Quotes about charm
page 6

“The Don's difficult role never seemed to tax Juozapaitis excellent dramatic voice. Throughout the opera listeners were charmed by his great expressive range as he moved with ease from comic exchanges with Leporello to tender love sings.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Martha Fawbush, "Bravo Concerts opens with excellent performance of Mozart classic". Asheville Citizen Times (October, 2003)

Love, Singing

“Brod’s life was a slow realization that the world was not for her, and that for whatever reason, she would never be happy and honest at the same time. She felt as if she were brimming, always producing and hoarding more love inside her. But there was no release. Table, ivory elephant charm, rainbow, onion, hairdo, mollusk, Shabbos, violence, cuticle, melodrama, ditch, honey, doily … None of it moved her. She addressed her world honestly, searching for something deserving of the volumes of love she knew she had within her, but to each she would have to say, I don’t love you.”

Jonathan Safran Foer book Everything Is Illuminated

Everything Is Illuminated (2002)

Love, Life, Happiness, World

“If … we meet a man of acknowledged mental superiority, whether generally or in his special department, it is our social duty by intelligent questioning, by an anxiety to learn from him, to force him to condescend to our ignorance, or join in our fun, till his broader sympathies are awakened, and he plays with us as if we were children. Indeed this very metaphor points out one of the very remarkable instances of social equality asserted by an inferior—I mean the outspoken freedom of the child—which possesses a peculiar charm, and often thaws the dignity or dissipates the reserve of the great man and woman whose superiority is a perpetual obstacle to them in ordinary society.”

John Pentland Mahaffy (1839–1919) Irish classicist and polymathic scholar

Conversation (1896), p. 104 http://books.google.com/books?id=1yEVAAAAYAAJ&pg=PA104

Children, Intelligence, Question, Freedom

“And what is friendship but a name,
A charm that lulls to sleep,
A shade that follows wealth or fame,
And leaves the wretch to weep?”

Oliver Goldsmith book The Vicar of Wakefield

Source: The Vicar of Wakefield (1766), Ch. 8, The Hermit (Edwin and Angelina), st. 19.

Friendship, Sleep, Wealth

“The poor don't really like that ticket. They are desperate to get away and join the rich, and have glossy hair, bright eyes and white teeth. The rich live longer and can afford to be charming.”

Tom Baker (1934) English actor

“Naked she lay, clasped in my longing arms,
I filled with love, and she all over charms;
Both equally inspired with eager fire,
Melting through kindness, flaming in desire.
With arms, legs, lips close clinging to embrace.”

John Wilmot, 2nd Earl of Rochester (1647–1680) English poet, and peer of the realm

The Imperfect Enjoyment (published 1680).
Other

Love

“God gave us faculties for our use; each of them will receive its proper reward. Then do not let us try to charm them to sleep, but permit them to do their work until divinely called to something higher.”

Teresa of Ávila (1515–1582) Roman Catholic saint

Fourth Mansions, Ch. 3: Prayer of Quiet, as translated by the Benedictines of Stanbrook (1911), revised and edited by Fr. Benedict Zimmerman
Interior Castle (1577)

God, Sleep

“The History of Institutions cannot be mastered – can scarcely be approached – without an effort. It affords little of the romantic incident or of the picturesque grouping which constitute the charm of History in general, and holds out small temptation to the mind that requires to be tempted to the study of Truth. But it…abounds in examples of that continuity of life, the realisation of which is necessary to give the reader a personal hold on the past and a right judgment of the present. For the roots of the present lie deep in the past, and nothing in the past is dead to the man who would learn how the present comes to be what it is.”

William Stubbs (1825–1901) English historian and clergyman

The Constitutional History of England (1873-8; Oxford: Clarendon Press, 1903) vol. 1, p. iii.

Life, Truth, Lie, History

“The stereotyped style of cultic representations was well known as early as the Neolithic age, but the stiffly ceremonial forms of courtly art are absolutely new and come into prominence here for the first time in the history of human culture. They reflect the rule of a higher, superindividual social order, of a world which owes its greatness and splendour to the favour of the king. They are anti-individualistic, static and conventional… All the good things and the charms of life are connected, for the privileged members of this society, with their separation from the other classes, and all the maxims which they follow assume more or less the character of rules of decorum and etiquette. This decorum and etiquette, the whole self-stylization of the upper class, demand among other things that one does not allow oneself to be portrayed as one really is, but according to how one must appear to conform with certain hallowed conventions, remote from reality and the present time. Etiquette is the highest law not merely for the ordinary mortal, but also for the king, and in the imagination of this society even the gods accept the forms of courtly ceremonial.”

Arnold Hauser (1892–1978) Hungarian art historian

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter II. Ancient Oriental Urban cultures

Life, God, Age, World

“A great part of its theories derives an additional charm from the peculiarity that important propositions, with the impress of simplicity on them, are often easily discovered by induction, and yet are of so profound a character that we cannot find the demonstrations till after many vain attempts; and even then, when we do succeed, it is often by some tedious and artificial process, while the simple methods may long remain concealed.”

Carl Friedrich Gauss (1777–1855) German mathematician and physical scientist

On higher arithmetic. Mathematical Circles Adieu (1977) by Howard W. Eves

Parting

“It's interesting for me to bring up a girl. You go to the toy store and the female characters there — Cinderella, the lady in Beauty and the Beast — their major task is to find Prince Charming. And I'm like, wait a minute — it's 2005! We've fought so hard to have a say, and not just live through our partners, and yet you're still seeing two-year-old girls with this message pushed at them that the only important thing is to find this amazing dress so that the guy will want you. It's something my mum pointed out to me when I was little — so much that I almost threw up — but she's right.”

Björk (1965) Icelandic singer-songwriter

From The Observer, March 13 2005 issue, asserting for the first time the appeal to her of feminist ideology
Other quotes

Beauty, Guy, Girl, Waiting

“Tis soothing, oh! most soothing to the heart,
To rove 'mid scenes where once we have been blest!
Each tree, each blossom, has a thrilling charm;
They seem memorials of those happier hours :
The very sigh that tells they are no more,
Is sweet unto the spirit; former days,
And former feelings, rise upon the soul,
Dear as they once have been.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto II, XII
The Fate of Adelaide (1821)

Feeling, Soul, Tree, Memory

“If good music has charms to soothe the savage breast, bad music has no less powerful spells for filling the mildest breast with rage, the happiest with horror and disgust. Oh, those mammy songs, those love longings, those loud hilarities! How was it possible that human emotions intrinsically decent could be so ignobly parodied.”

