Quotes about mood
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“No amount of love can cure madness or unblacken one's dark moods. Love can help, it can make the pain more tolerable, but, always, one is beholden to medication that may or may not always work and may or may not be bearable”

Kay Redfield Jamison (1946) American bipolar disorder researcher

Source: An Unquiet Mind: A Memoir of Moods and Madness

Love, Pain, Help, Madness

“It's subjunctive history. You know, the subjunctive? The mood used when something may or may not have happened. When it is imagined.”

Alan Bennett The History Boys

Source: The History Boys

Imagination, History

“Here is my recipe for a mood enhancer. Take a friend, preferably one with a really annoying fringe and outsize pants, and when she is rambling on swiftly, push her into a ditch and run away.”

Louise Rennison (1951–2016) British writer

Source: Startled by His Furry Shorts

“That was so completely unfair that I told Tantalus to go chase a donut, which didn't help his mood.”

Rick Riordan book The Sea of Monsters

Source: The Sea of Monsters

Help

“You can't just turn on creativity like a faucet. You have to be in the right mood.
What mood is that?
Last-minute panic.”

Bill Watterson (1958) American comic artist

“He was very much a man of moods, possibly owing to what is styled the artistic temperment. I have never seen, myself, why the possession of artistic ability should be supposed to excuse a man from a decent exercise of self-control.”

Agatha Christie (1890–1976) English mystery and detective writer

Exercises

“They thought depression was like bieng 'depressed'. They thought it was like being in a bad mood, only worse. Therefore, they tried to get him to snap out of it.”

Jeffrey Eugenides book The Marriage Plot

Source: The Marriage Plot

“I recognize that knitting can improve my mood in trying circumstances”

Stephanie Pearl-McPhee (1968) Canadian writer

Source: At Knit's End: Meditations for Women Who Knit Too Much

“She was a wicked thing sometimes. All full of want. As if the shape of the world depended on her mood. As if she were important.”

Patrick Rothfuss book The Slow Regard of Silent Things

Source: The Slow Regard of Silent Things

World, Dependency

“The happiness of those who want to be popular depends on others; the happiness of those who seek pleasure fluctuates with moods outside their control; but the happiness of the wise grows out of their own free acts.”

Marcus Aurelius book Meditations

Source: Meditations

Happiness, Pleasure, Dependency

“.

The natural state. Our moods change. Our lives change. Our feelings for each other change. Our bearings change. The song changes. The air changes. The temperature of the shower changes.
Accept this. We must accept this.”

David Levithan The Lover's Dictionary

Source: The Lover's Dictionary

Feeling, Nature, Change

“People around you, constantly under the pull of their emotions, change their ideas by the day or by the hour, depending on their mood. You must never assume that what people say or do in a particular moment is a statement of their permanent desires.”

Robert Greene book Mastery

Source: Mastery

People, Idea, Change, Dependency

“When we want mood experiences, we go to concerts or museums. When we want meaningful emotional experience, we go to the storyteller.”

Robert McKee (1941) American academic specialised in seminars for screenwriters

Source: Story: Substance, Structure, Style, and the Principles of Screenwriting

“Often he would trail off with fans who came backstage after a show and go off with them to a party or something. He judged people as they were and if they invited him and he was in the right mood to go, he went. We used to call him 'Bon the Likeable.”

Bon Scott (1946–1980) Rock musician

Angus Young, from Sounds, March 1980.
About

People

“I will contemplate the spectacle of your sea. The viewpoints of our mountains also offer us the limitless spectacle of immensity. The unfillable void has a calming effect... The sea! The sea with its charms saddens me. In its joyful moods, it makes me think of the laughing tiger; in its sad moods it recalls the crocodile’s tears, and in its roaring fury, the caged monster that cannot swallow me up.”

Gustave Courbet (1819–1877) French painter

Quote in Courbet's letter to Victor Hugo, 28 November 1864; as cited in Chu, Letters, p. 249; quoted in 'Paysages de Mer - Courbet's The Wave', by Anthony White https://www.ngv.vic.gov.au/essay/paysages-de-mer-courbets-the-wave/ 1860s

Sadness, Mountain, Thinking, Tear

“Participants perceive swings in national mood, elections bring new administrations to power and new partisan or ideological distributions to Congress, and interest groups of various descriptions press (or fail to press) their demands on government.”

John W. Kingdon (1940) American political scientist

Source: Agendas, Alternatives, and Public Policies - (Second Edition), Chapter 9, Wrapping Things Up, p. 196

“Believe me, Ginger was great. She contributed her full fifty percent in making them such a great team. She could follow Fred as if one brain was thinking. She blended with his every step and mood immaculately. He was able to do dances on screen that would have been impossible to risk if he hadn't had a partner like Ginger - as skillful as she was attractive.”

Ginger Rogers (1911–1995) American actress and dancer

Edward Everett Horton to Dick Richards. Ginger - Salute to a Star, p. 162.
About

Thinking, Dance

“I should strive (on reading a book of poetry) to evoke the a soul out of this piece of inanimate matter, a something characteristic and structural inherent in this organic form which is friendly to me and responds to my mood.”

John Gould Fletcher (1886–1950) American writer

Preface to Goblins and Pagodas, 1916

Books, Soul, Reading

“I was surrounded by dance, music and religious chants, so it was that kind of a mood. Our family was very culturally-minded, especially my grandmother. She was also quite the disciplinarian. She made sure I practiced daily for hours.”

Vyjayanthimala (1936) Indian actress, politician & dancer

In "There's no slowing down for Vyjayanthimala".

