Quotes about touch
page 12

Colin Wilson photo
Gordon B. Hinckley photo
Sarah Palin photo

“Couric: And when it comes to establishing your worldview, I was curious, what newspapers and magazines did you regularly read before you were tapped for this to stay informed and to understand the world?Palin: I've read most of them, again with a great appreciation for the press, for the media.Couric: What, specifically?Palin: Um, all of them, any of them that have been in front of me all these years.Couric: Can you name a few?Palin: I have a vast variety of sources where we get our news, too. Alaska isn't a foreign country, where it's kind of suggested, "Wow, how could you keep in touch with what the rest of Washington, D. C., may be thinking when you live up there in Alaska?"”

Sarah Palin (1964) American politician

Believe me, Alaska is like a microcosm of America.
Interview with Katie Couric, CBS Evening News,
2008-09-30
Sarah Palin Answers What Newspapers, Magazines Inform Her Worldview: "Most Of 'Em...All Of 'Em...Any Of 'Em," "Alaska Is Like A Microcosm Of America"
The Huffington Post
http://www.huffingtonpost.com/2008/09/30/sarah-palin-answers-what_n_130706.html
2008-09-30
Palin: ‘I’m the New Energy’
Lisa
Tozzi
The Caucus
http://thecaucus.blogs.nytimes.com/2008/09/30/palin-im-the-new-energy/
2008, 2008 interviews with Katie Couric

Laurence Sterne photo
Gabriele Münter photo
Anna Akhmatova photo
Sri Aurobindo photo

“What the Divine wants is for man to embody Him here, in the individual and in the collectivity… to realise God in life. The old system of yoga could not harmonise or unify Spirit and life; it dismissed the world as Maya or a transient play of God. The result has been a diminution of life-power and the decline of India. The Gita says, utsideyur ime loka na kuryam karma cedaham ["These peoples would crumble to pieces if I did not do actions," 3.24]. Truly 'these peoples' of India have gone to ruin. What kind of spiritual perfection is it if a few Sannyasins, Bairagis and Saddhus attain realisation and liberation, if a few Bhaktas dance in a frenzy of love, god-intoxication and Ananda, and an entire race, devoid of life, devoid of intelligence, sinks to the depths of extreme tamas?… But now the time has come to take hold of the substance instead of extending the shadow. We have to awaken the true soul of India and in its image fashion all works…. I believe that the main cause of India's weakness is not subjection, nor poverty, nor a lack of spirituality or Dharma, but a diminution of thought-power, the spread of ignorance in the motherland of Knowledge. Everywhere I see an inability or unwillingness to think… incapacity of thought or 'thought-phobia'…. The mediaeval period was a night, a time of victory for the man of ignorance; the modern world is a time of victory for the man of knowledge. It is the one who can fathom and learn the truth of the world by thinking more, searching more, labouring more, who will gain more Shakti. Look at Europe, and you will see two things: a wide limitless sea of thought and the play of a huge and rapid, yet disciplined force. The whole Shakti of Europe lies there. It is by virtue of this Shakti that she has been able to swallow the world, like our Tapaswins of old, whose might held even the gods of the universe in awe, suspense and subjection. People say that Europe is rushing into the jaws of destruction. I do not think so. All these revolutions, all these upsettings are the initial stages of a new creation….. We, however, are not worshippers of Shakti; we are worshippers of the easy way…. Our civilisation has become ossified, our Dharma a bigotry of externals, our spirituality a faint glimmer of light or a momentary wave of intoxication. So long as this state of things lasts, any permanent resurgence of India is impossible…. We have abandoned the sadhana of Shakti and so the Shakti has abandoned us…. You say what is needed is emotional excitement, to fill the country with enthusiasm. We did all that in the political field during the Swadeshi period; but all we did now lies in the dust…. Therefore I no longer wish to make emotional excitement, feeling and mental enthusiasm the base. I want to make a vast and heroic equality the foundation of my yoga; in all the activities of the being, of the adhar [vessel] based on that equality, I want a complete, firm and unshakable Shakti; over that ocean of Shakti I want the vast radiation of the sun of Knowledge and in that luminous vastness an established ecstasy of infinite love and bliss and oneness. I do not want tens of thousands of disciples; it will be enough if I can get as instruments of God a hundred complete men free from petty egoism. I have no faith in the customary trade of guru. I do not want to be a guru. What I want is that a few, awakened at my touch or at that of another, will manifest from within their sleeping divinity and realise the divine life. It is such men who will raise this country.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