Aldous Huxley (1894–1963) English writer

“Silence is Golden,” p. 59
Do What You Will (1928)

Love, Music, Rage

“How unjust life is, to make physical charm so immediately apparent or absent, when one can get away with vices untold for ever.”

Margaret Drabble book A Summer Bird-Cage

A Summer Bird-Cage (1963; New York: Popular Library, 1977) p. 28 http://books.google.com/books?id=Q43gAAAAMAAJ&q=%22How+unjust+life+is+to+make+physical+charm+so+immediately+apparent+or+absent+when+one+can+get+away+with+vices+untold+for+ever%22&pg=PA28#v=onepage

Life

“It is Rome's secret charm to reconcile
Imagination with our long last sleep.
We are resign'd ourselves, and suffer less
For those we love. The people of the South
Paint closing life in hues less terrible
Than do the gloomy nations of the North :
The sun, like glory, even warms the grave.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Chant of Corinne at the Capitol
Translations, From the French

Love, Life, People, Secret

“Sweet sleep be with us, one and all!
And if upon its stillness fall
The visions of a busy brain,
We'll have our pleasure o'er again,
To warm the heart, to charm the sight,
Gay dreams to all! good night, good night.”

Joanna Baillie (1762–1851) Scottish poet and dramatist

The Phantom, song (1836); reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 201.

Pleasure, Dreams, Business, Sleep

“But in the glances of his eye,
A penetrating, keen, and sly
Expression found its home;
The flash of that satiric rage,
Which, bursting on the early stage,
Branded the vices of the age,
And broke the keys of Rome.
* * *
Still is thy name in high account,
And still thy verse has charms,
Sir David Lindesay of the Mount,
Lord Lion King-at-arms!”

David Lindsay (1490–1554) Scottish noble and poet

Sir Walter Scott Marmion (1808) Canto 4, st. 7.
Criticism

Age, Home, Rage

“Each lonely scene shall thee restore;
For thee the tear be duly shed;
Beloved till life can charm no more,
And mourn'd till Pity’s self be dead.”

William Collins (1721–1759) English poet, born 1721

Source: Dirge (1744), line 21.

Life, Tear, Dead

“What is charm, it is not a moral quality.. it is not intellectual for no man by much thinking is able to add a grain of it to his personality. One either has it or has it not, it cannot be acquired or even cultivated. It is not physical even.. it seems to be added to the human personality, an aura, a glow, the gold dust upon a butterfly's wing, the bloom upon a peach.”

Flora Thompson (1876–1947) English author and poet

February Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

Thinking, Personality

“The history of most fictions would be far stranger than the fictions themselves; but it would be a dark and sad chronicle. Half the works that constitute the charm of our leisure, that give their own interest to the long November evening, or add to the charm of a summer noon beneath the greenwood tree, are the offspring of poverty and of pain. … How often is the writer obliged to put his own trouble, his suffering, or his sorrow aside, to finish the task! The hand may tremble, the eyes fill with unbidden tears, and the temples throb with feverish pain, yet how often is there some hard and harsh necessity, which says, "the work must be done.””

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Pain, Sadness, History, Tear

“For some time my friend Doro and I had agreed that I would be his guest. I was very fond of Doro, and when he married and went to Genoa to live, I was half sick over it. When I wrote to refuse his invitation to the wedding, I got a dry and rather haughty note replying that if his money wasn't good for establishing himself in a city that pleased his wife, he didn't know what it was good for. Then, one fine day as I was passing through Genoa I stopped at his house and we made peace. I liked his wife very much, a tomboy type who graciously asked me to call her Clelia and left us alone as much as she should, and when she showed up again in the evening to go out with us, she had become a charming woman whose hand I would have kissed had I been anyone else but myself.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

Incipit
The Beach (1941)

Money, Peace, Kiss, Wedding

“If there be a doctrine that should win over the most incredulous by its charm and its beauty, it is that of the existence of spirit-protectors, or guardian-angels. To think that you have always near you beings who are superior to you, and who are always beside you to counsel you, to sustain you, to aid you in climbing the steep ascent of self-improvement, whose friendship is truer and more devoted than the most intimate union that you can contract upon the earth-is not such an idea most consoling? Those beings are near you by the command of God. It is He who has placed them beside you. They are there for love of Him, and they fulfil towards you a noble but laborious mission. They are with you wherever you may be; in the dungeon, in solitude, in the lazar-house, even in the haunts of debauchery. Nothing ever separates you from the friend whom you cannot see, but whose gentle impulsions are felt, and whose wise monitions are heard, in the innermost recesses of your heart.”

Allan Kardec (1804–1869) systematizer of Spiritism

Source: The Spirits' Book, p. 234.

Love, God, Friendship, Beauty

“A friend loves you for your intelligence, a mistress for your charm, but your family's love is unreasoning; you were born into it and are of its flesh and blood. Nevertheless it can irritate you more than any group of people in the world.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Family Life

Love, People, World, Family

“My spell is done, my prize is won;
True love! thou hast equal none;
True love! who could choose for thee
Gold or gems or vanity?
Where is the spell whose charm will prove,
Like the spell of thy charm, true love?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(28th February 1824) Metrical Tales. Tale I. The Three Wells - A Fairy Tale
The London Literary Gazette, 1824

Love

“It would be an endless task to trace the variety of meannesses, cares, and sorrows, into which women are plunged by the prevailing opinion that they were created rather to feel than reason, and that all the power they obtain, must be obtained by their charms and weakness.”

Mary Wollstonecraft book A Vindication of the Rights of Woman

Source: A Vindication of the Rights of Woman (1792), Ch. 4

Women, Feeling

“The second handers offer substitutes for competence such as love, charm, kindness - easy substitutes - and there is no substitute for creation.”

Ayn Rand (1905–1982) Russian-American novelist and philosopher

Journals of Ayn Rand (1997)

Love

“The name ‘London Banker’ had especially a charmed value. He was supposed to represent, and often did represent, a certain union of pecuniary sagacity and educated refinement which was scarcely to be found in any other part of society.”

Walter Bagehot (1826–1877) British journalist, businessman, and essayist

Lombard Street: A Description of the Money Market http://www.gutenberg.org/dirs/etext03/lsadm10.txt (1873)

Education, Parting

“Christ's method is divine. His words have the charm of antiquity with the freshness of yesterday; the simplicity of a child with the wisdom of a God; the softness of kisses from the lip of love, and the force of the lightning rending the tower. His parables are like groups of matchless statuary; His prayers like an organ peal floating round the world and down the ages, echoed by the mountain-peaks and plains into rich and varied melody, in which all devout hearts find their noblest feelings at once expressed, sustained, refined. His truths are self-evidencing. They fall into the soul as seed into the ground, to rest and germinate. He speaks, and all nature and life become vocal with theology.”

