Quotes about charm (698 quotes, page 5)

“Stay is a charming word in a friend's vocabulary.”

Louisa May Alcott (1832–1888) American novelist

Amos Bronson Alcott, her father, in Concord Days (1872), p. 124 : "Stay is a charming word in a friend's vocabulary. But if one does not stay while staying, better let him go where he is gone the while."
Misattributed

Friendship

“No charm is proof against a dagger in the back.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 40, “The Green Tent” (p. 677).

“(Speaking about Chris Ryan, ex-SAS) Charming! Sat there in his white jeans and wanted me to fail. I don't know what he had against me. I'm sure it was nothing to do with my over use of the word ‘podia’, which I hoped would irritate him a little bit more than it did. Some people…”

Derren Brown (1971) British illusionist

Other TV and web appearances, E4 Mind Control Night

People , Hope

“Freedom has a thousand charms to show,
That slaves, howe'er contented, never know.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Table Talk (1782), Line 260.

Freedom

“Tis night, and the landscape is lovely no more;
I mourn, but you woodlands I mourn not for you!
For spring is returning your charms to restore,
Perfumed with fresh fragrance and glittering with dew.
Nor yet for the ravage of winter I mourn,
Kind nature the embryo blossom shall save;
But when shall spring visit the mouldering urn?”

James Beattie (1735–1803) Scottish poet, moralist and philosopher

The Hermit

Love , Spring , Nature , Winter

“Fireside happiness, to hours of ease
Blest with that charm, the certainty to please.”

Samuel Rogers (1763–1855) British poet

Human Life (1819)

Happiness

“We start with enthusiasm — out we go each of us to our task in all the brightness of sunrise, and hope beats along our pulses; we believe the world has no blanks except to cowards, and we find, at last, that, as far as we ourselves are concerned, it has no prizes; we sicken over the endless unprofitableness of labour most when we have most succeeded, and when the time comes for us to lay down our tools we cast them from us with the bitter aching sense, that it were better for us if it had been all a dream. We seem to know either too much or too little of ourselves — too much, for we feel that we are better than we can accomplish; too little, for, if we have done any good at all, it has heen as we were servants of a system too vast for us to comprehend. We get along through life happily between clouds and sunshine, forgetting ourselves in our employments or our amusements, and so long as we can lose our consciousness in activity we can struggle on to the end. But when the end comes, when the life is lived and done, and stands there face to face with us; or if the heart is weak, and the spell breaks too soon, as if the strange master-worker has no longer any work to offer us, and turns us off to idleness and to ourselves; in the silence then our hearts lift up their voices, and cry out they can find no rest here, no home. Neither pleasure, nor rank, nor money, nor success in life, as it is called, have satisfied, or can satisfy; and either earth has nothing at all which answers to our cravings, or else it is something different from all these, which we have missed finding — this peace which passes understanding — and from which in the heyday of hope we had turned away, as lacking the meretricious charm which then seemed most alluring.
I am not sermonizing of Religion, or of God, or of Heaven, at least not directly.”

James Anthony Froude book The Nemesis of Faith

Confessions Of A Sceptic
The Nemesis of Faith (1849)

Life , Money , God , Pleasure

“I think your piety one of your greatest charms; but then, like all other good things, it may be carried too far. To my thinking, a woman's religion ought not to lessen her devotion to her earthly lord. She should have enough to purify and etherealise her soul, but not enough to refine away her heart, and raise her above all human sympathies.”

Anne Brontë book The Tenant of Wildfell Hall

Source: The Tenant of Wildfell Hall (1848), Ch. XXIII : First weeks of Matrimony; Arthur to Helen

Religion , Soul , Thinking , Heart

“Country acquaintances are charming only in the country and only in the summer. In the city in winter they lose half of their appeal.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

The Story of Mme. NN or Lady N—'s Story or A Lady's Story (1887)

Winter , Summer , Country

“Ever charming, ever new,
When will the landscape tire the view?”

John Dyer Grongar Hill

Grongar Hill (1727), line 102.

“What a charming girl! And what a skin! She positively radiated light around her.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: undated quotes, Renoir – his life and work, 1975, p. 150 : Recalling the model Jeanne Samary.

Girl , Light

“In art progress does not consist in extension, but in the knowledge of limits.
Limitation of means determines style, engenders new form, and give impulses to creation.
Limited means often constitute the charm and force of primitive painting. Extension, on the contrary, leads the arts to decadence.
New means, new subjects.
The subject is not the object; it is a new unity, a lyricism which grows completely from the means.”

Georges Braque (1882–1963) French painter and sculptor

Source: 1908 - 1920, quotes from Artists on Art...(1972), p. 423 - short quotes by Georges Braque on 'Means' - Paris, 1917

Art , Knowledge , Painting

“Inventor of a new mythology and weaver of surprising folklore, Lord Dunsany stands dedicated to a strange world of fantastic beauty... unexcelled in the sorcery of crystalline singing prose, and supreme in the creation of a gorgeous and languorous world of incandescently exotic vision. No amount of mere description can convey more than a fraction of Lord Dunsany's pervasive charm.”

Lord Dunsany (1878–1957) Irish writer and dramatist

H. P. Lovecraft, quoted in the Del Rey edition of The Charwoman's Shadow
About

World , Beauty , Singing

“In this frame of mind it occurred to me to put the question directly to myself: "Suppose that all your objects in life were realized; that all the changes in institutions and opinions which you are looking forward to, could be completely effected at this very instant: would this be a great joy and happiness to you?" And an irrepressible self-consciousness distinctly answered, "No!" At this my heart sank within me: the whole foundation on which my life was constructed fell down. All my happiness was to have been found in the continual pursuit of this end. The end had ceased to charm, and how could there ever again be any interest in the means? I seemed to have nothing left to live for.”

John Stuart Mill book Autobiography

Autobiography (1873)

Life , Question , Change , Heart

“She's got style and she's got her own money
So she's not another honey you can quickly disarm
She's got the eyes that make you realize
She won't be hypnotized by your usual charm.
You've got your plan of attack
That won't attract the modern woman
When you're an old fashioned man
She understands the things you're doin'
She's a modern woman.”

Billy Joel (1949) American singer-songwriter and pianist

Modern Woman.
Song lyrics, The Bridge (1986)

Money , Fashion , Understanding

“I wish I had space to write more of the surpassing beauty of this favorite spruce. … The deer love to lie down beneath its spreading branches; bright streams from the snow that is always near ripple through its groves, and bryanthus spreads precious carpets in its shade. But the best words only hint its charms. Come to the mountains and see.”

