Quotes about kindness

page 2

Source: An Interview with Leon Theremin http://www.oddmusic.com/theremin/theremin_interview_1.html / Olivia Mattis and Leon Theremin in Bourges, France 16 June 1989.

Preface To The Second Edition, p. 6.
The Theory of Political Economy (1871)
Context: A correspondent, Captain Charles Christie R. E., to whom I have shown these sections after they were printed, objects reasonably enough that commodity should not have been represented by M, or Mass, but by some symbol, for instance Q, which would include quantity of space or time or force, in fact almost any kind of quantity.

P.A.M. Dirac, "Pretty Mathematics," International Journal of Theoretical Physics, Vol. 21, Issue 8–9, August 1982, p. 603 http://link.springer.com/article/10.1007/BF02650229#page-1

The Evolution of the Physicist's Picture of Nature (1963)
Context: Just by studying mathematics we can hope to make a guess at the kind of mathematics that will come into the physics of the future. A good many people are working on the mathematical basis of quantum theory, trying to understand the theory better and to make it more powerful and more beautiful. If someone can hit on the right lines along which to make this development, it may lead to a future advance in which people will first discover the equations and then, after examining them, gradually learn how to apply them.

2000s, 2002, Letter to the American people (2002)

"Parks Recalls Bus Boycott, Excerpts from an interview with Lynn Neary", National Public Radio (1992), linked at "Civil Rights Icon Rosa Parks Dies" http://www.npr.org/templates/story/story.php?storyId=4973548, NPR, October 25, 2005.

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Raise High the Roof Beam, Carpenters (1955), p. 76

Statements to New York Times reporter Lacey Fosburgh, as quoted in Salinger : A Biography (2000) by Paul Alexander; also in If You Really Want to Hear About It : Writers on J.D. Salinger and His Work (2006) by Catherine Crawford.
Context: There is a marvelous peace in not publishing. … It's peaceful. Still. Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure. … I don't necessarily intend to publish posthumously, but I do like to write for myself. … I pay for this kind of attitude. I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.

NBC interview (1987)

mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.
"Introduction" to the French edition (1974) of Crash (1973); reprinted in Re/Search no. 8/9 (1984)
Crash (1973)

How to Swim (1918), pp. 47–48

Walking the Path of Compassion (2015)

The Third Notebook: Part Two
No Longer Human

About him
Source: Sanjay Manjrekar on Samson's batting. Samson takes your breath away- Sanjay Manjrekar https://www.indiatvnews.com/sports/cricket/pant-wins-you-games-in-10-minutes-samson-takes-your-breath-away-sanjay-manjrekar-641243

Source: Lighthousekeeping (2004), p. 49

Nobel Peace Prize Acceptance Speech (2012)
Context: Of the sweets of adversity, and let me say that these are not numerous, I have found the sweetest, the most precious of all, is the lesson I learnt on the value of kindness. Every kindness I received, small or big, convinced me that there could never be enough of it in our world. To be kind is to respond with sensitivity and human warmth to the hopes and needs of others. Even the briefest touch of kindness can lighten a heavy heart. Kindness can change the lives of people.

In an 1987 interview, "Aluminum Cucumbers" http://russiantumble.com/tag/viktortsoi/ (7 November 2012)

Radio Interview, June 27 1999 http://www.geocities.jp/bobbby_b/mp3/F_08_3.MP3
1990s

Source: Mindstorms: Children, Computers, and Powerful Ideas (1980), Chapter 2, Mathophobia: The Fear of Learning

Quote from Claude Monet par lui-meme – interview by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in Le Temps newspaper, 26 November 1900
about Johan Jongkind, famous pre-impressionist landscape-painter of Dutch origin, painting then in Honfleur for some years and advising Monet then.
1900 - 1920

quote from an interview Claude Monet par lui-meme, by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in 'Le Temps newspaper', 26 November 1900
about Eugène Boudin, who was landscape-painting in and around Le Havre c. 1856; Monet was 16 years old, then
1900 - 1920

