Quotes about touch
page 11

Burkard Schliessmann photo
Paul Cézanne photo

“Let's not eliminate nature. Too bad if we fail. You see, in his 'Dejeuner sur l'herbe', Manet ought to have added - I don't know what - a touch of this nobility, whatever it is in this picture that conveys heaven to our every sense. Look at the golden flow of the tall woman, the other one's back... They are alive and they are divine.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 186 in: 'What he told me – II. The Louvre' [standing in the Louvre in front of the painting 'Le concert Champêtre', painted by Giorgioni (ca. 1510)

Colin Wilson photo
Orson Scott Card photo
David Norris photo
William March photo
Harriet Harman photo
Alan M. Dershowitz photo
Najib Razak photo

“We are pleased with the state of predictions and we touched on matters of increasing bilateral trade in both countries [Malaysia and Maldives], as well as, looked at opportunities for Malaysian companies to continue participating in the development of Maldives.”

Najib Razak (1953) Malaysian politician

Najib Razak added that both countries held fruitful and in depth discussions on all aspects of Malaysia-Maldives relations, and exchanged views on regional and international issues of common concern, quoted on HaveeruOnline, "Maldives seeks petroleum from Malaysia's Petronas" http://www.haveeru.com.mv/news/67696, March 29, 2016.

Emma Goldman photo

“The indvidual whose vision encompasses the whole world feels nowhere so hedged in as and out of touch with his surroundings as in his native land.”

Emma Goldman (1868–1940) anarchist known for her political activism, writing, and speeches

As quoted in [Robert Andrews, The New Penguin Dictionary of Modern Quotations, https://books.google.com/books?id=VK0vR4fsaigC&pg=PT657, 30 October 2003, Penguin Books Limited, 978-0-14-196531-4, 657]
The Individual, Society and the State (1940)

Dan Bern photo

“Merkle should have touched second base.”

Dan Bern (1965) American musician

From Merkle, various live performances.

Barbara Hepworth photo
Henry Van Dyke photo
Propertius photo

“Woever he was who first depicted Amor as a boy, don’t you think it was a wonderful touch? He was the first to see that lovers live without sense.”
Quicumque ille fuit, puerum qui pinxit Amorem nonne putas miras hunc habuisse manus? is primum vidit sine sensu vivere amantes

Propertius (-47–-16 BC) Latin elegiac poet

II, xii, 1-3; translation by A. S. Kline
Elegies

Mark Wahlberg photo

“A lot of celebrities…shouldn't [talk politics]… They're pretty out of touch with the common person, the everyday guy out there providing for their family.”

Mark Wahlberg (1971) American actor, television producer and rap musician

"Mark Wahlberg: 'Hollywood is living in a bubble' and stars shouldn't talk politics" http://www.foxnews.com/entertainment/2016/12/01/mark-wahlberg-hollywood-is-living-in-bubble-and-stars-shouldnt-talk-politics.html, FoxNews.com (1 December 2016)

Thomas Carlyle photo
Stanley Baldwin photo
Orson Welles photo

“Thank you, Donald, for that well-meant but rather pedestrian introduction. Regarding yourself, I quote from the third part of Shakespeare's Henry VI, Act Two, Scene One. Richard speaks, "Were thy heart as hard as steel/ As thou hast shown it flinty by thy deeds/ I come to pierce it, or to give thee mine." To translate into your own idiom, Donald; you're a yo-yo. Now I direct my remarks to Dean Martin, who is being honored here tonight… for reasons that completely elude me. No, I'm not being fair to Dean because - this is true - in his way Dean, and I know him very well, has the soul of a poet. I'm told that in his most famous song Dean authored a lyric which is so romantic, so touching that it will be enjoyed by generations of lovers until the end of time. Let's share it together. [Opens a songsheet for Dean's "That's Amore" and reads in a monotone] "When the moon hits your eye/ Like a big pizza-pie/ That's amore" Now, that's what I call 'touching', Dean. It has all the romanticism of a Ty-D-Bol commercial. "When the world seems to shine/ Like you've had too much wine/ That's amore" What a profound thought. It could be inscribed forever on a cocktail napkin. Hey, there's more. "Tippy-tippy-tay/ Like a gay tarantella" Like a gay tarantella? Apparently, Dean has a 'side Dean' we know nothing about. "When the stars make you drool/ Just like a pasta fazool…. Scuzza me, but you see/ Back in old Napoli/ That's amore" No, Dean; that's infermo, Italian for "sickened". Now, lyrics like that - lyrics like that ought to be issued with a warning: a song like that is hazardous to your health. Ladies and gentlemen… [motions to Dean] you are looking at the end result!”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given at a Dean Martin Celebrity Roast. Viewable here http://www.youtube.com/watch?v=VlKR0i-51S4.