John Muir (1838–1914) Scottish-born American naturalist and author

[Concerning the Hemlock Spruce, now called Mountain Hemlock http://plants.usda.gov/java/profile?symbol=TSME:]
Source: 1890s, The Mountains of California (1894), chapter 8: The Forests

Love , Lie , Beauty , Mountain

“While our country remains untainted with the principles and manners which are now producing desolation in so many parts of the world; while she continues sincere, and incapable of insidious and impious policy, we shall have the strongest reason to rejoice in the local destination assigned us by Providence. But should the people of America once become capable of that deep simulation towards one another, and towards foreign nations, which assumes the language of justice and moderation, while it is practising iniquity and extravagance, and displays in the most captivating manner the charming pictures of candour, frankness, and sincerity, while it is rioting in rapine and insolence, this country will be the most miserable habitation in the world. Because we have no government, armed with power, capable of contending with human passions, unbridled by morality and religion. Avarice, ambition, revenge and licentiousness would break the strongest cords of our Constitution, as a whale goes through a net. Our Constitution was made only for a moral and religious people. It is wholly inadequate to the government of any other. Oaths in this country are as yet universally considered as sacred obligations. That which you have taken, and so solemnly repeated on that venerable ground, is an ample pledge of your sincerity and devotion to your country and its government.”

John Adams (1735–1826) 2nd President of the United States

Letter to the Officers of the First Brigade of the Third Division of the Militia of Massachusetts, 11 October 1798, in Revolutionary Services and Civil Life of General William Hull http://books.google.com/books?id=E2kFAAAAQAAJ&dq=editions%3AVsZcW99fWPgC&pg=PA265#v=onepage&q&f=false (New York, 1848), pp 265-6. There are some differences in the version that appeared in The Works of John Adams (Boston, 1854), vol. 9, pp. 228-9 http://books.google.com/books?id=PZYKAQAAIAAJ&pg=PA228#v=onepage&q&f=false, most notably the words "or gallantry" instead of "and licentiousness".
1790s

People , World , Religion , Justice

“Florentine had grown more or less immune to the charms of spring.”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P. 246

Spring

“As for myself, I confess to a preference for clear-cut situations, for radical and even extreme positions. But I also feel a secret and very strong attraction to ambiguous situations… for example, that hovering moment when it is no longer day and not yet night, the shades of emotion between indifference and friendship… (they) are so fascinating because they are so indefinable. That which is pure transition, is all the more appealing to the mind because of its elusiveness. It is the same in the cases of Mondrian, Kandinsky and the Cubists: abstraction and figuration have a common frontier in their work that is so tenuous that we often do not know which side we are on. It is this ambiguity that imports a rare poetic charm to their paintings. Artists like Klee, Miro and Dubuffet have also pitched their tents on this borderline and constantly travel from one side tot the other.”

Michel Seuphor (1901–1999) designer, draughtsman, painter

Source: Abstract Painting (1964), pp. 43/44: (1962)

Friendship , Secret , Travel , Feeling

“There is much to indicate that modern publication wishes to minimize discussion. … For one thing, there is the technique of display, with its implied evaluations. This does more of the average man’s thinking for him than he suspects. For another, there is the stereotyping of whole phrases. These are carefully chosen not to stimulate reflection, but to evoke stock responses of approbation or disapprobation. Headlines and advertising teem with them, and we seem to approach a point at which failure to make the stock response is regarded as faintly treasonable. … Journalism becomes a monstrous discourse of Protagoras, which charms by hypnotizing and thwarts that participation without which one is not a thinking man.”

Richard M. Weaver (1910–1963) American scholar

Source: Ideas have Consequences (1948), pp. 96-97.

Failure , Thinking

“I am gratified by her having pleasure in what I write, but I wish the knowledge of my being exposed to her discerning criticism may not hurt my style, by inducing too great a solicitude. I begin already to weigh my words and sentences more than I did, and am looking about for a sentiment, an illustration, or a metaphor in every corner of the room. Could my ideas flow as fast as the rain in the store-closet it would be charming.”

Jane Austen (1775–1817) English novelist

Letter (1809-01-24) [Letters of Jane Austen -- Brabourne Edition]
Letters

Pleasure , Idea , Knowledge , Hurt

“It's innocence when it charms us, ignorance when it doesn't.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

“But women often find their husbands don't love them for the things they value in themselves, and part of the charm of an affair is you can give what you want, and need only give if you choose.”

Merle Shain (1935–1989) Canadian writer

Some Men are More Perfect Than Others (1973)

Love , Women , Parting

“He can be a charming man, but he can be quite nasty too. Because this is what he does.”

Louis van Gaal (1951) Dutch footballer and manager

About Marco van Basten after the fall-out with Mark van Bommel

“He stood with his back angled to the wall. To an indifferent observer he was simply in idle conversation, but it wasn't like that at all. This was an instinctive gesture of survival, being in constant readiness for an attack. His head didn't turn and his eyes didn't seem to move, but I knew he saw us. I could feel the hackles on the back of my neck stiffening and I knew he felt the same way.
Dog was meeting dog. Nobody knew it but the dogs and they weren't telling.
He was bigger than I thought. The suggestion of power I had seen in his photographs was for real. When he moved it was with the ponderous grace of some jungle animal, dangerously deceptive, because he could move a lot faster if he had to.
When we were ten feet away he pretended to see us for the first time and a wave of charm washed the cautious expression from his face and he stepped out to greet Dulcie with outstretched hand.
But it wasn't her he was seeing. It was me he was watching. I was one of his own kind. I couldn't be faked out and wasn't leashed by the proprieties of society. I could lash out and kill as fast as he could and of all the people in the room, I was the potential threat. I knew what he felt because I felt the same way myself.”

Mickey Spillane book The Body Lovers

The Body Lovers (1967)

People , Dogs , Way , Feeling

“Your hand on his arm, the hay stack charm around your neck, strung out and thin, calling some friend trying to cash some check, he's acting dumb, that's what you've come to expect. * I can't beat myselfI can't beat myselfAnd I don't want to talk.I'm taking the cure so I can be quietWhenever I want.So leave me aloneYou ought to be proud that I'm getting good marks.”

Elliott Smith (1969–2003) American singer-songwriter

Needle in the Hay.
Lyrics, Elliott Smith (1995)

“Yosemite Park is a place of rest, a refuge from the roar and dust and weary, nervous, wasting work of the lowlands, in which one gains the advantages of both solitude and society. Nowhere will you find more company of a soothing peace-be-still kind. Your animal fellow beings, so seldom regarded in civilization, and every rock-brow and mountain, stream, and lake, and every plant soon come to be regarded as brothers; even one learns to like the storms and clouds and tireless winds. This one noble park is big enough and rich enough for a whole life of study and aesthetic enjoyment. It is good for everybody, no matter how benumbed with care, encrusted with a mail of business habits like a tree with bark. None can escape its charms. Its natural beauty cleans and warms like a fire, and you will be willing to stay forever in one place like a tree.”

John Muir (1838–1914) Scottish-born American naturalist and author

1895, page 350
John of the Mountains, 1938

Life , Peace , Beauty , Mountain

“Charm is the true gift of the Fairies.”

