
“Sweet as sugar. Hard as ice. Hurt me once. I'll kill you twice.”
A collection of quotes on the topic of sweets, love, likeness, life.
“Sweet as sugar. Hard as ice. Hurt me once. I'll kill you twice.”
“The roots of education … are bitter, but the fruit is sweet.”
The Lives and Opinions of Eminent Philosophers
“Some are born to sweet delight, Some are born to endless night.”
“That it will never come again is what makes life so sweet.”
“Young Actors Visit a Rescued Animal Sanctuary,” video interview with PETA Kids (14 November 2016) https://www.youtube.com/watch?v=-jq4n3Pnku0.
Mansel, Philip, Constantinople: city of the world's desire 1453-1924 (1995), p. 84
Written to his wife - see the article Hurrem for another translation of this verse.
Poetry
Hays translation
Suppose that men kill thee, cut thee in pieces, curse thee. What then can these things do to prevent thy mind from remaining pure, wise, sober, just? For instance, if a man should stand by a limpid pure spring, and curse it, the spring never ceases sending up potable water; and if he should cast clay into it or filth, it will speedily disperse them and wash them out, and will not be at all polluted. How then shalt thou possess a perpetual fountain? By forming thyself hourly to freedom conjoined with contentment, simplicity and modesty.
VIII, 51
Meditations (c. 121–180 AD), Book VIII
“Love me tender, love me sweet,
Never let me go.”
"Love Me Tender" (1956), the lyrics of this song are credited to Presley and co-writer Vera Matson, but were primarily written by Matson's husband, Ken Darby, who when asked why he credited his wife as co-writer with Presley replied "Because she didn't write it either."
Disputed
“I now know that anything sweet, really sweet, that I have was nothing that I planned.”
On her three step-children with husband Jesse G. James
Parade interview (2009)
Context: I now know that anything sweet, really sweet, that I have was nothing that I planned. If you don't have kids and animals, you don't truly know what real life is about.
“I'd rather live a hard life of fact than a sweet life of lies.”
Source: Shadowfever
Letter to Deborah Hatheway (1741), in Letters and Personal Writings (1998), edited by George S. Claghorn, Vol. 16.
Canto XX, lines 73–77 (tr. Sinclair).
The Divine Comedy (c. 1308–1321), Paradiso
Canto XX, lines 136–138 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso
Source Book in Ancient Philosophy (1907), The Fragments
“The experience of this sweet life.”
Canto XX, lines 47–48 (tr. Longfellow).
The Divine Comedy (c. 1308–1321), Paradiso
Oppenheimer testifying in his defense in his 1954 security hearings, discussing the American reaction to the first successful Russian test of an atomic bomb and the debate whether to develop the "super" hydrogen bombs with vastly higher explosive power; from volume II of the Oppenheimer hearing transcripts http://www.osti.gov/includes/opennet/includes/Oppenheimer%20hearings/Vol%20II%20Oppenheimer.pdf, pg 95/266 (emphasis added)
Source: Attributed in posthumous publications, Einstein and the Poet (1983), p. 14
Written of her experience with actress Marilyn Monroe in a letter to the American author, Fleur Cowles Meyer, in 1961. As quoted in Fragments, by Stanley Buchthal and Bernard Comment (2010)
“My idea in "My Sweet Lord," because it sounded like a "pop song," was to sneak up on them a bit.”
Interview with Mukunda Goswami (4 September 1982)
Context: My idea in "My Sweet Lord," because it sounded like a "pop song," was to sneak up on them a bit. The point was to have the people not offended by "Hallelujah," and by the time it gets to "Hare Krishna," they're already hooked, and their foot's tapping, and they're already singing along "Hallelujah," to kind of lull them into a sense of false security. And then suddenly it turns into "Hare Krishna," and they will all be singing that before they know what's happened, and they will think, "Hey, I thought I wasn't supposed to like Hare Krishna!"
“Sweet as sugar, hard as ice. hurt me once, I'll kill you twice.”
https://twitter.com/jeffreestar/status/234868493437247489
“Sweet words are like honey, a little may refresh, but too much gluts the stomach.”
Source: The Sermons of Jonathan Edwards: A Reader
“What's in a name? That which we call a rose,
By any other name would smell as sweet.”
