Interview for French TV (1998)
Manasseh: On the Speech and Gesture of Jesus
Jesus, The Son of Man (1928)
Context: I admired Him as a man rather than as a leader. He preached something beyond my liking, perhaps beyond my reason. And I would have no man preach to me.
I was taken by His voice and His gestures, not by the substance of His speech. He charmed me but never convinced me; for He was too vague, too distant and obscure to reach my mind.
I have known other men like Him. They are never constant nor are they consistent. It is with eloquence not with principles that they hold your ear and your passing thought, but never the core of your heart.
"The Lees of Happiness"
Quoted, Tales of the Jazz Age (1922)
Context: It was a marriage of love. He was sufficiently spoiled to be charming; she was ingenuous enough to be irresistible. Like two floating logs they met in a head-on rush, caught, and sped along together.
“There are no signs,
There are no stars aligned,
No amulets no charms,
To bring you back to my arms.”
"All My Stars Aligned"
Marry Me (2007)
Context: There are no signs,
There are no stars aligned,
No amulets no charms,
To bring you back to my arms.
There's just this human heart.
That's built with this human fault.
What was your question?
Love is the answer.
"Alarm Clocks"
Trees and Other Poems (1914)
Context: When Dawn strides out to wake a dewy farm
Across green fields and yellow hills of hay
The little twittering birds laugh in his way
And poise triumphant on his shining arm.
He bears a sword of flame but not to harm
The wakened life that feels his quickening sway
And barnyard voices shrilling "It is day!"
Take by his grace a new and alien charm. But in the city, like a wounded thing
That limps to cover from the angry chase,
He steals down streets where sickly arc-lights sing,
And wanly mock his young and shameful face;
And tiny gongs with cruel fervor ring
In many a high and dreary sleeping place.
“Sharon had grace and charm; she knew how to make anybody's life easier.”
Interview in Telecran magazine (25 January 1970)
Context: I'm forced to mix with people of this industry and I can swear that is really difficult to meet people with her nature and her spirit. Generally, everybody is opportunistic here. Sharon had grace and charm; she knew how to make anybody's life easier. When somebody was busy, she was there in a discreet manner to serve you a drink or a coffee.
“Almighty Freedom! give my venturous song
The force, the charm that to thy voice belong”
Book I
The Columbiad (1807)
Context: Almighty Freedom! give my venturous song
The force, the charm that to thy voice belong;
Tis thine to shape my course, to light my way,
To nerve my country with the patriot lay,
To teach all men where all their interest lies,
How rulers may be just and nations wise:
Strong in thy strength I bend no suppliant knee,
Invoke no miracle, no Muse but thee.
Epigram 5; translation by Jonathan Swift, cited from Anthologia Polyglotta (1849), edited by Henry Wellesley, p. 47
Epigrams
“She with all the charm of woman,
She with all the breadth of man.”
Source: Locksley Hall Sixty Years After (1886), Line 48
Canto 1: st. 1, lines 1–10
The Hasty-Pudding (1793)
Context: Despise it not, ye Bards to terror steel'd,
Who hurl'd your thunders round the epic field;
Nor ye who strain your midnight throats to sing
Joys that the vineyard and the still-house bring;
Or on some distant fair your notes employ,
And speak of raptures that you ne'er enjoy.
I sing the sweets I know, the charms I feel,
My morning incense, and my evening meal,
The sweets of Hasty-Pudding. Come, dear bowl,
Glide o'er my palate, and inspire my soul.
Variant translation:
She was one of those pretty and charming girls, born by a blunder of destiny in a family of employees. She had no dowry, no expectations, no means of being known, understood, loved, married by a man rich and distinguished; and she let them make a match for her with a little clerk in the Department of Education.
La Parure (The Necklace) (1884)
Context: The girl was one of those pretty and charming young creatures who sometimes are born, as if by a slip of fate, into a family of clerks. She had no dowry, no expectations, no way of being known, understood, loved, married by any rich and distinguished man; so she let herself be married to a little clerk of the Ministry of Public Instruction.
Letter to his son http://radgeek.com/gt/2005/01/03/robert-e-Lee-owned-slaves-and-defended-slavery/, G. W. Custis Lee (23 January 1861).