Charles Perrault (1628–1703) French author

Tales of Mother Goose, 1727, "Cinderella, or the Little Glass Slipper"

““Here's to charming losers, I suppose.“
“If only we knew where to find some.“”

Scott Lynch book Red Seas Under Red Skies

Source: Red Seas Under Red Skies (2007), Chapter 1 “Little Games” section 3 (p. 14)

“I find it insufferable too the way people spread word about the latest novelties and make a fuss over them. I am charmed by the man who remains unaware of such fashions until they have become quite an old story to everyone else.”

Yoshida Kenkō (1283–1350) japanese writer

78
Essays in Idleness (1967 Columbia University Press, Trns: Donald Keene)

People , Way , Fashion

“Then came the journey up to London through Birmingham and the Black District, another lesson, which needed much more to be rightly felt. The plunge into darkness lurid with flames; the sense of unknown horror in this weird gloom which then existed nowhere else, and never had existed before, except in volcanic craters; the violent contrast between this dense, smoky, impenetrable darkness, and the soft green charm that one glided into, as one emerged — the revelation of an unknown society of the pit — made a boy uncomfortable, though he had no idea that Karl Marx was standing there waiting for him, and that sooner or later the process of education would have to deal with Karl Marx much more than with Professor Bowen of Harvard College or his Satanic free-trade majesty John Stuart Mill.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Black District was a practical education, but it was infinitely far in the distance. The boy ran away from it, as he ran away from everything he disliked.
The Education of Henry Adams (1907)

Education , Boy , Idea , Sense

“Now he conducted her through his armouries where he kept his weapons and weapons for his fighting men and all panoply of war. There he showed her swords and spears, maces and axes and daggers, orfreyed and damascened and inlaid with jewels; byrnies and baldricks and shields; blades so keen, a hair blown against them in a wind should be parted in twain; charmed helms on which no ordinary sword would bite. And Juss said unto the Queen, "Madam, what thinkest thou of these swords and spears? For know well that these be the ladder's rungs that we of Demonland climbed up by to that signiory and principality which now we hold over the four corners of the world." She answered, "O my lord, I think nobly of them. For an ill part it were while we joy in the harvest, to contemn the tools that prepared the land for it and reaped it."”

Eric Rücker Eddison book The Worm Ouroboros

Ch. 33 : Queen Sophonisba in Galing, p. 499 http://www.sacred-texts.com/ring/two/two39.htm
The Worm Ouroboros (1922)

Men , War , World , Thinking

“He had that nameless charm, with a strong magnetism which can only be called "It", and cats – as well as women – always knew when he came into the room.”

Elinor Glyn (1864–1943) British novelist and scriptwriter

It, and Other Stories (1927), ch. 1, p. 10.

Women , Cats , Strong

“It is an advantage to all narrow wisdom and narrow morals that their maxims have a plausible air; and, on a cursory view, appear equal to first principles. They are light and portable. They are as current as copper coin; and about as valuable. They serve equally the first capacities and the lowest; and they are, at least, as useful to the worst men as to the best. Of this stamp is the cant of not man, but measures; a sort of charm by which many people get loose from every honourable engagement.”

Edmund Burke book Thoughts on the Cause of the Present Discontents

Thoughts on the Cause of the Present Discontents (1770)

Wisdom , Men , People , Light

“Rhodora! if the sages ask thee why
This charm is wasted on the earth and sky,
Tell them, dear, that, if eyes were made for seeing,
Then beauty is its own excuse for Being.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

The Rhodora http://www.emersoncentral.com/poems/rhodora.htm
1840s, Poems (1847)

Beauty

“Every bliss achieved is a masterpiece: the slightest error turns it awry, and it alters with one touch of doubt; any heaviness detracts from its charm, the least stupidity renders it dull.”

Marguerite Yourcenar book Memoirs of Hadrian

Tout bonheur est un chef-d'oeuvre: la moindre erreur le fausse, la moindre hésitation l'altère, la moindre lourdeur le dépare, la moindre sottise l'abêtit.
Source: Memoirs of Hadrian (1951), p. 164

Stupidity , Error

“What are novels? What is the secret of the charm of every romance that ever was written? The first thing in a good novel is to place the persons together in circumstances which naturally call out the high feelings and thoughts of the character, which afford food for sympathy between them on these points — romantic events they are called. The second is that the heroine has generally no family ties (almost invariably no mother), or, if she has, these do not interfere with her entire independence.
These two things constitute the main charm of reading novels.”

Florence Nightingale (1820–1910) English social reformer and statistician, and the founder of modern nursing

Cassandra (1860)

Secret , Family , Food , Feeling

“Coldplay is for people with great taste, intelligence, incredible good lookingness, talent, ability, success, grabbing of life. Coldplay's for people who know what life's about. They're always entertaining. Delightful to talk to. Sweet, charming, incredibly good in bed. Virile. They have incredible success with girls, or boys, or both. They're generally just the world's best citizens. Maybe I'm biased, but I'm definitely right.”

Chris Martin (1977) musician, co-founder of Coldplay

In an interview with Andrew Denton on Enough Rope, 3 July 2006.

Life , People , World , Girl

“The heath and changes of weather were quite blotted out from their eyes for the present. They were enclosed in a sort of luminous mist, which hid from them surroundings of any inharmonious colour, and gave to all things the character of light. When it rained they were charmed, because they could remain indoors together all day with such a show of reason; when it was fine they were charmed, because they could sit together on the hills. They were like those double stars which revolve round and round each other, and from a distance appear to be one.”

Thomas Hardy book The Return of the Native

Bk. IV, ch. 1
The Return of the Native (1878)

Star , Light , Appearance , Change

“If you could be alarmed into the semblance of modesty, you would charm everybody; but remember my joke against you about the Moon and the Solar System;—"Damn the solar system! bad light — planets too distant — pestered with comets — feeble contriviance; — could make a better with great ease."”

Sydney Smith (1771–1845) English writer and clergyman

As quoted in "Romantic Parodies, 1797-1831" by David A. Kent, D. R. Ewen, in The Review of English Studies, New Series, Vol. 44, No. 175, (1993), pp. 430-432
Letter to Lord Jeffrey

Light , Distant

“In all her charms, set Virtue in their eye,
And let them see their loss, despair, and—die!”
Virtutem videant, intabescantque relicta.

William Gifford (1756–1826) English critic, editor and poet

Translation of Persius, Satire III, line 71 (38).

Loss , Despair

“To stroll on wharves, and in alleys and in streets and in the houses, waiting-rooms, even saloons, that is not a pleasant pastime unless for an artist. As such, one would rather be in the dirtiest place where there is something to draw, than at a tea party with charming ladies. Unless one wants to draw ladies, then a tea party is all right even for an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

quote in his letter to brother Theo, from The Hague, The Netherlands in Spring 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 34 (letter 190)
1880s, 1882

Waiting , Tea , Drawing , Housing

“History is bright and fiction dull with homely men who have charmed women.”