Edward Thomson (1810–1870) American bishop

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 63.

Love, Life, Wisdom, God

“No life is so charming as a country one in England, and no flowers are sweeter or more lovely than the primroses, cowslips, bluebells, and violets that grow in abundance all around me here.”

Marianne North (1830–1890) English biologist and botanical artist

Recollections of a Happy Life:Being the autobiography of of Marianne North, ed. Mrs John Addington Symonds, Macmillan (1892).

Love, Life, Flowers, Country

“I am more strongly confirmed than ever in the belief that the time devoted to chess is literally frittered away. It is, to be sure, a most exhilarating sport, but it is only a sport; and it is not to be wondered at that such as have been passionately addicted to the charming pastime should one day ask themselves whether sober reason does not advise its utter dereliction.”

Paul Morphy (1837–1884) American chess player

From Morphy's letter to Daniel Fiske, February 4, 1863 https://web.archive.org/web/20150722050734/http://www.edochess.ca/batgirl/Morphy_to_Fiske_Feb4.html

Sport, Passion, Time

“…we must go to the poets to see what they all meant by it; but the sum is an emotion — clear and strong as love and much clearer than logic,— whose charm lies in its unstable balance. The Transition is the equilibrium between the Love of God,— which is Faith, and the Logic of God,— which is Reason; between the round arch and the pointed. One may not be sure which pleases most, but one need not be harsh towards people who think that the moment of balance is exquisite. The last and highest moment is seen at Chartres where, in 1200, the charm depends on the constant doubt whether emotion or science is uppermost.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Love, God, People, Faith

“The fact that Pinhead is a character that audiences want to watch, that women find sexy, that people have tattooed on their own bodies, I think, is perfectly extraordinary, and I'm incredibly pleased about it. I don't think an analysis of what he does in the movies ever completely illuminates the charm that the guy has.”

Clive Barker (1952) author, film director and visual artist

"A Living 'Hellraiser'", The Daily Bruin, Thursday, May 7, 1992

Women, People, Guy, Thinking

“Nudes -- stark and glistening,
Yelling in lurid glee. Grinning faces
And raging limbs
Whirl over the floor one fire.
For a shirt verminously busy
Yon soldier tore from his throat, with oaths
Godhead might shrink at, but not the lice.
And soon the shirt was aflare
Over the candle he'd lit while we lay.Then we all sprang up and stript
To hunt the verminous brood.
Soon like a demons' pantomine
The place was raging.
See the silhouettes agape,
See the glibbering shadows
Mixed with the battled arms on the wall.
See gargantuan hooked fingers
Pluck in supreme flesh
To smutch supreme littleness.
See the merry limbs in hot Highland fling
Because some wizard vermin
Charmed from the quiet this revel
When our ears were half lulled
By the dark music
Blown from Sleep's trumpet.”

Isaac Rosenberg (1890–1918) English poet

On Receiving News of the War (1914), Louse Hunting

Music, Business, Sleep, Rage

“That ignorant confidence in one's self and one's future, which comes in life's first dawn, has a sort of mournful charm in experienced eyes, who know how much it all amounts to.”

Harriet Beecher Stowe (1811–1896) Abolitionist, author

The Pearl of Orr's Island : A Story of the Coast of Maine (1862).

Life, Confidence, Future

“Four decades after the mullahs created the Khomeinist republic their revolution has not produced a single poet worth the name. Khomeini and Khamenei, both amateur poets, have produced nothing but frankly embarrassing imitations of classical ghazal without its charm. The last remaining great poets of the pre-revolution era are all in exile, among them Hushang Ebtehaj, Manuchehr Yektai, Yadollah Roya’i, Esmail Khoi, Muhammad Jalali, and Hadi Khorsandi. Inside Iran, some promising younger poets such as Sa’id Sultanpour, Heydar Mehregan, and, more recently, Hashem Shaabani were executed by the regime but gained posthumous popularity greater than any officially endorsed poet. At the same time, almost all of Iran’s poets, from the 9th century to this day, are either censored or, in rare cases, totally banned by the mullahs. Most poets of the past 100 years are on various blacklists established by the oxymoronically named Ministry of Islamic Guidance and Culture. And, yet, Khamenei calls on the government to prepare a plan, and allocate resources, to increase the production of poetry as if it were the same as centrifuges churning out enriched uranium.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Time, Past

“To me more dear, congenial to my heart,
One native charm, than all the gloss of art.”

Oliver Goldsmith The Deserted Village

Source: The Deserted Village (1770), Line 253.

Art, Heart

“Were I to use the wits the good Spirits gave me,” he said, “then I would say this lady can not exist — for what sane man would hold a dream to be reality. Yet rather would I not be sane and lend belief to charmed, enchanted eyes.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Source: The Foundation series (1951–1993), Foundation and Empire (1952), Chapter 13 “Lieutenant and Clown”

Dreams, Reality

“This accessible production [of Don Giovanni - ed. ] concentrates on the comic delights of the piece and rests heavily on the roguish charms of Vytautas Juozapaitis in the title role. Indeed, he's so delightfully decadent, and so charismatic a performer, that the righteous indignation of those he has harmed makes them seem priggish in comparison.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Nigel Powlson, "Womaniser's charms are hard to resist". Derby Evening Telegraph (July 23, 2004)

“He liked to be popular and in place of charm had to dispense alcohol…”

John Fowles book Daniel Martin

Daniel Martin (1977)

Alcohol

“Winning children (who appear so guileless) are children who have discovered how effective charm and modesty and a delicately calculated spontaneity are in winning what they want.”

Thornton Wilder (1897–1975) American playwright and novelist

Writers at Work interview (1958)

Children, Appearance

“Raise a song for her, O Muse!
The violet-crownèd maiden,
And praise her soft throat's changing hues,
Her low voice, laughter-laden. Sing yet again her thousand charms,
Her eyes entrancing splendour,
Her swarthy cheeks and supple arms
And bosom dark and tender. Yea, sing forevermore of her,
My mistress soft-beguiling,
Fairest of all who are, or were,
My Sappho, sweetly-smiling.”

