Quotes about iron
page 4

Theo van Doesburg photo

“In all these products, whether iron bridges, locomotives, automobiles, telescopes, cottages, airport-hangars, funicular railways, skyscrapers, or children's toys, the will towards a new style expresses itself. The similarity of these examples to the new creations in art consists in the same striving for clear, pure form which expresses truth in the objects.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'The will to Style', in Dutch art-magazine De Stijl February-March 1922; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 123
1920 – 1926

Phillis Wheatley photo
Anastas Mikoyan photo

“While Zinoviev is in the majority he is for iron discipline…. When he is in the minority… he is against it.”

Anastas Mikoyan (1895–1978) Russian revolutionary and Soviet statesman

Statement about Grigory Zinoviev, as quoted in "The Soviet Colossus : History and Aftermath" (2001) by Michael Kort, p. 172

Frank Wilczek photo
Narendra Modi photo

“In 2014, one of the key agendas of the BJP’s election campaign was highlighting the dismal management of the Indian economy, ironically under an ‘economist’ prime minister and a ‘know-it-all’ finance minister. We all knew that the economy was in the doldrums but since we were not in government, we naturally did not have the complete details of the state of the economy. But, what we saw when we formed the government left us shocked! The state of the economy was much worse than expected. Things were terrible. Even the budget figures were suspicious. When all of this came to light, we had two options – to be driven by Rajneeti (political considerations) or be guided by Rashtraneeti (putting the interests of India First)… Rajneeti, or playing politics on the state of the economy in 2014, would have been extremely simple as well as politically advantageous for us. We had just won a historic election, so obviously the frenzy was at a different level. The Congress Party and their allies were in big trouble. Even for the media, it would have made news for months on end. On the other hand, there was Rashtraneeti, where more than politics and one-upmanship, reform was needed. Needless to say, we preferred to think of ‘India First’ instead of putting politics first. We did not want to push the issues under the carpet, but we were more interested in addressing the issue. We focused on reforming, strengthening and transforming the Indian economy. The details about the decay in the Indian economy were unbelievable. It had the potential to cause a crisis all over. In 2014, industry was leaving India. India was in the Fragile Five. Experts believed that the ‘I’ in BRICS would collapse. Public sentiment was that of disappointment and pessimism.”

Narendra Modi (1950) Prime Minister of India

Narendra Modi, Swarajya Interviews Prime Minister Modi, Interview, R Jagannathan- Jul 02, 2018 https://swarajyamag.com/economy/swarajya-interviews-prime-minister-modi-the-state-of-indian-economy
2018

Lord Randolph Churchill photo

“Your iron industry is dead; dead as mutton. Your coal industries, which depend greatly upon the iron industries, are languishing. Your silk industry is dead, assassinated by the foreigner. Your woollen industry is in articulo mortis, gasping, struggling. Your cotton industry is seriously sick. The shipbuilding industry, which held out longest of all, is come to a standstill. Turn your eyes where you like, survey any branch of British industry you like, you will find signs of mortal disease. The self-satisfied Radical philosophers will tell you it is nothing; they point to the great volume of British trade. Yes, the volume of British trade is still large, but it is a volume which is no longer profitable; it is working and struggling. So do the muscles and nerves of the body of a man who has been hanged twitch and work violently for a short time after the operation. But death is there all the same, life has utterly departed, and suddenly comes the rigot mortis…But what has produced this state of things? Free imports? I am not sure; I should like an inquiry; but I suspect free imports of the murder of our industries much in the same way as if I found a man standing over a corpse and plunging his knife into it I should suspect that man of homicide, and I should recommend a coroner's inquest and a trial by jury…”

Lord Randolph Churchill (1849–1895) British politician

Speech in Blackpool (24 January 1884), quoted in Robert Rhodes James, Lord Randolph Churchill (London: Phoenix, 1994), p. 137

Homér photo

“Iron has powers to draw a man to ruin.”