1860s
Context: I can anticipate no greater calamity for the country than a dissolution of the Union. It would be an accumulation of all the evils we complain of, and I am willing to sacrifice everything but honor for its preservation. I hope, therefore, that all constitutional means will be exhausted before there is a resort to force. Secession is nothing but revolution. The framers of our Constitution never exhausted so much labor, wisdom, and forbearance in its formation, and surrounded it with so many guards and securities, if it was intended to be broken by every member of the Confederacy at will. It is intended for 'perpetual Union,' so expressed in the preamble, and for the establishment of a government, not a compact, which can only be dissolved by revolution, or the consent of all the people in convention assembled. It is idle to talk of secession: anarchy would have been established, and not a government, by Washington, Hamilton, Jefferson, Madison, and all the other patriots of the Revolution. … Still, a Union that can only be maintained by swords and bayonets, and in which strife and civil war are to take the place of brotherly love and kindness, has no charm for me. I shall mourn for my country and for the welfare and progress of mankind. If the Union is dissolved and the Government disrupted, I shall return to my native State and share the miseries of my people, and, save in defense will draw my sword on none.
“If what charms you is nothing but abstract principles”
Golden Sayings of Epictetus
Context: If what charms you is nothing but abstract principles, sit down and turn them over quietly in your mind: but never dub yourself a Philosopher, nor suffer others to call you so. Say rather: He is in error; for my desires, my impulses are unaltered. I give in my adhesion to what I did before; nor had my mode of dealing with the things of sense undergone any change. (109).
“Trust not too much to that enchanting face;
Beauty's a charm, but soon the charm will pass.”
O formose puer, nimium ne crede colori.
Book II, line 17 (tr. John Dryden)
Eclogues (37 BC)
“What me worry? I never do.
Life is one charming ruse for us lucky few.”
"What Me Worry?"
Paris Is Burning (2006)
Context: What me worry? I never do.
Life is one charming ruse for us lucky few. Have I fooled you, dear?
The time is coming near when I'll give you my hand and I'll say,
"It's been grand, but... I'm out of here
I'm out of here"
“And finally a great savior broke the charm.”
On confronting the Siren-Zo of Sireneca, in Ch. 4
Space Chantey (1968)
Context: "'Monday and Tuesday and Monday and Tuesday and Monday and Tuesday,' so the poor slaves had to sing in their labor for the puca. And finally a great savior broke the charm. 'And Wednesday too' he said, and then it was all over with."
"Roadstrum is the great savior who breaks the charm," Roadstrum announced. "I will set a Wednesday-term to the monster. But there are other elements in this…"
"Here Is New York," Holiday (1948); reprinted in Here is New York (1949)
Context: The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sounds of jets overhead, in the black headlines of the latest edition.
All dwellers in cities must dwell with the stubborn fact of annihilation; in New York the fact is somewhat more concentrated because of the concentration of the city itself and because, of all targets, New York has a certain clear priority. In the mind of whatever perverted dreamer who might loose the lightning, New York must hold a steady, irresistible charm.
Horvendile, in Ch. 13 : What a Boy Thought
The Way of Ecben (1929)
Context: I fight against the gluttony of time with so many very amusing weapons — with gestures and with three attitudes and with charming phrases; with tears and with tinsel, and with sugar-coated pills, and with platitudes slightly regilded. Yes, and I fight him also with little mirrors wherein gleam confusedly the corruptions of lust, and ruddy loyalty, and a bit of moonshine, and the pure diamond of the heart's desire, and the opal cloudings of human compromise: but, above all, I fight that ravening dotard with the strength of my own folly.
“All the charm of all the Muses often flowering in a lonely word.”
" To Virgil http://home.att.net/%7ETennysonPoetry/virg.htm", st. 3 (1882)
Context: Thou that singest wheat and woodland, tilth and vineyard, hive and horse and herd;
All the charm of all the Muses often flowering in a lonely word.
Act IV, scene 1.