April, 1920, Letter to Barin Ghose, Sri Aurobindo's brother, Translated from Bengali
India's Rebirth

Temple Grandin photo

“I have hardly touched the clay and I am made of it.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Casi no he tocado el barro y soy de barro.
Voces (1943)

Ralph Ellison photo
Rajiv Malhotra photo
Hilary Duff photo

“I love writing, but I feel like you need time to really get in touch with yourself to do that. On [Metamorphosis], I would have liked to have had more time to work with the writers [and] write some more of my own stuff. Hopefully I can do that on my second album.”

Hilary Duff (1987) American actress and singer

Rosen, Craig. "Hilary Duff: A Performer's Metamorphosis" http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=2076149. Billboard. January 26 2004. Retrieved October 25 2006.
On Metamorphosis (2003), her second album and first non-holiday album.

Pat Conroy photo
Henry Rollins photo
James Dean Bradfield photo
Anna Quindlen photo

“Masculine process has at its foundation externalization. The young boy is focused away from his inner and personal self and into achievement, performance, competition, success, emotional control (being "cool"), autonomy (not being dependent or needy), fearlessness, action, and an ethic that only values time spent in doing. Anything else is suspect and viewed as lazy, worthless, time-wasting, or meaningless.Externalization, or the process of being pushed outside of oneself, amplifies and eventually becomes disconnection. Personal relationships are then objectified and founded on the role another can play in his life. Relationships are based on doing and are therefore fairly readily interchangeable with anyone else who can do.Disconnection leads men to the experience of being loners, where it's "lonely at the top," and freedom, space, and "doing one's thing," are the rationalized values. Disconnection transforms a man into someone who has everything he wanted externally, but has nothing that is bonded or connected on a personal level. He is "out of touch," so he doesn't know why he's unhappy, and may conclude that the cause of his malaise is that he needs "more." He sets out to get it, but when he gets it he feels deader and more isolated than ever.The end stage of this journey of masculine process is personal oblivion, which can occur early in his life or may not appear full blown until he's an older man, depending on how extreme his externalized process is. At this point, personal connection becomes impossible. He doesn't know he rationalizes his personal emptiness with cynical philosophies and escapes painful awareness through non-relationships he can control by buying. In the end state of oblivion, he is beyond personal reach and can only relate in abstract, depersonalized, intellectualized ways. The only way he is "loved" is in return for providing or taking care of others.”

Herb Goldberg (1937–2019) American psychologist

The Personal Journey of Masculinity: From Externalization to Disconnection to Oblivion, pp. 10–11
What Men Still Don't Know About Women, Relationships, and Love (2007)

Michael Swanwick photo

““You ask a question that cannot be answered without knowing the nature of the primal chaos from which being arose. Is Spiral Castle like a crystal, once shattered, forever destroyed? That is what I prefer to believe. Or is it like a still pond, whose mirrored surface may be shattered and churned, but which will inevitably restore itself as the waves die down? You may believe this if you choose. You can even believe—why not?—that the restored universe will be an improvement on the old. For me, so long as I have my vengeance I care not what comes after.”
“And us?”
“We die.” An involuntary rise in the dragon’s voice, a slight quickening of cadence, told her that she had touched upon some unclean hunger akin to but less seemly than battle-lust. “We die beyond any chance of rebirth. You and I and all we have known will cease to be. The worlds that gave us birth, the creatures that shaped us—all will be unmade. So comprehensive will be their destruction that even their pasts will die with them. It is an extinction beyond death that we court. Though the ages stretch empty and desolate into infinity and beyond, there will be none to remember us, nor any to mourn. Our joys, sorrows, struggles, will never have been.
“And even if there is a universe to come, it will know naught of us.””

