Quotes about mood
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Kay Redfield Jamison photo
Alan Bennett photo
Rick Riordan photo
Agatha Christie photo
Jeffrey Eugenides photo
Stephanie Pearl-McPhee photo

“I recognize that knitting can improve my mood in trying circumstances”

Stephanie Pearl-McPhee (1968) Canadian writer

Source: At Knit's End: Meditations for Women Who Knit Too Much

Patrick Rothfuss photo
Marcus Aurelius photo
David Levithan photo
Robert Greene photo
Robert McKee photo

“When we want mood experiences, we go to concerts or museums. When we want meaningful emotional experience, we go to the storyteller.”

Robert McKee (1941) American academic specialised in seminars for screenwriters

Source: Story: Substance, Structure, Style, and the Principles of Screenwriting

Bon Scott photo
Gustave Courbet photo

“Participants perceive swings in national mood, elections bring new administrations to power and new partisan or ideological distributions to Congress, and interest groups of various descriptions press (or fail to press) their demands on government.”

John W. Kingdon (1940) American political scientist

Source: Agendas, Alternatives, and Public Policies - (Second Edition), Chapter 9, Wrapping Things Up, p. 196

Ginger Rogers photo
John Gould Fletcher photo
Vyjayanthimala photo

“Economists can take a good deal of credit for the stabilization policies which have been followed in most Western countries since 1945 with considerable success. It is easy to generate a euphoric and self-congratulatory mood when one compares the twenty years after the first World War, 1919-39, with the twenty years after the second, 1945-65. The first twenty years were a total failure; the second twenty years, at least as far as economic policy is concerned, have been a modest success. We have not had any great depression; we have not had any serious financial collapse; and on the whole we have had much higher rates of development in most parts of the world than we had in the 1920’s and 1930’s, even though there are some conspicuous failures. Whether the unprecedented rates of economic growth of the last twenty years, for instance in Japan and Western Europe, can be attributed to economics, or whether they represent a combination of good luck in political decision making with the expanding impact of the natural and biological sciences on the economy, is something we might argue. I am inclined to attribute a good deal to good luck and non-economic forces, but not all of it, and even if economics only contributed 10 percent, this would amount to a very handsome rate of return indeed, considering the very small amount of resources we have really put into economics.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1960s, The economics of knowledge and the knowledge of economics, 1966, p. 9

Marie-Louise von Franz photo
Evelyn Waugh photo
James Joyce photo
Marcel Marceau photo

“Music conveys moods and images. Even in opera, where plots deal with the structure of destiny, it’s music, not words, that provides power.”

Marcel Marceau (1923–2007) French mime and actor

US News & World Report (23 February 1987)

Barbara Ehrenreich photo
David Lynch photo

“The beginning dictates the direction and you never know where you're going to go … the mood is what you're looking for, and somehow we always find it.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

As quoted in Pretty as a Picture : The Art of David Lynch (1997)

John Millington Synge photo
Mani Madhava Chakyar photo

““Eyes, what an eloquent pair he has! He is able to express with them even the slightest difference in the mood”
- L. S Rajagopalan (noted art critic), 1990”

Mani Madhava Chakyar (1899–1990) Indian actor

Source: Abhinaya and Netrābhinaya, L.S Rajagopalan, Mani Madhava Chakyar- A Titan of A Thespian, Sruti- India's premier Music and Dance magazine, August 1990 issue (71), p. 17.

Colin Wilson photo
Wallace Stevens photo
Vincent Van Gogh photo
Gay Talese photo
Irving Kirsch photo
Patricia A. McKillip photo

“The dominant mood of contemporary American culture is the self-celebration of the peasantry.”