Sardanapalus (1821)
Context: But take this with thee: if I was not form'd
To prize a love like thine, a mind like thine,
Nor dote even on thy beauty — as I've doted
On lesser charms, for no cause save that such
Devotion was a duty, and I hated
All that look'd like a chain for me or others
(This even rebellion must avouch); yet hear
These words, perhaps among my last — that none
E'er valued more thy virtues, though he knew not
To profit by them…
Letter to Giovanni Boccaccio (28 April 1373) as quoted in Petrarch : The First Modern Scholar and Man of Letters (1898) edited by James Harvey Robinson and Henry Winchester Rolfe, p. 426
Context: Continued work and application form my soul's nourishment. So soon as I commenced to rest and relax I should cease to live. I know my own powers. I am not fitted for other kinds of work, but my reading and writing, which you would have me discontinue, are easy tasks, nay, they are a delightful rest, and relieve the burden of heavier anxieties. There is no lighter burden, nor more agreeable, than a pen. Other pleasures fail us or wound us while they charm, but the pen we take up rejoicing and lay down with satisfaction, for it has the power to advantage not only its lord and master, but many others as well, even though they be far away — sometimes, indeed, though they be not born for thousands of years to come. I believe I speak but the strict truth when I claim that as there is none among earthly delights more noble than literature, so there is none so lasting, none gentler, or more faithful; there is none which accompanies its possessor through the vicissitudes of life at so small a cost of effort or anxiety.
“Hast thou a charm to stay the morning-star
In his steep course?”
St. 1.
"Hymn in the Vale of Chamouni" (1802)
Context: Hast thou a charm to stay the morning-star
In his steep course? So long he seems to pause
On thy bald awful head, О sovran Blanc!
Letter to Bess Wallace (8 September 1918) https://www.trumanlibrary.org/whistlestop/study_collections/ww1/documents/fulltext.php?documentid=1-15
Context: Now days battles are just sort of a "You shoot up my town and I'll shoot up yours." They say that Americans don't play fair. They shoot 'em up all the time. I hope so because I want to finish this job as soon as possible and begin making an honest living again... Have fired 500 rounds at the Germans, at my command, been shelled, didn't run away thank the Lord and never lost a man. Probably shouldn't have told you but you'll not worry any more if you know I'm in it than if you think I am. Have had the most strenuous work of my life, am very tired but otherwise absolutely in good condition physically mentally and morally... When a High Explosive shell bursts in fifteen feet and does you no damage, you can bet your sweet life you bear a charmed life and no mistake. I didn't have sense enough to know what was going on until the next day and then I was pretty scared. The men think I am not much afraid of shells but they don't know. I was too scared to run and that is pretty scared.
“Charm us, orator, till the lion look no larger than the cat.”
Source: Locksley Hall Sixty Years After (1886), Line 112
1820s, Critical and Miscellaneous Essays (1827–1855)
Context: Humor is properly the exponent of low things; that which first renders them poetical to the mind. The man of Humor sees common life, even mean life, under the new light of sportfulness and love; whatever has existence has a charm for him. Humor has justly been regarded as the finest perfection of poetic genius. He who wants it, be his other gifts what they may, has only half a mind; an eye for what is above him, not for what is about him or below him. Now, among all writers of any real poetic genius, we cannot recollect one who, in this respect, exhibits such total deficiency as Schiller. In his whole writings there is scarcely any vestige of it, scarcely any attempt that way. His nature was without Humor; and he had too true a feeling to adopt any counterfeit in its stead. Thus no drollery or caricature, still less any barren mockery, which, in the hundred cases are all that we find passing current as Humor, discover themselves in Schiller. His works are full of labored earnestness; he is the gravest of all writers.
"The Holy Dimension", p. 338
Moral Grandeur and Spiritual Audacity: Essays (1997)
Context: The account of our experiences, the record of debit and credit, is reflected in the amount of trust or distrust we display towards life and humanity. There are those who maintain that the good is within our reach everywhere; you have but to stretch out your arms and you will grasp it. But there are others who, intimidated by fraud and ugliness, sense scorn and ambushes everywhere and misgive all things to come. Those who trust develop a finer sense for the good, even at the hight cost of blighted hopes. Charmed by the spell of love, faith is, as it were, imposed upon their heart.
Attributed
Source: What is Political Philosophy (1959), p. 40
Context: Men are constantly attracted and deluded by two opposite charms: the charm of competence which is engendered by mathematics and everything akin to mathematics, and the charm of humble awe, which is engendered by meditation on the human soul and its experiences. Philosophy is characterized by the gentle, if firm, refusal to succumb to either charm. It is the highest form of the mating of courage and moderation. In spite of its highness or nobility, it could appear as Sisyphean or ugly, when one contrasts its achievement with its goal. Yet it is necessarily accompanied, sustained and elevated by eros. It is graced by nature's grace.