Family, Music, Dance

“Economists can take a good deal of credit for the stabilization policies which have been followed in most Western countries since 1945 with considerable success. It is easy to generate a euphoric and self-congratulatory mood when one compares the twenty years after the first World War, 1919-39, with the twenty years after the second, 1945-65. The first twenty years were a total failure; the second twenty years, at least as far as economic policy is concerned, have been a modest success. We have not had any great depression; we have not had any serious financial collapse; and on the whole we have had much higher rates of development in most parts of the world than we had in the 1920’s and 1930’s, even though there are some conspicuous failures. Whether the unprecedented rates of economic growth of the last twenty years, for instance in Japan and Western Europe, can be attributed to economics, or whether they represent a combination of good luck in political decision making with the expanding impact of the natural and biological sciences on the economy, is something we might argue. I am inclined to attribute a good deal to good luck and non-economic forces, but not all of it, and even if economics only contributed 10 percent, this would amount to a very handsome rate of return indeed, considering the very small amount of resources we have really put into economics.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1960s, The economics of knowledge and the knowledge of economics, 1966, p. 9

War, World, Failure, Nature

“The way the anima initially manifests in an individual man usually bears the stamp of his mother's character. If he experienced her in a negative way, then his anima often takes the form of depressive moods, irritability, perpetual malcontent, and excessive sensitivity. If the man is able to overcome these, precisely these things can strengthen his manliness. Such a negative mother anima will endlessly whisper within a man: "I'm a nothing," "It doesn't make sense anyhow," "It's different for other people," "Nothing * gives me any pleasure," and so on. Continual fear of disease, impotence, or accidents are her work, and she constellates a general sense of gloom. Troubled moods like these can intensify to the point of temptations to suicide; thus the anima can become a demoness of death. She appears in this role in Cocteau's film Orpheus.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Archetypal Dimensions of the Psyche (1994), The Anima as the Woman within the Man

Death, People, Pleasure, Fear

“"I have been here before," I said; I had been there before; first with Sebastian more than twenty years ago on a cloudless day in June, when the ditches were creamy with meadowsweet and the air heavy with all the scents of summer; it was a day of peculiar splendour, and though I had been there so often, in so many moods, it was to that first visit that my heart returned on this, my latest.”

Evelyn Waugh book Brideshead Revisited

First lines part 1, chapter 1
Brideshead Revisited (1945)

Heart, Summer

“In the past the mood of the comic postcard could enter into the central stream of literature, and jokes barely different from McGill's could casually be uttered between the murders in Shakespeare's tragedies. That is no longer possible, and a whole category of humour, integral to our literature till 1800 or thereabouts, has dwindled down to these ill-drawn postcards, leading a barely legal existence in cheap stationers' windows. The corner of the human heart that they speak for might easily manifest itself in worse forms, and I for one should be sorry to see them vanish.”

Donald McGill (1875–1962) British artist

George Orwell "The Art of Donald McGill", in Collected Essays, Journalism and Letters (1984) Vol. 2, pp. 194-5.
Criticism

Literature, Past, Heart

“Having finished his argument Stephen walked on in silence. He felt Cranly's hostility and he accused himself of having cheapened the eternal images of beauty. For the first time, too, he felt slightly awkward in his friend's company and to restore a mood of flippant familiarity he glanced up at the clock of the Ballast Office and smiled:”

James Joyce book Stephen Hero

It has not epiphanised yet, he said.
Stephen Hero (1944)

Hostility, Smile, Beauty, Silence

“Music conveys moods and images. Even in opera, where plots deal with the structure of destiny, it’s music, not words, that provides power.”

Marcel Marceau (1923–2007) French mime and actor

US News & World Report (23 February 1987)

Music

“Today, Psycho still holds up extraordinarily well (another reason why a remake seems pointless). With the exception of Halloween, no latter-day horror/thriller has been capable of generating as many goosebumps. The black-and-white photography is perfect for the film's tone and mood — the starkness of color would have blurred the nightmarish quality. The painstaking care with which [director Alfred] Hitchcock composed every scene is evident in the quality of the final product.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=669 of Psycho (1960). Three-and-a-half star reviews

Color, Perfection

“What these tests tell employers about potential employees is hard to imagine, since the "right" answers should be obvious to anyone who has ever encountered the principle of hierarchy and subordination. Do I work well with others? You bet, but never to the point where I would hesitate to inform on them for the slightest infraction. Am I capable of independent decision making? Oh yes, but I know better than to let this capacity interfere with a slavish obedience to orders. At The Maids, a housecleaning service, I am given something called the "Accutrac personality test," which warns at the beginning that "Accutrac has multiple measures which detect attempts to distort or 'psych out' the questionnaire." Naturally, I "never" find it hard "to stop moods of self-pity," nor do I imagine that others are talking about me behind my back or believe that "management and employees will always be in conflict because they have totally different sets of goals."”

Barbara Ehrenreich (1941) American writer and journalist

The real function of these tests, I decide, is to convey information not to the employer but to the potential employee, and the information conveyed is always: You will have no secrets from us.
Source: Nickel and Dimed: On (Not) Getting by in America (2001), Ch. 2: Scrubbing in Maine (p. 59)

Secret, Imagination, Nature, Decision

“The beginning dictates the direction and you never know where you're going to go … the mood is what you're looking for, and somehow we always find it.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

As quoted in Pretty as a Picture : The Art of David Lynch (1997)

“The grief of the keen is no personal complaint for the death of one woman over eighty years, but seems to contain the whole passionate rage that lurks somewhere in every native of the island. In this cry of pain the inner consciousness of the people seems to lay itself bare for an instant, and to reveal the mood of beings who feel their isolation in the face of a universe that wars on them with winds and seas.”

John Millington Synge (1871–1909) Irish playwright, poet, prose writer, and collector of folklore

Pt. I.
The Aran Islands (1907)

Death, Pain, War, People

““Eyes, what an eloquent pair he has! He is able to express with them even the slightest difference in the mood”
- L. S Rajagopalan (noted art critic), 1990”

Mani Madhava Chakyar (1899–1990) Indian actor

Source: Abhinaya and Netrābhinaya, L.S Rajagopalan, Mani Madhava Chakyar- A Titan of A Thespian, Sruti- India's premier Music and Dance magazine, August 1990 issue (71), p. 17.

Art

“We have all experienced the moments that William James calls melting moods, when it suddenly becomes perfectly obvious that life is infinitely fascinating. And the insight seems to apply retrospectively. Periods of my life that seemed confusing and dull at the time now seem complex and rather charming. It is almost as if some other person a more powerful and mature individual has taken over my brain. This higher self views my problems and anxieties with kindly detachment, but entirely without pity. Looking at problems through his eyes, I can see I was a fool to worry about them.”

