Quotes about coat

A collection of quotes on the topic of coat, likeness, use, man.

Quotes about coat

Osamu Dazai photo
Leonardo DiCaprio photo
George Orwell photo
Oscar Wilde photo
Oscar Wilde photo
Terry Pratchett photo
Robert Browning photo

“Just for a handful of silver he left us,
Just for a riband to stick in his coat.”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

The lost Leader, i.
Bartlett's Familiar Quotations, 10th ed. (1919)

Claude Monet photo
Pablo Picasso photo
Eugène Boudin photo

“I think I will go back to mahogany [wood, as layer for his paintings], the only stable wood, together with old oak. But mahogany is so heavy. And it has another drawback, it blackens even through the primers if they are not thick enough and applied in several coats.”

Eugène Boudin (1824–1898) French painter

Quote from Boudin's letter in 1894; as cited in 'Figures on the Beach in Trouville, 1869', by Anne-Marie Bergeret-Gourbin https://www.museothyssen.org/en/collection/artists/boudin-eugene/figures-beach-trouville, Museo Thyssen
Eighty percent of Boudin's beach scenes are painted on wood panels; in small formats, c. 30 x 45 cm
1880s - 1890s

Martin Luther photo
George Grossmith photo

“You should see me dance the Polka,
You should see me cover the ground,
You should see my coat-tails flying,
As I jump my partner round;
When the band commences playing,
My feet begin to go,
For a rollicking romping Polka
Is the jolliest fun I know.”

George Grossmith (1847–1912) English comedian, writer, composer, actor, and singer

Song You should see me dance the Polka This song was performed and played a roll in the 1941 movie, "Dr. Jekyll and Mr. Hyde" in a scene that took place in an English music hall. The movie starred Spencer Tracy, Ingrid Bergman, and Lana Turner; directed by Victor Fleming.

Garry Kasparov photo
Apsley Cherry-Garrard photo
H.P. Lovecraft photo

“For example, I never cheat or steal. Also, I never wear a top-hat with a sack coat or munch bananas in public on the streets, because a gentleman does not do those things either.”

H.P. Lovecraft (1890–1937) American author

Letter to Woodburn Harris (25 February-1 March 1929), in Selected Letters II, 1925-1929 edited by August Derleth and Donald Wandrei, pp. 288-289
Non-Fiction, Letters
Context: About my own attitude toward ethics—I thought I made it plain that I object only to (a) grotesquely disproportionate indignations and enthusiasms, (b) illogical extremes involving a reductio ad absurdum, and (c) the nonsensical notion that "right" and "wrong" involve any principles more mystical and universal than those of immediate expedience (with the individual's own comfort as a criterion) on the other hand. I believe I was careful to specify that I do not advocate vice and crime, but that on the other hand I have a marked distaste for immoral and unlawful acts which contravene the harmonious traditions and standards of beautiful living developed by a culture during its long history. This, however, is not ethics but aesthetics—a distinction which you are almost alone in considering negligible. … So far as I am concerned—I am an aesthete devoted to harmony, and to the extraction of the maximum possible pleasure from life. I find by experience that my chief pleasure is in symbolic identification with the landscape and tradition-stream to which I belong—hence I follow the ancient, simple New England ways of living, and observe the principles of honour expected of a descendant of English gentlemen. It is pride and beauty-sense, plus the automatic instincts of generations trained in certain conduct-patterns, which determine my conduct from day to day. But this is not ethics, because the same compulsions and preferences apply, with me, to things wholly outside the ethical zone. For example, I never cheat or steal. Also, I never wear a top-hat with a sack coat or munch bananas in public on the streets, because a gentleman does not do those things either. I would as soon do the one as the other sort of thing—it is all a matter of harmony and good taste—whereas the ethical or "righteous" man would be horrified by dishonesty yet tolerant of course personal ways. If I were farming in your district I certainly would assist my neighbours—both as a means of promoting my standing in the community, and because it is good taste to be generous and accommodating. Likewise with the matter of treating the pupils in a school class. But this would not be through any sense of inner compulsion based on principles dissociated from my personal welfare and from the principle of beauty. It would be for the same reason that I would not dress eccentrically or use vulgar language. Pure aesthetics, aside from the personal-benefit element; and concerned with emotions of pleasure versus disgust rather than of approval versus indignation.