William A. Henry III (1950–1994) American critic

In Defense of Elitism

James Freeman Clarke photo
Charlotte Brontë photo

“Have you yet read Miss Martineau’s and Mr. Atkinson’s new work, Letters on the Nature and Development of Man? If you have not, it would be worth your while to do so. Of the impression this book has made on me, I will not now say much. It is the first exposition of avowed atheism and materialism I have ever read; the first unequivocal declaration of disbelief in the existence of a God or a future life I have ever seen. In judging of such exposition and declaration, one would wish entirely to put aside the sort of instinctive horror they awaken, and to consider them in an impartial spirit and collected mood. This I find difficult to do. The strangest thing is, that we are called on to rejoice over this hopeless blank — to receive this bitter bereavement as great gain — to welcome this unutterable desolation as a state of pleasant freedom. Who could do this if he would? Who would do this if he could? Sincerely, for my own part, do I wish to know and find the Truth; but if this be Truth, well may she guard herself with mysteries, and cover herself with a veil. If this be Truth, man or woman who beholds her can but curse the day he or she was born. I said however, I would not dwell on what I thought; rather, I wish to hear what some other person thinks,--someone whose feelings are unapt to bias his judgment. Read the book, then, in an unprejudiced spirit, and candidly say what you think of it. I mean, of course, if you have time — not otherwise.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on Letters on the Nature and Development of Man (1851), by Harriet Martineau. Letter to James Taylor (11 February 1851) The life of Charlotte Brontë

Vincent Van Gogh photo

“Your description of Troyon and Rousseau, for instance, is lively enough to give me some idea of which of their manners they are done in. There were other paintings from the time of Troyon's municipal pasture that had a certain 'mood' that one would have to call 'dramatic', even though they aren't figure paintings.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to Theo, from the Hague, c. 11 July 1883 - original manuscript at Van Gogh Museum, location Amsterdam - inv. nos. b322 a-c V/1962, http://vangoghletters.org/vg/letters/let361/letter.html
At the exhibition 'Les cent chefs d'oeuvre' at Galerie Georges Petit - in Paris, 1883 there were 9 paintings of Troyon. Vincent had asked Theo in Paris to give him a description of the works at this exhibition. Vincent already appreciated Troyon's painting style, which he knew from his Paris' years at art-gallery Goupil where he worked
1880s, 1883

Frederick II of Prussia photo
Yanni photo

“If my music can change someone's mood for the better even a little bit, that's amazing.”

Yanni (1954) Greek pianist, keyboardist, composer, and music producer

Yanni in Words. Miramax Books. Co-author David Rensin

Theo van Doesburg photo
Nick Hornby photo
Edward Grey, 1st Viscount Grey of Fallodon photo
Errol Morris photo
Alain photo

“Politeness is for people toward whom we feel indifferent, and moods, both good and bad, are for those we love.”

Alain (1868–1951) French philosopher

Domestic Tranquility
Alain On Happiness (1928)

Immanuel Kant photo

“He [Jesus] claims that not the observance of outer civil or statutory churchly duties but the pure moral disposition of the heart alone can make man well-pleasing to God (Matthew V, 20-48); … that injury done one’s neighbor can be repaired only through satisfaction rendered to the neighbor himself, not through acts of divine worship (V, 24). Thus, he says, does he intend to do full justice to the Jewish law (V, 17); whence it is obvious that not scriptural scholarship but the pure religion of reason must be the law’s interpreter, for taken according to the letter, it allowed the very opposite of all this. Furthermore, he does not leave unnoticed, in his designations of the strait gate and the narrow way, the misconstruction of the law which men allow themselves in order to evade their true moral duty, holding themselves immune through having fulfilled their churchly duty (VII, 13). He further requires of these pure dispositions that they manifest themselves also in works (VII, 16) and, on the other hand, denies the insidious hope of those who imagine that, through invocation and praise of the Supreme Lawgiver in the person of His envoy, they will make up for their lack of good works and ingratiate themselves into favor (VII, 21). Regarding these works he declares that they ought to be performed publicly, as an example for imitation (V, 16), and in a cheerful mood, not as actions extorted from slaves (VI, 16); and that thus, from a small beginning in the sharing and spreading of such dispositions, religion, like a grain of seed in good soil, or a ferment of goodness, would gradually, through its inner power, grow into a kingdom of God (XIII, 31-33).”