Letter to Sophie Germain (30 April 1807) ([...]; les charmes enchanteurs de cette sublime science ne se décèlent dans toute leur beauté qu'à ceux qui ont le courage de l'approfondir. Mais lorsqu'une personne de ce sexe, qui, par nos meurs [sic] et par nos préjugés, doit rencontrer infiniment plus d'obstacles et de difficultés, que les hommes, à se familiariser avec ces recherches épineuses, sait néanmoins franchir ces entraves et pénétrer ce qu'elles ont de plus caché, il faut sans doute, qu'elle ait le plus noble courage, des talents tout à fait extraordinaires, le génie superieur.)
Context: The enchanting charms of this sublime science reveal themselves in all their beauty only to those who have the courage to go deeply into it. But when a person of that sex, that, because of our mores and our prejudices, has to encounter infinitely more obstacles and difficulties than men in familiarizing herself with these thorny research problems, nevertheless succeeds in surmounting these obstacles and penetrating their most obscure parts, she must without doubt have the noblest courage, quite extraordinary talents and superior genius.
Selected writings of Shaheed Bhagat Singh (1986), p. 65
Context: I emphasize that I am full of ambition and hope and of full charm of life. But I can renounce all at the time of need, and that is the real sacrifice. These things can never be hinderance in the way of man, provided he be a man. You will have the practical proof in the near future.
The Figure a Poem Makes (1939)
Context: No tears in the writer, no tears in the reader. No surprise for the writer, no surprise for the reader. For me the initial delight is in the surprise of remembering something I didn't know I knew. I am in a place, in a situation, as if I had materialized from cloud or risen out of the ground. There is a glad recognition of the long lost and the rest follows. Step by step the wonder of unexpected supply keeps growing. The impressions most useful to my purpose seem always those I was unaware of and so made no note of at the time when taken, and the conclusion is come to that like giants we are always hurling experience ahead of us to pave the future with against the day when we may Want to strike a line of purpose across it for somewhere. The line will have the more charm for not being mechanically straight. We enjoy the straight crookedness of a good walking stick. Modern instruments of precision are being used to make things crooked as if by eye and hand in the old days.
“I resent your calling this a silly myth. I made the myth and it is not silly; charming rather.”
Source: Space Chantey (1968), Ch. 6
Context: I am Aeaea. To my notion there is no other lady anywhere. And I resent your calling this a silly myth. I made the myth and it is not silly; charming rather. Well, come along, come along! You are my things now, and you will come when I call you.
Ch. 27 http://www.resologist.net/talent27.htm
Wild Talents (1932)
Context: My general expression is that all human beings who can do anything; and dogs that track unseen quarry, and homing pigeons, and bird-charming snakes, and caterpillars who transform into butterflies, are magicians. … Considering modern data, it is likely that many of the fakirs of the past, who are now known as saints, did, or to some degree did, perform the miracles that have been attributed to them. Miracles, or stunts, that were in accord with the dominant power of the period were fostered, and miracles that conflicted with, or that did not contribute to, the glory of the Church, were discouraged, or were savagely suppressed. There could be no development of mechanical, chemical, or electric miracles —
And that, in the succeeding age of Materialism — or call it the Industrial Era — there is the same state of subservience to a dominant, so that young men are trained to the glory of the job, and dream and invent in fields that are likely to interest stockholders, and are schooled into thinking that all magics, except their own industrial magics, are fakes, superstitions, or newspaper yarns.
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Jan Mankes, in het Nederlands:) Ik houd van Thijs Maris en zijn dingen bezitten voor mij een eigenaardige bekooring.. .U zult zelf zeker van Thijs Maris houden en dan weet u.. ..hoe heerlijk het is mee te leven in zijn [Thijs!] kinderlijke innigheid.
In his letter to artist and art-critic Augustine Obreen, 16/19 June 1915; as cited in Jan Mankes – in woord en beeld, ed. Sjoerd van Faassen; Museum Bèlvédère, Heerenveen, 2015 ISBN 1877-0983, n. 22, p. 26
1915 - 1920
Friedrich Wilhelm Schelling, On the History of Modern Philosophy (1833) [Translated from the German by Andrew Bowie]
S - Z
The Robot Who Looked Like Me (p. 3)
Short fiction, The Robot Who Looked Like Me (1978)
Source: Better-World Philosophy: A Sociological Synthesis (1899), The Social Ideal, pp. 159–160
In "New Release: Begum Akhtar: Love’s Own Voice".