XIX. 13 (tr. Robert Fagles); Odysseus to Telemachus.
Odyssey (c. 725 BC)

Max Beckmann photo

“[it is] amusing all the same, how the peacetime life we cursed and groaned about now elevates itself with iron logic to the status of paradise..”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

letter of April 1915; in: Briefe im Kriege, pp. 33 (March 28, 1915), 64 (May 21, 1915); as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 110
1900s - 1920s

Richard Wurmbrand photo
Rachel Whiteread photo

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Rachel Whiteread (1963) British sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007: on Louise Bourgeois

“There are three iron links in the neurotic's chain: unloving, unlovable, unloved.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Neurotics and neurosis

Robert Louis Stevenson photo

“Ice and iron cannot be welded.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

Weir of Hermiston http://www.gutenberg.org/dirs/etext95/weirh10.txt (1896).

“It was glorious to see—if your heart were iron,
And you could keep from grieving at all the pain.”

Stanley Lombardo (1943) Philosopher, Classicist

Book XIII, lines 355–356
Translations, Iliad (1997)

Thomas Friedman photo

“Sooner or later, Mr. Bush argued, sanctions would force Mr. Hussein's generals to bring him down, and then Washington would have the best of all worlds: an iron-fisted Iraqi junta without Saddam Hussein.”

Thomas Friedman (1953) American journalist and author

The World; A Rising Sense That Iraq's Hussein Must Go, New York Times, July 7, 1991, 2008-01-13 http://query.nytimes.com/gst/fullpage.html?res=9D0CEFDC1530F934A35754C0A967958260&sec=&spon=&pagewanted=all,

Muhammad bin Tughluq photo
Jozef Israëls photo

“.. isn't it stupid that what you were writing in your article is still understood by so few people. Among others there was somebody - I believe in the [magazine] 'Nieuws van de Dag' -, who thought the 'Old woman in front of the hearth' [painting of Israels]….- how beautifully painted - was as sickening subject. - Furthermore, Alberd. Thijm [Dutch art-critic and very critical of Israel's' often applied 'dejection'] was also raving strongly about my pulling down of the togs of the poor people. Well-roared, lion, I thought - well understood [ironic! ] for what reason I painted it.. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls in Nederlands): ..is het niet gek dat wat gij zegt in uw stuk nog door zo weinig mensen begrepen wordt. Onder anderen was er iemand ik geloof in het 'Nieuws van den Dag', die de 'oude vrouw bij den haard' [in een schilderij van Israels].. ..hoe mooi ook geschilderd walgelijk zegge walgelijk van onderwerp vond. – Voorts is [kunst-criticus, erg kritisch op Israëls' vaak toegepaste 'neerslachtigheid'] ook erg aan 't malen geweest over mijn omhalen van de plunje van de arme lui. Goed gebruld leeuw dacht ik – goed begrepen [ironisch!] waarvoor het geschilderd is..
In a letter, 10 May 1885, to A.S. Kok in The Hague; in R.K.D. The Hague: Archive of A.S. Kok
Quotes of Jozef Israels, 1871 - 1900

Emil M. Cioran photo
Ricky Gervais photo
Sylvia Plath photo
Henry Temple, 3rd Viscount Palmerston photo

“When Bonaparte was to be dethroned, the Sovereigns of Europe called up their people to their aid; they invoked them in the sacred names of Freedom and National Independence; the cry went forth throughout Europe: and those, whom Subsidies had no power to buy, and Conscriptions no force to compel, roused by the magic sound of Constitutional Rights, started spontaneously into arms. The long-suffering Nations of Europe rose up as one man, and by an effort tremendous and wide spreading, like a great convulsion of nature, they hurled the conqueror from his throne. But promises made in days of distress, were forgotten in the hour of triumph…The rulers of mankind…had set free a gigantic spirit from its iron prison, but when that spirit had done their bidding, they shrunk back with alarm, from the vastness of that power, which they themselves had set into action, and modestly requested, it would go down again into its former dungeon. Hence, that gloomy discontent, that restless disquiet, that murmuring sullenness, which pervaded Europe after the overthrow of Bonaparte; and which were so unlike that joyful gladness, which might have been looked for, among men, who had just been released from the galling yoke of a foreign and a military tyrant. In 1820 the long brooding fire burst out into open flame; in Germany it was still kept down and smothered, but in Italy, in Spain, and in Portugal, it overpowered every resistance.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1830/mar/10/affairs-of-portugal in the House of Commons (10 March 1830).
1830s

Piero Manzoni photo
Roger Manganelli photo
Stephen Fry photo
John Buchan photo
Ramakrishna photo
Thomas Carlyle photo
Camille Paglia photo
Jerry Coyne photo

“Wilson was not, in the academic sense, a scholar or historian. He was an enormous reader, one of those readers who are perpetually on the scent from book to book. He was the old-style man of letters, but galvanized and with the iron of purpose in him.”