O. Henry book Roads of Destiny

"Next to Reading Matter"
Roads of Destiny (1909)

Women , Men , Home , History

“This (The launching of an invasion into Armenia) was itself hazardous; but the smallness of the number (of the army, not more than 15,000 men) might be in some degree compensated by the tried valour of the army consisting throughout of veterans. A much worse circumstance was the temper of the soldiers, to which Lucullus, in his high aristocratic fashion, had given far too little heed. Lucullus was an able general, and - according to the aristocratic standard - an upright and benevolent man, but very far from being a favorite with his soldiers. He was unpopular, as a decided adherent of the oligarghy; unpopular, because he had vigorously checked the monstrous usury of the Roman capitalists in Asia Minor; unpopular, on account of the toils and fatigues which he inflicted on his troops; unpopular, because he demanded strict discipline in his soldiers and prevented as far as possible the pillage of the Greek towns by his men, but withal caused many a waggon and many a camel to be alden with the treasures of the East for himself; unpopular too on account of his manner, which was polished, stately, Hellenising, not at all familiar, and inclining, wherever it was possible, to ease and pleasure. There was no trace in him of the charm which creates a personal bond between the general and the soldier.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 1, Chpt 2. "Rule of the Sullan Restoration" Translated by W.P. Dickson
Beginning of the Armenian War
The History of Rome - Volume 4: Part 1

Men , Pleasure , Fashion , Personality

“He read with a charming full voice, and when everyone was applauding, "how much", he asked, "would you have applauded if you had heard the original?"”
Quam cum suavissima et maxima voce legisset, admirantibus omnibus "quanto" inquit "magis miraremini, si audissetis ipsum!"

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

De Oratorio, book 3, chapter 56.
Cicero was telling the story of Æschines' return to Rhodes, at which he was requested to deliver Demosthenes' defence of Ctesiphon.

Reading

“The artists and donors and priests forgot nothing which, in their judgment could set off the authority, elegance and refinement of the Queen of Heaven; even the young ladies-in-waiting are there, figured by the twelve Virtues and the fourteen Beatitudes; and indeed, though men are plenty and some of them are handsome, women give the tone, the charm, and mostly the intelligence. The court of Mary is feminine, and its charms are Grace and Love; perhaps even more grace than love, in a social sense, if you look at Beauty and Friendship among Beatitudes.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Love , Women , Men , Friendship

“For some strange reason we don't go to charming, light movies anymore. People expect a movie to be heavy and turgid, like "American Beauty." We've become a heavy-handed society.”

Pauline Kael (1919–2001) American film critic

"The Perils of Being Pauline," interview with Francis Davis, The New Yorker (October 2001).
Interviews

People , Beauty , Light

“Some few intense enjoyments are given us in life; among them all, perhaps, there is none with so deep a charm as to sit by the side of those we love, and watch them sleeping. Sleep is so innocent, so peaceful in its mystery and its helplessness; and sitting there we can fancy ourselves the guardian angels holding off the thousand evils imagination paints for ever hanging over what is most precious, most dear to us. The long deep-drawn breathing; the smile we love to hope is called up over the features by our own presence in the heart; there are no moments in life we would exchange for the few we have spent by the side of these.”

James Anthony Froude book The Nemesis of Faith

Arthur's commentary
The Nemesis of Faith (1849)

Love , Life , Peace , Smile

“By any precise definition, Washington is a city of advanced depravity. There one meets and dines with the truly great killers of the age, but only the quirkily fastidious are offended, for the killers are urbane and learned gentlemen who discuss their work with wit and charm and know which tool to use on the escargots.
On New York's East Side one occasionally meets a person so palpably evil as to be fascinatingly irresistible. There is a smell of power and danger on these people, and one may be horrified, exhilarated, disgusted or mesmerized by the awful possibilities they suggest, but never simply depressed.
Depression comes in the presence of depravity that makes no pretense about itself, a kind of depravity that says, "You and I, we are base, ugly, tasteless, cruel and beastly; let's admit it and have a good wallow."
That is how Times Square speaks. And not only Times Square. Few cities in the country lack the same amenities. Pornography, prostitution, massage parlors, hard-core movies, narcotics dealers — all seem to be inescapable and permanent results of an enlightened view of liberty which has expanded the American's right to choose his own method of shaping a life.
Granted such freedom, it was probably inevitable that many of us would yield to the worst instincts, and many do, and not only in New York. Most cities, however, are able to keep the evidence out of the center of town. Under a rock, as it were. In New York, a concatenation of economics, shifting real estate values and subway lines has worked to turn the rock over and put the show on display in the middle of town.
What used to be called "The Crossroads of the World" is now a sprawling testament to the dreariness which liberty can produce when it permits people with no taste whatever to enjoy the same right to depravity as the elegant classes.”

Russell Baker (1925–2019) writer and satirst from the United States

"Cheesy" (p.231)
So This Is Depravity (1980)

Life , People , Age , World

“Four a. m., having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. There was Lindsay Doran of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly appeared to understand me better than I understand myself. Mr. James Shamis, a most copiously erudite person and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behaviour one has learned to expect from that race. Mr. Mark Kenton, an energetic person with a ready smile who, as I understand it, owes me a great deal of money. [Breaks character, smiles. ] TRUE!! [Back in character. ] Miss Lisa Henson of Columbia, a lovely girl and Mr. Garrett Wiggin, a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing, that it proved impossible to get within ten feet of him. The room was full of interesting activity until 11 p. m. when it emptied rather suddenly. The lateness of the hour is due, therefore, not to the dance, but to the waiting in a long line for a horseless carriage of unconscionable size. The modern world has clearly done nothing for transport.”

Emma Thompson (1959) British actress and writer

Golden Globe Award Speech

Love , Wisdom , Money , Children

“So strong is the belief in life, in what is most fragile in life — real life, I mean — that in the end this belief is lost. Man, that inveterate dreamer, daily more discontent with his destiny, has trouble assessing the objects he has been led to use, objects that his nonchalance has brought his way, or that he has earned through his own efforts, almost always through his own efforts, for he has agreed to work, at least he has not refused to try his luck (or what he calls his luck!). At this point he feels extremely modest: he knows what women he has had, what silly affairs he has been involved in; he is unimpressed by his wealth or his poverty, in this respect he is still a new-born babe and, as for the approval of his conscience, I confess that he does very nicely without it. If he still retains a certain lucidity, all he can do is turn back toward his childhood which, however his guides and mentors may have botched it, still strikes him as somehow charming. There, the absence of any known restrictions allows him the perspective of several lives lived at once; this illusion becomes firmly rooted within him; now he is only interested in the fleeting, the extreme facility of everything.”

André Breton (1896–1966) French writer

the first lines in 'Manifesto du Surréalisme', Andre Breton, 1924
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

Life , Women , Way , Feeling

“For I cannot think that God Almighty ever made them so delicate, so glorious creatures; and furnished them with such charms, so agreeable and so delightful to mankind; with souls capable of the same accomplishments with men: and all, to be only Stewards of our Houses, Cooks, and Slaves.”