Alcaeus of Mytilene (-600–-560 BC) ancient Greek poet

"No More for Lycus", as translated by James S. Easby-Smith

Smile, Laughter, Change, Singing

“One man I know, and one only, who can be praised for his achievements in this science. Of discourses and battles of words he takes no heed: he follows the works of wisdom, and in these finds rest. What others strive to see dimly and blindly, like bats in twilight, he gazes at in the full light of day, because he is a master of experiment. Through experiment he gains knowledge of natural things, medical, chemical, indeed of everything in the heavens or earth. He is ashamed that things should be known to laymen, old women, soldiers, ploughmen, of which he is ignorant. Therefore he has looked closely into the doings of those who work in metals and minerals of all kinds; he knows everything relating to the art of war, the making of weapons, and the chase; he has looked closely into agriculture, mensuration, and farming work; he has even taken note of the remedies, lot casting, and charms used by old women and by wizards and magicians, and of the deceptions and devices of conjurors, so that nothing which deserves inquiry should escape him, and that he may be able to expose the falsehoods of magicians. If philosophy is to be carried to its perfection and is to be handled with utility and certainty, his aid is indispensable. As for reward, he neither receives nor seeks it. If he frequented kings and princes, he would easily find those who would bestow on him honours and wealth. Or, if in Paris he would display the results of his researches, the whole world would follow him. But since either of these courses would hinder him from pursuing the great experiments in which he delights, he puts honour and wealth aside, knowing well that his wisdom would secure him wealth whenever he chose. For the last three years he has been working at the production of a mirror that shall produce combustion at a fixed distance; a problem which the Latins have neither solved nor attempted, though books have been written upon the subject.”

Roger Bacon book Opus Tertium

Bridges assumes that Bacon refers here to Peter Peregrinus of Maricourt. <br class="br">Source: Opus Tertium, c. 1267, Ch. 13 as quoted in J. H. Bridges, The 'Opus Majus' of Roger Bacon (1900) Vol.1 http://books.google.com/books?id=6F0XAQAAMAAJ Preface p.xxv

Wisdom, Women, War, Books

“You entered my aura and fell into my arms.
I just wrapped around you like a snake that's been charmed.”

Amber (1970) Dutch born German singer, songwriter, label owner and executive producer

"You Move Me", My Kind of World (2004).

“Fly hence, shadows, that do keep,
Watchful sorrows, charmed in sleep.”

John Ford (dramatist) (1586–1639) dramatist

Act V, sc. i.
The Lover's Melancholy (1628)

Sleep, Flying

“We still have prostitutes standing on our corner, and people crapping round the back of buildings. The charms are still there.”

Rachel Whiteread (1963) British sculptor

On her home-studio in Bethnal Green, as quoted in "Still breaking the mould" by Gordon Burn in The Guardian (11 October 2005) http://www.guardian.co.uk/arts/features/story/0,11710,1589344,00.html

People

“Settle in your mind, that no sermon is worth much in which the Lord is not the principal speaker. There may be poetry, refinement, historic truth, moral truth, pathos, and all the charms of rhetoric; but all will be lost, for the purposes of preaching, if the word of the Lord is not the staple of the discourse.”

John Hall (1829–1898) Presbyterian pastor from Northern Ireland in New York, died 1898

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 477.

Truth

“A louder sweep the music gave :
The chieftain of the charmed wave,
Graceful upon his steed of snow,
Rises from his blue halls below;
And rode he like a victor-knight
Thrice glorious in his arms of light.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Haunted Lake
The Golden Violet (1827)

Music, Light

“There is no power in holy men,
Nor charm in prayer, nor purifying form
Of penitence, nor outward look, nor fast,
Nor agony—nor, greater than all these,
The innate tortures of that deep despair,
Which is remorse without the fear of hell,
But all in all sufficient to itself
Would make a hell of heaven,—can exorcise
From out the unbounded spirit the quick sense
Of its own sins, wrongs, sufferance, and revenge
Upon itself; there is no future pang
Can deal that justice on the self—condemn'd
He deals on his own soul.”

George Gordon Byron book Manfred

Act III, scene i.
Manfred (1817)

Men, Fear, Justice, Soul

“Suppose I want to paint a woman's body: first of all I imbue it with grace and charm, but I know that I must give something more. I will condense the meaning of this body by seeking its essential lines. The charm will be less apparent at first glance, but it must eventually emerge from the new image which will have a broader meaning, one more fully human.”

Henri Matisse (1869–1954) French artist

1905 - 1910, Notes of a Painter' (1908)

Painting

“A cypress-bough, and a rose-wreath sweet,
A wedding-robe, and a winding-sheet,
A bridal bed and a bier.
Thine be the kisses, maid,
And smiling Love’s alarms;
And thou, pale youth, be laid
In the grave’s cold arms.
Each in his own charms,
Death and Hymen both are here;
So up with scythe and torch,
And to the old church porch,
While all the bells ring clear:
And rosy, rosy the bed shall bloom,
And earthy, earthy heap up the tomb.”

Thomas Lovell Beddoes (1803–1849) English poet, dramatist and physician

A Cypress-Bough, and A Rose-Wreath Sweet, from The Poetical Works of Thomas Lovell Beddoes (1890).

Love, Death, Youth, Smile

“Charm was what he excelled at. If anyone sensed his underlying shallowness, they usually mistook it for well-hidden great depth of character, like misinterpreting a radar bounce.”

Alastair Reynolds book Century Rain

Source: Century Rain (2004), Chapter 4 (p. 42)

Sense

“Stephen King writes a lot of things that are really charming and quirky, and that are more ironic than horror.”

William H. Macy (1950) American actor, screenwriter, teacher and director in theater, film and television

As quoted in Wordcatcher : An Odyssey into the World of Weird and Wonderful Words (2010), by Phil Cousineau, p. 219.

“Civilizations founded upon polygamy have always given way to those founded upon monogamy. Polygamy weakens men and diminishes the charm of the community in which it is practiced; and in any case it is foreign to the tastes and requirements of our modern women.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Marriage

Women, Men, Way, Communication

“Wallace's emotions on discovering such marvels must surely be echoed by all of us who follow him. This is what he wrote:
"I thought of the long ages of the past during which the successive generations of these things of beauty had run their course. Year by year being born and living and dying amid these dark gloomy woods with no intelligent eye to gaze upon their loveliness, to all appearances such a wanton waste of beauty. It seems sad that on the one hand such exquisite creatures should live out their lives and exhibit their charms only in these wild inhospitable regions. This consideration must surely tell us that all living things were not made for man, many of them have no relation to him, their happiness and enjoyment's, their loves and hates, their struggles for existence, their vigorous life and early death, would seem to be immediately related to their own well-being and perpetuation alone."”