Colin Wilson (1931–2013) author

Source: Access to Inner Worlds (1990), p. 2-3

Life, Fools, Problem, Time

“And the color, the overcast blue
Of the air, in which the blue guitar
Is a form, described but difficult,
And I am merely a shadow hunched
Above the arrowy, still string,
The maker of a thing yet to be made;
The color like a thought that grows
Out of a mood, the tragic robe
Of the actor, half his gesture, half
His speech, the dress of his meaning, silk
Sodden with his melancholy words,
The weather of his stage, himself.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)

Color, Weather

“We walked along Buitenkant and there by the sand works at the Oosterspoor [former train-station in Amsterdam], I can' tell you how beautiful it was there in the twilight. Rembrandt, Michel, [French Barbizon painter] and others have painted it, the ground dark, the sky still lit by the glow of the sun, already gone down, the row of houses and towers standing out above, the lights in the windows everywhere, everything reflected in the water. And the people and carriages like small black figures everywhere. Like one sometimes sees in a Rembrandt. And it put us in such a mood that we began talking about all sorts of things.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

1870s

People, Beauty, Light, Water

“He is a wholly unpredictable man of many moods and great dimension, a man who responds instantaneously to instinct — suddenly, dramatically, wildly he responds, and nobody can predict what will follow.”

Gay Talese (1932) American writer

"Frank Sinatra Has a Cold" (Esquire, April 1966)

“Although previously the monoamine systems were considered to be responsible for the development of major depressive disorder (MDD), the available evidence to date does not support a direct causal relationship with MDD. There is no simple direct correlation of serotonin or norepinephrine levels in the brain and mood. In other words, after a half-century of research, the chemical-imbalance hypothesis as promulgated by the drug companies that manufacture SSRIs and other antidepressants is not only without clear and consistent support, but has been disproved by experimental evidence.”

Irving Kirsch book The Emperor's New Drugs

The Emperor's New Drugs: Exploding the Antidepressant Myth. p. 92 http://books.google.com/books?id=wk-OxcTKyi4C&pg=PA92

Support

“Water has its moods, flowing or still; it can lure you like a lover, or look as bleak as a broken heart.”

Patricia A. McKillip book Winter Rose

Source: Winter Rose (1996), Chapter 7, p. 64.

Lovers, Water, Heart

“The dominant mood of contemporary American culture is the self-celebration of the peasantry.”

William A. Henry III (1950–1994) American critic

In Defense of Elitism

“What produced this divine serenity, subject to no moods, clouded by no depression, this perpetual Sunday of the heart? It was not merely good nature, not the accident of a happy organization. It was deeper than that. It was the perfect poise resulting from a Christian experience. It was the habit of looking to God in love and to man in love.”

James Freeman Clarke (1810–1888) American theologian and writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 477.

Love, God, Happiness, Nature

“Have you yet read Miss Martineau’s and Mr. Atkinson’s new work, Letters on the Nature and Development of Man? If you have not, it would be worth your while to do so. Of the impression this book has made on me, I will not now say much. It is the first exposition of avowed atheism and materialism I have ever read; the first unequivocal declaration of disbelief in the existence of a God or a future life I have ever seen. In judging of such exposition and declaration, one would wish entirely to put aside the sort of instinctive horror they awaken, and to consider them in an impartial spirit and collected mood. This I find difficult to do. The strangest thing is, that we are called on to rejoice over this hopeless blank — to receive this bitter bereavement as great gain — to welcome this unutterable desolation as a state of pleasant freedom. Who could do this if he would? Who would do this if he could? Sincerely, for my own part, do I wish to know and find the Truth; but if this be Truth, well may she guard herself with mysteries, and cover herself with a veil. If this be Truth, man or woman who beholds her can but curse the day he or she was born. I said however, I would not dwell on what I thought; rather, I wish to hear what some other person thinks,--someone whose feelings are unapt to bias his judgment. Read the book, then, in an unprejudiced spirit, and candidly say what you think of it. I mean, of course, if you have time — not otherwise.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on Letters on the Nature and Development of Man (1851), by Harriet Martineau. Letter to James Taylor (11 February 1851) The life of Charlotte Brontë

Life, God, Truth, Books

“Your description of Troyon and Rousseau, for instance, is lively enough to give me some idea of which of their manners they are done in. There were other paintings from the time of Troyon's municipal pasture that had a certain 'mood' that one would have to call 'dramatic', even though they aren't figure paintings.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to Theo, from the Hague, c. 11 July 1883 - original manuscript at Van Gogh Museum, location Amsterdam - inv. nos. b322 a-c V/1962, http://vangoghletters.org/vg/letters/let361/letter.html At the exhibition 'Les cent chefs d'oeuvre' at Galerie Georges Petit - in Paris, 1883 there were 9 paintings of Troyon. Vincent had asked Theo in Paris to give him a description of the works at this exhibition. Vincent already appreciated Troyon's painting style, which he knew from his Paris' years at art-gallery Goupil where he worked 1880s, 1883

Idea, Time, Painting

“The cruel man is of misanthropic temperament, and is a man of moods, oscillating from quiet brooding to sudden explosions. If a man like this does not fight this unhappy provision of his soul during his youth, under no circumstances could he avoid becoming furious - and foolish. There are those who would leave it up to God, but to ensure justice on the earth, and not fob it off to the Divinity, it is mandatory that people know both virtue and its benefits, since the virtues lead to unity among them, not the war of all against all. Therefore, it is absolutely necessary to conserve them, and show that crime can only return misfortunes and destruction, including of the criminal himself. Who is the last victim of his crimes.”

Frederick II of Prussia book Anti-Machiavel

Source: Anti-Machiavel, Chapter VIII

God, War, People, Youth

“Painting is aesthetic enjoyment; I want to be a 'poet'. As an artist I must conform to my nature. My nature has a lyrical as well as a dramatic disposition. Not one day is the same. One day I feel wonderful to work and I feel an expression, which shows in the work. Only with a very clear mind on a clear day I can paint without interruptions and without food because my disposition is like that. My work should reflect my moods and the greatest enjoyment I had when I did the work…”

Hans Hofmann (1880–1966) American artist

Quote from 'Artists' Session at Studio 35', (1950); as cited in Abstract Expressionism Creators and Critics (1990), ed. Clifford Ross, p. 225 
1950s

Food, Feeling, Nature, Painting

“If my music can change someone's mood for the better even a little bit, that's amazing.”

