“The key point today is to establish the universal validity of individual mythology... The artistic moment is therefore that in which the discovery of pre-conscious universal myths comes about, and in the reduction of these into the form of images. It is clear that if the artist is to be able to bring to light zones of myth that are authentic and virginal he must have both an extreme degree of self-awareness and the gifts of iron precision and logic.”

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

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Piero Manzoni16

Italian artist 1933–1963

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“There comes a point where individual mythology and universal mythology are identical. In this context it is clear that there can be no concern with symbolism and description, memories, misty impressions, of childhood, pictoricism, sentimentalism: all this must be absolutely excluded. So must every hedonistic repetition of arguments that have already been exhausted, since the man who continues to trifle with myths that have already been discovered is an aesthete, and worse.”

Piero Manzoni (1933–1963) Italian artist

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 18-19

“The foundations of the universal value of art are given to us now by psychology. This is the common base that enables us to sink its roots to the origins before man and to discover the primary myths of humanity. The artist must confront these myths and reduce them, by means of amorphous and confused materials, to clear images. Since these are atavistic forces that have their origins in the subconscious, the work of art takes on a magical significance.”

Piero Manzoni (1933–1963) Italian artist

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17

“The truly modern artist is aware of abstraction in an emotion of beauty; he is conscious of the fact that the emotion of beauty is cosmic, universal. This conscious recognition has for its corollary an abstract plasticism, for man adheres only to what is universal.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

“To arrive at such a discovery, fruit of a log and precious education, involves a whole field of precise technique. The artist must immerse himself in his own anxiety, dredging up everything that is alien, imposed or personal in the derogatory sense, in order to arrive at the authentic zone of values.”

Piero Manzoni (1933–1963) Italian artist

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 18-19

“Simply stated, this is one of the thumbnail passages that explain Seth's concept of God: "He is not human in your terms, though he passed through human stages; and here the Buddhist myth comes closest to approximating reality. He is not one individual, but an energy gestalt. If you remember what I said about the way in which the universe expands, that it has nothing to do with space, then you may perhaps dimly perceive the existence of a psychic pyramid of interrelated, ever-expanding consciousness that creates, simultaneously and instantaneously, universes and individuals that are given -- through the gifts of personal perspective -- duration, psychic comprehension, intelligence, and eternal validity.”

Jane Roberts (1929–1984) American Writer

Source: The Seth Material (1970), p. 261

“The impressions we receive, which often appear merely chaotic, consist of three elements; the impression of the color of the object, its form, and of its combined color and form, i. e., of the object itself. At this point the individuality of the artist comes to the front and disposes, as he wills, these three elements. It is clear, therefore, that the choice of object (i. e., of one of the elements in the harmony of form) must be decided only by a corresponding vibration in the human soul..”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, Munich, 1910; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 450
1910 - 1915