Henri Nouwen photo
Peter Sloterdijk photo
Edwin Markham photo

“It will all come back — the wasted splendor,
The heart's lost youth like a breaking flower,
The dauntless dare, and the wistful, tender
Touch of the April hour.”

Edwin Markham (1852–1940) American poet

Source: The Shoes of Happiness, and Other Poems (1913), The Crowning Hour, III

Asger Jorn photo
George Eliot photo
Plutarch photo
Paula Modersohn-Becker photo
William Morley Punshon photo

“We may not substitute charity for godliness; but there is room for the Divine love in the heart which has been touched by the human.”

William Morley Punshon (1824–1881) English Nonconformist minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 47.

Jiddu Krishnamurti photo
Grace Hopper photo

“I had a running compiler and nobody would touch it. … they carefully told me, computers could only do arithmetic; they could not do programs.”

Grace Hopper (1906–1992) American computer scientist and United States Navy officer

As quoted in Grace Hopper : Navy Admiral and Computer Pioneer (1989) by Charlene W. Billings, p. 74 ISBN 089490194X

Frances Kellor photo

“A first proposition, therefore, in Americanization is to find a way to satisfy the creative instinct in men and their sense of home, by giving them and their native-born sons the widest possible knowledge of America, including a pictorial geography, a simple history of the United States, the stories of successful Americans including those of foreign-born origin; a knowledge of American literature, of our political ideals and institutions, and of oiy: free educational opportunities. A systematic effort should be made to give them a land interest and a home stake and to get them close to the soil, not alone in the day's work but also in their cultural life. The men most likely to desert America at the close of the war will be workers with job stakes and wage rates, and not those with a home stake and investments. I would carry this campaign of information into every foreign language publication, every newspaper, every shop, and every racial center in America. The land interpreter of the future will be the government, and Franklin K. Lane, Secretary of the Interior, has foreseen this in his appeal for the use of the land for the rehabilitation of men returning from the front. It is the land that will make the life of the maimed livable and will connect the past with the future. This will not be achieved by forced "back-to-the-land movements" and colonization. Each individual American who interprets the beauty of America and its meaning, and who, wherever he can, personally puts the foreign-born in touch with the soil and helps him to a plot of ground which he can call his own, is doing effective Americanization. Loyalty and efficiency are inherent in this land sense, and they are the strength of a nation.”

Frances Kellor (1873–1952) American sociologist

What is Americanization? (1919)

Bob Dylan photo

“For man has invented his doom; first step was touching the moon.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Infidels (1983), License to Kill

Samuel Taylor Coleridge photo
Wallace Stevens photo
Helen Reddy photo

“…I don’t think of myself as a pop star. I started out as a jazz singer. And I love having the chance to just jump in and sing songs that touch me or move me.”

Helen Reddy (1941) Australian actress

On her comeback to singing before a live audience with "album cuts"
Freeman interview (September 2012)

Michael Elmore-Meegan photo
Carl Sagan photo
Milan Kundera photo
David Feherty photo

“He's got a touch of a gay florist.”

David Feherty (1958) professional golfer, broadcaster, writer

Feherty on Tiger Woods after his chip shot from the rough. ( YouTube http://www.youtube.com/watch?v=QlDwGqyZDV4 )

Ray Bradbury photo
Roberto Mangabeira Unger photo
Temple Grandin photo
Daniel Webster photo

“He smote the rock of the national resources, and abundant streams of revenue gushed forth. He touched the dead corpse of Public Credit, and it sprung upon its feet.”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Speech on Hamilton (10 March 1831)

Vita Sackville-West photo

“And what have I to give my friends in the last resort?
An awkwardness, a shyness, and a scrap,
No thing that's truly me, a bootless waste,
A waste of myself and them, for my life is mine
And theirs presumably theirs, and cannot touch.”

Vita Sackville-West (1892–1962) English writer and gardener

"Days I enjoy" quoted in Vita and Virginia: The Work and Friendship of V. Sackville-West and Virginia Woolf (1993) by Suzanne Raitt, p. 89

John Milton photo

“Truth is as impossible to be soiled by any outward touch as the sunbeam.”

John Milton (1608–1674) English epic poet

The Doctrine and Discipline of Divorce (1643), Introduction. Compare: "The sun, which passeth through pollutions and itself remains as pure as before", Francis Bacon, Advancement of Learning, Book ii (1605)

Joaquin Miller photo
Donald J. Trump photo
Hadewijch photo
Ono no Komachi photo

“Although I come to you constantly
over the roads of dreams,
those nights of love
are not worth one waking touch of you.”

