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Igor Stravinsky Quotes

Igor Fyodorovich Stravinsky was a Russian composer, pianist, and conductor. He is widely considered one of the most important and influential composers of the 20th century.

Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird , Petrushka , and The Rite of Spring . The latter transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard, the Soldier's Tale and Les Noces, was followed in the 1920s by a period in which he turned to neoclassicism. The works from this period tended to make use of traditional musical forms , drawing on earlier styles, especially from the 18th century. In the 1950s, Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form, and of instrumentation. Wikipedia  

✵ 18. June 1882 – 6. April 1971  •  Other names Igor' Fëdorovič Stravinskij, Ígor Fiódorovich Stravinskij
Igor Stravinsky photo
Igor Stravinsky: 13 quotes10 likes

Famous Igor Stravinsky Quotes

“The phenomenon of music is given to us with the sole purpose of establishing an order in things, including, and particularly, the co-ordination between man [sic] and time.”

Igor Stravinsky

Quoted in DeLone et. al. (Eds.) (1975). Aspects of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice-Hall. ISBN 0130493465, Ch. 3. from Igor Stravinsky' Autobiography (1962). New York: W.W. Norton & Co., Inc., p. 54.
1970s and later

“It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movement merely thins out the distinction.”

Igor Stravinsky

Source: 1970s and later, Themes and Conclusions (1982), p. 188.

“The trouble with music appreciation in general is that people are taught to have too much respect for music; they should be taught to love it instead.”

Igor Stravinsky

Igor Stravinsky. "Subject: Music", New York Times Magazine, 9/27/64.
1960s

“I was…attacked for being a pasticheur, chided for composing “simple” music, blamed for deserting “modernism,” accused of renouncing my “true Russian heritage.” People who had never heard of, or cared about, the originals cried “sacrilege”: “The classics are ours. Leave the classics alone.” To them all my answer was and is the same: You “respect,” but I love.”

Igor Stravinsky

Expositions and Developments (1959), pp. 113-114
1950s

“For I consider that music is, by its very nature, essentially powerless to express anything at all, whether a feeling, an attitude of mind, a psychological mood, a phenomenon of nature, etc. Expression has never been an inherent property of music. That is by no means the purpose of its existence. If, as is nearly always the case, music appears to express something, this is only an illusion and not a reality. It is simply an additional attribute which, by tacit and inveterate agreement, we have lent it, thrust upon it, as a label, a convention – in short, an aspect which, unconsciously or by force of habit, we have come to confuse with its essential being.”

Igor Stravinsky

Igor Stravinsky (1936). An Autobiography, p. 53-54.
1930s

“Composers combine notes, that's all.”

Igor Stravinsky

Source: 1970s and later, Themes and Conclusions (1982), p. 52 : Dialogues.

“One has a nose. The nose scents and it chooses. An artist is simply a kind of pig snouting truffles.”

Igor Stravinsky

1962, quoted in Andriessen and Schoenberger, The Apollonian Clockwork (1989). Oxford: Oxford University Press.
1960s

“What I cannot follow are the manic-depressive fluctuations from total control to no control, from the serialization of all elements to chance.”

Igor Stravinsky

Source: 1970s and later, Themes and Conclusions (1982), p. 33.

Igor Stravinsky Quotes about music

“Music's exclusive function is to structure the flow of time and keep order in it.”

Igor Stravinsky

Quoted by Géza Szamosi, The Twin Dimensions: Inventing Time and Space (New York, 1986), p. 232.
1970s and later

“The over-publicized bit about expression (or non-expression) was simply a way of saying that music is supra-personal and super-real and as such beyond verbal meanings and verbal descriptions. It was aimed against the notion that a piece of music is in reality a transcendental idea "expressed in terms of" music, with the reductio ad absurdum implication that exact sets of correlatives must exist between a composer's feelings and his notation. It was offhand and annoyingly incomplete, but even the stupider critics could have seen that it did not deny musical expressivity, but only the validity of a type of verbal statement about musical expressivity. I stand by the remark, incidentally, though today I would put it the other way around: music expresses itself.”

Igor Stravinsky

Igor Stravinsky and Robert Craft (1962). Expositions and Developments.
1960s

“My music is best understood by children and animals.”

Igor Stravinsky

Igor Stravinsky. The Observer, Oct 8, 1961.
1960s

“Much of the music is a Merzbild, put together from whatever came to hand. I mean, for example…the Alberti-bass horn solo accompanying the Messenger. I also mean the fusion of such widely divergent types of music as the Folies Bergeres tune at No. 40 ('The girls enter, kicking') and the Wagnerian 7th-chords at Nos. 58 and 74.”

Igor Stravinsky

Source: Themes and Conclusions (1982), p. 27: Dialogues.

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