Yanni (1954) Greek pianist, keyboardist, composer, and music producer

Yanni in Words. Miramax Books. Co-author David Rensin

Music, Change

“One must always paint in opposition to nature, and to one’s own 'mood'. To let oneself go is a weakness, a sort of hysterics. If you are full of red, choose a green or a blue; if you feel like yellow, choose grey or black. In this continuous opposition lies the entire secret of plastic creation… To create a great work of art demands self-mortification.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in his article 'Elementarism', as cited in De Stijl – Van Doesburg Issue, January 1932, pp. 17–19
1926 – 1931

Secret, Art, Feeling, Nature

“I couldn't get the mood back; it was as if one of the kids had woken up just as Cindy and I were starting to make love. I hadn't changed my mind, and I still knew that I'd have to do it sometime. It's just that I knew I wasn't going to be able to do it in the next five minutes.”

Nick Hornby book A Long Way Down

A Long Way Down (2005)

Love, Making love, Change

“When we are bored, when we are out of tune, when we have little worries, it clears our feelings and changes our mood if we can get in touch with the beauty of the natural world.”

Edward Grey, 1st Viscount Grey of Fallodon (1862–1933) British Liberal statesman

Recreation (1919)

World, Beauty, Feeling, Nature

“You know, I have this version of the expulsion from the Garden of Eden. God, in expelling Adam and Eve, kind of felt bad. He had gotten very angry, right? You know, you get angry and then you feel, "Well, maybe I overreacted." So, God was in that kind of mood when he expelled Adam and Eve from the garden. But his hands were tied. He had to go through with it; he had made the decision. God doesn't want to constantly second-guess himself. But he thought, "I know. I'll give them self-deception. Things are going to be truly horrendous out there, but they'll never notice."”

Errol Morris (1948) American filmmaker and writer

Source: The Museum of Modern Art with Ron Rosenbaum http://www.errolmorris.com/content/interview/moma1999.html

God, Feeling, Decision

“Politeness is for people toward whom we feel indifferent, and moods, both good and bad, are for those we love.”

Alain (1868–1951) French philosopher

Domestic Tranquility
Alain On Happiness (1928)

Love, People, Feeling, Indifference

“He [Jesus] claims that not the observance of outer civil or statutory churchly duties but the pure moral disposition of the heart alone can make man well-pleasing to God (Matthew V, 20-48); … that injury done one’s neighbor can be repaired only through satisfaction rendered to the neighbor himself, not through acts of divine worship (V, 24). Thus, he says, does he intend to do full justice to the Jewish law (V, 17); whence it is obvious that not scriptural scholarship but the pure religion of reason must be the law’s interpreter, for taken according to the letter, it allowed the very opposite of all this. Furthermore, he does not leave unnoticed, in his designations of the strait gate and the narrow way, the misconstruction of the law which men allow themselves in order to evade their true moral duty, holding themselves immune through having fulfilled their churchly duty (VII, 13). He further requires of these pure dispositions that they manifest themselves also in works (VII, 16) and, on the other hand, denies the insidious hope of those who imagine that, through invocation and praise of the Supreme Lawgiver in the person of His envoy, they will make up for their lack of good works and ingratiate themselves into favor (VII, 21). Regarding these works he declares that they ought to be performed publicly, as an example for imitation (V, 16), and in a cheerful mood, not as actions extorted from slaves (VI, 16); and that thus, from a small beginning in the sharing and spreading of such dispositions, religion, like a grain of seed in good soil, or a ferment of goodness, would gradually, through its inner power, grow into a kingdom of God (XIII, 31-33).”

Immanuel Kant (1724–1804) German philosopher

Book IV, Part 1, Section 1, “The Christian religion as a natural religion”
Religion within the Limits of Reason Alone (1793)

Men, God, Religion, Justice

“We must pursue the removal of church property by any means necessary in order to secure for ourselves a fund of several hundred million gold rubles (do not forget the immense wealth of some monasteries and lauras). Without this fund any government work in general, any economic build-up in particular, and any upholding of soviet principles in Genoa especially is completely unthinkable. In order to get our hands on this fund of several hundred million gold rubles (and perhaps even several hundred billion), we must do whatever is necessary. But to do this successfully is possible only now. All considerations indicate that later on we will fail to do this, for no other time, besides that of desperate famine, will give us such a mood among the general mass of peasants that would ensure us the sympathy of this group, or, at least, would ensure us the neutralization of this group in the sense that victory in the struggle for the removal of church property unquestionably and completely will be on our side.
One clever writer on statecraft correctly said that if it is necessary for the realization of a well-known political goal to perform a series of brutal actions then it is necessary to do them in the most energetic manner and in the shortest time, because masses of people will not tolerate the protracted use of brutality. … Now victory over the reactionary clergy is assured us completely. In addition, it will be more difficult for the major part of our foreign adversaries among the Russian emigres abroad, i. e., the Socialist-Revolutionaries and the Milyukovites, to fight against us if we, precisely at this time, precisely in connection with the famine, suppress the reactionary clergy with utmost haste and ruthlessness.
Therefore, I come to the indisputable conclusion that we must precisely now smash the Black Hundreds clergy most decisively and ruthlessly and put down all resistance with such brutality that they will not forget it for several decades. … The greater the number of representatives of the reactionary clergy and the reactionary bourgeoisie that we succeed in shooting on this occasion, the better because this "audience" must precisely now be taught a lesson in such a way that they will not dare to think about any resistance whatsoever for several decades.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Letter to Comrade Molotov for the Politburo (19 March 1922) http://www.ibiblio.org/expo/soviet.exhibit/ae2bkhun.html Variant translation: It is precisely now and only now, when in the starving regions people are eating human flesh, and hundreds if not thousands of corpses are littering the roads, that we can (and therefore must) carry out the confiscation of church valuables. … I come to the categorical conclusion that precisely at this moment we must give battle to the Black Hundred clergy in the most decisive and merciless manner and crush its resistance with such brutality that it will not forget it for decades to come. The greater the number of representatives of the reactionary clergy and reactionary bourgeoisie we succeed in executing for this reason, the better. As translated in The Unknown Lenin : From the Secret Archive (1996) edited by Richard Pipes, pp. 152-4 1920s

People, Way, Thinking, Decision

“Florida weather is like living with a schizophreniac. Its mood is a fractured thing; it believes in real and unreal circumstances equally; and you're never quite sure if it'll come through with its share of the rent.”