Immanuel Kant (1724–1804) German philosopher

Book IV, Part 1, Section 1, “The Christian religion as a natural religion”
Religion within the Limits of Reason Alone (1793)

Vladimir Lenin photo

“We must pursue the removal of church property by any means necessary in order to secure for ourselves a fund of several hundred million gold rubles (do not forget the immense wealth of some monasteries and lauras). Without this fund any government work in general, any economic build-up in particular, and any upholding of soviet principles in Genoa especially is completely unthinkable. In order to get our hands on this fund of several hundred million gold rubles (and perhaps even several hundred billion), we must do whatever is necessary. But to do this successfully is possible only now. All considerations indicate that later on we will fail to do this, for no other time, besides that of desperate famine, will give us such a mood among the general mass of peasants that would ensure us the sympathy of this group, or, at least, would ensure us the neutralization of this group in the sense that victory in the struggle for the removal of church property unquestionably and completely will be on our side.
One clever writer on statecraft correctly said that if it is necessary for the realization of a well-known political goal to perform a series of brutal actions then it is necessary to do them in the most energetic manner and in the shortest time, because masses of people will not tolerate the protracted use of brutality. … Now victory over the reactionary clergy is assured us completely. In addition, it will be more difficult for the major part of our foreign adversaries among the Russian emigres abroad, i. e., the Socialist-Revolutionaries and the Milyukovites, to fight against us if we, precisely at this time, precisely in connection with the famine, suppress the reactionary clergy with utmost haste and ruthlessness.
Therefore, I come to the indisputable conclusion that we must precisely now smash the Black Hundreds clergy most decisively and ruthlessly and put down all resistance with such brutality that they will not forget it for several decades. … The greater the number of representatives of the reactionary clergy and the reactionary bourgeoisie that we succeed in shooting on this occasion, the better because this "audience" must precisely now be taught a lesson in such a way that they will not dare to think about any resistance whatsoever for several decades.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Letter to Comrade Molotov for the Politburo (19 March 1922) http://www.ibiblio.org/expo/soviet.exhibit/ae2bkhun.html
Variant translation:
It is precisely now and only now, when in the starving regions people are eating human flesh, and hundreds if not thousands of corpses are littering the roads, that we can (and therefore must) carry out the confiscation of church valuables. … I come to the categorical conclusion that precisely at this moment we must give battle to the Black Hundred clergy in the most decisive and merciless manner and crush its resistance with such brutality that it will not forget it for decades to come. The greater the number of representatives of the reactionary clergy and reactionary bourgeoisie we succeed in executing for this reason, the better.
As translated in The Unknown Lenin : From the Secret Archive (1996) edited by Richard Pipes, pp. 152-4
1920s

Brian Clevinger photo
Harriet Elizabeth Prescott Spofford photo
Randolph Bourne photo
Aldous Huxley photo
Yoshida Kenkō photo
Daniel Handler photo
William Luther Pierce photo

“The people are being kept in line at the moment, because there are still lots of shiny new things for them to buy. But more and more Americans are beginning to look beyond their immediate material comfort and to worry about the long-term moral slide of their country. If the economy slips badly, there will be hell to pay. More and more people will listen to the dissidents. A big problem for the Jews is how to silence the dissidents now, how to stifle the people who are asking inconvenient questions and thinking dangerous thoughts, before these thoughts spread to other people. They've tried to do it with legislation, but the country isn't yet in a mood to be told what it can think. What the Jews need is a nice, big war. Then they can crack down on the dissidents. Then they can call us "subversives." Then they can call us "unpatriotic," because we will be against their war… That's why I am convinced that there will be a strong effort to involve America in another major war during the next four years. This effort will be disguised, of course. It will be cloaked in deceit, as such efforts always are. While the warmongers are scheming for war, they will tell us how much they want peace. They're good at that sort of thing. They've had a lot of practice. But they will be scheming for war, believe me, no matter what they say. And when that war comes, remember what you have read today.”

William Luther Pierce (1933–2002) American white nationalist

Get Set for War, 1997.
1990s, 1990

Richard Holbrooke photo
Raghuram G. Rajan photo

“If you are an outsider looking at India, learn to filter out both the irrational exuberance and the excessive pessimism. We're subject to both. You will become manic-depressive if you follow our moods.”

