Quotes about charm
page 4

John Keats photo
Oliver Wendell Holmes photo

“Faith loves to lean on time's destroying arm,
And age, like distance, lends a double charm.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Urania: A Rhymed Lesson (1846), p. 11.

Thomas Parnell photo
Vladimir Lenin photo
Gerald of Wales photo

“It is only in the case of musical instruments that I find any commendable diligence in the [Irish] people. They seem to me to be incomparably more skilled in these than any other people that I have seen. The movement is not, as in the British instrument to which we are accustomed, slow and easy, but rather quick and lively, while at the same time the melody is sweet and pleasant. It is remarkable how, in spite of the great speed of the fingers, the musical proportion is maintained. The melody is kept perfect and full with unimpaired art through everything – through quivering measures and the involved use of several instruments – with a rapidity that charms, a rhythmic pattern that is varied and a concord achieved through elements discordant.”
In musicis solum instrumentis commendabilem invenio gentis istius diligentiam. In quibus, prae omni natione quam vidimus, incomparabiliter instructa est. Non enim in his, sicut in Britannicis quibus assueti sumus instrumentis, tarda et morosa est modulatio, verum velox et praeceps, suavis tamen et jocunda sonoritas. Mirum quod, in tanta tam praecipiti digitorum rapacitate, musica servatur proportio; et arte per omnia indemni inter crispatos modulos, organaque multipliciter intricata, tam suavi velocitate, tam dispari paritate, tam discordi concordia, consona redditur et completur melodia.

Gerald of Wales (1146) Medieval clergyman and historian

Topographia Hibernica (The Topography of Ireland) Part 3, chapter 11 (94); translation from Gerald of Wales (trans. John J. O'Meara) The History and Topography of Ireland ([1951] 1982) p. 103.

John Gray photo

“Wherever you are, whenever it is, never give up. Then, it will be the most "charming" thing in the world.”

Ritsuko Okazaki (1959–2004) Japanese singer

"I'm Always Close to You", For Ritz
Lyrics

Alanis Morissette photo
C. V. Boys photo

“If the fork is not removed when the spider has arrived it seems to have the same charm as any fly: for the spider seizes it, embraces it, and runs about on the legs of the fork as often as it is made to sound, never seeming to learn by experience that other things may buzz besides its natural food.”

C. V. Boys (1855–1944) British physicist

[Boys, C. V., 16 December 1880, The influence of a tuning-fork on the garden spider, Nature, 23, 149–150, https://babel.hathitrust.org/cgi/pt?id=mdp.39015012106640;view=1up;seq=177]

Auguste Rodin photo
Anthony Burgess photo
Milan Kundera photo
Samuel Beckett photo
Jean Paul Sartre photo
Mike Malloy photo
Mike Oldfield photo
Auguste Rodin photo
François Fénelon photo

“Above all, do not allow yourself to be bewitched by the evil charms of geometry.”

François Fénelon (1651–1715) Catholic bishop

Sur-tout ne vous laissez point ensorceler par les attraits diaboliques de la géométrie.
Lettres Spirituelles, no. 59, cited from Correspondance de Fénelon, archevêque de Cambrai (Paris: Ferra Jeune, 1827) vol. 5, p. 514; translation from Georges Duby and Michelle Perrot (eds.) A History of Women in the West (Cambridge, Mass.: Belknap Press of Harvard University Press, 1994) vol. 3, p. 405.Œuvres complètes De François de Salignac De La Mothe Fénélon. TOME V Briand 1810 LETTRE CXLII (142) p.106.

David Norris photo

“Two charming young women approached me and lobbied me about this matter because they both have Down's syndrome children with a reasonably high IQ.”

David Norris (1944) Irish scholar, independent Senator, and gay and civil rights activist

29 May 2013 http://www.kildarestreet.com/sendebates/?id=2013-05-29a.223&s=speaker%3A210#g233

Richard Blackmore photo
William Cowper photo

“O Popular Applause! what heart of man
Is proof against thy sweet seducing charms?”

Source: The Task (1785), Book II, The Timepiece, Line 481.

Gustave Geffroy photo

“From now on whatever the hour represented on the canvas, a supreme accord will be wrought amongst all the parts of the subject: the water, the sky, the clouds, the foliage, reunified by the atmosphere, will form a whole of an irreproachable homogeneity, a grandiose and charming image of natural harmony.”