Brian Clevinger (1978) writer

http://www.nuklearpower.com/daily.php?date=060119

Weather

“He is one of those people to whom you must allow moods,—when their sun shines, dance,—and when their vapors rise, sit in the shadow.”

Harriet Elizabeth Prescott Spofford (1835–1921) American author

The Amber Gods (1863).

People, Sun, Dance

“How shall I describe Youth, the time of contradictions and anomalies? The fiercest radicalisms, the most dogged conservatisms, irrepressible gayety, bitter melancholy,—all these moods are equally part of that showery spring-time of life.”

Randolph Bourne (1886–1918) American writer

Page 433 https://books.google.com/books?id=-F8wAQAAMAAJ&pg=PA435. "Youth" (1912)

Life, Youth, Dogs, Spring

“Half of the human race lives in manifest obedience to the lunar rhythm; and there is evidence to show that the psychological and therefore the spiritual life, not only of women, but of men too, mysteriously ebbs and flows with the changes of the moon. There are unreasoned joys, inexplicable miseries, laughters and remorses without a cause. Their sudden and fantastic alternations constitute the ordinary weather of our minds. These moods, of which the more gravely numinous may be hypostasized as gods, the lighter, if we will, as hobgoblins and fairies, are the children of the blood and humours. But the blood and humours obey, among many other masters, the changing moon. Touching the soul directly through the eyes and, indirectly, along the dark channels of the blood, the moon is doubly a divinity.”

Aldous Huxley (1894–1963) English writer

"Meditation on the Moon"
Music at Night and Other Essays (1931)

Life, Women, Men, God

“A man who would be a success the world must first of all be a judge of moods, for untimely speeches will offend the ears and hurt the feelings of others, and so fail in their purpose. He has to beware of such occasions.
But falling sick and bearing children and dying — these things take no account of moods. They do not cease because they are untimely. The shifting changes of birth, life, sickness, and death, the real great matters — these are like the surging flow of a fierce torrent, which delays not for an instant but straightway pursues its course.
And so, for both priest and layman, there must be no talk of moods in things they must needs accomplish. They must be free from this care and that, they must not let their feet linger.”

Yoshida Kenkō (1283–1350) japanese writer

Tsurezure-Gusa (Essays in Idleness)

Life, Death, Children, World

“I hope, for your sake, that you have not chosen to read this book because you are in the mood for a pleasant experience. If this is the case, I advise you to put this book down instantaneously, because of all the books describing the unhappy lives of the Baudelaire orphans, The Miserable Mill might be the unhappiest yet. Violet, Klaus, and Sunny Baudelaire are sent to Paltryville to work in a lumber mill, and they find disaster and misfortune lurking behind every log.”

Daniel Handler book The Miserable Mill

The Miserable Mill (2000)

Books, Hope, Reading

“The people are being kept in line at the moment, because there are still lots of shiny new things for them to buy. But more and more Americans are beginning to look beyond their immediate material comfort and to worry about the long-term moral slide of their country. If the economy slips badly, there will be hell to pay. More and more people will listen to the dissidents. A big problem for the Jews is how to silence the dissidents now, how to stifle the people who are asking inconvenient questions and thinking dangerous thoughts, before these thoughts spread to other people. They've tried to do it with legislation, but the country isn't yet in a mood to be told what it can think. What the Jews need is a nice, big war. Then they can crack down on the dissidents. Then they can call us "subversives." Then they can call us "unpatriotic," because we will be against their war… That's why I am convinced that there will be a strong effort to involve America in another major war during the next four years. This effort will be disguised, of course. It will be cloaked in deceit, as such efforts always are. While the warmongers are scheming for war, they will tell us how much they want peace. They're good at that sort of thing. They've had a lot of practice. But they will be scheming for war, believe me, no matter what they say. And when that war comes, remember what you have read today.”

William Luther Pierce (1933–2002) American white nationalist

Get Set for War, 1997.
1990s, 1990

War, People, Peace, Hell

“Most American officials viewed Prime Minister Haris Silajdzic as the Bosnia leader with the broadest vision - an eloquent advocate of a multiethnic state. But his power struggles with Izetbegović and Sacirbey and other members of the Bosnian government often isolated him. His collegues complained that he was difficult to work with. He carried a serious additional burden: Tuđman and Milošević distrusted him. Nevertheless, Silajzic was one of the two msot popular Muslim politicians in Bosnia, along with Izetbegović. My own feelings about Silajdzic shifted frequently. There was something touching about his intensity and energy, and his constant desire to improve himself intellectually. Although always busy, he seemed alone - his wife and son lived in Turkey. Silajdzic was the only Bosnian official who seemed genuinely to care about economic reconstruction of his ravaged land. His unpredictable moods worried us, but his support would be essential for any peace agreement.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 188

Peace, Feeling, Business, Support

“If you are an outsider looking at India, learn to filter out both the irrational exuberance and the excessive pessimism. We're subject to both. You will become manic-depressive if you follow our moods.”

Raghuram G. Rajan (1963) Indian economist

As quoted in " Economy will pick up by year-end, says RBI chief http://in.reuters.com/article/2013/10/16/india-rbi-rates-raguram-rajan-idINDEE99E0FF20131016", Reuters (16 October 2013)

Learning

“Recently I have felt just what the mood of colors means to me: it means that everything in this picture changes its local color according to the same principle and that thereby all muted tones blend in a unified relationship, one to the other.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede, 24 July 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 197
1898

Color, Change

“judgmentally, judgmentally, judgmentally I would believe in you and sword fight others who did not, any necessary sacrifice if you were in the mood for that.”

Daniel Handler book Adverbs

Adverbs (2006), Judgmentally

Fight

“Television is an experience that can be had by virtually everyone at the same time. By substituting for a greater diversity of experiences and unifying everyone with it, it aids commercial efficiency. With all people confined to the same mental and physical condition, a single advertising or political voice appropriate to the common mood can influence everyone.”