Source: The Iron Dragon's Daughter (1993), Chapter 19 (pp. 340-341)

Steph Davis photo
Charles Dickens photo

“Resisting the slow touch of a frozen finger tracing out my spine.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

The Signal-Man http://www.charles-dickens.org/three-ghost-stories-the-signal-man/ebook-page-04.asp (1866)

Edward Jenks photo
Matthew Stover photo
Herbert Marcuse photo
Ramakrishna photo
George William Russell photo
Edwin Booth photo
Chaim Soutine photo
Sienna Guillory photo

“Everything I've done in the last few years has been grim and gritty and traumatic. I've played floozies, psychopaths, assassins, crackheads…. It's nice to do something with a lighter touch, something that makes you laugh but has a serious point to make. I get to wear a lot of great clothes as well.”

Sienna Guillory (1975) British actress

Take a Girl Like You Cast and Credits http://www.pbs.org/wgbh/masterpiece/takeagirl/credits.html. pbs.org. 2000.
Guillory speaks about her role in the television film, w:Take a Girl Like You.

J.M.W. Turner photo

“My dear Chantrey, - I intended long before this (but you will say, Fudge) to have written: but even now very little information have I to give you in matters of Art, for I have confined myself to the painting department at Corso; and having finished one, am about the second, and getting on with Lord E.'s, which I began the very first touch at Rome; but as the folk here talked that I would show them not, I finished a small three feet four [painting] to stop their gabbling..”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote in Turner's letter from Rome, 6 Nov. 1828, to his friend Francis Chantrey; as cited in The Life of J. M. W. Turner R.A. , Walter Thornbury - A new Edition, Revised https://ia601807.us.archive.org/24/items/gri_33125004491185/gri_33125004491185.pdf; London Chatto & Windus, 1897, p. 10
1821 - 1851

Anton Chekhov photo
Thomas Haynes Bayly photo

“Gayly the troubadour
Touched his guitar.”

Thomas Haynes Bayly (1797–1839) English poet, songwriter, dramatist, and writer

Welcome me Home, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Basshunter photo
Mike Oldfield photo
Elliott Smith photo
Amir Taheri photo
G. K. Chesterton photo
François Fénelon photo

“I protest that no one admires Cicero more than I do. He enriches all that he touches.”

François Fénelon (1651–1715) Catholic bishop

Je proteste que personne n'admire Cicéron plus que je fais: il embellit tout ce qu’il touche.
Lettre sur les Occupations de l'Académie Française, sect. 4, cited from Œuvres de Fénelon (Paris: Lefèvre, 1835) vol. 3, p. 227; translation from Paul Bertie Bull Preaching and Sermon Construction (New York: Macmillan, 1922) p. 256. (1714)
Cf. Dr. Johnson's epitaph for Oliver Goldsmith: "…qui nullum fere scribendi genus non tetigit, nullum quod tetigit non ornavit," ("…who left no species of writing untouched by his pen, and touched none that he did not adorn").

E.M. Forster photo
Hillary Clinton photo
John Hoole photo

“When highest placed on giddy Fortune's wheel,
Unhappy man must soon expect to feel
A sad reverse, and in the changing round
With rapid whirl as sudden touch the ground.”

John Hoole (1727–1803) British translator

Book XLV, line 1
Translations, Orlando Furioso of Ludovico Ariosto (1773)

Isaac Rosenberg photo
Steven Shapin photo
Francesc Ferrer i Guàrdia photo
Christa McAuliffe photo

“I Touch the Future — I Teach.”

Christa McAuliffe (1948–1986) American educator and astronaut

As quoted in "I Touch the Future —" : The story of Christa McAuliffe (1985) by Robert T. Hohler, p. 155; this was on a t-shrit which she brought on her shuttle baggage, but the expression might not have originated with her.
(RESPONSE) Though the expression might not have originated by Christa, she endorsed it and repeated it as captured on a YouTube video, https://www.youtube.com/watch?v=uZfKrXp-ghM , starting at the 7:39 mark. (Christa was speaking before various media microphones, including one microphone belonging to WJYY radio, a Concord, NH, station where Christa lived.) Also, in the biography of Christa by her mother, Grace Corrigan, the expression is attributed to Christa by former student (1975), Roger Chapan, who quoted Christa as saying: “I teach; I touch the future.” (See A Journal for Christa: Christa McAuliffe, Teacher in Space by Grace George Corrigan, 1993, ISBN 0-8032-1459-6, page 162) Regardless of who originated the expression (and it may very well have been Christa), it was Christa McAuliffe who popularized it and indelibly etched it into the minds of everyone in the world with her tragic passing.
Disputed