David Attenborough (1926) British broadcaster and naturalist

Closing lines, quoting from The Malay Archipelago (1869) by Alfred Russel Wallace.
Attenborough in Paradise (1996)

Love, Life, Death, Hate

“In most writers, style is a welcome, an invitation, a letting down of the drawbridge between the artist and the world. Shaw had no time for such ruses. Unlike most of his countrymen, he abominated charm, which he regarded as evidence of chronic temperamental weakness.”

Kenneth Tynan (1927–1980) English theatre critic and writer

"Bernard Shaw" (1956), p. 102
Profiles (1990)

World, Time

“Remember when I told you, for the first time? You nearly threw me off the roof—”
“I thought you deserved it. You know, it’s an opinion I return to from time to time, whether or not a roof is available.”
“You’re a difficult woman, Sabetha. But then, difficult women are the only ones worth falling in love with.”
“How would you know? It’s not like you’ve ever been after anyone else—”
“That part’s easy. I started with the most difficult woman possible, so there was never any need to look any further.”
“You’re trying to be charming.” She squeezed his hand once, then pulled away. “I choose not to be entirely charmed, Locke Lamora.”
“Not entirely?”

Scott Lynch book The Republic of Thieves

“Not entirely. Not yet.”
Source: The Republic of Thieves (2013), Chapter 8 “The Five-Year Game: Infinite Variation” section 11 (p. 483)

Love, Women, Time, Parting

“I appreciated the sense of drama he wanted to inject into my existence and I was flattered that he thought I, or at least some essential if somewhat abstract principle within me, was worth saving.I also felt surging within me a fierce need to be independent. Of course I responded to the appeal of divine hydraulics, this system of souls damned or crowned or destroyed or held in suspense, these pulleys and platforms sinking and lifting on the great stage, and I recognized that my view of things seemed by contrast impoverished, lacking in degree and incident. But the charming intricacy of a myth is not sufficient to compel belief. I found no good reason to assume that the ultimate nature of reality happened to resemble the backstage of an opera house.”

Edmund White book A Boy's Own Story

Source: A Boy's Own Story (1982), Chapter Six (p. 203).

Soul, Nature, Reality, Sense

“Art, moreover, is taste. It is the reflection of the artist's heart upon all the objects that he creates. It is the smile of the human soul upon the house and on the furnishing. It is the charm of thought and of sentiment embodied in all that is of use to man. But how many of our contemporaries fed the necessity of taste in house or furnishing? Formerly, in old France, Art was everywhere. The smallest bourgeois, even the peasant, made use only of articles which pleased the eye. Their chairs, their tables, their pitchers and their pots were beautiful. Today Art is banished from daily life. People say that the useful need not be beautiful. All is ugly, all is made in haste and without grace by stupid machines. The artist is regarded as an antagonist. Ah, my dear Gsell, you wish to jot down an artist's musings. Let me look at you! You really are an extraordinary man!”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Preface, p. 8-9

Life, People, Stupidity, Smile

“The alleged power to charm down insanity, or ferocity in beasts, is a power behind the eye.”

Ralph Waldo Emerson book The Conduct of Life

The Conduct of Life, Behaviour
Bartlett's Familiar Quotations, 10th ed. (1919)

“Our poor friend Sisley, alas! will not assist at the final triumph, which is near, and of which he has seen but the dawning : he is gone too soon, and just at the moment when, in reparation for long injustice, full homage is about to be rendered those strong and charming qualities which make him a painter exquisite and original among them all, a magician of light, a poet of the heavens, of the waters, of the trees — in a word, one of the most remarkable landscapists of this day.”

Adolphe Tavernier (1853–1945) French writer, art critic, collector and journalist

As quoted in Burnley Bibb, The Work of Alfred Sisley, The Studio, December 1899,

Tree, Light, Strong, Water

“After all, in the poets love has its priests, and sometimes one hears a voice which knows how to defend it; but of faith one hears never a word. Who speaks in honor of this passion? Philosophy goes further. Theology sits rouged at the window and courts its favor, offering to sell her charms to philosophy. it is supposed to be difficult to understand Hegel, but to understand Abraham is a trifle. To go beyond Hegel's is a miracle, but to get beyond Abraham is the easiest thing of all.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Problemata: Preliminary Expectoration
1840s, Fear and Trembling (1843)

Love, Faith, Understanding, Passion

““Oh. I was beginning to worry.”
“You do that,” Kit laughed. “I like it better when you’re worried. Proves you’re thinking.”
She put out a pink tongue. “You’re mean and horrible. Why does everybody else like you?”
Kit scratched his head. “Search me. Guess it’s my good looks and charm.””

Robert Lynn Asprin (1946–2008) American science fiction and fantasy author

Source: Time Scout (1995), Chapter 9 (p. 173)

Search, Thinking

“Here we are at the gates of the great and powerful OZ! And we have come for your children! We are the REAL Politically Incorrect! Our lives are not Charmed! We WORK for a living! When was the last time [network television] admitted we even EXIST? Roseanne? Sanford and Son? Taxi? [disgusted] Jerry Springer! Our young people are NOT Teenage Witches! Nor are they Clueless! Fact is, they neither have NOR WANT ANYTHING in common with Dawson's Creek, Popular or Spoiled White Rich BABIES 90210!”

Jello Biafra (1958) singer and activist

"Become the Media" (Track 10)
Become the Media (2000)

Children, People, Time, Baby

“Oh my precocious one," she said. "You never fail to charm me. Bisexual is it, how Byronic and charming. Doesn't that double's one's chances for love? I'm so delighted.”

Anne Rice book Blackwood Farm

Blackwood Farm (2002)

Love, Chance

“Meals make the society, hold the fabric together in lots of ways that were charming and interesting and intoxicating to me. The perfect meal, or the best meals, occur in a context that frequently has very little to do with the food itself.”

Anthony Bourdain (1956–2018) Chef and food writer

Alden Mudge, "On tour with a guerrilla gourmet" http://www.bookpage.com/0112bp/anthony_bourdain.html, interview, BookPage.com, accessed June 17, 2007.