Jerry Mander (1936) American activist

Source: Four Arguments for the Elimination of Television (1978), p. 132

People, Time

“"Come Clean" is obviously about a boy and a girl's relationship and it's just talking about how somebody thinks they're in the dark. She's tired of it and he's tired of it and they're coming clean, whether it means they're gonna be together or not. They're laying all the cards out on the table and coming out with everything that hasn't been said basically. The video really shows that she's kind of in this monotone mood throughout the whole thing. She doesn't show too much emotion except that she's waiting for this boy, this guy, to come. You can't tell when they're running toward each other if they're gonna kiss or they're gonna hug or they're gonna hit each other. It's a bunch of different emotions.”

Hilary Duff (1987) American actress and singer

"Hilary Duff comes clean" http://www.hilaryontheweb.com/news/2005/january/21012005_Hilary%20Duff%20comes%20clean.html. News Times. January 21 2005. Retrieved October 25 2006. On "Come Clean", a song from Metamorphosis (2003).

Guy, Girl, Boy, Kiss

“It was a DJ style which helped to create the lifestyle which came to be known as hip hop. At the beginning of the disco era in the first half of the 1970s, regular disco jocks in clubs were most concerned with the blend between one record and the next - matching tempos to make a smooth transition which, at its best, could continually alter the mood on the dancefloor without breaking the flow.”

David Toop (1949) British musician

David Toop (1991). Rap Attack 2: African Rap To Global Hip Hop, p.12. New York. New York: Serpent's Tail. ISBN 1852422432.

Help

“The only advice that I'm in the mood to give - and that I give regularly - to young people is this: fight for what you believe in. You will lose, just like I have lost, all the battles. But only one you may win. The one that you engage every morning, in front of the mirror.”

Indro Montanelli (1909–2001) Italian journalist

Soltanto un giornalista, Rizzoli, 2002.
2000s - 2010s

People, Fight

“Rolling Stone: What was your headspace at the time of Superunknown? A lot of the lyrics are dark.
Cornell: I don't know if I would say I was in a particularly dark or moody headspace more than other times. I feel the lyrics have to be born from the music. Or if I had a lyrical idea, separate from Soundgarden music, I knew if it would work with the band because it tended to reflect what the music was and what the feeling of the music was – which was usually somewhat dark and somber or moody, or over-the-top, visceral, aggressive angry.
Rolling Stone: So it wasn't an especially dark time?
Cornell: No, not that I remember. No more than usual. I think that I always struggled with depression and isolation, so those could come out. I think that the mood of Seattle to me, and the way that I always interpreted that mood was something that was always a little bit introspective and dark. And I wouldn't say "depressing," but introspective in a way that could be moodier and darker.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Rolling Stone, 2014 https://www.rollingstone.com/music/features/soundgardens-chris-cornell-on-superunknown-depression-w483113, On depression and suicide

Music, Way, Feeling, Idea

“We see that the spiritual world is characterized by an atmosphere of selflessness and of the animated love of dynamic association. There is an intense mood of appreciation and caring that creates the dynamic synergy of devotees working together on different services which are perfectly Krishna-centered. If we are blessed by Srimati Radharani, it is guaranteed that we will gradually be able to re-enter the land of pure love. If we do not receive Her blessings, it is guaranteed that we will remain disqualified.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Source: Books, Reflections on Sacred Teachings, Volume VI: Radha-Sunya: Missing Mercy (Hari-Nama Press, ), Chapter 4

Love, World, Animals

“At the Everyman Cinema there is a season of Satyajit Ray. He watches the Apu trilogy on successive nights in a state of rapt absorption. In Apu's bitter, trapped mother, his engaging, feckless father he recognizes, with a pang of guilt, his own parents. But it is the music above all that grips him, dizzyingly complex interplays between drums and stringed instruments, long arias on the flute whose scale or mode — he does not know enough about music theory to be sure which — catches at his heart, sending him into a mood of sensual melancholy that last long after the film has ended.”

J.M. Coetzee (1940) South African writer

Youth (2002)

Music, Parent, Success, Heart

“That terrible mood of depression of whether it's any good or not is what is known as The Artist's Reward.”

Ernest Hemingway (1899–1961) American author and journalist

Letter to F. Scott Fitzgerald (13 September 1929); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

“Monumentality is an affair of relativity. The truly monumental can only come about by means of the most exact and refined relation between parts. Since each thing carries both a meaning of its own and an associated meaning in relation to something else — its essential value is relative. We speak of the mood we experience when looking at a landscape. This mood results from the relation of certain things rather than from their separate actualities. This is because objects do not in themselves possess the total effect they give when interrelated.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 68
Search for the Real and Other Essays (1948)

Parting

“There will be, I think, an attempt to grasp again the surprise and accidents of nature and a more intimate and sympathetic study of its moods, together with a renewed wonder and humility on the part of such as are still capable of these basic reactions.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Alfred Barr & Edward Hopper: Retrospective Exhibition Museum of Modern Art New York 1933
1911 - 1940, Notes on Painting - Edward Hopper (1933)

Nature, Thinking, Study, Parting

“The mood of the '50s is like today.”

Nancy Peters (1936) American writer and publisher

"City Lights' silver lining", http://www.publishersweekly.com/article/CA310566.html Publishers Weekly, 2003-07-14. : Referring to the prosecution and acquital of Alan Ginsberg's book of poems, Howl, for obscenity in 1957. 2000s

“I do not know of anything in modern poetry as violently hostile to contemporary life as was the poetry of T. S. Eliot, which so perfectly fitted the mood of the young people between the two wars. I also find much more benevolence towards humanity in younger historians than there was in Spengler or in Toynbee. Still, it is not difficult to sense the disgust of the intellectuals at the new prosperous working class, 'with their eyes glued to the television screen,' who have become indifferent to radical ideas.”