Gustave Geffroy (1855–1926) French writer

1898 in: Steven Z. Levine, ‎Claude Monet (1994), Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. p. 93: presented as "account at the time of the reexhibition of the seven Cathedrals in 1898."

Abul A'la Maududi photo
Mohammad Reza Pahlavi photo
John F. Kennedy photo

“Somebody once said that Washington was a city of Northern charm and Southern efficiency.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Speech http://www.jfklibrary.org/Asset-Viewer/Archives/JFKPOF-036-014.aspx to the Trustees and Advisory Committee of the National Cultural Center in the White House Movie Theater, 14 November 1961
1961

A. J. Cronin photo

“You are extraordinarily attractive to women. And your greatest charm is that you do not realise it.”

Paraphrased variant: You are very attractive. And your greatest charm is that you do not realise it!
The Citadel (1937)

Dafydd ap Gwilym photo

“Blue, round, miserable moon, full of magic, picture that draws like a magnet, pale-coloured, charmed jewel, made by sorcerers; swiftest of dreams, cold traitor, brother to the ice, most evil and unkind of servants, let hell consume the hateful, thin, bent-lipped mirror!”

Dafydd ap Gwilym (1320–1380) Welsh poet

Lleuad las gron gwmpas graen,
Llawn o hud, llun ehedfaen;
Hadlyd liw, hudol o dlws,
Hudolion a'i hadeilws;
Breuddwyd o'r modd ebrwydda',
Bradwr oer a brawd i'r ia.
Ffalstaf, gwir ddifwynaf gwas,
Fflam fo'r drych mingam meingas!
"Y Drych" (The Mirror), line 25; translation from Carl Lofmark Bards and Heroes (Felinfach: Llanerch, 1989) p. 96.

John Howard Payne photo

“Mid pleasures and palaces though we may roam,
Be it ever so humble, there 's no place like home;
A charm from the skies seems to hallow us there,
Which sought through the world is ne'er met with elsewhere.”

John Howard Payne (1791–1852) American actor and writer

Home, Sweet Home (1822), from the opera of "Clari, the Maid of Milan", reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Home is home, though it be never so homely", John Clarke, Paræmiologia, p. 101. (1639).

Henry Adams photo
Luís de Camões photo

“And say, has fame so dear, so dazzling charms?
Must brutal fierceness and the trade of arms,
Conquest, and laurels dipped in blood, be prized,
While life is scorned, and all its joys despised?”

Luís de Camões (1524–1580) Portuguese poet

Stanza 99 (tr. William Julius Mickle)-->
Epic poetry, Os Lusíadas (1572), Canto IV

Anthony Ashley-Cooper, 3rd Earl of Shaftesbury photo

“A Right Mind, and Generous Affection, [has] more Beauty and Charm, than all other Symmetrys in the World besides.”

Anthony Ashley-Cooper, 3rd Earl of Shaftesbury (1671–1713) English politician and Earl

Vol. 2, p. 209; "Miscellany III".
Characteristicks of Men, Manners, Opinions, Times (1711)

G. K. Chesterton photo
William Wordsworth photo

“Soft is the music that would charm forever;
The flower of sweetest smell is shy and lowly.”

William Wordsworth (1770–1850) English Romantic poet

Not Love, not War.
Bartlett's Familiar Quotations, 10th ed. (1919)
Variant: The flower of sweetest smell is shy and lowly.

Ben Gibbard photo

“It wasn't quite what is seemed: a lack of pleasantries
(My able body isn't what it used to be)
I must admit I was charmed by your advances
Your advantage left me helplessly into you”

Ben Gibbard (1976) American singer, songwriter and guitarist

Title Track
We Have the Facts and We're Voting Yes (2000)

Henry Adams photo
Letitia Elizabeth Landon photo
Morrissey photo
Theodor Mommsen photo