Quote in a letter from Pourville c. 1882, to his art-dealer Durand-Ruel; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 50
1870 - 1890

Quote in Monet's letter to art-critic and his friend Gustave Geffroy, 22 June 1890; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 129
1890 - 1900

A Mathematician's Apology (1941)

286
Armageddon

Source http://kotaku.com/5564576/live-from-nintendos-e3-briefing

178-9
Value and capital, (1939)

This is a variant or paraphrase of The Paradoxical Commandments, by Kent M. Keith, student activist, first composed in 1968 as part of a booklet for student leaders, which had hung on the wall of Mother Teresa's children's home in Calcutta, India, and have sometimes become misattributed to her. The version posted at his site http://www.paradoxicalcommandments.com begins:
Misattributed

"The Stranger Song" (1966)
Songs of Leonard Cohen (1967)

"I'm Your Man"
I'm Your Man (1988)

Beautiful Losers (1966)
Context: What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is the caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape. His house is dangerous and finite, but he is at home in the world. He can love the shape of human beings, the fine and twisted shapes of the heart. It is good to have among us such men, such balancing monsters of love.

Source: The Wild Men of Paris', 1910, p. 406

Final words, January 22, 2010 TV Guide news http://www.tvguide.com/News/Conans-Words-Tonight-1014105.aspx
The Tonight Show
Context: Before we end this rodeo, a few things need to be said. There has been a lot of speculation in the press about what I legally can and can't say about NBC. To set the record straight, tonight I am allowed to say anything I want. And what I want to say is this: between my time at Saturday Night Live, the Late Night show, and my brief run here on The Tonight Show, I have worked with NBC for over twenty years. Yes, we have our differences right now and yes, we're going to go our separate ways. But this company has been my home for most of my adult life. I am enormously proud of the work we have done together, and I want to thank NBC for making it all possible. Walking away from The Tonight Show is the hardest thing I have ever had to do. Making this choice has been enormously difficult. This is the best job in the world, I absolutely love doing it, and I have the best staff and crew in the history of the medium. But despite this sense of loss, I really feel this should be a happy moment. Every comedian dreams of hosting The Tonight Show and, for seven months, I got to. I did it my way, with people I love, and I do not regret a second. I've had more good fortune than anyone I know and if our next gig is doing a show in a 7-Eleven parking lot, we'll find a way to make it fun. And finally, I have to say something to our fans. The massive outpouring of support and passion from so many people has been overwhelming. The rallies, the signs, all the goofy, outrageous creativity on the Internet, and the fact that people have traveled long distances and camped out all night in the pouring rain to be in our audience, made a sad situation joyous and inspirational. To all the people watching, I can never thank you enough for your kindness to me and I'll think about it for the rest of my life. All I ask of you is one thing: please don't be cynical. I hate cynicism - it's my least favorite quality and it doesn't lead anywhere. Nobody in life gets exactly what they thought they were going to get. But if you work really hard and you're kind, amazing things will happen. As proof, let’s make an amazing thing happen right now. Here to close out our show, are a few good friends, led by Mr. Will Ferrell…

Jokes and their Relation to the Cognitive Unconscious (1980)

In "The Many Minds of Marvin Minsky (R.I.P.)" by John Horgan, Scientific American Blogs, 26 January 2016 http://blogs.scientificamerican.com/cross-check/the-many-minds-of-marvin-minsky-r-i-p/

She's magic https://web.archive.org/web/20090408064322/http://sundayheraldsalon.com/salon/2008/10/shes_magic.html (April 8, 2009)

“Lea Michele: From Gleek to Do-Gooder,” interview with Shape (July 2012) http://www.shape.com/celebrities/interviews/lea-michele-gleek-do-gooder.

36:00–36:19, about mainstream rockers of the 1980s
"Nirvana's Krist Novoselic on Punk, Politics, & Why He Dumped the Dems" https://www.youtube.com/watch?v=k4TPRH2uK9w

Quoted in: Briton Hadden, ‎Henry Robinson Luce (1969), Time, Vol. 93. p. 66.
1960s

Misquoted in Forbes (6 October 1986), actually attributed to humorist Professor Irwin Corey (1953) http://quoteinvestigator.com/2013/11/03/kind-gun/
Disputed
Variant: You can get more with a kind word and a gun than you can with a kind word alone.