Peter Gabriel photo

“I'm waiting for ignition, I'm looking for a spark
Any chance collision and I light up in the dark
There you stand before me, all that fur and all that hair
Oh, do I dare… I have the touch.”

Peter Gabriel (1950) English singer-songwriter, record producer and humanitarian

I Have The Touch
Song lyrics, Peter Gabriel (IV), Security (1982)

Mary, Crown Princess of Denmark photo
Edmund Burke photo

“Manners are of more importance than laws. The law can touch us here and there, now and then. Manners are what vex or soothe, corrupt or purify, exalt or debase, barbarize or refine us, by a constant, steady, uniform, insensible operation like that of the air we breathe in.”

Edmund Burke (1729–1797) Anglo-Irish statesman

No. 1, p. 172 in The Works of the Right Honourable Edmund Burke: A New Edition, v. VIII. London: F. C. and J. Rivington, 1815
Letters On a Regicide Peace (1796)

Miyamoto Musashi photo
Jean Dubuffet photo

“The eye perceives what is hard and what is soft, what is porous and what is impervious, what is warm to the touch and what is cold.”

Jean Dubuffet (1901–1985) sculptor from France

Quote of Jean Dubuffet, from 'L'auteur répond à quelques objections', (1946); as cited in Prospectus aux amateurs de tout genre, Jean Dubuffet; Paris: Gallimard, 1946, p. 115
1940's

Anton Mauve photo

“.. the longer I am here Laren, the more beautiful it becomes for me and now that I feel myself more comfortable, I can judge it better... It is touching beautiful here [ Laren ], with a delicacy of lines and lovely poetry radiates from everywhere, interior houses, roads, fields, beautiful heath and bushes, and people are of the sweetest kind to imagine... Usually after dinner we make a little walk, what I enjoy a lot. I don't know how to say it, but I would like to live here for ever.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) ..hoe langer ik hier nl:Laren (Noord-Holland) ben, hoe mooijer het voor mij wordt en nu ik een beetje meer op mijn gemak kom, kan ik er beter over oordelen.. .'t Is aandoenlijk mooi hier, van een fijnheid van lijnen en lieflijke poëzie straalt alles uit, binnenhuizen, wegen, akkers, prachtige heide en boschjes en de menschen is van het liefste soort dat te bedenken is.. .Wij maken doorgaans na den eten een loopje en wat ik geniet. Ik kan het niet zeggen maar ik zou hier altijd willen wonen.
Quote of Mauve in a letter, Juin 1882 to his wife Jet Carbentus; Mauve Archive of RKD, Den Haag
1880's

George Crabbe photo

“Time has touched me gently in his race,
And left no odious furrows in my face.”

George Crabbe (1754–1832) English poet, surgeon, and clergyman

Book xvii, "The Widow". Compare: "Touch us gently, Time", Bryan W. Procter, Touch us gently, Time; "Time has laid his hand / Upon my heart, gently", Henry Wadsworth Longfellow, The Golden Legend, iv.
Tales of the Hall (1819)

Hélène Binet photo
Russ Feingold photo

“I strongly disagree with the President's characterization today of NAFTA as a "success", and with his call on Congress to pass CAFTA this year. These comments are out of touch with American businesses and workers who have been forced to compete on an uneven playing field for years under bad deals like NAFTA.”

Russ Feingold (1953) Wisconsin politician; three-term U.S. Senator

[U.S. Senator Russ Feingold On the President's Remarks Today Regarding Trade (press release), http://feingold.senate.gov/~feingold/statements/05/03/2005323A53.html, feingold.senate.gov, 20 August 2018, https://web.archive.org/web/20080412072321/http://feingold.senate.gov/~feingold/statements/05/03/2005323A53.html, April 12, 2008, March 23, 2005]
2005

Pablo Neruda photo

“I like for you to be still: it is as though you were absent,
and you hear me from far away and my voice does not touch you.”