Raghuram G. Rajan (1963) Indian economist

As quoted in " Economy will pick up by year-end, says RBI chief http://in.reuters.com/article/2013/10/16/india-rbi-rates-raguram-rajan-idINDEE99E0FF20131016", Reuters (16 October 2013)

Paula Modersohn-Becker photo

“Recently I have felt just what the mood of colors means to me: it means that everything in this picture changes its local color according to the same principle and that thereby all muted tones blend in a unified relationship, one to the other.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede, 24 July 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 197
1898

Daniel Handler photo
Hilary Duff photo
David Toop photo
Indro Montanelli photo
Chris Cornell photo
Bhakti Tirtha Swami photo
J.M. Coetzee photo
Ernest Hemingway photo

“That terrible mood of depression of whether it's any good or not is what is known as The Artist's Reward.”

Ernest Hemingway (1899–1961) American author and journalist

Letter to F. Scott Fitzgerald (13 September 1929); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Edward Hopper photo

“There will be, I think, an attempt to grasp again the surprise and accidents of nature and a more intimate and sympathetic study of its moods, together with a renewed wonder and humility on the part of such as are still capable of these basic reactions.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Alfred Barr & Edward Hopper: Retrospective Exhibition Museum of Modern Art New York 1933
1911 - 1940, Notes on Painting - Edward Hopper (1933)

Nancy Peters photo

“The mood of the '50s is like today.”

Nancy Peters (1936) American writer and publisher

"City Lights' silver lining", http://www.publishersweekly.com/article/CA310566.html Publishers Weekly, 2003-07-14. : Referring to the prosecution and acquital of Alan Ginsberg's book of poems, Howl, for obscenity in 1957.
2000s

Dennis Gabor photo
James D. Watson photo

“I suspect that in the beginning Maurice hoped that Rosy would calm down. Yet mere inspection suggested that she would not easily bend. By choice she did not emphasize her feminine qualities. Though her features were strong, she was not unattractive and might have been quite stunning had she taken even a mild interest in clothes. This she did not. There was never lipstick to contrast with her straight black hair, while at the age of thirty-one her dresses showed all the imagination of English blue-stocking adolescents. So it was quite easy to imagine her the product of an unsatisfied mother who unduly stressed the desirability of professional careers that could save bright girls from marriages to dull men. But this was not the case. Her dedicated austere life could not be thus explained — she was the daughter of a solidly comfortable, erudite banking family.
Clearly Rosy had to go or be put in her place. The former was obviously preferable because, given her belligerent moods, it would be very difficult for Maurice to maintain a dominant position that would allow him to think unhindered about DNA. Not that at times he'd didn't see some reason for her complaints — King's had two combination rooms, one for men, the other for women, certainly a thing of the past. But he was not responsible, and it was no pleasure to bear the cross for the added barb that the women's combination room remained dingily pokey whereas money had been spent to make life agreeable for him and his friends when they had their morning coffee.
Unfortunately, Maurice could not see any decent way to give Rosy the boot. To start with, she had been given to think that she had a position for several years. Also there was no denying that she had a good brain. If she could keep her emotions under control, there was a good chance she could really help him. But merely wishing for relations to improve was taking something of a gamble, for Cal Tech's fabulous chemist Linus Pauling was not subject to the confines of British fair play. Sooner or later Linus, who had just turned fifty, was bound to try for the most important of all scientific prizes. There was no doubt he was interested. … The thought could not be avoided that the best home for a feminist was in another person's lab.”

Description of Rosalind Franklin, whose data and research were actually key factors in determining the structure of DNA, but who died in 1958 of ovarian cancer, before the importance of her work could be widely recognized and acknowledged. In response to these remarks her mother stated "I would rather she were forgotten than remembered in this way." As quoted in "Rosalind Franklin" at Strange Science : The Rocky Road to Modern Paleontology and Biology by Michon Scott http://www.strangescience.net/rfranklin.htm
The Double Helix (1968)

Letitia Elizabeth Landon photo
Lytton Strachey photo
Lech Wałęsa photo

“It is hardly possible to build anything if frustration, bitterness and a mood of helplessness prevail.”

Lech Wałęsa (1943) Polish politician, Nobel Peace Prize winner, former President of Poland

Na zmęczeniu, goryczy, uczuciu bezsilności nie można budować.
Walesa, Lech. Speech. "Nobel Lecture". 1983 Nobel Peace Prize Acceptance http://www.nobelprize.org/nobel_prizes/peace/laureates/1983/walesa-lecture.html (11 December 1983)

Steven Erikson photo
William Stukeley photo
Corbin Bleu photo

“If I'm in a bad mood, my thing is I go clean! That's what relaxes me! I go and clean everything.”

