Quotes about herring
page 42

Scott Moir photo

“Tessa is a perfectionist in all ways. For example, her hair always has to be perfect for an interview or competition, she makes me look goofy next to her.”

Scott Moir (1987) Canadian figure skater

Scott Moir, Interview for Wdish (2013)
Partnership with Tessa Virtue, Scott Moir about Virtue

Jennifer Beals photo
Phil Brooks photo

“Punk: Tonight, the Straight-edge Society becomes the first ever Straight-edge World Unified Tag Team Champions. I came out here for a reason, I came out with a purpose. I'm here to lead my crusade, [Crowd chants you suck] and I've brought my disciples, Luke Gallows and the beautiful Serena with me.
Triple H: Punk, I have been watching Smackdown. And I gotta say, while I'm relieved to know that your straight, this whole I don't drink thing, I don't think anybody really gives a crap, do you know what I mean? [Crowd cheers]
Punk: You're looking at three people who give a crap, and don't try to pretend you know anything about me, or you know anything about Straight-edge, or you know anything about my society at all.
Triple H: No, no, no, no, you're right. I don't know anything about it, I don't get it, Punk, that's the thing. I don't get it, I mean you don't drink, you don't do drugs, you don't smoke. Okay, neither do I. But then again, I don't look like I've been on a week long crack binge with Amy Winehouse! [Serena shakes her head, Punk looks pissed] I'm just saying, have a little pride, man. Pick yourself up, clean yourself off. Maybe take them clippers out of the bag, shave that squirrel off you got on your chin. [Punk grabs his beard and mouths off] Hey, do yourself a favor. Grab a shower, cause I don't know if it's you, Lobotomy Man, or Britney Spears right there, but one of you's got a bad case of swamp butt!
Punk: Alright, are you done? Is amateur comedy hour over? Because I came here to claim those tag titles!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

January 29, 2010
Friday Night SmackDown

Stuart A. Umpleby photo

“The "second order cyberneticians" claimed that knowledge is a biological phenomenon (Maturana, 1970), that each individual constructs his or her own "reality" (Foerster, 1973) and that knowledge "fits" but does not "match" the world of experience”

Stuart A. Umpleby (1944) American scientist

von Glasersfeld, 1987
Stuart A. Umpleby (1994) The Cybernetics of Conceptual Systems http://www.itk.ntnu.no/ansatte/Gulbrandsoey_Kenneth/documents/papers/THE%20CYBERNETICS%20OF%20CONCEPTUAL%20SYSTEMS.pdf. p. 3

Neil Diamond photo
Francis Parkman photo
Joseph Addison photo

“The soul, secured in her existence, smiles
At the drawn dagger, and defies its point.”

Act V, scene i.
Cato, A Tragedy (1713)

Milton Friedman photo
Georgia O'Keeffe photo
Gabrielle Roy photo
Benjamin Peirce photo
Alan Keyes photo
R. H. Tawney photo

“Mankind may wring her secrets from nature, and use their knowledge to destroy themselves.”

R. H. Tawney (1880–1962) English philosopher

Conclusion
Religion and the Rise of Capitalism (1926)

Donald J. Trump photo
Bill Burr photo
William Fitzsimmons photo

“She waits until her brokenness can break her.”

William Fitzsimmons (1978) American musician

Until When We Are Ghosts (2006), Shattered

Christopher Moore photo
Karl Pilkington photo

“My auntie Nora right, all her food is mashed. She's got teeth but she don't need 'em [Karl on how his auntie blends her food and never uses her teeth]”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 3 Episode 3
On Life

Thomas Aquinas photo
Wilkie Collins photo

“Rosanna Spearman had been a thief, and not being of the sort that get up Companies in the City, and rob from thousands, instead of only robbing from one, the law laid hold of her, and the prison and the reformatory followed the lead of the law.”