Pablo Neruda (1904–1973) Chilean poet

Me gustas cuando callas porque estás como ausente,
y me oyes desde lejos, y mi voz no te toca.
"I Like for You to be Still" (Me Gustas Cuando Callas), p. 37.
Veinte Poemas de Amor y una Canción Desesperada (Twenty Love Poems and a Song of Despair) (1924)

Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Charles Murray photo

“You’re out of touch with reality in that regard.”

Charles Murray (1943) American libertarian political scientist, author, and columnist

In response to "I believe that given the opportunity, most people could do most anything." from interviewer Deborah Solomon.
Questions for Charles Murray: Head of the Class http://www.nytimes.com/2008/09/21/magazine/21wwln-Q4-t.html, New York Times Magazine, September 19, 2008.

Paramahansa Yogananda photo

“Nor doomsday’s thunderous roar,
Dismantling earth and stars —
The cosmic beauties all to mar —
Not Nature’s murderous mutiny,
Nor man’s exploding destiny
Can touch me here.”

Paramahansa Yogananda (1893–1952) Yogi, a guru of Kriya Yoga and founder of Self-Realization Fellowship

Songs of the Soul by Paramahansa Yogananda, Quotes drawn from the poem "Nature’s Nature"

Vannevar Bush photo
Amy Lowell photo
Benoît Mandelbrot photo
George W. Bush photo
H.L. Mencken photo
Michelle Obama photo

“I don't think he's touched a washcloth to his face since the day he was born.”

Patricia Reilly Giff (1935) American children's writer

Source: Water Street (2006), Chapters 1-10, p. 30; spoken by Bird about Thomas.

Enoch Powell photo
Farah Pahlavi photo
Chauncey Depew photo

“When you read sutras don't seek to understand them. Stay in touch with precisely what they are eliciting in terms of experience in you.”

Ken McLeod (1948) Canadian lama

Heart Sutra Workshop http://www.unfetteredmind.org/heart-sutra-commentary-3#sect6. Unfettered Mind http://www.unfetteredmind.org. (2008-09-13) (Topic: Practice)

John of St. Samson photo

“Every soul, touched by God, feels and believes in the depths of its being that it is more sinful than all men together.”

John of St. Samson (1571–1636)

From, Light on Carmel: An Anthology from the Works of Brother John of Saint Samson, O.Carm.

Marguerite Yourcenar photo

“A touch of madness is, I think, almost always necessary for constructing a destiny.”

Marguerite Yourcenar (1903–1987) French writer

Je crois qu'il faut presque toujours un coup de folie pour bâtir un destin.
Les yeux ouverts: entretiens avec Matthieu Galey [With Open Eyes: Conversations With Matthieu Galey] (1980)

Matthijs Maris photo
Epifanio de los Santos photo
Arthur Stanley Eddington photo
Virginia Satir photo
Courtney Love photo

“I've got a blister from touching everything I see
The abyss opens up
It steals everything from me”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

"Softer, Softest"
Song lyrics, Live Through This (1994)

Antonin Artaud photo
Julian of Norwich photo
Hilaire Belloc photo
James Thurber photo

“Somebody has said that woman's place is in the wrong. That's fine. What the wrong needs is a woman's presence and a woman's touch. She is far better equipped than men to set it right.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

"The Duchess and the Bugs", 'Lanterns & Lances (1961).
From Lanterns and Lances‎

Clifford D. Simak photo
David Attenborough photo
Margaret Cho photo
David Orrell photo
Amit Ray photo
Barbara Hepworth photo
George Pope Morris photo

“Woodman, spare that tree!
Touch not a single bough!
In youth it sheltered me,
And I 'll protect it now.”

George Pope Morris (1802–1864) American publisher

Woodman, spare that Tree! (1830), reported in Bartlett's Familiar Quotations, 10th ed. (1919).