Food, Way, Perfection

“There was also a real Dayton out there, a charming small Ohio city, famous as the birthplace of the Wright Brothers. Its citizens energized us from the outset. Unlike the population of, say, Noew York, Geneva or Washington, which would scarcely notice another conference, Daytonians were proud to be part of history. Large signs at the commercial airport hailed Dayton as the "temporary center of international peace". The local newspapers and television stations covered the story from every angle, drawing the people deeper into the proceedings. When we ventured into a restaurant or a shopping center downtown, people crowded around, aying that they were praying for us. Warren Christopher was given at least one standing ovation in a restaurant. Families on the air base placed "candles of peace" in their front windows, and people gathered in peace vigils outside the base. One day they formed a "peace chain", although it was not large enough to surround the sprawling eight-thousand-acre base. Ohio's famous ethnic diversity was only on display. We did everything possible to emphasize the fact that in the American heartland people from every part of southeastern Europe lived together in peace, their competition restricted to softball games, church rivalries, and the occasional barroom fight. (…)”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 234

People, Family, Peace, History

“Balzac has often provided us with the tragic spectacle of an old man in love. Obliged now to obtain with gifts and favors what his personal charm won for him in his earlier days, the aged lover will ruin himself for every young woman clever enough to waken a crazy hope in his breast. Chateaubriand, who knew only too well what such suffering was like, left a terrible manuscript entitle Amour et Vieillesse; it is the long and grievous lament of a lover who does not know hot to grow old. "Those who have loved women a great deal will always love them; that is their punishment." And women who have loved many men are punished by hearing the younger among them say with genuine surprise: "I'm told she was once very beautiful."”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Love, Women, Men, Age

“Perhaps 't is pretty to force together
Thoughts so all unlike each other;
To mutter and mock a broken charm,
To dally with wrong that does no harm.”

Samuel Taylor Coleridge Christabel

Conclusion to Part II
Bartlett's Familiar Quotations, 10th ed. (1919), Christabel

“The clean delicate lines of her figure, the exquisite pure colouring of hair and skin, the charming young arrogance of the eyes — this was beauty, he reflected, a miracle, a revelation. Her virginal fineness and her dress, which was the tint of pale fire, gave her the air of a creature of ice and flame.”

John Buchan book Huntingtower

Prologue
Huntingtower (1922)

Beauty

“Him, who was with the charm of the Tripuṇḍra and whose favourite deity was Rāma; him, who was bearing the axle of the lustre of the ornament [in the form of the nascent moon] and who was agreeable by this joy; him, who was the protector of the bearer of the onus of Dharma with the power of his eminence; and him, who was endowed with the refuge of Rāma owing to the pleasantness of the resplendence of the bull-sign which stands for righteousness. ॥ 3.26 ॥”

Rāmabhadrācārya (1950) Hindu religious leader

lalāmamādhuryasudhābhirāmakaṃ lalāmamādhuryasudhābhirāmakam ।
lalāmamādhuryasudhābhirāmakaṃ lalāmamādhuryasudhābhirāmakam ॥
Śrībhārgavarāghavīyam

Joy

“[I had] pushed through to a spiritual sex: art--that nobody protects as readily as a charming love body of flesh.”

Elsa von Freytag-Loringhoven (1874–1927) German poet

Quoted in Irene Gammel, Baroness Elsa: Gender, Dada and Everyday Modernity, p 54.

Love, Art, Sex

“The poet, says Baudelaire, is a decipherer, a Kabbalist of reality, a decoder. Ordinary life, if it is not a message in code, a system of symbols for something else, is unacceptable. It must be a cryptogram; it can't be what it seems. The poet's task is to decode the incomprehensible obvious. His life becomes a deliberately constructed paranoia, as Rimbaud, Breton, Artaud were to say generations later.
As we read him, we discover that Baudelaire believes in the charm, the incantation, the cryptogram, but he ceases to believe in the secret. The spirits have not risen. The code says nothing. This is the mystery concealed by the disorder of the world. The visionary experience ends in itself; the light of the illuminated comes only from and falls only on himself.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Baudelaire: Poems (p. 175)
Classics Revisited (1968)

Life, Secret, World, Reality

“It seems to me the charm of etching is the glimmering through of the white paper even in the shadows so that almost everything sparkles or suggest sparkles.”

Samuel Palmer (1805–1881) British landscape painter, etcher and printmaker

Letter to Thomas Oldham Barlow (1876), from The Letters of Samuel Palmer, ed. Raymond Lister (Oxford, 1974)

“Twilight remained, a fairy half-light in which all things looked much more charming than they really were.”

Murray Leinster book The Pirates of Zan

Source: The Pirates of Zan (1959), Chapter 7

Light

“I call 'parallelism' any kind of repetition. When I feel most strongly the charm of things in nature, there is always an impression of unity. If my way leads into a pine wood where the trees reach high into heaven, I see the trunks that stand to the right and to the left of me as countless columns. One and the same vertical line, repeated many times, surrounds me. Now, if these trunks should be clearly outlined on an unbroken dark background, if they should stand out against the deep blue of the sky, the reason for this impression of unity is parallelism.”

Ferdinand Hodler (1853–1918) Swiss artist

from: Die Kunst Ferdinand Hodlers, 1923

Way, Feeling, Nature, Tree

“The first two things to study are form and values. For me, these are the bases of what is serious art. Color and finish put charm into one’s work.... it seems to me very important to begin by an indication of the darkest values (assuming that the canvas is white), and to continue in order to the lightest value. From the darkest to the lightest I would establish twenty shades... Never lose sight of that first impression by which you were moved. Begin by determining your composition. Then the values – the relation of the forms to the values. These are the basis. Then the color, and finally the finish.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Quote from Corot's 'Notebooks', ca. 1828, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 240
1820 - 1850

Art, Color, Study

“It was, therefore, the sort of loveliness which is not perfect, but draws its charm from a measure of imbalance, which can accommodate flaws and make little of them, for a while at least.”

Tanith Lee book Drinking Sapphire Wine

Part 2, Chapter 1 (p. 60)
Drinking Sapphire Wine (1977)

Drawing, Perfection

“He saw her charming, but he saw not half
The charms her downcast modesty conceal'd.”

James Thomson (poet) The Seasons

Source: The Seasons (1726-1730), Autumn (1730), l. 229.

“A preacher must have some intelligence to charm the people by his florid style, by his exhilarating system of morality, by the repetition of his figures of speech, his brilliant remarks and vivid descriptions; but, after all, he has not too much of it, for if he possessed some of the right quality he would neglect these extraneous ornaments, unworthy of the Gospel, and preach naturally, forcibly, and like a Christian.”

Jean de La Bruyère book Les Caractères

Of The Pulpit (8)
Les Caractères (1688)

People, Intelligence, Nature

“To you, of right, these pages must be inscribed, the fountain of their best thoughts, not as mere praise, but for the instruction of others, to record the charm of perfect companionship, proved by your example; the instinctive homage even of brutes before the magic of an amiable and generous heart, without a selfish trace… Were all hearts tuned like yours, an appeal to human justice would not be needed: — Then to your name a fitter title might be inscribed — the Wrongs of Animals ceased for ever, the dubious vestiges of Eden might become the certain foot-prints of our dialy practice; and cruelty and suffering known no more.”