Ono no Komachi (825–900) Japanese poet

Source: Kenneth Rexroth's translations, Women Poets of Japan (1982), p. 15

James A. Garfield photo
Alexander Berkman photo
Denis Diderot photo
Cormac McCarthy photo
Stephen Crane photo
J.M. Coetzee photo
Antonin Scalia photo
Mike Oldfield photo

“Holy, to me just one glance is holy
One touch of your heart to me that's holy…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Earth Moving (1989)

Carl Friedrich Gauss photo
Dejan Stojanovic photo

“The world cannot be translated; it can only be dreamed of and touched.”

“World II,” p. 84
The Creator (2000), Sequence: “Same and Change”

Berthe Morisot photo

“I can not get over everything you did for me in that first day [for his support to hang her works on the 7th Impressionist exhibition, Spring 1882], it seems to me that you are working yourself to death, and all on my account. This touches me deeply and vexes me at the same time.”

Berthe Morisot (1841–1895) painter from France

Berthe Morisot, in a letter to her husband Eugene Manet, 1882; as cited in Impressionist quartet, ed. Jeffrey Meyers; publishers, Harcourt, 2005, p. 120
1881 - 1895

Robert Burns photo

“A gaudy dress and gentle air May slightly touch the heart;
But it's innocence and modesty
that polished the dart.”

Handsome Nell (1773) (also known as "My Handsome Nell"), st. 6.
Johnson's The Scots Musical Museum (1787-1796)

Sören Kierkegaard photo

“He fixed his definition thus: reflection is the possibility of the relation, consciousness is the relation, the first form of which is contradiction. He soon noted that, as a result, the categories of reflection are always dichotomous. For example ideality and reality, soul and body, to recognize – the true, to will – the good, to love – the beautiful, God and the world, and so on, these are categories of reflection. In reflection, these touch each other in such a way that a relation becomes possible. The categories of consciousness, on the other hand, are trichotomous, as language itself indicates, for when I say I am conscious of this, I mention a trinity. Consciousness is mind and spirit, and the remarkable thing is that when in the world of mind or spirit one is divided, it always becomes three and never two. Consciousness, therefore, presupposes reflection. If this were not true it would be impossible to explain doubt. True, language seems to contest this, since in most languages, as far as he knew, the word ‘doubt’ is etymologically related to the word ‘two’. Yet in his opinion this only indicated the presupposition of doubt, especially because it was clear to him that as soon as I, as spirit, become two, I am eo ipso three. If there were nothing but dichotomies, doubt would not exist, for the possibility of doubt lies precisely in that third which places the two in relation to each other. One cannot therefore say that reflection produces doubt, unless one expressed oneself backwards; one must say that doubt presupposes reflection, though not in a temporal sense. Doubt arises through a relation between two, but for this to take place the two must exist, although doubt, as a higher expression, comes before rather than afterwards.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Johannes Climacus (1841) p. 80-81
1840s, Johannes Climacus (1841)

Laurell K. Hamilton photo
Dorothea Lange photo

“One should really use the camera as though tomorrow you'd be stricken blind. To live a visual life is an enormous undertaking, practically unattainable. I have only touched it, just touched it.”

Dorothea Lange (1895–1965) American photojournalist

As quoted in Dorothea Lange: A Visual Life by Elizabeth Partridge (1994)

Graham Greene photo
Simone Weil photo
Vannevar Bush photo
Helen Keller photo
Paul Weller (singer) photo
Nick Cave photo
Frederick Douglass photo
Charles Sumner photo

“With me, sir, there is no alternative. Painfully convinced of the unutterable wrongs and woes of slavery; profoundly believing that, according to the true spirit of the Constitution and the sentiments of the fathers, it can find no place under our National Government — that it is in every respect sectional, and in no respect national — that it is always and everywhere the creature and dependent of the States, and never anywhere the creature or dependent of the Nation, and that the Nation can never, by legislative or other act, impart to it any support, under the Constitution of the United States; with these convictions, I could not allow this session to reach its close, without making or seizing an- opportunity to declare myself openly against the usurpation, injustice, and cruelty, of the late enactment by Congress for the recovery of fugitive slaves. Full well I know, sir, the difficulties of this discussion, arising from prejudices of opinion and from adverse conclusions, strong and sincere as my own. Full well I know that I am in a small minority, with few here to whom I may look for sympathy or support. Full well I know that I must utter things unwelcome to many in this body, which I cannot do without pain. Full well I know that the institution of slavery in our country, which I now proceed to consider, is as sensitive as it is powerful — possessing a power to shake the whole land with a sensitiveness that shrinks and trembles at the touch. But, while these things may properly prompt me to caution and reserve, they cannot change my duty, or my determination to perform it. For this I willingly forget myself, and all personal consequences. The favor and good-will of my fellow-citizens, of my brethren of the Senate, sir, — grateful to me as it justly is — I am ready, if required, to sacrifice. All that I am or may be, I freely offer to this cause.”