“.. whatever may have been the style and title, the sovereign ruler was there, and accordingly the court established itself at once with all its due accompaniments of pomp, insipidity, and emptiness. Caesar appeared in public not in the robe of the consuls which was bordered with purple stripes, but in the robe wholly of purple which was reckoned in antiquity as the proper regal attire, and received, sitting on his golden chair and without rising from it, the solemn procession of the senate. The festivals in his honour commemorative of birthday, of victories, and of vows, filled the calendar. When Caesar came to the capital, his principal servants marched forth in trips to great distances so as to meet and escort him. To be near to him began to be of such importance, that the rents rose in the quarter of the city where he lived. Personal interviews with him were rendered so difficult by the multitude of individuals soliciting audience, that Caesar found himself compelled in many cases to communicate even with his intimate friends in writing, and that persons even of the highest rank had to wait for hours in the ante-chamber. People felt, more clearly than was agreeable to Caesar himself, that they no longer approached a fellow-citizen. There arose a monarchical aristocracy, which was a remarkable manner at once new and old, and which had sprung out of the idea of casting into the shade the aristocracy of the oligarchy by that of the royalty, the nobility of the patriciate. The patrician body still subsisted, although without essential privileges as an order, in the character of a close aristocratic guild; but as it could receive no new gentes it had dwindled away more and more in the course of centuries, and in Caesar's time there were not more than fifteen or sixteen patrician gentes still in existence. Caesar, himself sprung from one of them, got the right of creating new patrician gentes conferred on the Imperator by decree of the people, and so established, in contrast to the republican nobility, the new aristocracy of the patriciate, which most happily combined all the requisites of a monarchichal aristocracy - the charm of antiquity, entire dependence on the government, and total insignificance. On all sides the new sovereignty revealed itself.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2

Chuck Palahniuk photo
John Updike photo

“I secretly understood: the primitive appeal of the hearth. Television is — its irresistible charm — a fire.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

On a child doing homework near the family’s television set, in Roger’s Version (1986)

Ben Gibbard photo
William Wordsworth photo
Richard Rodríguez photo
W. Somerset Maugham photo
Revilo P. Oliver photo
Homér photo
Louis-ferdinand Céline photo
William James photo

“Every Jack sees in his own particular Jill charms and perfections to the enchantment of which we stolid onlookers are stone-cold. And which has the superior view of the absolute truth, he or we? Which has the more vital insight into the nature of Jill's existence, as a fact? Is he in excess, being in this matter a maniac? or are we in defect, being victims of a pathological anesthesia as regards Jill's magical importance? Surely the latter; surely to Jack are the profounder truths revealed; surely poor Jill's palpitating little life-throbs are among the wonders of creation, are worthy of this sympathetic interest; and it is to our shame that the rest of us cannot feel like Jack. For Jack realizes Jill concretely, and we do not. He struggles toward a union with her inner life, divining her feelings, anticipating her desires, understanding her limits as manfully as he can, and yet inadequately, too; for he also is afflicted with some blindness, even here. Whilst we, dead clods that we are, do not even seek after these things, but are contented that that portion of eternal fact named Jill should be for us as if it were not. Jill, who knows her inner life, knows that Jack's way of taking it - so importantly - is the true and serious way; and she responds to the truth in him by taking him truly and seriously, too. May the ancient blindness never wrap its clouds about either of them again! Where would any of us be, were there no one willing to know us as we really are or ready to repay us for our insight by making recognizant return? We ought, all of us, to realize each other in this intense, pathetic, and important way.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

"What Makes a Life Significant?"
1910s, Talks to Teachers on Psychology and to Students on Some of Life's Ideals (1911)

Brian K. Vaughan photo
Taliesin photo
Mohammad Reza Pahlavi photo

“Nobody can influence me, nobody. Still less a woman. Women are important in a man's life only if they're beautiful and charming and keep their femininity.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

Oriana Fallaci (December 30, 1973), The Mystically Divine Shah of Iran (interview), Chicago Tribune
Interviews

Revilo P. Oliver photo
Henry Adams photo
Matthew Arnold photo
Roger Ebert photo
Jacob Tobia photo
Letitia Elizabeth Landon photo
Pliny the Younger photo

“An object in possession seldom retains the same charm that it had in pursuit.”
Rarum id quidem nihil enim aeque gratum est adeptis quam concupiscentibus.

Pliny the Younger (61–113) Roman writer

Letter 15, 1.
Letters, Book II

Farah Pahlavi photo

“Walter was extremely charming. He could charm anybody, especially women.”

Margaret Keane (1927) American artist

2014, Cited by Jesse Hamlin

Richard Russo photo
Emil Nolde photo

“In the working of wood and for the determining of its character I had had enough experience in my five-year pursuit of woodcutting. I also always gladly let the various charming grainings and sometimes the knots become involved in the printing.”