David Mushet (1772–1847) Scottish metallurgist

The Wrongs of the Animal World, to Which is Subjoined the Speech of Lord Erskine on the Same Subject http://books.google.com/books?id=KVwPAAAAIAAJ&pg=PR5, London, 1839. p. vi-v; As cited in: animalrightshistory.org http://animalrightshistory.org/animal-rights-c1837-1901/victorian-m/mus-david-muschet/1839-wrongs-animal-world.htm, 2014

Justice, Suffering, Heart, Animals

“In the armoury of man, charm is the enchanted dart, light and subtle as a hummingbird. But it is deceptive in one thing - like a sense of humour, if you think you've got it, you probably haven't.”

Laurie Lee (1914–1997) British writer

Charm, p. 71.
I Can't Stay Long (1975)

Thinking, Sense, Light

“It was pleasant to me to get a letter from you the other day. Perhaps I should have found it pleasanter if I had been able to decipher it. I don't think that I mastered anything beyond the date (which I knew) and the signature (which I guessed at).

There's a singular and a perpetual charm in a letter of yours; it never grows old, it never loses its novelty… Other letters are read and thrown away and forgotten, but yours are kept forever - unread. One of them will last a reasonable man a lifetime.”

Thomas Bailey Aldrich (1836–1907) American poet, novelist, editor

letter to Professor E.S. Morse http://books.google.com/books?id=fYQCAAAAYAAJ&pg=PA41&lpg=PA41&dq=There's+a+singular+and+a+perpetual+charm+in+a+letter+of+yours&source=bl&ots=DDWCA6FHyJ&sig=MyOOelB_Q2Fmd4jNObeyuptofsc&hl=en&ei=CYKiSvfaNof8MbOq3N0P&sa=X&oi=book_result&ct=result&resnum=1#v=onepage&q=%22There's%20a%20singular%20and%20a%20perpetual%20charm%20in%20a%20letter%20of%20yours%22&f=false, circa 1889.

Thinking, Reading

“I went to the Rayburn Building the other day on trifling business. It was an appalling experience. I had forgotten how preposterous the thing is with its pretentious megatonnage of rock and steel spreading acre after acre down the slope of Capitol Hill in sullen defiance to eternity and man.
It dwarfs the forum of the Caesars. Mussolini would have wept in envy.
Inside, one is compelled to dwell upon the insignificance of humanity. Not a single tiny wisp of beauty, nothing that is graceful, or charming, or eccentric, or human presents itself to the senses. Trying to imagine Clay and Webster in this celebration to the death of the spirit, erected to the glory that was Congress, is an exercise in comic despair.
What do we have? Banks of stainless-steel elevators. Miracles of plumbing. Corridors of cemetery marble stretching to far horizons under the most artificial light millions of dollars can create, a light that abides no shadow, grants no privacy, tolerates nothing that is interesting in the slightest degree.
Occasionally a small figure appeared in the distance, grew larger, then larger, then assumed human proportion, then passed and became smaller, and smaller, and smaller. Two ants had passed in a pyramid.”

Russell Baker (1925–2019) writer and satirst from the United States

"Moods of Washington" (p.36)
So This Is Depravity (1980)

Death, Beauty, Exercises, Imagination

“Charm is the ultimate weapon, the supreme seduction, against which there are few defences. If you've got it, you need almost nothing else, neither money, looks, nor pedigree. It's a gift, only to be given away, and the more used the more there is. It is also a climate of behaviour set for the perpetual summer and thermostatically controlled by taste and tact.”

Laurie Lee (1914–1997) British writer

Charm, p. 67.
I Can't Stay Long (1975)

Money, Summer

“I do not know if you remember the tale of the girl who saves the ship under mutiny by sitting on the powder barrel with her lighted torch … and all the time knowing that it is empty? This has seemed to me a charming image of the women of my time. There they were, keeping the world in order … by sitting on the mystery of life, and knowing themselves that there was no mystery.”

Karen Blixen book Seven Gothic Tales

"The Old Chevalier"
Seven Gothic Tales (1934)

Life, Women, World, Girl

“Modesty is the gentle art of enhancing your charm by pretending not to be aware of it.”

Oliver Herford (1863–1935) American writer

Ladies' Home Journal, Volume 72 (1955), p. 156.
Attributed

Art

“Woman would be more charming if one could fall into her arms without falling into her hands.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Epigrams

“The hangover theory, then, turns out to be intellectually incoherent; nobody has managed to explain why bad investments in the past require the unemployment of good workers in the present. Yet the theory has powerful emotional appeal. Usually that appeal is strongest for conservatives, who can't stand the thought that positive action by governments (let alone—horrors!—printing money) can ever be a good idea. Some libertarians extol the Austrian theory, not because they have really thought that theory through, but because they feel the need for some prestigious alternative to the perceived statist implications of Keynesianism. And some people probably are attracted to Austrianism because they imagine that it devalues the intellectual pretensions of economics professors. But moderates and liberals are not immune to the theory's seductive charms—especially when it gives them a chance to lecture others on their failings.”

Paul Krugman (1953) American economist

"The Hangover Theory", Slate (Dec. 4, 1998)

Money, People, Feeling, Imagination

“He had come on her that morning in a moment of disarray; her face had been pale and altered, and the diminution of her beauty had lent her a poignant charm. That is how she looks when she is alone! had been his first thought; and the second was to note in her the change which his coming produced.”

Edith Wharton book The House of Mirth

"The House of Mirth" http://www.readprint.com/chapter-10542/The-House-of-Mirth-Edith-Wharton (1905), bk. 1, ch. 6

Beauty, Change

“Translators are like busy match-makers: they sing the praises of some half-veiled beauty, and extol her charms, and arouse an irresistible longing for the original.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Maxim 426; translation by Bailey Saunders
Maxims and Reflections (1833)

Beauty, Business, Singing

“Every naturalism begins as involuntary naïveté. Initially, we cannot help thinking that the “order of things” is an objective order. For the first glance falls on the things and not on the “eyeglasses.” In the work of enlightenment, this first innocence becomes irretrievably lost. Enlightenment leads to the loss of naïveté and it furthers the collapse of objectivism through a gain in self-experience. It effects an irreversible awakening and, expressed pictorially, executes the turn to the eyeglasses, i. e., to one’s own rational apparatus. Once this consciousness of the eyeglasses has been awakened in a culture, the old naïveté loses its charm, becomes defensive, and is transformed into narrow-mindedness, which is intent on remaining as it is. The mythology of the Greeks is still enchanting; that of fascism is only stale and shameless. In the first myth, a step toward an interpretation of the world was taken; in simulated naïveté, an artful stupefaction (Verdummung) is at work—the predominant method of self-integration in advanced social orders.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 59

World, Art, Nature, Thinking

“I had been six years at sea, but had only seen Melbourne and Sydney, very good places, charming places in their way — but Bankok!”