Charles Sumner (1811–1874) American abolitionist and politician

"Freedom National, Slavery Sectional," speech in the Senate (July 27, 1852).

James Graham, 1st Marquess of Montrose photo

“He either fears his fate too much,
Or his deserts are small,
That dares not put it to the touch
To gain or lose it all.”

James Graham, 1st Marquess of Montrose (1612–1650) Scottish nobleman, poet and soldier of the Wars of the Three Kingdoms

My Dear and only Love. Compare: "That puts it not unto the touch/ To win or lose it all", Sir W. F. P. Napier, Montrose and the Covenanters, vol. ii. p. 566.

Marshall McLuhan photo

“Our senses are not receptors so much as reactors and makers of different modalities of space. Perhaps touch is not just skin contact with things, but the very life of things in the mind.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 256

Paul Krugman photo
Walter Dill Scott photo
Red Skelton photo
Wilhelm Liebknecht photo
Philip Roth photo
Caroline Dhavernas photo

“People have told me it's like Touched by an Angel on acid. I think that's a good description.”

Caroline Dhavernas (1978) Canadian actress

On Wonderfalls in "Caroline Dhavernas works magic" by Olivia Barker at USA Today (9 March 2004) http://www.usatoday.com/life/television/news/2004-03-09-dharvernas-breakout_x.htm

Walter Bagehot photo

“Nations touch at their summits.”

No. IV, The House of Lords, p. 120
The English Constitution (1867)

Octavio Paz photo

“the reality beyond language is not completely reality, a reality that does not speak or say is not reality;
and the moment I say that, the moment I write, letter by letter, that a reality stripped of names is not reality, the names evaporate, they are air, they are a sound encased in another sound and in another and another, a murmur, a faint cascade of meanings that fade away to nothingness:
the tree that I say is not the tree that I see, tree does not say tree, the tree is beyond its name, a leafy, woody reality: impenetrable, untouchable, a reality beyond signs, immersed in itself, firmly planted in its own reality: I can touch it but I cannot name it, I can set fire to it but if I name it I dissolve it:
the tree that is there among the trees is not the tree that I name but a reality that is beyond names, beyond the word reality, it is simply reality just as it is, the abolition of differences and also the abolition of similarities;
the tree that I name is not the tree, and the other one, the one that I do not name and that is there, on the other side of my window, its trunk now black and its foliage still inflamed by the setting sun, is not the tree either, but, rather, the inaccessible reality in which it is planted:
between the one and the other there appears the single tree of sensation which is the perception of the sensation of tree that is vanishing, but
who perceives, who senses, who vanishes as sensations and perceptions vanish?”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Letitia Elizabeth Landon photo
Jonathan Safran Foer photo
Adam Schaff photo
George W. Bush photo
Leopoldo Galtieri photo
Robert G. Ingersoll photo
Narendra Modi photo

“Mahatma Buddha has also left a deep imprint on my life. In my personal room also, there are three-four statues of the Buddha…. In Buddhism, I see dharma entrenched in karuna (compassion). I believe compassion is the most valuable essence of life. When I formed the government, these values got ingrained even deeper. What attracts me about Buddha is his inclusive philosophy; secondly, his modernity; and thirdly, his belief in the importance of Sangathan—the idea of Sangha. This underlies all his philosophy. I would often wonder how Buddha managed to reach all over the world. What was it about him that lit sparks everywhere he went, took ordinary human beings towards their kartavya (duty) and appealed to the lower status groups as well? Buddhism does not have too much tam-jham or celebration of big utsavs. There is a direct connect of the individual with the Divine. That entire thought system touches me deeply. Moreover, wherever Buddha went, the region witnessed prosperity. Even though China had a different belief system but Buddha has maintained his influence on China as well. Recently, I went to China and found that their government was introducing me to Buddhist elements of their culture with great pride. I got to know that China is making a film on Hiuen-Tsang. I took a pro-active role and wrote to those people saying that they should not forget the part about his stay in Gujarat. Hiuen-Tsang lived for a long time in the village where I was born. He has written about a hostel in that village where 1,000 student monks resided. After I became chief minister, I got the area excavated and found archeological evidence of things described by Hiuen-Tsang. This means Mahatma Buddha’s philosophy would have had some influence on my ancestors.”

Narendra Modi (1950) Prime Minister of India

Narendra Modi quoted from Kishwar, Madhu (2014). Modi, Muslims and media: Voices from Narendra Modi's Gujarat. p.388-389
2013

Alexander Calder photo
Báb photo
Elton John photo

“Most of our 'pleasure' activities appear to be substitutes for the natural sensory pleasures of touching.”

James W. Prescott (1930) American psychologist

"Body Pleasure and the Origins of Violence" (1975)