Juliet, Act II, scene ii.
Variant: A rose by any other name would smell as sweet.
Source: Romeo and Juliet (1595)
1840s, Essays: First Series (1841), Self-Reliance
Source: The Complete Prose Works of Ralph Waldo Emerson
“Sweet weeping baby Jesus he has a six-pack to beat all six-packs!”
Source: Warrior Rising
“My dear fellow, the truth isn't quite the sort of thing one tells to a nice, sweet, refined girl.”
Jack, Act I
Source: The Importance of Being Earnest (1895)
“Heard melodies are sweet, but those unheard, are sweeter”
Stanza 2
Poems (1820), Ode on a Grecian Urn
Variant: Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on.
Source: Ode on a Grecian Urn and Other Poems
Context: Heard melodies are sweet, but those unheard
Are sweeter: therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone.
Context: Heard melodies are sweet, but those unheard
Are sweeter: therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone.
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal — yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!
Variant: Amazing grace! How sweet the sound
That saved a wretch like me!
I once was lost, but now am found,
Was blind, but now I see.
Source: Olney Hymns (1779), Amazing Grace
“We loved, sir — used to meet:
How sad and bad and mad it was —
But then, how it was sweet!”
"Confessions", line 34 (1864).
“Life is one grand sweet song so start the music”
“Revenge is not always sweet: once it is consummated we feel inferior to our victim.”
History and Utopia (1960)
“Sweet are the thoughts that savour of content, The quiet mind is richer than a crown…”
Source: Greene's Farewell to Folly (1591)
Context: Sweet are the thoughts that savour of content;
The quiet mind is richer than a crown;
Sweet are the nights in careless slumber spent;
The poor estate scorns fortune’s angry frown;
Such sweet content, such minds, such sleep, such bliss;
Beggars enjoy, when princes oft do miss”
http://ranimukherji.proboards.com/index.cgi?board=interviews&action=display&thread=407.
Rani On Celebrities
(25th January 1823) Medallion Wafers: Cupid Riding on a Peacock
The London Literary Gazette, 1823
Originates in a 2007 blog post by Iain S. Thomas entitled The Fur http://www.iwrotethisforyou.me/2007/08/fur.html
Misattributed
From Interview to the author , in Osamu Tezuka, Jumping ; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 4, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 178. ISBN 8888063188
Chapter 3, story 28 http://books.google.com/books?id=LDpbAAAAQAAJ&q=%22use+a+sweet+tongue+courtesy+and+gentleness+and+thou+mayst+manage+to+guide+an+elephant+with+a+hair%22&pg=PA292#v=onepage
Gulistan (1258)
Nochmals gesagt, heute ist es mir ein unmögliches Buch, - ich heisse es schlecht geschrieben, schwerfällig, peinlich, bilderwüthig und bilderwirrig, gefühlsam, hier und da verzuckert bis zum Femininischen, ungleich im Tempo, ohne Willen zur logischen Sauberkeit, sehr überzeugt und deshalb des Beweisens sich überhebend, misstrauisch selbst gegen die Schicklichkeit des Beweisens, als Buch für Eingeweihte, als "Musik" für Solche, die auf Musik getauft, die auf gemeinsame und seltene Kunst-Erfahrungen hin von Anfang der Dinge an verbunden sind, als Erkennungszeichen für Blutsverwandte in artibus, - ein hochmüthiges und schwärmerisches Buch, das sich gegen das profanum vulgus der "Gebildeten" von vornherein noch mehr als gegen das "Volk" abschliesst, welches aber, wie seine Wirkung bewies und beweist, sich gut genug auch darauf verstehen muss, sich seine Mitschwärmer zu suchen und sie auf neue Schleichwege und Tanzplätze zu locken.
"Attempt at a Self-Criticism", p. 5
The Birth of Tragedy (1872)
As quoted in They Say the Blind Should Not Lead the Blind. She Proves Them Wrong. https://www.thebetterindia.com/40485/tiffany-brar-working-for-blind/ (December 22, 2015) by Ranjini Sivaswamy, The Better India.
St. 1
In The Seven Woods (1904), Adam's Curse http://poetry.poetryx.com/poems/1431/
"Pride and Joy"
Song lyrics