Joseph Conrad (1857–1924) Polish-British writer

Youth, A Narrative http://www.gutenberg.org/files/525/525.txt (1902)

Way, Sea

“The moon came white and ghostly as we laid the treasure down,
There was gear there’d make a beggarman as rich as Lima Town,
Copper charms and silver trinkets from the chests of Spanish crews,
Gold doubloons and double moidores, louis d’ors and portagues”

John Masefield (1878–1967) English poet and writer

Ballads and Poems (1910), "Spanish Waters"

“People may flatter themselves just as much by thinking that their faults are always present to other people's minds, as if they believe that the world is always contemplating their individual charms and virtues.”

Elizabeth Gaskell book Wives and Daughters

Wives and Daughters, ch. 50 (1864-5)
Wives and Daughters

People, World, Thinking

“5371. Virtue hath such Charms, that even the Vicious inwardly reverence it.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Compare Poor Richard's Almanack (1747) : There is no Man so bad, but he secretly respects the good.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“Muhammad took the fort [of Rawar] and stayed there for two or three days. He put six thousand fighting men, who were in the fort, to the sword, and shot some with arrows. The other dependents and servants were taken prisoners, with their wives and children… When the number of the prisoners was calculated, it was found to amount to thirty thousand persons, amongst whom thirty were the daughters of chiefs, and one of them was Rai Dahir's sister's daughter, whose name was Jaisiya. They were sent to Hajjaj. The head of Dahir and the fifth part of the prisoners were forwarded in charge of Ka'ab, son of Mharak. When the head of Dahir, the women, and the property all reached Hajjaj, he prostrated himself before Allah, offered thanksgivings and praises… Hajjaj then forwarded the head, the umbrellas, and wealth, and the prisoners to Walid the Khalifa. When the Khalifa of the time had read the letter, he praised Almighty Allah. He sold some of those daughters of the chiefs, and some he granted as rewards. When he saw the daughter of Rai Dahir’s sister he was much struck with her beauty and charms, and began to bite his finger with astonishment…. It is said that after the conquest was effected and the affairs of the country were settled and the report of the conquest had reached Hajjaj, he sent a reply to the following effect. 'O my cousin! I received your life-inspiring letter. I was much pleased and overjoyed when it reached me. The events were recounted in an excellent and beautiful style, and I learnt that the ways and rules you follow are conformable to the Law. Except that you give protection to all, great and small alike, and make no difference between enemy and friend. God says, - Give no quarter to Infidels, but cut their throats. Then know that this is the command of the great God [Allah]. You shall not be too ready to grant protection, because it will prolong your work. After this, give no quarter to any enemy except to those who are of rank.”

Muhammad bin Qasim (695–715) Umayyad general

The Chach Nama, in: Elliot and Dowson, History of India as told by its own Historians, Volume I, p. 172-173. Also partially quoted in B.R. Ambedkar, Pakistan or The Partition of India (1946)
Quotes from The Chach Nama

Life, Women, Men, God

“One of the charms of Africa, is the long settled periods of pure unclouded sky, in which the sun rises and sets with no flaming splashes of vivid colours, but by gentle, imperceptible gradations of pure light, waning or waxing.”

Robert Erskine Childers (1870–1922) Irish nationalist and author

"In the Ranks of the C.I.V.", by Erskine Childers, Smith & Elder and Co. (London, 1901), p. 127.
Literary Years and War (1900-1918)

Light, Sun

“Five years ago I spent two and a half months in Berlin, and every day I visited the museum to have at least a brief look at this divine masterpiece [a portrait of the soldier of fortune, Alessandro del Borro, then attributed to Diego Velazquez, and later to an unknown master], and every day my soul sang in response to it stronger and stronger. I was very sick then, and that genius alone reconciled me to my life when there was so much suffering in it. Looking at his creation, at these lines, at these half-tones (remember that shadowed jaw against the background or the column against the dress), at all this charm of the art, at this grand style, I started to want to live again, to see it again and again, to live on by painting and perhaps by painting alone.”

Marianne von Werefkin (1860–1938) expressionist painter

Quote in Werefkin's Letter to Igor Grabar on August 10, 1895; Department of Manuscripts of the State Tretyakov Gallery, Fund 106. Item 3242
1895 - 1905

Life, Art, Soul, Suffering

“Jesus! How does the very word overflow with sweetness, and light, and love, and life; filling the air with odors, like precious ointment poured forth; irradiating the mind with a glory of truths on which no fear can live, soothing the wounds of the heart with a balm that turns the sharpest anguish into delicious peace, shedding through the soul a cordial of immortal strength. Jesus! the answer to all our. doubts, the spring of all our courage, the earnest of all our hopes, the charm omnipotent against all our foes, the remedy for all weakness, the supply of all our wants, the fullness of all our desires. Jesus! at the mention of whose name every knee shall bow and every tongue confess. Jesus! our power; Jesus! our righteousness, our sanctification, our redemption — Jesus! our elder brother, our blessed Lord and Redeemer. Thy name is the most transporting theme of the church, as they sing going up from the valley of tears, to their home on the mount of God; Thy name shall ever be the richest chord in the harmony of heaven, while the angels and the redeemed unite their exulting, adoring songs around the throne of God.”

George Washington Bethune (1805–1862) American hymnwriter

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 54.

Love, Life, God, Truth

“The male is completely egocentric, trapped inside himself, incapable of empathizing or identifying with others, or love, friendship, affection or tenderness. He is a completely isolated unit, incapable of rapport with anyone. His responses are entirely visceral, not cerebral; his intelligence is a mere tool in the services of his drives and needs; he is incapable of mental passion, mental interaction; he can't relate to anything other than his own physical sensations. He is a half-dead, unresponsive lump, incapable of giving or receiving pleasure or happiness; consequently, he is at best an utter bore, an inoffensive blob, since only those capable of absorption in others can be charming.”

Valerie Solanas (1936–1988) American radical feminist and writer. Attempted to assassinate Andy Warhol.

Source: SCUM MANIFESTO (1967), p. [1]

Love, Friendship, Happiness, Pleasure

Quotes about charm page 6

Quotes about charm
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