Daniel Defoe (1660–1731) English trader, writer and journalist

The Education of Women (1719)

Men , God , Soul , Thinking

“That charm of genius, triumph of high art;
Poetry's divination, which reveals
All nature's secrets, such as influence
The heart of man.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Translations, From the French

Secret , Art , Nature , Heart

“By and large the literature of a democracy will never exhibit the order, regularity, skill, and art characteristic of aristocratic literature; formal qualities will be neglected or actually despised. The style will often be strange, incorrect, overburdened, and loose, and almost always strong and bold. Writers will be more anxious to work quickly than to perfect details. Short works will be commoner than long books, wit than erudition, imagination than depth. There will be a rude and untutored vigor of thought with great variety and singular fecundity. Authors will strive to astonish more than to please, and to stir passions rather than to charm taste.”

Alexis De Tocqueville book Democracy in America

Book One, Chapter XIII.
Democracy in America, Volume II (1840), Book One

Books , Art , Democracy , Imagination

“Ben Carson: for people who like Donald Trump's ideas, but hate his charm and charisma. Ben Carson is like the drug free cocaine for people who don't wanna get high but just like snorting white powder.”

Trevor Noah (1984) South African comedian

The Daily Show 8 October 2015
Source: Visible at 00:25 Ben Carson Blames the Victims http://www.cc.com/video-clips/2ybqd8/the-daily-show-with-trevor-noah-ben-carson-blames-the-victims, CC.com, 8 ottobre 2015.

Hate , People , Idea

“But no. Too soon I voun' my charm abroke.
Noo comely soul in white like her—
Noo soul a-steppen light like her—
An' nwone o' comely height like her—
Went by; but all my grief agean awoke.”

William Barnes (1801–1886) English writer, poet, clergyman, and philologist

The Wind at the Door, from Poets of the English Language, W. H. Auden and Norman Holmes Pearson (1950).

Soul , Light

“They say that the Devil is a charming man.
And just like you I bet he can dance.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Sensual World (1989)

Dance

“What wonderful things [Renoir is reacting on Corot's painting 'Interior of Chartres Cathedral' and Delacroix's 'Interior of M. de Mornay’s house', – he saw in 1919 from his wheelchair, in the reopened painting-rooms of the Louvre]. There isn’t a single big picture worth any more than these two little ones... The Director [of the Louvre] was so charming to me. I wish I could have thanked him properly. If you meet him, tell him how much I enjoyed my visit. If I'd presented myself at the Louvre in my wheelchair thirty years ago, they'd have shot me out fast enough! You see, one has to live a long time to see such changes. I've been one of the lucky ones.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

December 1919, Renoir died
late quote of Renoir, c. 1919, in Renoir – his life and work, Francois Fosca, Book Club Associates /Thames and Hudson Ltd, London 1975, p. 237
after 1900

Change , Time , Painting , Housing

“Women, to be very attractive to all sorts of different people, must have great readiness of sympathy. Many have it naturally, and many work hard in acquiring a good imitation of it. In the first case it is against the nature of such persons to be monopolized for more than a very short time; in the second all their trouble would be thrown away if they allowed themselves to be monopolized. Once in their lives, indeed, they will be, and ought to be, and that monopoly lasts, or should last for ever; but instead of destroying in them that which was their great charm, it only deepens and widens it, and the sympathy which was before fitful, and, perhaps, wayward, flows on in a calm and healthy stream, blessing and cheering all who come within reach of its exhilarating and life-giving waters.”

Thomas Hughes book Tom Brown at Oxford

Source: Tom Brown at Oxford (1861), Ch. 27

Life , Women , People , Nature

“Failure on the other hand is infectious. The world is full of charming failures (for all charming people have something to conceal, usually their total dependence on the appreciation of others) and unless the writer is quite ruthless with these amiable footlers, they will drag him down with them.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 2: The Charlock’s Shade, Ch. 16: Outlook Unsettled (p. 136-137)

People , World , Failure , Dependency

“A charm
For thee, my gentle-hearted Charles, to whom
No sound is dissonant which tells of life.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

This Lime-tree Bower my Prison
Bartlett's Familiar Quotations, 10th ed. (1919)

Life , Heart

“I say I can't thank you too much for the name 'Nocturne' as a title for my moonlights! You have no idea what an irritation it proves to the critics and consequent pleasure to me — besides it is really so charming and does so poetically say all that I want to say and no more than I wish.”

James McNeill Whistler (1834–1903) American-born, British-based artist

Anderson and Koval, p. 186; as quoted on the English Wikipedia
posthumous published

Pleasure , Idea

“[Industrialized man, drunk on alcohol and gasoline, becomes a confusion of sheep, bull and hyena. ] Charming. The least obstructed little asshole looks on himself in the mirror as Jupiter. [18]”

Louis-ferdinand Céline (1894–1961) French writer

Mea culpa; suivi de la vie et l'oeuvre de Semmelweis (1937)

Alcohol

“Are these things you all say magical charms to chase me away? If so, they do not seem to be working.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, To Green Angel Tower (1993), Part 1, Chapter 20, “Travelers and Messengers” (p. 636).

“Great is bookishness and the charm of books.”

Augustine Birrell (1850–1933) British politician

"Bookworms"
In the Name of the Bodleian, and Other Essays

Books

“It remained difficult for me to understand how some people are simply born mentally deformed, lacking all the natural moral restraints and imagination which dictate the actions of most of us, however partially. Such creatures have learned from childhood to ape the appropriate sentiments when it suits them, to charm or bully their opponents, to agree to anything, to tell any lie and to pursue their own ends with implacable determination.
“Such men and women are the true aliens amongst you and it is ironic how frequently we come to rule you. We use your very best instincts and deepest emotions against you. We convince you that we alone can satisfy your need for security and comfort and then we drain you dry of everything save perpetual terror. Ha, ha, ha!””

Michael Moorcock book The Steel Tsar

Book 2, Chapter 7 “A Mechanical Man” (p. 389)
The Steel Tsar (1981)

Women , Men , People , Lie

“They took captive a great number of handsome and elegant maidens, amounting to 20,000, and children of both sexes, 'more than the pen can enumerate'… In short, the Muhammadan army brought the country to utter ruin, and destroyed the lives of the inhabitants, and plundered the cities, and captured their offspring, so that many temples were deserted and the idols were broken and trodden under foot, the largest of which was one called Somnat, fixed upon stone, polished like a mirror of charming shape and admirable workmanship' Its head was adorned with a crown set with gold and rubies and pearls and other precious stones' and a necklace of large shining pearls, like the belt of Orion, depended from the shoulder towards the side of the body….
'The Muhammadan soldiers plundered all these jewels and rapidly set themselves to demolish the idol. The surviving infidels were deeply affected with grief, and they engaged 'to pay a thousand pieces of gold' as ransom for the idol, but they were indignantly rejected, and the idol was destroyed, and 'its limbs, which were anointed with ambergris and perfumed, were cut off. The fragments were conveyed to Delhi, and the entrance of the Jami' Masjid was paved with them, that people might remember and talk of this brilliant victory.' Praise be to God, the Lord of the worlds. Amen! After some time, among the ruins of the temples, a most beautiful jasper-coloured stone was discovered, on which one of the merchants had designed some beautiful figures of fighting men and other ornamental figures of globes, lamps, etc., and on the margin of it were sculptured verses from the Kurdn. This stone was sent as an offering to the shrine of the pole of saints… At that time they were building a lofty octagonal dome to the tomb. The stone was placed at the right of the entrance. "At this time, that is, in the year 707 h. (1307 a. d.), 'Alau-d din is the acknowledged Sultan of this country. On all its borders there are infidels, whom it is his duty to attack in the prosecution of a holy war, and return laden with countless booty."”

