Quotes about mud

A collection of quotes on the topic of mud, likeness, use, doing.

Quotes about mud

Marcus Aurelius photo

“A man standing by a spring of clear, sweet water and cursing it. While the fresh water keeps on bubbling up. He can shovel mud into it, or dung, and the stream will carry it away, wash itself clean, remain unstained.”

Hays translation
Suppose that men kill thee, cut thee in pieces, curse thee. What then can these things do to prevent thy mind from remaining pure, wise, sober, just? For instance, if a man should stand by a limpid pure spring, and curse it, the spring never ceases sending up potable water; and if he should cast clay into it or filth, it will speedily disperse them and wash them out, and will not be at all polluted. How then shalt thou possess a perpetual fountain? By forming thyself hourly to freedom conjoined with contentment, simplicity and modesty.
VIII, 51
Meditations (c. 121–180 AD), Book VIII

Aleksandr Solzhenitsyn photo
Elon Musk photo

“Sooner or later, we must expand life beyond our little blue mud ball--or go extinct.”

Elon Musk (1971) South African-born American entrepreneur

[Elon Musk, http://www.esquire.com/features/75-most-influential/elon-musk-1008, Esquire, 1 October 2008, 29 November 2012]

Leonardo DiCaprio photo
Charan Singh photo

“The name of the Congress is mud. There is utter lack of leaderdhip in the state.”

Charan Singh (1902–1987) prime minister of India

In a letter to Nehru when he resigned from a minster's post from the Sampurnanand ministry in 1952 in UP, p. 196
Profiles of Indian Prime Ministers

C.G. Jung photo
Francois Mauriac photo
Virginia Woolf photo
Cassandra Clare photo
Gamal Abdel Nasser photo

“If the Jews win this battle, then the Arabs had better go bury their faces in the mud!”

Gamal Abdel Nasser (1918–1970) second president of Egypt

[Middle East: What to Do About Germany, TIME, Friday, Mar. 19, 1965, http://www.time.com/time/magazine/article/0,9171,833554,00.html, September 6, 2011]

Theodoret photo
Hermann Hesse photo
Aldo Leopold photo
Ramakrishna photo
Henri Barbusse photo
Kurt Vonnegut photo
Ned Kelly photo
Leonardo Da Vinci photo

“And if you should say that the shells were carried by the waves, being empty and dead, I say that where the dead went they were not far removed from the living; for in these mountains living ones are found, which are recognisable by the shells being in pairs; and they are in a layer where there are no dead ones; and a little higher up they are found, where they were thrown by the waves, all the dead ones with their shells separated, near to where the rivers fell into the sea, to a great depth; like the Arno which fell from the Gonfolina near to Monte Lupo, where it left a deposit of gravel which may still be seen, and which has agglomerated; and of stones of various districts, natures, and colours and hardness, making one single conglomerate. And a little beyond the sandstone conglomerate a tufa has been formed, where it turned towards Castel Florentino; farther on, the mud was deposited in which the shells lived, and which rose in layers according to the levels at which the turbid Arno flowed into that sea. And from time to time the bottom of the sea was raised, depositing these shells in layers, as may be seen in the cutting at Colle Gonzoli, laid open by the Arno which is wearing away the base of it; in which cutting the said layers of shells are very plainly to be seen in clay of a bluish colour, and various marine objects are found there. And if the earth of our hemisphere is indeed raised by so much higher than it used to be, it must have become by so much lighter by the waters which it lost through the rift between Gibraltar and Ceuta; and all the more the higher it rose, because the weight of the waters which were thus lost would be added to the earth in the other hemisphere. And if the shells had been carried by the muddy deluge they would have been mixed up, and separated from each other amidst the mud, and not in regular steps and layers — as we see them now in our time.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XVI Physical Geography

Virginia Woolf photo
Henri Barbusse photo

“When you reach for the stars, you may not get one, but you won't get a handful of mud either.”

Leo Burnett (1891–1971) American advertising executive

As quoted in Readers Digest January 1985

Nikos Kazantzakis photo
Sadegh Hedayat photo
Charles Darwin photo
Henri Barbusse photo
Sojourner Truth photo

“That man over there says that women need to be helped into carriages, and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages, or over mud-puddles, or gives me any best place! And ain't I a woman?”

