

On Writing Poetry (1995)
Context: After a year or two of keeping my head down and trying to pass myself off as a normal person, I made contact with the five other people at my university who were interested in writing; and through them, and some of my teachers, I discovered that there was a whole subterranean Wonderland of Canadian writing that was going on just out of general earshot and sight

Aurelius Augustinus photo

“We both are, and know that we are, and delight in our being, and our knowledge of it. Moreover, in these three things no true-seeming illusion disturbs us; for we do not come into contact with these by some bodily sense, as we perceive the things outside of us of all which sensible objects it is the images resembling them, but not themselves which we perceive in the mind and hold in the memory, and which excite us to desire the objects. But, without any delusive representation of images or phantasms, I am most certain that I am, and that I know and delight in this.”

XI, 26, Parts of this passage has been heavily compared with later statements of René Descartes; in Latin and with a variant translations:
The City of God (early 400s)
Context: We both are, and know that we are, and delight in our being, and our knowledge of it. Moreover, in these three things no true-seeming illusion disturbs us; for we do not come into contact with these by some bodily sense, as we perceive the things outside of us of all which sensible objects it is the images resembling them, but not themselves which we perceive in the mind and hold in the memory, and which excite us to desire the objects. But, without any delusive representation of images or phantasms, I am most certain that I am, and that I know and delight in this. In respect of these truths, I am not at all afraid of the arguments of the Academicians, who say, What if you are deceived? For if I am deceived, I am. For he who is not, cannot be deceived; and if I am deceived, by this same token I am. And since I am if I am deceived, how am I deceived in believing that I am? for it is certain that I am if I am deceived. Since, therefore, I, the person deceived, should be, even if I were deceived, certainly I am not deceived in this knowledge that I am. And, consequently, neither am I deceived in knowing that I know. For, as I know that I am, so I know this also, that I know. And when I love these two things, I add to them a certain third thing, namely, my love, which is of equal moment. For neither am I deceived in this, that I love, since in those things which I love I am not deceived; though even if these were false, it would still be true that I loved false things. For how could I justly be blamed and prohibited from loving false things, if it were false that I loved them? But, since they are true and real, who doubts that when they are loved, the love of them is itself true and real? Further, as there is no one who does not wish to be happy, so there is no one who does not wish [themself] to be [into being]. For how can he be happy, if he is nothing?

Jawaharlal Nehru photo
Nikola Tesla photo
Karl Marx photo
Henry Miller photo
Arthur Horeanu photo

“There are two answer versions. Short version: my name is Arthur, the other members of the band were in a band called Neverland. And the long one: I sang with many bands, some with a longer duration than others and I was aware of everything Arad had to offer in terms of teenage musicians. I saw that Neverland was no longer active, so I contacted them, joined forces and became what you see on the screens in front of you.”

Arthur Horeanu (2004) Romanian singer-songwriter

As an answer to: "What inspired you when you chose the band's [Arthur in Neverland] name?" genunderground.ro (January 20, 2021) https://genunderground.ro/rumpelstiltskin-printre-printisori-un-interviu-cu-arthur-in-neverland/?fbclid=IwAR1xdfMzYGpjSOJ2rcor_UYENEgr8ve1AInYG11734t45oPrScajUrauyNw,

Barack Obama photo

“Nobody represents America’s values better than the American people, and I believe this contact will ultimately do more to empower the Cuban people.”

Barack Obama (1961) 44th President of the United States of America

2014, Statement on Cuban policy (December 2014)

Timothée Chalamet photo

“I almost think the chemistry, as opposed to the physical mechanics of the actual kissing or a sex scene, is more palpable in the lack of contact.”

Timothée Chalamet (1995) French-American Actor (1995)

Source: "Timothée Chalamet and Armie Hammer on friendship, the Oscars and that peach scene" in GQ Magazine https://www.gq-magazine.co.uk/article/armie-hammer-timothee-chalamet-interview (17 September 2017)

Teal Swan photo
Henry David Thoreau photo
Marie-Louise von Franz photo

“There are people who cannot risk loneliness with the experience. They always have to be in a flock and have human contact.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Source: Alchemy: An Introduction to the Symbolism and the Psychology

Jeff Lindsay photo
Sherrilyn Kenyon photo
Gabrielle Zevin photo

“Eye contact made people think you were being truthful even if you weren't.”

Gabrielle Zevin (1977) American writer

Source: All These Things I've Done

Rachel Caine photo
Patti Smith photo
William H. Gass photo
Elie Wiesel photo
Aldous Huxley photo
Cassandra Clare photo
Joanne Harris photo
D.H. Lawrence photo
David Sedaris photo
Gretchen Rubin photo

“Laughter is more than just a pleasurable activity… When people laugh together, they tend to talk and touch more and to make eye contact more frequently.”

Gretchen Rubin (1966) American writer

Source: The Happiness Project: Or Why I Spent a Year Trying to Sing in the Morning, Clean My Closets, Fight Right, Read Aristotle, and Generally Have More Fun

David Sedaris photo
Eoin Colfer photo
Junot Díaz photo
F. Scott Fitzgerald photo