1970s, BOBBY FISCHER SPEAKS OUT! (1977)

Sample of Bradwardine devotional writing quoted by James Burnes, The Church of England Magazine under the superintendence of clergymen of the United Church of England and Ireland Vol. IV (January to June 1838)

I'm No Angel (1933)

Attributed to Laozi in self-help books and on social media, this quotation is of unknown origin and date.
Misattributed

Pt. III, ch. 2, pg 216
The Quiet American (1955)

Source: Eragon

1983

1983

Muhammad al-Hur al-Aamili, Wasā'il al-Shī‘ah, vol.6, p. 321
Religous Wisdom

Akira Kurosawa 'Something Like an Autobiography (1981)
Something Like an Autobiography (1981)

Homilies on Timothy http://www.ccel.org/ccel/schaff/npnf113/Page_429.html, Homily VII

Homilies on the Statues http://www.ccel.org/ccel/schaff/npnf109/Page_456.html, Homily XVII

Un chagrin de passage (1994, A Fleeting Sorrow, translated 1995)

Paris Review interview (1956)
Context: I don’t search for exactitude in portraying people. I try to give to imaginary people a kind of veracity. It would bore me to death to put into my novels the people I know. It seems to me that there are two kinds of trickery: the “fronts” people assume before one another’s eyes, and the “front” a writer puts on the face of reality.

"A Matter of the Soul" (1975), pp. 75-76
It All Adds Up (1994)

The New Marvel in Photography (1896)
Context: I was working with a Crookes tube covered by a shield of black cardboard. A piece of barium platino-cyanide paper lay on the bench there. I had been passing a current through the tube, and I noticed a peculiar black line across the paper. … The effect was one which could only be produced, in ordinary parlance, by the passage of light. No light could come from the tube, because the shield which covered it was impervious to any light known, even that of the electric arc. … I did not think; I investigated. I assumed that the effect must have come from the tube, since its character indicated that it could come from nowhere else. I tested it. In a few minutes there was no doubt about it. Rays were coming from the tube which had a luminescent effect upon the paper. I tried it successfully at greater and greater distances, even at two metres. It seemed at first a new kind of invisible light. It was clearly something new, something unrecorded.

The New Marvel in Photography (1896)
Context: Having discovered the existence of a new kind of rays, I of course began to investigate what they would do. … It soon appeared from tests that the rays had penetrative power to a degree hitherto unknown. They penetrated paper, wood, and cloth with ease; and the thickness of the substance made no perceptible difference, within reasonable limits. … The rays passed through all the metals tested, with a facility varying, roughly speaking, with the density of the metal. These phenomena I have discussed carefully in my report to the Würzburg society, and you will find all the technical results therein stated.

Volume II, p. 213
System of positive polity (1852)

Source: A General View of Positivism (1848, 1856), p. 9

in his Nobel lecture, December 8, 2003, at Aula Magna, Stockholm University.

Source: Aphorisms (1880/1893), p. 82.

Source: The Cave (2000), p. 57 (Vintage 2003)

Conference http://www.youtube.com/watch?v=-aWFQRcdChk at Fórum Social Mundial, December 2007.

Source: Raised from the Ground (1980), pp. 172–174

1960s-1980s, "Industrial Organization: A Proposal for Research" (1972)

Source: A Breath of Life

Source: Institutions (1990), p. 121

Morals in the Book of Job, 553d, as translated in Cultural Performances in Medieval France (2007), p. 129
Original: (la) Scriptura sacra mentis oculis quasi quoddam speculum opponitur, ut interna nostra facies in ipsa videatur. Ibi etenim foeda, ibi pulchra nostra cognoscimus.