Sojourner Truth (1797–1883) African-American abolitionist and women's rights activist

Ain't I a Woman? Speech (1851)
Context: That man over there says that women need to be helped into carriages, and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages, or over mud-puddles, or gives me any best place! And ain't I a woman? Look at me! Look at my arm! I have ploughed and planted, and gathered into barns, and no man could head me! And ain't I a woman? I could work as much and eat as much as a man — when I could get it — and bear the lash as well! And ain't I a woman? I have borne thirteen children, and seen most all sold off to slavery, and when I cried out with my mother's grief, none but Jesus heard me! And ain't I a woman?

Aurelius Augustinus photo

“So material a difference does it make, not what ills are suffered, but what kind of man suffers them. For, stirred up with the same movement, mud exhales a horrible stench, and ointment emits a fragrant odor.”

Variant translations:
Virtue and vice are not the same, even if they undergo the same torment.
The violence which assails good men to test them, to cleanse and purify them, effects in the wicked their condemnation, ruin, and annihilation.
The City of God (early 400s)
Context: Wherefore, though good and bad men suffer alike, we must not suppose that there is no difference between the men themselves, because there is no difference in what they both suffer. For even in the likeness of the sufferings, there remains an unlikeness in the sufferers; and though exposed to the same anguish, virtue and vice are not the same thing. For as the same fire causes gold to glow brightly, and chaff to smoke; and under the same flail the straw is beaten small, while the grain is cleansed; and as the lees are not mixed with the oil, though squeezed out of the vat by the same pressure, so the same violence of affliction proves, purges, clarifies the good, but damns, ruins, exterminates the wicked. And thus it is that in the same affliction the wicked detest God and blaspheme, while the good pray and praise. So material a difference does it make, not what ills are suffered, but what kind of man suffers them. For, stirred up with the same movement, mud exhales a horrible stench, and ointment emits a fragrant odor.

Henri Barbusse photo

“More than attacks that are like ceremonial reviews, more than visible battles unfurled like banners, more even than the hand-to-hand encounters of shouting strife, War is frightful and unnatural weariness, water up to the belly, mud and dung and infamous filth. It is befouled faces and tattered flesh, it is the corpses that are no longer like corpses even, floating on the ravenous earth.”

Under Fire (1916), Ch. 24 - The Dawn
Context: Waking, Paradis and I look at each other, and remember. We return to life and daylight as in a nightmare. In front of us the calamitous plain is resurrected, where hummocks vaguely appear from their immersion, the steel-like plain that is rusty in places and shines with lines and pools of water, while bodies are strewn here and there in the vastness like foul rubbish, prone bodies that breathe or rot.
Paradis says to me, "That's war."
"Yes, that's it," he repeats in a far-away voice, "that's war. It's not anything else."
He means — and I am with him in his meaning — "More than attacks that are like ceremonial reviews, more than visible battles unfurled like banners, more even than the hand-to-hand encounters of shouting strife, War is frightful and unnatural weariness, water up to the belly, mud and dung and infamous filth. It is befouled faces and tattered flesh, it is the corpses that are no longer like corpses even, floating on the ravenous earth. It is that, that endless monotony of misery, broken, by poignant tragedies; it is that, and not the bayonet glittering like silver, nor the bugle's chanticleer call to the sun!"
Paradis was so full of this thought that he ruminated a memory, and growled, "D'you remember the woman in the town where we went about a bit not so very long ago? She talked some drivel about attacks, and said, 'How beautiful they must be to see!'"
A chasseur who was full length on his belly, flattened out like a cloak, raised his bead out of the filthy background in which it was sunk, and cried, 'Beautiful? Oh, hell! It's just as if an ox were to say, 'What a fine sight it must be, all those droves of cattle driven forward to the slaughter-house!'

Rajneesh photo
Marquis de Sade photo
Cassandra Clare photo
Howard Pyle photo
Zelda Fitzgerald photo
Alan Moore photo
Niccolo Machiavelli photo

“He who builds on the people, builds on the mud.”

Source: The Prince (1513), Ch. 9; translated by W. K. Marriott

Jim Butcher photo
Thich Nhat Hanh photo
Sabrina Jeffries photo
Carl Sandburg photo
Eoin Colfer photo
Pablo Neruda photo
Eoin Colfer photo
Diana Gabaldon photo
Haruki Murakami photo
Graham Greene photo
Cheryl Strayed photo
Dr. Seuss photo

“And today the great Yertle, that Marvelous he,
Is King of the Mud. That is all he can see.
And the turtles, of course… all the turtles are free
As turtles and, maybe, all creatures should be.”