Dennis Gabor (1900–1979) Nobel Prize-winning physicist and inventor of holography

Source: Inventing the Future (1963), p. 18

Life, Hostility, War, People

“I suspect that in the beginning Maurice hoped that Rosy would calm down. Yet mere inspection suggested that she would not easily bend. By choice she did not emphasize her feminine qualities. Though her features were strong, she was not unattractive and might have been quite stunning had she taken even a mild interest in clothes. This she did not. There was never lipstick to contrast with her straight black hair, while at the age of thirty-one her dresses showed all the imagination of English blue-stocking adolescents. So it was quite easy to imagine her the product of an unsatisfied mother who unduly stressed the desirability of professional careers that could save bright girls from marriages to dull men. But this was not the case. Her dedicated austere life could not be thus explained — she was the daughter of a solidly comfortable, erudite banking family.
Clearly Rosy had to go or be put in her place. The former was obviously preferable because, given her belligerent moods, it would be very difficult for Maurice to maintain a dominant position that would allow him to think unhindered about DNA. Not that at times he'd didn't see some reason for her complaints — King's had two combination rooms, one for men, the other for women, certainly a thing of the past. But he was not responsible, and it was no pleasure to bear the cross for the added barb that the women's combination room remained dingily pokey whereas money had been spent to make life agreeable for him and his friends when they had their morning coffee.
Unfortunately, Maurice could not see any decent way to give Rosy the boot. To start with, she had been given to think that she had a position for several years. Also there was no denying that she had a good brain. If she could keep her emotions under control, there was a good chance she could really help him. But merely wishing for relations to improve was taking something of a gamble, for Cal Tech's fabulous chemist Linus Pauling was not subject to the confines of British fair play. Sooner or later Linus, who had just turned fifty, was bound to try for the most important of all scientific prizes. There was no doubt he was interested. … The thought could not be avoided that the best home for a feminist was in another person's lab.”

James D. Watson book The Double Helix

Description of Rosalind Franklin, whose data and research were actually key factors in determining the structure of DNA, but who died in 1958 of ovarian cancer, before the importance of her work could be widely recognized and acknowledged. In response to these remarks her mother stated "I would rather she were forgotten than remembered in this way." As quoted in "Rosalind Franklin" at Strange Science : The Rocky Road to Modern Paleontology and Biology by Michon Scott http://www.strangescience.net/rfranklin.htm The Double Helix (1968)

Life, Women, Men, Money

“The advantages of general independence are too obvious for dispute; but it may be regretted that the rich and poor now-a-days live so far apart : they have no amusements in common, and it is the cheerful hours of life past together that most knit the social ties. The hunt in his forest, and the Christmas by his hearth, drew the baron and his people together, each in their most lightsome mood — the gain was mutual.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Life, People, Past, Christmas

“To us, with our broader outlook, our more complicated interests, our more elusive moods, their small bright world is apt to seem uninteresting and out of date, unless we spend some patient sympathy in the discovery of the real charm and the real beauty that it contains.”

Lytton Strachey book Landmarks in French Literature

Landmarks in French Literature (1912), ch. 4.

World, Beauty

“It is hardly possible to build anything if frustration, bitterness and a mood of helplessness prevail.”

Lech Wałęsa (1943) Polish politician, Nobel Peace Prize winner, former President of Poland

Na zmęczeniu, goryczy, uczuciu bezsilności nie można budować. Walesa, Lech. Speech. "Nobel Lecture". 1983 Nobel Peace Prize Acceptance http://www.nobelprize.org/nobel_prizes/peace/laureates/1983/walesa-lecture.html (11 December 1983)

“Lorn stared at Tool. “Was that an attempt at humor?” she asked.
The T’lan Imass adjusted his helmet. “That depends on your mood, Adjunct.””

Steven Erikson book Gardens of the Moon

Source: Gardens of the Moon (1999), Chapter 10 (p. 325)

Dependency

“He told me, he was just in the same situation [i. e. in a garden], as when formerly, the notion of gravitation came into his mind. It was occasion'd by the fall of an apple, as he sat in a contemplative mood. Why should that apple always descend perpendicularly to the ground, thought he to him self. Why should it not go sideways or upwards, but constantly to the earths centre? Assuredly, the reason is, that the earth draws it. There must be a drawing power in matter.”

William Stukeley (1687–1765) English antiquarian

A Hastings White (ed.) Memoirs of Sir Isaac Newton's Life (1936) pp. 19-20. (1752)
Relating a conversation with Sir Isaac Newton.

Drawing

“If I'm in a bad mood, my thing is I go clean! That's what relaxes me! I go and clean everything.”

Corbin Bleu (1989) American actor, model, dancer, producer, and singer-songwriter

Tigerbeat interview (2006)

“I don't get this fashion for happy funerals. He said he wanted all his mates to be in a good mood and smile, and this is a very fashionable idea, that when you die, it's supposed to be a celebration and joyous and everyone laughing, but I want people's lives torn apart when I go. I want to be embalmed and brought out when we have guests.”

Jeremy Hardy (1961–2019) British comedian

The News Quiz, BBC Radio 4, October 1998 (rebroadcast on BBC 7, 13 June 2006)

Happiness, People, Smile, Idea

“These stories offer us a model of how real refreshment of body and spirit is achieved. Three things are worth noting. First, rest comes as an invitation from Jesus. Recently, Pope Francis recommended to a group of priests that they should be open to the rest that comes from Jesus, rather than relying on other ways to relax, some of which can be very unhealthy, if not destructive. We can use entertainment, mind altering substances and other means that only serve as a temporary release of tension and fatigue. Superficial at best, these efforts end up provoking more restlessness and lethargy, especially if they bring upon guilt and depression. It is known, for instance, that alcohol can be a depressant and impact our overall mood. Jesus offers us the gift of rest, and so the first step is to surrender to the kind of rest he offers, and accept his invitation, rather than taking on this burden ourselves. Second, his invitation is to go to an “out of the way” place, a deserted place. This is not an invitation to take a vacation to an exotic location, but rather a summons to enter into those places in our lives that we ignore, yet which have an impact on us.”

Blase J. Cupich (1949) Catholic bishop

"The gift of rest", from the online edition of The Catholic New World, the Chicago archdiocesan newspaper, in the Archbishop's Column (July 26 - August 8, 2015)

Alcohol, Way, Effort

“Anymore, no one's mind is their own. You can't concentrate. You can't think. There's always some noise worming in. Singers shouting. Dead people laughing. Actors crying. All these little doses of emotion. Someone's always spraying the air with their mood.”

Chuck Palahniuk book Lullaby

Source: Lullaby (2002), Chapter 3

People, Thinking, Cry, Dead

“People in and around government sense a national mood.”