[Street, 1868] ( p. 54 https://books.google.com/books?id=FmsOAAAAQAAJ&pg=PA18)
Also in Convict Voices: Women, Class, and Writing about Prison in Nineteenth-Century England by Anne Schwan [University of New Hampshire Press, 2014, ISBN 1611686725] ( p. 82 https://books.google.com/books?id=sAqXBQAAQBAJ&pg=PA82)
The Moonstone (1868)

Ernst Hanfstaengl photo
Alan Bennett photo
Krysten Ritter photo
Michelle Obama photo

“Every time I meet a child I think, who knows what’s going on in her life, whether she was just bullied or whether she had a bad day at school or whether she lost a parent — that interaction that we have with that individual, that child for that moment, could change their life … so we can’t waste this spotlight. It is temporary and life is short, and change is needed. And women are smarter than men.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

Speaking at a women's forum at the U.S.-Africa Leaders Summit in Washington, alongside former first lady Laura Bush, as quoted in "Michelle Obama: ‘Women are smarter than men’" in The Washington Times (6 August 2014) http://www.washingtontimes.com/news/2014/aug/6/michelle-obama-women-are-smarter-than-men/
2010s

Charles Lamb photo
Donald J. Trump photo
Joseph Conrad photo
E. F. Benson photo
Jane Espenson photo
Michael Flanders photo
Robert E. Howard photo
Connie Willis photo

““How dare you contradict their opinions! You are only a common servant.”
“Yes, miss,” he said wearily.
“You should be dismissed for being insolent to your betters.”
There was a long pause, and then Baine said, “All the diary entries and dismissals in the world cannot change the truth. Galileo recanted under threat of torture, but that did not make the sun revolve round the earth. If you dismiss me, the vase will still be vulgar, I will still be right, and your taste will still be plebeian, no matter what you write in your diary.”
“Plebeian?” Tossie said, bright pink. “How dare you speak like that to your mistress? You are dismissed.” She pointed imperiously at the house. “Pack your things immediately.”
“Yes, miss,” Baine said. “E pur si muove.”
“What?” Tossie said, bright red with rage. “What did you say?”
“I said, now that finally have dismissed me, I am no longer a member of the servant class and am therefore in a position to speak freely,” he said calmly.
“You are not in a position to speak to me at all,” Tossie said, raising her diary like a weapon. “Leave at once.”
“I dared to speak the truth to you because I felt you were deserving of it,” Baine said seriously. “I had only your best interests at heart, as I have always had. You have been blessed with great riches; not only with the riches of wealth, position, and beauty, but with a bright mind and a keen sensibility, as well as with a fine spirit. And yet you squander those riches on croquet and organdies and trumpery works of art. You have at your disposal a library of the great minds of the past, and yet you read the foolish novels of Charlotte Yonge and Edward Bulwer-Lytton. Given the opportunity to study science, you converse with conjurors wearing cheesecloth and phosphorescent paint. Confronted by the glories of Gothic architecture, you admire instead a cheap imitation of it, and confronted by the truth, you stamp your foot like a spoilt child and demand to be told fairy stories.””

Source: To Say Nothing of the Dog (1998), Chapter 22 (p. 374)

Warren Farrell photo
Jane Austen photo

“She would tell you herself that she has a very dreadful cold in her head at present; but I have not much compassion for colds in the head without fever or sore throat.”

Jane Austen (1775–1817) English novelist

Letter to Cassandra (1799-01-21) [Letters of Jane Austen -- Brabourne Edition]
Letters

Hillary Clinton photo
Robert Graves photo
James Marsters photo
GG Allin photo

“GG Allin: I might go and kick somebody in the head, I might grab a girl and force her to perform oral sex with me. I've had sex on stage with men, women and animals and everything in between.”

GG Allin (1956–1993) American singer-songwriter

GG Allin on The Jerry Springer Show, May 5. 1993.
On The Jerry Springer Show

Washington Irving photo
Winston S. Churchill photo

“The greatest danger to the British Empire and to the British people is not to be found among the enormous fleets and armies of the European Continent, nor in the solemn problems of Hindustan; it is not in the 'Yellow Peril' nor the 'Black Peril' nor any danger in the wide circuit of colonial and foreign affairs. No, it is here in our midst, close at home, close at hand in the vast growing cities of England and Scotland, and in the dwindling and cramped villages of our denuded countryside. It is there you will find the seeds of Imperial ruin and national decay—the unnatural gap between rich and poor, the divorce of the people from the land, the want of proper discipline and training in our youth, the exploitation of boy labour, the physical degeneration which seems to follow so swiftly on civilized poverty, the awful jumbles of an obsolete Poor Law, the horrid havoc of the liquor traffic, the constant insecurity in the means of subsistence and employment which breaks the heart of many a sober, hard-working man, the absence of any established minimum standard of life and comfort among the workers, and, at the other end, the swift increase of vulgar, joyless luxury—here are the enemies of Britain. Beware lest they shatter the foundations of her power.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

The People's Rights [1909] (London: Jonathan Cape, 1970), pp. 139-140
Early career years (1898–1929)