V.S. Pritchett (1900–1997) British writer and critic

V. S. Pritchett, The Tale Bearers: English and American Writers (1980) [Random House, ISBN 0-394-74683-X], "Edmund Wilson: Towards Revolution," p. 141
The Tale Bearers: English and American Writers (1980)

Michael Crichton photo
Frank Klepacki photo

“No, had I e'en a hundred tongues,
A hundred mouths, and iron lungs,
Those types of guilt I could not show,
Nor tell the forms of penal woe.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book VI, p. 215

Isaac Rosenberg photo
Gwyneth Paltrow photo
Marie-Louise von Franz photo
Roberto Mangabeira Unger photo
Richard Lovelace photo
John Heywood photo

“When the iron is hot, strike.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

Part I, chapter 3.
Proverbs (1546)

Robert Kuttner photo
Brian W. Aldiss photo

“What would be the effect of gradually drawing away from the iron laws under which, since its scampering pleistocene infancy, humankind had lived?”

Brian W. Aldiss (1925–2017) British science fiction author

“Man in His Time” p. 209
Short fiction, Who Can Replace a Man? (1965)

Constance Marie photo
Happy Rhodes photo

“I am skilled now, at casting iron
To make a hardened bed for my heavy world”

Happy Rhodes (1965) American singer-songwriter

"One And Many"
Find Me (2007)

T. Colin Campbell photo
Helena Petrovna Blavatsky photo
Amy Poehler photo
Dinesh D'Souza photo
Ai Weiwei photo

“They have to have an enemy. They have to create you as their enemy in order for them to continue their existence. It’s very ironic.”

Ai Weiwei (1957) Chinese concept artist

“ Ai Weiwei Talks Revolution, Shanghai Studio in New Time Out: HK. http://shanghaiist.com/2011/03/14/ai_weiwei_talks_revolution_shanghai.php” Time Out: Hong Kong, March 14, 2011.
2010-, 2011

Rollo May photo
Jopie Huisman photo

“I was sitting in the barn, drawing a dead bird which I had put on a box. Then the barn door opened and Kees entered [an old iron-merchant, already retired].... He came down next to me.... After a short silence he said: 'Are you painting? '.... it looks somewhat like that bird'. I said: 'To me that means a compliment Kees, because I am trying to draw that bird.' Stunned, he looked at me and asked, "Why are you doing that?" What could I answer? I said: Actually, I don't know myself'. Then he hoisted himself to his feet and said, I'll bring you the stuff next Monday' and he went to the door..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: ** Ik zat in de schuur en tekende een dode vogel, die ik op een kistje had neergelegd. Toen ging de schuurdeur open en kwam Kees binnen [een oud ijzerkoopman, al met pensioen].. ..Hij ging op zijn hurken naast me zitten.. ..Toen zei hij, na een korte stilte: 'Ben je aan het schilderen?'.. .. 'Het lijkt wel wat op die vogel'. Ik zei: 'Dat is voor mij een compliment, Kees, want die vogel probeer ik na te tekenen.' Stomverbaasd keek hij me aan en vroeg: 'Waarom doe je dat?' Wat moest ik daar nu op antwoorden? Ik zei: 'Ja, dat weet ik eigenlijk zelf ook niet'. Toen hees hij zichzelf overeind en zei 'Ik breng de rommel maandag wel bij je.' Hij liep naar de deur..
Source: Jopie de Verteller' (2010) - postumous, p. 27

Nigella Lawson photo

“Some people did take the domestic goddess title literally rather than ironically. It was about the pleasures of feeling like one rather than actually being one.”

Nigella Lawson (1960) British food writer, journalist and broadcaster

Regarding her second book, How to be a Domestic Goddess.
A woman of extremes (2001)

Vanna Bonta photo

“In zero gravity, SAS aside, it's possible to perform amazing physical feats. Ironically, it's more like being there as a mind.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)

“Give me a half-tanker of iron, and I'll give you an ice-age.”