Foreword (dated 15 May 1950) to The Grasses & Pastures of South Africa, D. Meredith (ed.), 1954
Speech to a Deputation from Syria (15 April 1895), quoted in W. W. Coole (ed.), Thus Spake Germany (London: George Routledge & Sons, 1941), p. 104
1890s
Book VII Chapter IX
Wilhelm Meister's Wanderjahre (Journeyman Years) (1821–1829)
Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3
Source: Presidents of India, 1950-2003, p. 84
Michael Ciry on Dior as a young boy, in p. 20
Christian Dior: The Man who Made the World Look New
Author of Man Seton on Waheeda rehman on the sets of Satayjit Ray’s film Abhijan in [Seton, Marie, Portrait of a Director: Satyajit Ray, http://books.google.com/books?id=hVILvhgqN6QC&pg=PA225, 2003, Penguin Books India, 978-0-14-302972-4, 225–]
Review of her poetry publications in *[Das, Sisir Kumar, History of Indian Literature: 1911-1956, struggle for freedom : triumph and tragedy, http://books.google.com/books?id=sqBjpV9OzcsC, 1 January 1995, Sahitya Akademi, 978-81-7201-798-9, 184]
Mohandas Gandhi, quoted in T. Sanadhya, My Twenty-One Years in the Fiji Islands (English translation by J.D. Kelly & U.K. Singh, Fiji Museum, 1991), pp. 5-6 http://au.geocities.com/fibiographies/S/SText/TotaramSanadhya.htm.
Source: David Smith, "Art? It's like the sex trade", http://observer.guardian.co.uk/uk_news/story/0,,1759321,00.html The Observer, (2006-04-23) : On the art world.
nearer, perhaps, than all the science of Tübingen. Adorable dreamer, whose heart has been so romantic who hast given thyself so prodigally, given thyself to sides and to heroes not mine, only never to the Philistines! home of lost causes, and forsaken beliefs, and unpopular names, and impossible loyalties!
Preface to the Second Edition (1869)
Essays in Criticism (1865)
Minister Mentor Lee Kuan Yew, on 25 February 2006, in his eulogy to Rajaratnam.
William Frederic Badé (pages 38-40)
Sierra Club Bulletin - Memorial Issue
1820s, Critical and Miscellaneous Essays (1827–1855)
Autobiography (1873)
'Well, I do believe some things, of course,' conceded Father Brown; 'and therefore, of course, I don't believe other things.' .
The Dagger with Wings (1926)
Source: Thorns (1967), Chapter 21, “And Southward Aye We Fled” (p. 106)
Speech in the House of Commons (2 March 1831) https://api.parliament.uk/historic-hansard/commons/1831/mar/02/ministerial-plan-of-parliamentary-reform#column_1204 in favour of the Reform Bill
1830s
Source: Blameless in Abaddon (1996), Chapter 11 (p. 253; spoken by the Devil)
Source: Foreword, Initiation, The Perfecting of Man (1923)
A Literary History of Persia, Vol. 2, p. 123 https://archive.org/details/a-literary-history-of-persia-vol-2-1964
Poetry
Source: "I Saw Hitler" 1932, p. 14
Remains of the Rev. Carlos Wilcox: with a memoir of his life (1828), p. 99 https://archive.org/details/remainsofrevcarl00wilc/page/100/mode/2up
Poetry
“Beauties in vain their pretty eyes may roll;
Charms strike the sight, but merit wins the soul.”
Canto V, line 33
The Rape of the Lock (1712, revised 1714 and 1717)
As quoted in "Now a director and scriptwriter, actress Moon So-ri speaks about her film" in The Korea Herald (6 Septmeber 2017) http://www.koreaherald.com/view.php?ud=20170906000677
History of My Life (trans. Trask 1967), 1997 reprint, Preface, p. 34
Referenced
“The charm of bad girl attracts. Always.”
Original: Il fascino della ragazzaccia attrae. Sempre.
Source: prevale.net
Original: (it) Sei intelligente, dolce, elegante, affascinante, erotica, sensuale e trasgressiva. Sei tutto ciò che crea una seduzione ossessiva.
Source: prevale.net
Original: (it) Lei, di una particolare ed unica bellezza. I lineamenti del suo volto e del suo corpo sono di una sottile trasgressione che si fonde tra dolcezza e sensualità. Il suo fascino profuma di donna.