Alauddin Khalji (1266–1316) Ruler of the Khalji dynasty

Somnath. Abdu’llah ibn Fazlu’llah of Shiraz (Wassaf) : Tarikh-i-Wassaf (Tazjiyatu’l Amsar Wa Tajriyatu’l Ãsar), in Elliot and Dowson, Vol. III : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 43-44. Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes from The History of India as told by its own Historians

Men , God , War , Children

“In general, it is possible to say that in artists as deliberate, as careful as [Durer and Holbein], drawing is particularly tight and the color is as cold as the verity of mathematics. In other artists, on the contrary, in those who are the poets of the heart, like Raphael, Correggio, Andrea del Sarto, line has more suppleness and color, more winning tenderness. In others whom we call realists that is to say, whose sensibility is more exterior, in Rubens, Velasquez, Rembrandt, for example, line has a living charm with its force and its repose, and the color sometimes bursts into a fanfare of sunlight, sometimes fades into mist.
So, the modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them drawing and color are better or worse than in others.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. V. Drawing and Color, p. 104-105

Men , Color , Soul , Mathematics

“About the only power you have is the power to discriminate. Living in a culture like this, you have to make choices and search out what has the most authentic content or substance. In the 1960s, while on LSD, I realized that my mind was a garbage receptacle of mass media images and input. I spent my whole childhood absorbing so much crap that my personality and mind are saturated with it. God only knows if that affects you physically! As a kid I became increasingly interested in earlier periods of culture. I turned into a little nostalgia boy, and I became steeped in the Our Gang fantasy from watching them on TV. So much so, that my speech patterns were affected. The style of those Our Gang comedies was so charming that I started acting and talking like Jackie Cooper and Alfalfa. They had these cute kids, artificial mannerisms. It must have been embarrassing for people to hear me talk like that.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 60

God , People , Search , Boy

“In a field of ripening corn I came to a place which had been trampled down by some ruthless foot; and as I glanced amongst the countless stalks, every one of them alike, standing there so erect and bearing the full weight of the ear, I saw a multitude of different flowers, red and blue and violet. How pretty they looked as they grew there so naturally with their little foliage! But, thought I, they are quite useless; they bear no fruit; they are mere weeds, suffered to remain only because there is no getting rid of them. And yet, but for these flowers, there would be nothing to charm the eye in that wilderness of stalks. They are emblematic of poetry and art, which, in civic life—so severe, but still useful and not without its fruit—play the same part as flowers in the corn.”

Arthur Schopenhauer book Parerga and Paralipomena

“Similes, Parables and Fables” Parerga and Paralipomena, vol. 2, § 380A
Parerga and Paralipomena (1851)

Life , Art , Flowers , Nature

“What do you suppose makes all men look back to the time of childhood with so much regret (if their childhood has been, in any moderate degree, healthy or peaceful)? That rich charm, which the least possession had for us, was in consequence of the poorness of our treasures.”

John Ruskin (1819–1900) English writer and art critic

Lecture V, section 82.
The Eagle's Nest (1872)

Men , Peace , Time , Childhood

“Bread has always been one of the oldest subjects of fetishism and obsession in my work, the first and the one to which I have remained the most faithful. I painted the same subject 19 years ago 'Basket of Bread, 1929'. By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.”

Salvador Dalí (1904–1989) Spanish artist

Dali's quote, 1945; as cited by R. Descharnes (1985), in Salvador Dalí. Abrams. p. 94. ISBN 0-8109-0830-1
Dali just finished his second painting 'Basket of Bread, 1945'
Quotes of Salvador Dali, 1941 - 1950

Faith , History , Study , Painting

“Such as the lute, touch'd by no hand
Save by an angel's, wakes and weeps,
Such is the sound that now to land
From the charmed water sweeps.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Haunted Lake
The Golden Violet (1827)

Angels , Water

“If an object is pleasant, repetition will increase its charm; if it expresses sorrow or pain, then repetition will intensify its melancholy. On the contrary, any subject that is peculiar or unpleasant will be made unbearable by repetition. So repetition always acts to increase intensity. Since the time that this principle of harmony was employed by the primitives, it has been visually lost, and so forgotten. One strove for the charm of variety, and so achieved the destruction of unity... Variety is just as much an element of beauty as parallelism, provided that one does not exaggerate it. For the structure of our eye itself demands that we introduce some variety into any absolutely unified object... To be simple is not always as easy as it seems... The work of art will bring to light a new order inherent in things, and this will be: the idea of unity.”

Ferdinand Hodler (1853–1918) Swiss artist

another source of his 'parallelism' concept is Hodler's letter, written in 1904 to de:Franz Servaes; in which Hodler explained his design principle of 'parallelism', later adopted by the Vienna Secession artists. The Leopold Museum in Vienna discovered and owns this letter
from: Die Kunst Ferdinand Hodlers, 1923

Pain , Beauty , Art , Idea

“While clearly an impregnable masterpiece, Don Quixote suffers from one fairly serious flaw - that of outright unreadability. This reviewer should know, because he has just read it. The book bristles with beauties, charm, sublime comedy; it is also, for long stretches (approaching about 75 per cent of the whole), inhumanly dull…. Reading Don Quixote can be compared to an indefinite visit from your most impossible senior relative, with all his pranks, dirty habits, unstoppable reminiscences, and terrible cronies. When the experience is over, and the old boy checks out at last (on page 846 - the prose wedged tight, with no breaks for dialogue), you will shed tears all right: not tears of relief but tears of pride. You made it, despite all that Don Quixote could do.”