Corbin Bleu (1989) American actor, model, dancer, producer, and singer-songwriter

Tigerbeat interview (2006)

Jeremy Hardy photo
Blase J. Cupich photo
Chuck Palahniuk photo

“People in and around government sense a national mood.”

John W. Kingdon (1940) American political scientist

Source: Agendas, Alternatives, and Public Policies - (Second Edition), Chapter 7, The Political Stream, p. 146

Johann Wolfgang von Goethe photo
Herman Melville photo
Bradley Joseph photo

“The piano is always true to me. In times of despair, happiness, and joy, its mood is always my own.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Album liner - Grand Piano (Narada Anniversay Collection)

Alexej von Jawlensky photo
Bhakti Tirtha Swami photo

“As we associate with others in our spiritual communities, we should do so in a mood that these are the people I am living with and they would probably also be the people that I leave this body with.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Four Principles of Community Building — ISKCON Gita Nagari Dhama; Port Royal, PA, USA; November 8, 1998
Lectures

Wendell Phillips photo

“Truth is one forever, absolute; but opinion is truth filtered through the moods, the blood, the disposition, of the spectator.”

Wendell Phillips (1811–1884) American abolitionist, advocate for Native Americans, orator and lawyer

Fraternity lecture delivered in Boston (4 October 1859), published in Speeches, Letters and Lectures by Wendell Phillips (1884), p. 245
1850s

Cyril Connolly photo
Aron Ra photo
Edward Bellamy photo
Paul Klee photo
Michael Moorcock photo
Alex Jones photo
Billy Joel photo

“Sing us a song you're the piano man
Sing us a song tonight.
Well we're all in the mood for a melody
And you've got us feeling alright.”

Billy Joel (1949) American singer-songwriter and pianist

Piano Man.
Song lyrics, Piano Man (1973)

“In the Far West, the United States of America openly claimed to be custodians of the whole planet. Universally feared and envied, universally respected for their enterprise, yet for their complacency very widely despised, the Americans were rapidly changing the whole character of man’s existence. By this time every human being throughout the planet made use of American products, and there was no region where American capital did not support local labour. Moreover the American press, gramophone, radio, cinematograph and televisor ceaselessly drenched the planet with American thought. Year by year the aether reverberated with echoes of New York’s pleasures and the religious fervours of the Middle West. What wonder, then, that America, even while she was despised, irresistibly moulded the whole human race. This, perhaps, would not have mattered, had America been able to give of her very rare best. But inevitably only her worst could be propagated. Only the most vulgar traits of that potentially great people could get through into the minds of foreigners by means of these crude instruments. And so, by the floods of poison issuing from this people’s baser members, the whole world, and with it the nobler parts of America herself, were irrevocably corrupted.
For the best of America was too weak to withstand the worst. Americans had indeed contributed amply to human thought. They had helped to emancipate philosophy from ancient fetters. They had served science by lavish and rigorous research. In astronomy, favoured by their costly instruments and clear atmosphere, they had done much to reveal the dispositions of the stars and galaxies. In literature, though often they behaved as barbarians, they had also conceived new modes of expression, and moods of thought not easily appreciated in Europe. They had also created a new and brilliant architecture. And their genius for organization worked upon a scale that was scarcely conceivable, let alone practicable, to other peoples. In fact their best minds faced old problems of theory and of valuation with a fresh innocence and courage, so that fogs of superstition were cleared away wherever these choice Americans were present. But these best were after all a minority in a huge wilderness of opinionated self-deceivers, in whom, surprisingly, an outworn religious dogma was championed with the intolerant optimism of youth. For this was essentially a race of bright, but arrested, adolescents. Something lacked which should have enabled them to grow up. One who looks back across the aeons to this remote people can see their fate already woven of their circumstance and their disposition, and can appreciate the grim jest that these, who seemed to themselves gifted to rejuvenate the planet, should have plunged it, inevitably, through spiritual desolation into senility and age-long night.”

Source: Last and First Men (1930), Chapter II: Europe’s Downfall; Section 1, “Europe and America” (p. 33)