Benjamin Harrison photo

“I pity the man who wants a coat so cheap that the man or woman who produces the cloth”

Benjamin Harrison (1833–1901) American politician, 23rd President of the United States (in office from 1889 to 1893)

Speech in Rutland, Vermont (28 August 1891) as reported in The New York Times (29 August 1891), p. 5 http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9D01E0DD1339E033A2575AC2A96E9C94609ED7CF
Context: I cannot always sympathize with that demand which we hear so frequently for cheap things. Things may be too cheap. They are too cheap when the man or woman who produces them upon the farm or the man or woman who produces them in the factory does not get out of them living wages with a margin for old age and for a dowry for the incidents that are to follow. I pity the man who wants a coat so cheap that the man or woman who produces the cloth or shapes it into a garment will starve in the process.

Abraham Lincoln photo

“With rebellion thus sugar coated they have been drugging the public mind of their section for more than thirty years, and until at length they have brought many good men to a willingness to take up arms against the Government the day after some assemblage of men have enacted the farcical pretense of taking their State out of the Union who could have been brought to no such thing the day before”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Fourth of July Address to Congress (1861)
Context: It might seem at first thought to be of little difference whether the present movement at the South be called "secession" or "rebellion." The movers, however, well understand the difference. At the beginning they knew they could never raise their treason to any respectable magnitude by any name which implies violation of law. They knew their people possessed as much of moral sense, as much of devotion to law and order, and as much pride in and reverence for the history and Government of their common country as any other civilized and patriotic people. They knew they could make no advancement directly in the teeth of these strong and noble sentiments. Accordingly, they commenced by an insidious debauching of the public mind. They invented an ingenious sophism, which, if conceded, was followed by perfectly logical steps through all the incidents to the complete destruction of the Union. The sophism itself is that any State of the Union may consistently with the National Constitution, and therefore lawfully and peacefully, withdraw from the Union without the consent of the Union or of any other State. The little disguise that the supposed right is to be exercised only for just cause, themselves to be the sole judge of its justice, is too thin to merit any notice. With rebellion thus sugar coated they have been drugging the public mind of their section for more than thirty years, and until at length they have brought many good men to a willingness to take up arms against the Government the day after some assemblage of men have enacted the farcical pretense of taking their State out of the Union who could have been brought to no such thing the day before.

W.B. Yeats photo

“I made my song a coat
Covered with embroideries
Out of old mythologies
From heel to throat”

W.B. Yeats (1865–1939) Irish poet and playwright

A Coat http://poetry.poetryx.com/poems/1393/
Responsibilities (1914)
Context: I made my song a coat
Covered with embroideries
Out of old mythologies
From heel to throat;
But the fools caught it,
Wore it in the world’s eyes
As though they’d wrought it.
Song, let them take it,
For there’s more enterprise
In walking naked.

Raymond Chandler photo
Cassandra Clare photo
Victor Hugo photo

“What Is Love? I have met in the streets a very poor young man who was in love. His hat was old, his coat worn, the water passed through his shoes and the stars through his soul.”

Variant: I met in the street a very poor young man who was in love. His hat was old, his coat was threadbare - there were holes at his elbows; the water passed through his shoes and the stars through his soul.
Source: Les Misérables

“I give you bitter pills, in a sugar coating. The pills are harmless - the poison's in the sugar”

James St. James (1966) American writer

Source: Party Monster: A Fabulous But True Tale of Murder in Clubland

Haruki Murakami photo

“Even castles in the sky can do with a fresh coat of paint.”

Source: South of the Border, West of the Sun

Sophie Kinsella photo
Jenny Offill photo
Clarence Darrow photo

“Chase after the truth like all hell and you’ll free yourself, even though you never touch its coat tails.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

The Sign (May 1938) This has been misquoted as: The pursuit of truth will set you free; even if you never catch up with it.