Martin Amis (1949) Welsh novelist

Opening paragraph of his review of The Adventures of Don Quixote de la Mancha by Miguel de Cervantes, translated by Tobias Smollett
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

Books , Beauty , Boy , Tear

“In the languor of disease and the weariness of old age, the pleasures of the vain and empty distinctions of greatness disappear. To one, in this situation, they are no longer capable of recommending those toilsome pursuits in which they had formerly engaged him. In his heart he curses ambition, and vainly regrets the ease and the indolence of youth, pleasures which are fled for ever, and which he has foolishly sacrificed for what, when he has got it, can afford him no real satisfaction. In this miserable aspect does greatness appear to every man when reduced either by spleen or disease to observe with attention his own situation, and to consider what it is that is really wanting to his happiness. Power and riches appear then to be, what they are, enormous and operose machines contrived to produce a few trifling conveniencies to the body, consisting of springs the most nice and delicate, which must be kept in order with the most anxious attention, and which, in spite of all our care, are ready every moment to burst into pieces, and to crush in their ruins their unfortunate possessor. …
But though this splenetic philosophy, which in time of sickness or low spirits is familiar to every man, thus entirely depreciates those great objects of human desire, when in better health and in better humour, we never fail to regard them under a more agreeable aspect. Our imagination, which in pain and sorrow seems to be confined and cooped up within our own persons, in times of ease and prosperity expands itself to every thing around us. We are then charmed with the beauty of that accommodation which reigns in the palaces and economy of the great; and admire how every thing is adapted to promote their ease, to prevent their wants, to gratify their wishes, and to amuse and entertain their most frivolous desires. If we consider the real satisfaction which all these things are capable of affording, by itself and separated from the beauty of that arrangement which is fitted to promote it, it will always appear in the highest degree contemptible and trifling. But we rarely view it in this abstract and philosophical light. We naturally confound it, in our imagination with the order, the regular and harmonious movement of the system, the machine or economy by means of which it is produced. The pleasures of wealth and greatness, when considered in this complex view, strike the imagination as something grand, and beautiful, and noble, of which the attainment is well worth all the toil and anxiety which we are so apt to bestow upon it.
And it is well that nature imposes upon us in this manner. It is this deception which rouses and keeps in continual motion the industry of mankind.”

Adam Smith book The Theory of Moral Sentiments

Chap. I.
The Theory of Moral Sentiments (1759), Part IV

Pain , Health , Pleasure , Youth

“What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.”

Edgar Degas (1834–1917) French artist

Quoted in Degas' letter to Daniel Halévy, 31 Jan 1892, from Degas Letters, ed. Marcel Guerin, trans. Marguerite Kay (1947)
1876 - 1895

Understanding

“Yet no stiff and frowning face was hers, no undue austerity in her manners, but gay and simple loyalty, charm blended with modesty.”
Nec frons triste rigens nimiusque in moribus horror sed simplex hilarisque fides et mixta pudori gratia.

Statius Silvae

i, line 64
Silvae, Book V

Loyalty

“Eleanor Roosevelt, fine, precise, hand-worked like ivory. Her voice was almost attractive … One had the impression of a lady who was finally becoming a woman, which is to say that she was just a little bitchy about it all; nice bitchy, charming, it had a touch of art to it, but it made one wonder if she were not now satisfying the last passion of them all, which was to become physically attractive, for she was better-looking than she had ever been.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Art , Passion

“No state can match the beauty of the Chesapeake Bay, our beaches and farms, or the mountains of Western Maryland, the Port of Baltimore, or the historic charm of every corner of our state.”

Larry Hogan (1956) American politician

" State of the State Address: A New Direction for Maryland http://governor.maryland.gov/2015/02/04/state-of-the-state-address/" (4 February 2015)

Beauty , Mountain

“Vulgarity is the garlic in the salad of charm.”

Cyril Connolly (1903–1974) British author

"Told in Gath" (a parody of Aldous Huxley)
The Condemned Playground (1945)

“Without charm there can be no fine literature, as there can be no perfect flower without fragrance.”

Arthur Symons book The Symbolist Movement in Literature

Stéphane Mallarmé.
The Symbolist Movement in Literature (1899)

Flowers , Literature , Perfection

“In your calm bosom have made their dwelling a dignity that charms and virtue gay yet weighty. Not for you lazy repose or unjust power or vaulting ambition, but a middle way leading through the Good and the Pleasant. Of stainless faith and a stranger to passion, private while ordering your life for all to see, a despiser too of gold yet none better at displaying your wealth to advantage and letting the light in upon your riches.”
Tu cujus placido posuere in pectore sedem blandus honos hilarisque tamen cum pondere virtus, cui nec pigra quies nec iniqua potentia nec spes improba, sed medius per honesta et dulcia limes, incorrupte fidem nullosque experte tumultus et secrete, palam quod digeris ordine vitam, idem auri facilis contemptor et optimus idem comere divitias opibusque immittere lucem.

Statius Silvae

iii, line 64
Silvae, Book II

Life , Faith , Way , Light

“Hunter Thompson wasn't Joseph Conrad, Jimmy Carter wasn't Harry Trueman. But strangely, Richard Nixon was Richard Nixon.
I'm no Pablo Picasso but there's no harm in straining. After all, the charm of any activity is in the trying and so rarely in the finished article.”

Ralph Steadman book The Joke's Over

The Filming Of Where The Buffalo Roam, p. 171
The Joke's Over (2006)

“He [Renoir] is a subtle and brilliant draughtsman.... all these preliminary drawings [in Renoir's studio] would astonish the public who obviously imagine the 'Impressionists' work at tremendous speed. I don't believe one can go further [in making sketches as studies] than this in the study of form in a drawing. I am charmed by his 'Nude Bathers' quite as much as those by Ingres. He [Renoir] tells me that he thinks the nude is absolutely indispensable as an art form.”

Berthe Morisot (1841–1895) painter from France

note in Berthe's Journal, c. 11 Jan. 1886, after visiting Renoir in his studio; in 'Carnet Beige', Morisot Enchantment, Huisman; as cited in Berthe Morisot, the first lady of Impressionism, by Margaret Sehnan; Sutton Publishing (ISBN 0 7509 2339 3), 1996, p. 234
1881 - 1895

Art , Imagination , Thinking , Study

“Do you think I take any pleasure in this dog's life, in seeing and causing death in people unknown to me, in losing friends and acquaintances daily, in seeing my reputation ceaselessly exposed to the caprices of fortune, in spending the whole year with uneasiness and apprehension, in continually risking my life and my fortune? I certainly know the value of tranquility, the charms of society, the pleasures of life, and I like to be happy as much as anybody. Although I desire all these good things, I will not buy them with baseness and infamy. Philosophy teaches us to do our duty, to serve our country faithfully at the expense of our blood and of our repose, to commit our whole being to it.”

Frederick II of Prussia (1712–1786) king of Prussia

Letters of Voltaire and Frederick the Great (New York: Brentano's, 1927), trans. Richard Aldington, letter 141 from Frederick to Voltaire (1759-07-02)

Life , Death , People , Pleasure

“I verily believe that a man’s way with women is in inverse ratio to his prowess among men. The weakling and the saphead have often great ability to charm the fair sex, while the fighting man who can face a thousand real dangers unafraid, sits hiding in the shadows like some frightened child.”

Edgar Rice Burroughs book A Princess of Mars

Source: A Princess of Mars (1917), Chapter 16

Women , Men , Sex , Way

“The appearance of [Virtue] was far different: her hair, seeking no borrowed charm from ordered locks, grew freely above her forehead; her eyes were steady; in face and gait she was more like a man; she showed a cheerful modesty; and her tall stature was set off by the snow-white robe she wore.”
[Virtutis] dispar habitus: frons hirta nec umquam composita mutata coma, stans vultus, et ore incessuque viro propior laetique pudoris celsa umeros niveae fulgebat stamine pallae.