Morals in the Book of Job, 553d, as translated in Cultural Performances in Medieval France (2007), p. 129
Context: Holy Scripture presents a kind of mirror to the eyes of the mind, so that our inner face may be seen in it. There we learn our own ugliness, there our own beauty.

Tyltyl
The Blue Bird (1908)

Kosmos (1847)
Context: If we would indicate an idea which, throughout the whole course of history, has ever more and more widely extended its empire, or which, more than any other, testifies to the much-contested and still more decidedly misunderstood perfectibility of the whole human race, it is that of establishing our common humanity — of striving to remove the barriers which prejudice and limited views of every kind have erected among men, and to treat all mankind, without reference to religion, nation, or color, as one fraternity, one great community, fitted for the attainment of one object, the unrestrained development of the physical powers. This is the ultimate and highest aim of society, identical with the direction implanted by nature in the mind of man toward the indefinite extension of his existence. He regards the earth in all its limits, and the heavens as far as his eye can scan their bright and starry depths, as inwardly his own, given to him as the objects of his contemplation, and as a field for the development of his energies. Even the child longs to pass the hills or the seas which inclose his narrow home; yet, when his eager steps have borne him beyond those limits, he pines, like the plant, for his native soil; and it is by this touching and beautiful attribute of man — this longing for that which is unknown, and this fond remembrance of that which is lost — that he is spared from an exclusive attachment to the present. Thus deeply rooted in the innermost nature of man, and even enjoined upon him by his highest tendencies, the recognition of the bond of humanity becomes one of the noblest leading principles in the history of mankind.

As quoted in Wilhelm von Humboldt (1970), by P. Berglar, p. 87, and "Profiles of Educators: Wilhelm von Humboldt (1767–1835)" by Karl-Heinz Günther, in Prospects, Vol. 18, Issue 1 (March 1988)
Context: There are undeniably certain kinds of knowledge that must be of a general nature and, more importantly, a certain cultivation of the mind and character that nobody can afford to be without. People obviously cannot be good craftworkers, merchants, soldiers or businessmen unless, regardless of their occupation, they are good, upstanding and – according to their condition – well-informed human beings and citizens. If this basis is laid through schooling, vocational skills are easily acquired later on, and a person is always free to move from one occupation to another, as so often happens in life.

Prose IV, line 2
The Consolation of Philosophy · De Consolatione Philosophiae, Book II

A Personal Matter (1964)

Paris Review interview (2007)
Context: I am the kind of writer who rewrites and rewrites. I am very eager to correct everything. If you look at one of my manuscripts, you can see I make many changes. So one of my main literary methods is “repetition with difference.” I begin a new work by first attempting a new approach toward a work that I’ve already written — I try to fight the same opponent one more time. Then I take the resulting draft and continue to elaborate upon it, and as I do so the traces of the old work disappear. I consider my literary work to be a totality of differences within repetition.
I used to say that this elaboration was the most important thing for a novelist to learn.

Source: Dramatis Personae (1864), Rabbi Ben Ezra, Line 12.
Context: Mine be some figured flame which blends, transcends them all!
Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.
Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast;
Such feasting ended, then
As sure an end to men.