Sherrilyn Kenyon photo
Cassandra Clare photo
Joanne Harris photo
Henry Rollins photo
Gabrielle Zevin photo
Georgette Heyer photo
Frederick Buechner photo
Jean Cocteau photo
Cinda Williams Chima photo
Rick Riordan photo
Jhumpa Lahiri photo
Jennifer Donnelly photo
Karen Marie Moning photo
Elizabeth Gilbert photo
Ray Bradbury photo
Rick Riordan photo
T.S. Eliot photo

“I have seen the moment of my greatness flicker, and I have seen the eternal Footman hold my coat, and snicker, and in short, I was afraid.”

T.S. Eliot (1888–1965) 20th century English author

The Love Song of J. Alfred Prufrock (1915)
Source: The Love Song of J. Alfred Prufrock and Other Poems
Context: I am no prophet — and here's no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.

Cassandra Clare photo
Doris Day photo
George Carlin photo
Sherrilyn Kenyon photo

“Aren't you an enigma wrapped in a thick coating of contradictions.”

Sherrilyn Kenyon (1965) Novelist

Source: Invincible

F. Scott Fitzgerald photo
Naomi Shihab Nye photo
Sherrilyn Kenyon photo

“You’ve got on a white coat. (Ephani)
Awesome cognitive powers you have there. (Alexion)”

Sherrilyn Kenyon (1965) Novelist

Source: Sins of the Night

Rick Riordan photo
Jim Butcher photo

“He's Gandalf on crack and an IV of Red Bull, with a big leather coat and a.44 revolver in his pocket.”

The Dresden Files short stories, Backup
Context: Thomas Raith: Harry's a wizard. A genuine, honest-to-good-ness wizard. He's Gandalf on crack and an IV of Red Bull, with a big leather coat and a.44 revolver in his pocket. He'll spit in the eye of gods and demons alike if he thinks it needs to be done, and to hell with the consequences-and yet somehow my little brother manages to remain a decent human being.

Rick Riordan photo
Rick Riordan photo
Richelle Mead photo
Russell Brand photo
Edmund White photo
Henry Hazlitt photo

“Suppose a clothing manufacturer learns of a machine that will make men’s and women's overcoats for half as much labor as previously. He installs the machines and drops half his labor force.This looks at first glance like a clear loss of employment. But the machine itself required labor to make it; so here, as one offset, are jobs that would not otherwise have existed. The manufacturer, how ever, would have adopted the machine only if it had either made better suits for half as much labor, or had made the same kind of suits at a smaller cost. If we assume the latter, we cannot assume that the amount of labor to make the machines was as great in terms of pay rolls as the amount of labor that the clothing manufacturer hopes to save in the long run by adopting the machine; otherwise there would have been no economy, and he would not have adopted it.So there is still a net loss of employment to be accounted for. But we should at least keep in mind the real possibility that even the first effect of the introduction of labor-saving machinery may be to increase employment on net balance; because it is usually only in the long run that the clothing manufacturer expects to save money by adopting the machine: it may take several years for the machine to "pay for itself."After the machine has produced economies sufficient to offset its cost, the clothing manufacturer has more profits than before. (We shall assume that he merely sells his coats for the same price as his competitors, and makes no effort to undersell them.) At this point, it may seem, labor has suffered a net loss of employment, while it is only the manufacturer, the capitalist, who has gained. But it is precisely out of these extra profits that the subsequent social gains must come. The manufacturer must use these extra profits in at least one of three ways, and possibly he will use part of them in all three: (1) he will use the extra profits to expand his operations by buying more machines to make more coats; or (2) he will invest the extra profits in some other industry; or (3) he will spend the extra profits on increasing his own consumption. Whichever of these three courses he takes, he will increase employment.”

Economics in One Lesson (1946), The Curse of Machinery (ch. 7)

Arthur Schopenhauer photo

“I expected too much of educators. I expected them to understand, in a sense, the sugar-coated concepts of LISP used in AI that were embodied in the Logo language. It was then that I learned that computers were built to make money, not minds.”