Emil Nolde (1867–1956) German artist

in Nolde's letter, c. 1910; in Alois J. Schardt, 'Nolde als Graphiker', Das Kunstblatt 11, no. 8., 1927, p. 289; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 52
1900 - 1920

William Whewell photo
Robin Sloan photo
Vincent Gallo photo
J. Proctor Knott photo

“Duluth! The word fell upon my ear with a peculiar and indescribable charm, like the gentle murmur of a low fountain stealing forth in the midst of roses, or the soft sweet accent of an angel’s whisper in the bright, joyous dream of sleeping innocence. ’T was the name for which my soul had panted for years, as the hart panteth for the water-brooks.”

J. Proctor Knott (1830–1911) American politician

Speech on the St. Croix and Bayfield Railroad Bill, Jan. 27, 1871; Knott made this satirical speech, sometimes titled as Duluth! or The Untold Delights of Duluth, while serving in the United States House of Representatives; the speech lampooned Western boosterism by portraying Duluth, Minnesota, in fantastical and glowing language.

Russell Brand photo

“Only Boris concerns me. When I used to watch Have I Got News For You, which as a kid I was proud to watch, full stop, I loved it when Boris Johnson came on. I didn't know who he was or what he did, I didn't think about it, I just liked him. I liked his voice, his manner, his name, his vocabulary, his self-effacing charm, humour and, of course, his hair. He has catwalk hair. Vogue cover hair, Rumplestiltskin spun it out of straw, straight-out-of-bed, drop-dead, gold-thread hair. He was always at ease with Deayton, Merton and Hislop, equal to their wit and always gave a great account of himself. "This bloke is cool," I thought. As I grew up I found out that he was an old Etonian, bully-boy, Spectator-editing Tory.
"That's weird," I thought. While I was busy becoming a world-class junkie, the man from HIGNFY became mayor. People like Boris Johnson; I like the HIGNFY Boris. He is the most popular politician in the country. Well, not in the country, on the television. There is a difference. Most people, of course, haven't met him, they've seen him on the telly. When I met Boris in his office, the nucleus of his dominion, I glanced at his library. Among the Wodehouses and the Euripides there were, of course, fierce economic tomes, capitalist manuals, bibles of domination. Eye-to-eye, the bumbling bonhomie appeared to be a lacquer of likability over a living obelisk of corporate power.”

Russell Brand (1975) British comedian, actor, and author

Russell Brand - The Guardian (2013)

André Maurois photo
William Cowper photo

“O solitude! where are the charms
That sages have seen in thy face?
Better dwell in the midst of alarms
Than reign in this horrible place.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: Verses supposed to be written by Alexander Selkirk (1782), Line 5.

John Gay photo
Scott Lynch photo

“You’re trying to be charming again,” she said softly, “but I do not choose to be charmed, Locke Lamora.”

Interlude “Striking Sparks” section 6 (p. 247)
The Republic of Thieves (2013)

Henry Van Dyke photo
Stephen Vizinczey photo
Paul Bourget photo
Henry Fielding photo
Phillis Wheatley photo
Letitia Elizabeth Landon photo
Adolf Hitler photo

“I have been Europe's last hope. She proved incapable of refashioning herself by means of voluntary reform. She showed herself impervious to charm and persuasion. To take her I had to use violence.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

26 February.
Disputed, The Testament of Adolf Hitler (1945)

Samuel Taylor Coleridge photo
Harriet Beecher Stowe photo
John Maynard Keynes photo

“If Mr. Lloyd George had no good qualities, no charms, no fascinations, he would not be dangerous. If he were not a syren, we need not fear the whirlpools.”

John Maynard Keynes (1883–1946) British economist

Source: Essays In Biography (1933), Mr. Lloyd George: A Fragment, p. 35

Oliver Herford photo

“Age, like distance, lends a double charm.”

Oliver Herford (1863–1935) American writer

Oliver Wendell Holmes, Urania: A Rhymed Lesson (1846), p. 11.
Misattributed

Renée Vivien photo

“[Charles Brun] was so charming that I always write to him as "My dear Charlotte!"”

Renée Vivien (1877–1909) British poet who wrote in the French language

Quoted in Mercure de France, I-XII (1953), trans. Jeannette H. Foster (1977)

Bernard Cornwell photo

“One musn't overrate the culture of what used to be called "top people" before the wars. They had charming manners, but they were as ignorant as swans.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Civilisation (1969), Ch. 13: Heroic Materialism

Samuel Rogers photo

“Go! you may call it madness, folly;
You shall not chase my gloom away!
There's such a charm in melancholy
I would not if I could be gay.”

Samuel Rogers (1763–1855) British poet

To ———, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Alexander Bain photo
Henry Wadsworth Longfellow photo