“Tomasz Vetulani's work balances between two fascinating axes, producing an image of an artist juggling various means of expression. From intriguing and expressive objects, made by him from, say, hot white glue or black silicon, with strong social and political connotations - to subtle images-objects, evoking fleeting states, where the sensitive eye of the artist touches the sublimation of certain senses.”

— Tomasz Vetulani

Agnieszka Gołębiewska, Curatorial text accompanying exhibition There is no threat. Weapons and colour http://www.olympiagaleria.pl/en.tomasz_vetulani.html, 2017

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Polish artist 1965

Tomasz Vetulani (1965) Polish artist

Agnieszka Gołębiewska, Curatorial text accompanying exhibition There is no threat. Weapons and colour http://www.olympiagaleria.pl/en.tomasz_vetulani.html, 2017

“The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world – in other words – expressing the energy, the motion and the other inner forces.... the modern artist is working with space and time, and expressing his feelings rather than illustrating.”

Jackson Pollock (1912–1956) American artist

Source: 1950's, Interview by William Wright, Summer 1950, pp. 139-140

“The skills of the modern artist are the opposite of those of the craftsman: instead of acquiring techniques for producing classes of objects, the artist today perfects the means suited to his particular work.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art & Other Serious Matters, (1985), p. 51, "Inquest into Modernism"

“Artists are mechanics who work with their hands, making things. Artists are involved with the means of creativity, the nature of skills, the revelation of making. Art comes from the work, I see a painting as an expressive entity. There's no picture that I know of where the subject carries as much expressive possibility as the actual execution of the picture.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 9
Conversation with Karen Wilkin' (1986-1988)

“I think to be an artist it means a certain sensitivity, because I believe in evolution. I believe the more sensitive you are the more you draw from this One Mind; which is part of the whole, part of everything. I think we all have that ability to be tuned in, but I think great artists are just more tuned in. One who's expressing God to the fullest, that's an artist.”

Peggy Moran (1918–2002) actress

Interview with Monster Kid Magazine

“The seeing of things as they really are — the seeing of a proportion veiled from other eyes (together with the power of expression), is what makes a man an artist. What makes him a great artist is a high fervour of spirit, which produces a superlative, instead of a comparative, clarity of vision.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

“All objects transmit their image to the eye in pyramids, and the nearer to the eye these pyramids are intersected the smaller will the image appear of the objects which cause them.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

“The artist is seen like a producer of commodities, like a factory that turns our refrigerators. I believe that the artist's involvement in the capitalist structure is disadvantageous to the artist and forces him to produce objects in order to live.”

Sol LeWitt (1928–2007) American artist

Quotes of Sol Lewitt
Source: Art Institute of Chicago. Video Data Bank (1992), On Art and Artists. p. 1991

“The word art has in ordinary usage three senses. First, it means the creation of objects or the pursuit of activities called works of art, by people called artists; these works being distinguished from other objects and acts not merely as human products, but as products intended to be beautiful. Secondly, it means the creation of objects or the pursuit of activities called artificial as opposed to natural; that is to say objects created or activities pursued by human beings consciously free to control their natural impulses and to organize their life in a plan. Thirdly, it means that frame of mind which we call artistic, the frame of mind in which we are aware of beauty.”

R. G. Collingwood (1889–1943) British historian and philosopher

Source: Outlines of a Philosophy of Art, 1925, p. 7

“Yet look not at his colored eyes. Give him
No names. Dismiss him from your images.
The hot of him is purest in the heart.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Context: p>He is and may be but oh! He is, he is,
This foundling of the infected past, so bright,
So moving in the manner of his hand. Yet look not at his colored eyes. Give him
No names. Dismiss him from your images.
The hot of him is purest in the heart. </p

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