Silius Italicus Punica

Book XV, lines 28–31
Punica

Appearance

“To make a Dadaist Poem (1920)

Take a newspaper.
Take some scissors.
Choose from this paper an article the length you want to make your poem.
Cut out the article.
Next carefully cut out each of the words that make up this article and put them all in a bag.
Shake gently.
Next take out each cutting one after the other.
Copy conscientiously in the order in which they left the bag.
The poem will resemble you.
And there you are—an infinitely original author of charming sensibility, even though unappreciated by the vulgar herd.”

Tristan Tzara (1896–1963) Romanian and French avant-garde poet, essayist and performance artist

Quote of Tzara's poem from 1920; as cited in Cambridge Introduction to Modernism, ed. Pericles Lewis (Cambridge UP, 2007), p. 107 - online: https://modernism.research.yale.edu/wiki/index.php/To_Make_a_Dadaist_Poem
1920s

“If I paint a girl in the sunlight, it's the sunlight I am painting, not the real girl; and even fort hat I should have the sunlight on my palette. I don't care for an accidental effect of light and shade, a thing of 'mere charm.”

André Derain (1880–1954) French painter and engraver

Source: The Wild Men of Paris', 1910, p. 407

Girl , Light , Painting

“Classics which at home are drowsily read have a strange charm in a country inn, or in the transom of a merchant brig.”

Ralph Waldo Emerson English Traits

English Traits (1856)

Home , Reading , Country

“Chess is a form of intellectual productiveness, therein lies, its peculiar charm. Intellectual productiveness is one of the greatest joys -if not the greatest one- of human existence. It is not everyone who can write a play, or build a bridge, or even make a good joke. But in chess everyone can, everyone must, be intellectually productive and so can share in this select delight. I have always a slight feeling of pity for the man who has no knowledge of chess, just as I would pity for the man who has no knowledge of love. Chess, like love, like music, has the power to make men happy.”

Siegbert Tarrasch book The Game of Chess

The Game of Chess (As quoted by Fred Reinfeld in Tarrasch's Best Games of Chess)

Love , Men , Music , Feeling

“Legally Blonde 2 should never have been made. It is a cinematic abomination — a source of embarrassment for everyone involved. There have been worse films this year, but none has been marketed as this fun-loving and upbeat. Worthwhile moments are few and far between, and Reese Witherspoon's incandescent charm, which was one of the original Legally Blonde's saving graces, is so bright that it creates a glare. There's such a thing as being too perky.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1321 of Legally Blonde 2: Red, White & Blonde (2003).
One-star reviews

Love

“Both these men are in love with Natasha, Count Rostov's younger daughter, and in her Tolstoy has created the most delightful girl in fiction. Nothing is so difficult as to portray a young girl who is at once charming and interesting. Generally the young girls of fiction are colorless (Amelia in Vanity Fair), priggish (Fanny in Mansfield Park), too clever by half (Constantia Durham in The Egoist), or little geese (Dora in David Copperfield), silly flirts or innocent beyound belief. It is understandable that they should be an awkward subject for the novelist to deal with, for at that tender age the personality is undeveloped. Similarly a painter can only make a face interesting when the vicissitudes of life, thought, love and suffering have given it character. In the portrait of a girl the best he can do is to represent the charm and beauty of youth. But Natasha is entirely natural. She is sweet, sensitive, and sympathetic, willful, childish, womanly already, idealistic, quick-tempered, warm-hearted, headstrong, capricious and in everything enchanting. Tolstoy created many women and they are wonderfully true to life, but never another who wins the affection of the reader as does Natasha.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Leo Tolstoy and War and Peace
Great Novelists and Their Novels

Love , Life , Women , Men

“It is a charmed ring—this emerald stone
Will be a sign, when thou art from me gone.
Mark if it changes; if a spot be seen
On the now spotless ground of lighted green,
Danger is round me; haste thou then to me,
Thou know'st how fearless is my trust in thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Child of the Sea
The Golden Violet (1827)

Art , Light , Change

“Seduction is the world’s elementary dynamic… All this has changed significantly for us, at least in appearance. For what has happened to good and evil? Seduction hurls them against one another, and unites them beyond meaning, in a paroxysm [sudden outbreak of emotion] of intensity and charm.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

Source: 1980s, The Ecstasy of Communication (1987), p. 59

World , Appearance , Evil , Change

“What is needed then? Destroy poverty, that source of crime, by assuring to each the satisfaction of all needs! And how difficult is this to achieve? It would suffice to establish society on new bases where everything would be in common and each, producing according to their aptitudes and strengths, could consume according to their needs. Then we would no longer see people like the hermit of Notre-Dame-de-Grace and others crave a metal of which they become the slaves and the victims! We would no longer see women flaunt their charms, like a vulgar merchandise, in exchange for this same metal that so often prevents us from recognising if the affection is truly sincere.”

Ravachol (1859–1892) French anarchist

Que faut-il alors ? Détruire la misère, ce germe de crime, en assurant à chacun la satisfaction de tous les besoins ! Et combien cela est difficile à réaliser ! Il suffirait d'établir la société sur de nouvelles bases où tout serait en commun, et où chacun, produisant selon ses aptitudes et ses forces, pourrait consommer selon ses besoins. Alors on ne verra plus des gens comme l'ermite de Notre-Dame-de-Grâce et autres mendier un métal dont ils deviennent les esclaves et les victimes ! On ne verra plus les femmes céder leurs appâts, comme une vulgaire marchandise, en échange de ce même métal qui nous empêche bien souvent de reconnaître si l'affection est vraiment sincère.
Trial statement

Women , People , Sincerity

“I smell fennel,” Launcelot said. “That reminds me, I should tell you I have discovered a specific for maims. You take salt, good-quality river mud, and bee urine, and slather it on the maim and hold it there for two days. Works like a charm. Gathering the bee urine is a bit of a bore.”

Donald Barthelme (1931–1989) American writer, editor, and professor

Source: The King (1990), p. 94.

Bee

“The skirmishes with the theologians had had their charm, but he knew well that no lasting accord exists between those who seek, ponder, and dissect and pride themselves on being capable of thinking tomorrow other than they do today, and those who accept the Faith, or declare that they do, and oblige their fellow men to do the same, on pain of death.”

Marguerite Yourcenar book The Abyss

il [Zénon] savait fort bien qu'il n'existe aucun accommodement durable entre ceux qui cherchent, pèsent, dissèquent, et s'honorent d'être capables de penser demain autrement qu'aujourd'hui, et ceux qui croient ou affirment croire, et obligent sous peine de mort leurs semblables à en faire autant.
The Indictment, p. 317
The Abyss (1968)

Death , Men , Pain , Faith

“In some circles where very heavy people think they have very heavy brains, words like "charming" and "clever" and "pretty" are all put-downs; all the lighter things in life, which are the most important things, are put down.”

Andy Warhol (1928–1987) American artist

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 4: Beauty

Life , People , Thinking

Quotes about charm page 5

Quotes about charm
page 5