“What are novels? What is the secret of the charm of every romance that ever was written? The first thing in a good novel is to place the persons together in circumstances which naturally call out the high feelings and thoughts of the character, which afford food for sympathy between them on these points — romantic events they are called. The second is that the heroine has generally no family ties (almost invariably no mother), or, if she has, these do not interfere with her entire independence.
These two things constitute the main charm of reading novels.”

Cassandra (1860)

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Florence Nightingale81

English social reformer and statistician, and the founder o… 1820–1910

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“But at the best of times she feels like a character in a Muriel Spark novel — independent, bookish, sharp-minded, secretly romantic.”

David Nicholls book One Day

Source: One Day

“Miss Austen was surely a great novelist. What she did, she did perfectly. Her work, as far as it goes, is faultless. She wrote of the times in which she lived, of the class of people with which she associated, and in the language which was usual to her as an educated lady. Of romance, -- what we generally mean when we speak of romance -- she had no tinge. Heroes and heroines with wonderful adventures there are none in her novels. Of great criminals and hidden crimes she tells us nothing. But she places us in a circle of gentlemen and ladies, and charms us while she tells us with an unconscious accuracy how men should act to women, and women act to men. It is not that her people are all good; -- and, certainly, they are not all wise. The faults of some are the anvils on which the virtues of others are hammered till they are bright as steel. In the comedy of folly I know no novelist who has beaten her. The letters of Mr. Collins, a clergyman in Pride and Prejudice, would move laughter in a low-church archbishop.”

Jane Austen (1775–1817) English novelist

Anthony Trollope, Lecture (1870)

“A good novel is one that shows the complexity of individuals, and creates enough space for all these characters to have a voice; in this way a novel is called democratic — not that it advocates democracy but that by nature it is so.”

Azar Nafisi book Reading Lolita in Tehran

Reading Lolita in Tehran (2003)

“I can't imagine a romance novel published today where the hero rapes the heroine and she falls in love with him.”

Julia Quinn (1970) American novelist

“Thus far woman has struggled through life with bandaged eyes, accepting the dogma of her weakness and inability to take care of herself not only physically but intellectually. She has held out a trembling hand and received gratefully the proffered aid. She has foregone her right to study, to know the laws and purposes of government to which she is subject. But there is now awakened in her a consciousness that she is defrauded of her legitimate Rights and that she never can fulfill her mission until she is placed in that position to which she feels herself called by the divinity within. Hitherto she has surrendered her person and her individuality to man, but she can no longer do this and not feel that she is outraging her nature and her God.”

Sarah Grimké (1792–1873) American abolitionist

Written in 1857, as quoted in ch. 87.
The Female Experience (1977)

“Well, Aimee Semple McPherson has written a book. And were you to call it a little peach, you would not be so much as scratching its surface. It is the story of her life, and it is called In the Service of the King, which title is perhaps a bit dangerously suggestive of a romantic novel. It may be that this autobiography is set down in sincerity, frankness and simple effort. It may be, too, that the Statue of Liberty is situated in Lake Ontario.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

"Our Lady of the Loudspeaker" in The New Yorker (25 February 1928)

“It is because these characters depend to such a high degree on their own sense of integrity that for them, victory has nothing to do with happiness. It has more to do with a settling within oneself, a movement inward that makes them whole. Their reward is not happiness — a word that is central in Austen's novels but is seldom used in James's universe. What James's characters gain is self-respect.”

Azar Nafisi book Reading Lolita in Tehran

On Henry James and his novels
Reading Lolita in Tehran (2003)

“The people of China forged their own literature apart from letters. And today this is what lives, to be part of what is to come, and all the formal literature, which was called art, is dead. The plots of these novels are often incomplete, the love interest is often not brought to solution, heroines are often not beautiful and heroes often are not brave. Nor has the story always an end; sometimes it merely stops, in the way life does, in the middle of it when death is not expected.
In this tradition of the novel have I been born and reared as a writer.”

Pearl S. Buck (1892–1973) American writer

The Chinese Novel (1938)

“suppose Odin to have been the inventor of Letters, as well as "magic," among that people! It is the greatest invention man has ever made! this of marking down the unseen thought that is in him by written characters. It is a kind of second speech, almost as miraculous as the first.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

“I always remember how a novel written by John Braine in the 1950s about working-class life in England, which was called Room at the Top, which was translated into Swedish as The Attic!”

John Banville (1945) Irish writer

John Banville: Using words to paint pictures of "magical" Prague (2006)

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