The character "Luka" in The Lower Depths (1902) English translation by Laurence Irving (1912)
Context: Some one has to be kind, girl — some one has to pity people! Christ pitied everybody — and he said to us: "Go and do likewise!" I tell you — if you pity a man when he most needs it, good comes of it. Why — I used to be a watchman on the estate of an engineer near Tomsk — all right — the house was right in the middle of a forest — lonely place — winter came — and I remained all by myself. Well — one night I heard a noise — thieves creeping in! I took my gun — I went out. I looked and saw two of them opening a window — and so busy that they didn't even see me. I yell: "Hey there — get out of here!" And they turn on me with their axes — I warn them to stand back, or I'd shoot — and as I speak, I keep on covering them with my gun, first on the one, then the other — they go down on their knees, as if to implore me for mercy. And by that time I was furious — because of those axes, you see — and so I say to them: "I was chasing you, you scoundrels — and you didn't go. Now you go and break off some stout branches!" — and they did so — and I say: "Now — one of you lie down and let the other one flog him!" So they obey me and flog each other — and then they began to implore me again. "Grandfather," they say, "for God's sake give us some bread! We're hungry!" There's thieves for you, my dear! [Laughs. ] And with an ax, too! Yes — honest peasants, both of them! And I say to them, "You should have asked for bread straight away!" And they say: "We got tired of asking — you beg and beg — and nobody gives you a crumb — it hurts!" So they stayed with me all that winter — one of them, Stepan, would take my gun and go shooting in the forest — and the other, Yakoff, was ill most of the time — he coughed a lot... and so the three of us together looked after the house... then spring came... "Good-bye, grandfather," they said — and they went away — back home to Russia... escaped convicts — from a Siberian prison camp... honest peasants! If I hadn't felt sorry for them — they might have killed me — or maybe worse — and then there would have been a trial and prison and afterwards Siberia — what's the sense of it? Prison teaches no good — and Siberia doesn't either — but another human being can... yes, a human being can teach another one kindness — very simply!

The character "Luka" in The Lower Depths (1902) English translation by Laurence Irving (1912)
Context: Some one has to be kind, girl — some one has to pity people! Christ pitied everybody — and he said to us: "Go and do likewise!" I tell you — if you pity a man when he most needs it, good comes of it. Why — I used to be a watchman on the estate of an engineer near Tomsk — all right — the house was right in the middle of a forest — lonely place — winter came — and I remained all by myself. Well — one night I heard a noise — thieves creeping in! I took my gun — I went out. I looked and saw two of them opening a window — and so busy that they didn't even see me. I yell: "Hey there — get out of here!" And they turn on me with their axes — I warn them to stand back, or I'd shoot — and as I speak, I keep on covering them with my gun, first on the one, then the other — they go down on their knees, as if to implore me for mercy. And by that time I was furious — because of those axes, you see — and so I say to them: "I was chasing you, you scoundrels — and you didn't go. Now you go and break off some stout branches!" — and they did so — and I say: "Now — one of you lie down and let the other one flog him!" So they obey me and flog each other — and then they began to implore me again. "Grandfather," they say, "for God's sake give us some bread! We're hungry!" There's thieves for you, my dear! [Laughs. ] And with an ax, too! Yes — honest peasants, both of them! And I say to them, "You should have asked for bread straight away!" And they say: "We got tired of asking — you beg and beg — and nobody gives you a crumb — it hurts!" So they stayed with me all that winter — one of them, Stepan, would take my gun and go shooting in the forest — and the other, Yakoff, was ill most of the time — he coughed a lot... and so the three of us together looked after the house... then spring came... "Good-bye, grandfather," they said — and they went away — back home to Russia... escaped convicts — from a Siberian prison camp... honest peasants! If I hadn't felt sorry for them — they might have killed me — or maybe worse — and then there would have been a trial and prison and afterwards Siberia — what's the sense of it? Prison teaches no good — and Siberia doesn't either — but another human being can... yes, a human being can teach another one kindness — very simply!

Section 127
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

Section 231
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

Oriana Fallaci. Interview with Indira Gandhi in New Delhi, February 1972

As quoted in in The Atlantic (December 1965)

The Inferno (1917), Ch. XV

The Inferno (1917), Ch. XVI
Context: The heavens have fallen on our heads! What a tremendous idea! It is the loftiest cry that life hurls. That was the cry of deliverance for which I had been groping until then. I had had a foreboding it would come, because a thing of glory like a poet's song always gives something to us poor living shadows, and human thought always reveals the world. But I needed to have it said explicitly so as to bring human misery and human grandeur together. I needed it as a key to the vault of the heavens.
These heavens, that is to say, the azure that our eyes enshrine, purity, plenitude — and the infinite number of suppliants, the sky of truth and religion. All this is within us, and has fallen upon our heads. And God Himself, who is all these kinds of heavens in one, has fallen on our heads like thunder, and His infinity is ours.

http://www.flixster.com/actor/leonardo-di-caprio/leonardo-dicaprio-quotes