A new iron age, or a ferric fantasy, US JGOFS News, pp. 5, 11.

Samuel Butler (poet) photo

“With many a stiff thwack, many a bang,
Hard crab-tree and old iron rang.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto II, line 831
Source: Hudibras, Part I (1663–1664)

Joseph Strutt photo
W. H. Auden photo
Boniface Mwangi photo
Nathaniel Hawthorne photo

“In a word, the heavy weight upon his spirits kept everything in order, not merely within his own system, but wheresoever the iron accents of the church clock were audible.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"The Artist of the Beautiful" (1844)

Winfield Scott photo

“Men of the eleventh! the enemy say we are good at a long shot, but cannot stand the cold iron. I call on you to give the lie to that slander. Charge!”

Winfield Scott (1786–1866) Union United States Army general

Address to the 11th Infantry Regiment at the Battle of Chippawa (14 June 1814) in the War of 1812, as quoted in The Military Heroes of the War of 1812 (1849) by Charles Jacobs Peterson, p. 152
Variants:
The enemy say that the Americans are good at a long shot, but cannot stand the cold iron. I call upon the Eleventh to give the lie to the slander. Charge!
As quoted in Primary History of the United States (1913) by Waddy Thompson, p. 282
The enemy say that Americans are good at a long shot but cannot stand the cold iron. I call upon you to give a lie to the slander. Charge!
As quoted in Dictionary of Military and Naval Quotations (1966) by Robert Debs Heinl, p. 48
The enemy say that Americans are good at a long shot, but cannot stand the cold iron. I call upon you instantly to give a lie to this slander. Charge!
As quoted in From the Ashes : America Reborn (1998) by William W. Johnstone, p. 54
The enemy says that Americans are good at a long shot but cannot stand the cold iron. I call upon you instantly to give a lie to the slander. Charge!
As quoted in Quotes for the Air Force Logistician (2001) by United States. Air Force Logistics Management Agency, p. 73.

Vincent Van Gogh photo

“.. How glad I was when this doctor took me for an ordinary workingman and said: "I suppose you are an iron worker." That is just what I have tried to change in myself; when I was younger, I looked like one who has been intellectually overwrought, and now I look like a skipper or an iron worker.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Antwerp, Belgium, 28 Dec. 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 442) p. 22
1880s, 1885

J. Bradford DeLong photo

“The Good Economist Hayek is the thinker who has mind-blowing insights into just why the competitive market system is such a marvelous societal device for coordinating our by now 7.2 billion-wide global division of labor. Few other economists imagined that Lenin’s centrally-planned economy behind the Iron Curtain was doomed to settle at a level of productivity 1/5 that of the capitalist industrial market economies outside. Hayek did so imagine. And Hayek had dazzling insights as to why. Explaining the thought of this Hayek requires not sociology or history of thought but rather appreciation, admiration, and respect for pure genius.The Bad Economist Hayek is the thinker who was certain that Keynes had to be wrong, and that the mass unemployment of the Great Depression had to have in some mysterious way been the fault of some excessively-profligate government entity (or perhaps of those people excessively clever with money–fractional-reserve bankers, and those who claim not the natural increase of flocks but rather the interest on barren gold). Why Hayek could not see with everybody else–including Milton Friedman–that the Great Depression proved that Say’s Law was false in theory, and that aggregate demand needed to be properly and delicately managed in order to make Say’s Law true in practice is largely a mystery. Nearly everyone else did: the Lionel Robbinses and the Arthur Burnses quickly marked their beliefs to market after the Great Depression and figured out how to translate what they thought into acceptable post-World War II Keynesian language. Hayek never did.
My hypothesis is that the explanation is theology: For Hayek, the market could never fail. For Hayek, the market could only be failed. And the only way it could be failed was if its apostles were not pure enough.”

J. Bradford DeLong (1960) American economist

Making Sense of Friedrich A. von Hayek: Focus/The Honest Broker for the Week of August 9, 2014 http://equitablegrowth.org/making-sense-friedrich-von-hayek-focusthe-honest-broker-week-august-9-2014/ (2014)

William Lane Craig photo
Ben Croshaw photo

“Valentines card idea: "You are my iron lung. Let me come inside you and breathe heavily."”