John W. Kingdon (1940) American political scientist

Source: Agendas, Alternatives, and Public Policies - (Second Edition), Chapter 7, The Political Stream, p. 146

People, Sense

“Is democracy in crisis? This question is being posed with increasing urgency by some of the leading statesmen of the West, by columnists and scholars, and— if public opinion polls are to be trusted— even by the publics. In some respects, the mood of today is reminiscent of that of the early twenties, when the views of Oswald Spengler regarding "The Decline of the West" were highly popular. This pessimism is echoed, with obvious Schadenfreude, by various communist observers, who speak with growing confidence of "the general crisis of capitalism" and who see in it the confirmation of their own theories.”

Michel Crozier book The Crisis of Democracy

Source: The Crisis of Democracy, 1975, p. 4: Introduction note

Democracy, Confidence, Question

“I have come to the frightening conclusion that I am the decisive element. It is my personal approach that creates the climate. It is my daily mood that makes the weather. I possess tremendous power to make life miserable or joyous. I can be a tool of torture or an instrument of inspiration, I can humiliate or humor, hurt or heal. In all situations, it is my response that decides whether a crisis is escalated or de-escalated, and a person is humanized or de-humanized. If we treat people as they are, we make them worse. If we treat people as they ought to be, we help them become what they are capable of becoming.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Widely attributed to Goethe, but also claimed to be a distortion of a passage by Haim Ginott.
Disputed

Life, People, Decision, Help

“Certain it is, however, that this great power of blackness in him derives its force from its appeals to that Calvinistic sense of Innate Depravity and Original Sin, from whose visitations, in some shape or other, no deeply thinking mind is always and wholly free. For, in certain moods, no man can weigh this world, without throwing in something, somehow like Original Sin, to strike the uneven balance.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Hawthorne and His Mosses (1850)

World, Thinking, Sense

“The piano is always true to me. In times of despair, happiness, and joy, its mood is always my own.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Album liner - Grand Piano (Narada Anniversay Collection)

Happiness, Time, Joy, Despair

“My friends, the apples that I love for their delightful red, yellow, mauve and green clothing cease to be apples for me when I see them against this or that background, in such or such surroundings... And they resound in my sight like a music, reproducing this or that mood of my soul, this or that fleeting contact with the soul of things... To reproduce the things which exist without being, to reveal them to other people, by passing them through my sympathetic understanding, by revealing them in the passion I feel for hem, that is the goal of my artistic existence. To me apples, trees, human faces are not more than hints as to what else I should seen in them: the life of colour, comprehended by a passionate lover.”

Alexej von Jawlensky (1864–1941) Russian painter

Quote of Jawlensky, c. 1903; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 115
1900 - 1935

Love, Life, People, Music

“As we associate with others in our spiritual communities, we should do so in a mood that these are the people I am living with and they would probably also be the people that I leave this body with.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Four Principles of Community Building — ISKCON Gita Nagari Dhama; Port Royal, PA, USA; November 8, 1998
Lectures

People, Communication

“Truth is one forever, absolute; but opinion is truth filtered through the moods, the blood, the disposition, of the spectator.”

Wendell Phillips (1811–1884) American abolitionist, advocate for Native Americans, orator and lawyer

Fraternity lecture delivered in Boston (4 October 1859), published in Speeches, Letters and Lectures by Wendell Phillips (1884), p. 245
1850s

Truth

“To this period [age seven] I trace my worst faults. Indecision, for I found that by hesitating for a long time over two toys in a shop I would be given both and so was tempted to make two alternatives always seem equally attractive; Ingratitude, for I grew so used to having what I wanted that I assumed it as a right; Laziness, for sloth is the especial vice of tyrants; the Impatience with boredom that is generated by devotion; the Cruelty which comes from a knowledge of power and the Giving way to moods, for I learnt that sulking, crying, moping and malingering were bluffs that paid.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 3: A Georgian Boyhood, Ch. 18: The Branching Ogham (p. 149)

Age, Way, Knowledge, Time

“We can tell murder is wrong because we have objective criteria by which we can determine for certain whether murder is wrong, and we can do that regardless of what mood the gods are in nowadays. There has to be an objectively verifiable reason why something is moral or immoral, or else no one could know whether it is, including God, since the Bible has Him changing His mind all the time. Without that criteria, you couldn't know what is moral or immoral either; you just have to trust whatever the people said who pretended to speak for God.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Youtube, Other, The Damn Commandments https://www.youtube.com/watch?v=8u3z69YpLx0 (January 7, 2015)

God, People, Change, Time

“The most dangerous lovers women have are men of Cordis's feminine temperament. Such men, by the delicacy and sensitiveness of their own organizations, read women as easily and accurately as women read each other. They are alert to detect and interpret those smallest trifles in tone, expression, and bearing, which betray the real mood far more unmistakably than more obvious signs.”

Edward Bellamy (1850–1898) American author and socialist

Source: Dr. Heidenhoff's Process http://www.gutenberg.org/files/7052/7052-h/7052-h.htm (1880), Ch. 4.

Women, Men, Lovers, Reading

“Looking back at the end of the year created a little more serious mood than before. To bring children [his son de:Felix Klee] in the world is no trifling matter! Over the entire horizon, bluish, phosphorescent flashes of sheet shining.... In fact, I really do go out into the snow [near Munich] in all seriousness, station myself there, freeze, freeze stiff, but work. I accomplish little in comparison with the abundance around me, but I accomplish a great deal in comparison with the poverty and simplicity of a small bourgeois homestead.”

Paul Klee (1879–1940) German Swiss painter

Quote (End of 1908), in 'Diary III', The Diaries of Paul Klee, 1898-1918, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1968, p. 220
1903 - 1910

Children, World

“But here one may take occasion to wonder at one Judas, who was of the sect of the Essens, and who never missed the truth in his predictions; for this man, when he saw Antigonus passing by the temple, cried out to his companions and friends, who abode with him as his scholars, in order to learn the art of foretelling things to come?" That it was good for him to die now, since he had spoken falsely about Antigonus, who is still alive, and I see him passing by, although he had foretold he should die at the place called Strato's Tower that very day, while yet the place is six hundred furlongs off, where he had foretold he should be slain; and still this day is a great part of it already past, so that he was in danger of proving a false prophet." As he was saying this, and that in a melancholy mood, the news came that Antigonus was slain in a place under ground, which itself was called also Strato's Tower, or of the same name with that Cesarea which is seated at the sea. This event put the prophet into a great disorder.”

Josephus on the Essenes

AJ 13.11.2
Antiquities of the Jews

Truth, Art, Learning, Past