Dr. Seuss (1904–1991) American children's writer and illustrator, co-founder of Beginner Books

Yertle the Turtle (1958)

Chinua Achebe photo
Victor Hugo photo
Nikos Kazantzakis photo
Rick Riordan photo
Jeanette Winterson photo
Frida Kahlo photo

“No moon, sun, diamond, hands —
fingertip, dot, ray, gauze, sea.
pine green, pink glass, eye,
mine, eraser, mud, mother, I am coming.”

Frida Kahlo (1907–1954) Mexican painter

Source: The Diary of Frida Kahlo: An Intimate Self-Portrait

Zora Neale Hurston photo
Gertrude Stein photo
Brandon Sanderson photo
Michael Ondaatje photo
James Joyce photo

“More mud, more crocodiles.”

A Portrait of the Artist as a Young Man

Sherrilyn Kenyon photo
Joseph Conrad photo
Anne Brontë photo
John Maynard Keynes photo

“How can I accept a doctrine which sets up as its bible, above and beyond criticism, an obsolete economic textbook which I know to be not only scientifically erroneous but without interest or application for the modern world? How can I adopt a creed which, preferring the mud to the fish, exalts the boorish proletariat above the bourgeois and the intelligentsia who, with whatever faults, are the quality in life and surely carry the seeds of all human advancement?”

"A Short View of Russia" (1925); Originally three essays for the Nation and Athenaeum, later published separately as A Short View of Russia (1925), then edited down for publication in Essays in Persuasion (1931)
Ref: en.wikiquote.org - John Maynard Keynes / Quotes / Essays in Persuasion (1931)
Essays in Persuasion (1931), A Short View of Russia (1925)

Michael Flanders photo
Iain Banks photo
T.S. Eliot photo
Han-shan photo
Carl Panzram photo
Haruki Murakami photo

“Does mud care which cloak it bespatters?”

Andre Norton (1912–2005) American writer of science fiction and fantasy

Source: Dragon Magic (1972), Chapter 5, “Shui Mien Lung—Slumbering Dragon” (p. 160)

Ralph Ellison photo
Eugène Edine Pottier photo

“They killed her with their chassepot,
With their machine guns,
And rolled her with its flag
In the clay.
And the mud of the fat hangmen
thought they had prevailed.
And with all that, Nicolas,
The Commune is not dead.”

Eugène Edine Pottier (1816–1887) French politician

On l'a tuée à coups de chassepot
A coups de mitrailleuse,
Et roulée avec son drapeau
Dans la terre argileuse.
Et la tourbe des bourreaux gras
Se croyait la plus forte.
Tout ça n'empêche pas, Nicolas
Qu'la Commune n'est pas morte.
Elle n'est pas morte ! (1886).

Niccolo Machiavelli photo
Erasmus Darwin photo
Nancy Grace photo
Robert W. Service photo

“Mud is mankind in the moulding,
Heaven's mystery unfolding.”

Robert W. Service (1874–1958) Canadian poet

Source: Mud http://plagiarist.com/poetry/4084/

Gerald of Wales photo

“Giraldus was the youngest of four blood-brothers. And when the three others in their childish games used to build castles and cities and palaces in the sands or mud, as a prelude to their future life, he, as a like prelude, always devoted himself entirely to building churches and to constructing monasteries.”
Qui cum ex fratribus quatuor germanis pariter et uterinis natu minor existeret, tribus aliis nunc castra nunc oppida nunc palatia puerilibus, ut solet haec aetas, praeludiis in sabulo vel pulvere protrahentibus construentibus, modulo suo, solus hic simili praeludio semper ecclesias eligere et monasteria construere tota intentione satagebat.

Gerald of Wales (1146) Medieval clergyman and historian

De Rebus a Se Gestis (Autobiography), chapter 1; translation from James Bruce Ross and Mary Martin McLaughlin (eds.) The Portable Medieval Reader ([1949] 1977) p. 344.

Kent Hovind photo
Hariprasad Chaurasia photo
Viktor Schauberger photo
Luigi Russolo photo
Ralph Steadman photo
Ramakrishna photo
Anthony Burgess photo
Erich Ludendorff photo
Brad Paisley photo
Vitruvius photo
Garth Brooks photo