Gary Kildall (1942–1994) Computer scientist and entrepreneur

Unpublished memoir Computer Connections, on the prevalence of BASIC in programming education; quoted in a eulogy http://www2.gol.com/users/joewein/eulogy.htm delivered by Tom Rolander

C. V. Raman photo

“But besides relatedness and influence I should like to see that my colors remain, as much as possible, a 'face' –their own 'face', as it was achieved – uniquely — and I believe consciously - in Pompeian wall-paintings - by admitting coexistence of such polarities as being dependent and independent — being dividual and individual.
Often, with paintings, more attention is drawn to the outer, physical, structure of the color means than to the inner, functional, structure of the color action... Here now follow a few details of the technical manipulation of the colorants which in my painting usually are oil paints and only rarely casein paints.
On a ground of the whitest white available – half or less absorbent – and built up in layers – on the rough side of panels of untempered Masonite – paint is applied with a palette knife directly from the tube to the panel and as thin and even as possible in one primary coat. Consequently there is no under or over painting or modeling or glazing and no added texture – so-called... As a result this kind of painting presents an inlay (intarsia) of primary thin paints films – not layered, laminated, nor mixed wet, half or more dry, paint skins.
Such homogeneous thin and primary films will dry, that is, oxidize, of course, evenly – and so without physical and/or chemical complication – to a healthy, durable paint surface of increasing luminosity.”

Josef Albers (1888–1976) German-American artist and educator

4 quotes from: 'The Color in my Painting'
Homage to the square' (1964)

Leo Tolstoy photo
Anna Sui photo
Donald E. Westlake photo

“Eyes wide and blank as the buttons on a first Communion coat.”

Donald E. Westlake (1933–2008) American novelist

Ask the Parrot (2006), using the pseudonym Richard Stark

Harry Turtledove photo

“The crowd of ragged Confederates on the White House lawn had doubled and more since he went in to confer with Lincoln. The trees were full of men who had climbed up so they could see over their comrades. Off in the distance, cannon occasionally still thundered; rifles popped like firecrackers. Lee quietly said to Lincoln, "Will you send out your sentries under flag of truce to bring word of the armistice to those Federal positions still firing upon my men?" "I'll see to it," Lincoln promised. He pointed to the soldiers in gray, who had quieted expectantly when Lee came out. "Looks like you've given me sentries enough, even if their coats are the wrong color." Few men could have joked so with their cause in ruins around them. Respecting the Federal President for his composure, Lee raised his voice: "Soldiers of the Army of Northern Virginia, after three years of arduous service, we have achieved that for which we took up arms-" He got no further. With one voice, the men before him screamed out their joy and relief. The unending waves of noise beat at him like a surf from a stormy sea. Battered forage caps and slouch hats flew through the air. Soldiers jumped up and down, pounded on one another's shoulders, danced in clumsy rings, kissed each other's bearded, filthy faces. Lee felt his own eyes grow moist. At last the magnitude of what he had won began to sink in.”

Source: The Guns of the South (1992), p. 180

Richard Rodríguez photo
Camille Paglia photo
Carl Sagan photo
Jonathan Swift photo
Rachel Carson photo
Sinclair Lewis photo
Emily Dickinson photo
Pierre Trudeau photo
Daniel Handler photo
Miley Cyrus photo

“I've already fallen in love with 20 guys since I've been here. The accents sound so intelligent. I love the way the guys are so classy and wear trench coats.”

Miley Cyrus (1992) American actor and singer-songwriter

Vancouver Sun http://www.canada.com/vancouversun/news/arts/story.html?id=15a746f1-2e8b-40d4-8185-0bd221d2a442 (October 15, 2008)

Paul Theroux photo
Bill Engvall photo
Bernard Cornwell photo
Roberto Mangabeira Unger photo
Czeslaw Milosz photo

“And the city stood in its brightness when years later I returned,
My face covered with a coat though now no one was left
Of those who could have remembered my debts never paid,
My shames not eternal, base deeds to be forgiven.
And the city stood in its brightness when years later I returned.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"And the City Stood in Its Brightness" (1963), trans. Czesław Miłosz and Peter Dale Scott
Bobo's Metamorphosis (1965)

Frank Chipasula photo

“I will not coat my words in lumps of sugar
I will serve them to our people with the bitter quinine.”

Frank Chipasula (1949) Malawian writer

"Manifeston On Ars Poetica," lines 20-21.
Visions and Reflections (1972)

Bernard Cornwell photo
Jacob Mendes Da Costa photo

“Human nature: vindictiveness lightly coated with dishonesty.”

Celia Green (1935) British philosopher

The Decline and Fall of Science (1976)