Source: prevale.net
Addicted To Your Love https://genius.com/Zhiar-ali-addicted-to-your-love-lyrics, 2018
Song lyrics
“Charming people are only good at seducing innocent souls.”
Source: All the King's Men' A search for the colonial ideas of some advisers and "accomplices" of Leopold II (1853-1892). (Hannes Vanhauwaert), Emile Banning (1836-1898): The Don Quichotte of the ‘liberal civilization’ in Congo, A romantic associate of Leopold II. http://www.ethesis.net/leopold_II/leopold_II.htm#_ftn194 CROKAERT, P. Brialmont, 23.
Source: Podkayne of Mars (1963), Chapter 6 (p. 60)
“When a woman's charm dominates thought, a man becomes a prisoner of it.”
Original: (it) Quando il fascino di una donna domina il pensiero, l'uomo ne diventa prigioniero.
Source: prevale.net
“The charm of bad girl attracts. Always.”
Original: (it) Il fascino della ragazzaccia attrae. Sempre.
Source: Star Bridge (1955), Chapter 11, “The Turning Tide” (p. 150)
You Gentiles (1924)
Source: pp. 152-153 https://archive.org/details/you-gentiles-maurice-samuel-1924-217pgs-rel.sml/page/152/mode/1up
Original: Tu sei l'eccellenza del fascino: forte e fragile, allegra e malinconica, innocente e perversa, egoista e altruista, socievole e asociale, semplice e complicata, sensibile e impassibile, elegante e trendy, dolce e stronza, vera, concreta... autentica e sincera. Sei una condanna per chi ti osanna. La tua essenza è un capolavoro di donna.
Source: prevale.net
“The charm par excellence belongs to the rebellious and determined woman.”
Original: Il fascino per eccellenza appartiene alla donna ribelle e determinata.
Source: prevale.net
Quote in his letter tot Theo, from The Hague, Sunday, 18 March 1883; as cited in letter 330 - complete vangoghletters online http://vangoghletters.org/vg/letters/let330/letter.html
1880s, 1883
“Charm is the power to attract at any age.”
Original: Il fascino è il potere di attrarre a qualsiasi età.
Source: prevale.net
Original: La realtà mostra che ci sono differenze anche nelle pose del corpo completamente nudo: alcune mostrano volgarità, trasgressione, oscenità... altre semplicità, fascino ed eleganza.
Source: prevale.net
“The charm of a woman can be manifested in courage, mystery and her way of thinking.”
Original: Il fascino di una donna può manifestarsi nel coraggio, nel mistero e nel suo modo di pensare.
Source: prevale.net
Original: Nella vita, al vostro fianco scegliete una persona dolce, forte, coraggiosa, intraprendente, carina, leale, affascinante, elegante e perversa. Deve essere in grado di togliervi il respiro al solo suo pensiero.
Source: prevale.net
“Beauty, sweetness and sympathy, but also elegance and charm; they belong to a woman of style.”
Original: Bellezza, dolcezza e simpatia, ma anche eleganza e fascino; appartengono ad una donna di stile.
Source: prevale.net
“The woman who has charm, has character.”
Original: La donna che ha fascino, ha carattere.
Source: prevale.net
Original: Sei la donna incantevole che rimane scolpita nella mia mente. Hai un carattere dominante, sei autentica e affascinante.
Source: prevale.net
Original: La donna indomabile ha quel fascino di ribellione, peraltro sintomo di intelletto, che rimane scolpito nella mente.
Source: prevale.net
Original: La bellezza di una donna è una combinazione di valori: intelletto, simpatia, sensualità, fisico, semplicità, dolcezza, fascino, eleganza, trasgressione, passione e cultura. Valori che la rendono unica nella sua natura.
Source: prevale.net
Original: Sei la combinazione di fascino, eleganza e sensualità. La mia dannazione che al solo tuo pensiero, ruba tutta la mia attenzione.
Source: prevale.net
Original: In una donna: la bellezza attrae, la dolcezza cattura, il fascino seduce, il carattere intriga e il coraggio conquista.
Source: prevale.net
Original: Vorrei poterti donare i miei occhi per mostrarti la tua superlativa bellezza, il tuo intrigante fascino, la tua inimitabile personalità, la tua simpatia ed il tuo notevole e costante coraggio.
Source: prevale.net