Ben Croshaw (1983) English video game journalist

10 October 2010
Twitter

Kathy Griffin photo
Pierce Brown photo

“Lies are rust on iron. A blemish on power.”

Source: Golden Son (2015), Ch. 15: Truth; Aja

Erik Naggum photo
Ron Paul photo
Aldo Leopold photo
Arthur Wellesley, 1st Duke of Wellington photo

“They wanted this iron fist to command them.”

Arthur Wellesley, 1st Duke of Wellington (1769–1852) British soldier and statesman

Of troops sent to the Canadian frontier in the War of 1812, in notes for 8 November 1840.
Notes of Conversations with the Duke of Wellington (1886)

Thaddeus Stevens photo
Douglas Coupland photo
Vladimir Lenin photo
Nigel Farage photo

“As you are well aware, the last time the people of this country were given a say on membership of the European Union was back in 1975. This must have been a factor in your thinking when, in 2007, you gave a “cast-iron guarantee” to hold a referendum if you became Prime Minister. Since that promise, however, your message on the issue has been confusing and misleading. You say the time is not right but refuse to clarify when the time will be right. You believe that leaving would not be in our best interests and an in/out referendum is flawed because it offers a “single choice”. In last week’s Sun poll, almost 70 per cent of voters said they would like a referendum. In the same poll, a clear majority said they would like to leave the EU and yet your plans would deny them that opportunity. I believe the British people, along with many of your own backbench MPs, want and deserve a straight in/out choice in a referendum. I propose a public debate between us where we can put our respective cases forward. My challenge to you is an open and honest one and I hope you will afford me, and the people of this country, a proper say on the matter.”

Nigel Farage (1964) British politician and former commodity broker

Letter from Nigel Farage that was hand delivered to 10 Downing Street by Nigel Farage himself, challenging the Prime Minister to an open debate on the EU, 16 July 2012 - Nigel delivers challenge to Downing Street. http://www.ukip.org/content/latest-news/2719-nigel-delivers-challenge-to-downing-street
2012

Samuel Gompers photo

“We feel as if we were hard labor convicts where everything but our feeding has been made subject to iron rules. We have become lost as human beings, and have been turned into slaves.”

Samuel Gompers (1850–1924) American Labor Leader[AFL]

Out of Their Own Mouths: A Revelation and an Indictment of Sovietism, New York: NY, E.P Dutton and Company (1921) p. 84. Resolution from the Petrograd workers, (Sept. 5, 1920). Co-authored by William English Walling.

Martin Luther King, Jr. photo
Peter Greenaway photo
Akio Morita photo
Anthony Burgess photo
Stephen Crane photo
Edgar Rice Burroughs photo
Jerry Pournelle photo
Statius photo

“Whence first arose among unhappy mortals throughout the world that sickly craving for the future? Sent by heaven, wouldst thou call it? Or is it we ourselves, a race insatiable, never content to abide on knowledge gained, that search out the day of our birth and the scene of our life's ending, what the kindly Father of the gods is thinking, or iron-hearted Clotho? Hence comes it that entrails occupy us, and the airy speech of birds, and the moon's numbered seeds, and Thessalia's horrid rites. But that earlier golden age of our forefathers, and the races born of rock or oak were not thus minded; their only passion was to gain the mastery of the woods and the soil by might of hand; it was forbidden to man to know what to-morrow's day would bring. We, a depraved and pitiable crowd, probe deep the counsels of the gods.”
Unde iste per orbem primus venturi miseris animantibus aeger crevit amor? divumne feras hoc munus, an ipsi, gens avida et parto non umquam stare quieti, eruimus quae prima dies, ubi terminus aevi, quid bonus ille deum genitor, quid ferrea Clotho cogitet? hinc fibrae et volucrum per nubila sermo astrorumque vices numerataque semita lunae Thessalicumque nefas. at non prior aureus ille sanguis avum scopulisque satae vel robore gentes mentibus his usae; silvas amor unus humumque edomuisse manu; quid crastina volveret aetas scire nefas homini. nos, pravum et flebile vulgus, scrutati penitus superos.

Source: Thebaid, Book III, Line 551 (tr. J. H. Mozley)

Frank Lampard photo
Henry Rollins photo
Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Vladimir Lenin photo
Warren Farrell photo
Eliezer Yudkowsky photo
Pat Condell photo