Eugène Delacroix photo

“I have started work on a modern subject, a scene on the barricades… I may not have fought for my country but at least I shall have painted for her.. [quote is referring to his famous painting 'Liberty Leading the People', 1830]”

Eugène Delacroix (1798–1863) French painter

Quote in an unpublished letter to Delacroix' brother, 18 October 1830, but mentioned by M. Sérullaz; as quoted in Eugene Delacroix – selected letters 1813 – 1863, ed. and translation Jean Stewart, art Works MFA publications, Museum of Fine Art Boston, 2001, p. 13
1815 - 1830

Laurell K. Hamilton photo

“After a good, successful torture, she was as happy as I ever saw her. I guess everyone needed a hobby.”

Laurell K. Hamilton (1963) Novelist

Musings of Princess Meredith about her aunt, Queen Andais; p. 357
Merry Gentry series, A Stroke of Midnight (2005)

Thomas Hood photo
Democritus photo
Bernard Cornwell photo

“He had no picture of her. She would be a memory that would fade as her warmth would fade, but would fade over the years, and he would forget the passion that gave life to this face.”

Bernard Cornwell (1944) British writer

Major Richard Sharpe (describing his murdered wife, Teresa Moreno) p. 339
Sharpe (Novel Series), Sharpe's Enemy (1984)

James Joyce photo

“Frail the white rose and frail are
Her hands that gave”

A Flower Given To My Daughter, p. 11
Pomes Penyeach (1927)

Marlene Dietrich photo

“Forgiveness: Once a woman has forgiven her man, she must not reheat his sins for breakfast.”

Marlene Dietrich (1901–1992) German-American actress and singer

Marlene Dietrich's ABC https://books.google.com/books?id=u7x5UYHMs0IC&printsec=frontcover&dq=intitle:Marlene+intitle:Dietrich%27s+intitle:abc&hl=en&sa=X&ved=0ahUKEwjv7qiV8cPfAhWinuAKHcZLAWQQ6AEIKjAA#v=snippet&q=forgiveness&f=false (1962)

Gwendolyn Brooks photo
Caspar David Friedrich photo

“The artist's feeling is his law. Genuine feeling can never be contrary to nature; it is always in harmony with her. But another person's feelings should never be imposed on us as law. Spiritual affinity leads to similarity in work, but such affinity is something entirely different from mimicry. Whatever people may say of Y's paintings and how they often resemble Z's, yet they proceed from Y and are his sole property.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
Variant translation:
The artist's feeling is his law. Pure sensibility can never be Unnatural; it is always in harmony with nature. But the feelings of another must never be imposed on us as our law. Spiritual relationship produces artistic resemblance, but this relationship is very different from imitation. Whatever one may say about X.'s paintings, and however much they may resemble Y.'s, they originated in him and are his own. (** In: 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
undated

Edmund Waller photo

“There is a garden in her face
Where roses and white lilies blow;
A heavenly paradise is that place,
Wherein all pleasant fruits do flow:
There cherries grow which none may buy
Till 'Cherry-ripe' themselves do cry.”

Edmund Waller (1606–1687) English poet and politician

Cherry-Ripe http://www.bartleby.com/101/168.html.
Poetical Works of Edmund Waller and Sir John Denham (1857)

John Godfrey Saxe photo
Jeanette Winterson photo
Ginger Rogers photo

“Ginger was brilliantly effective. She made everything work for her. Actually she made things very fine for both of us and she deserves most of the credit for our success.”

Ginger Rogers (1911–1995) American actress and dancer

Fred Astaire to Raymond Rohauser, Film Curator of the New York Gallery of Modern Art, at the San Francisco Film Festival, in 1966.
About

“Without hesitation, she made a fist and hit herself in the right eye, her knuckles making contact with the top of her cheekbone. And then she poured milk into her coffee.”

Lis Wiehl (1961) American legal scholar

Source: Heart of Ice A Triple Threat Novel with April Henry (Thomas Nelson), p. 201

N. K. Jemisin photo

“So, there was a girl.
What I’ve guessed, and what the history books imply, is that she was unlucky enough to have been sired by a cruel man. He beat both wife and daughter and abused them in other ways. Bright Itempas is called, among other things, the god of justice. Perhaps that was why He responded when she came into His temple, her heart full of unchildlike rage.
“I want him to die,” she said (or so I imagine). “Please Great Lord, make him die.”
You know the truth now about Itempas. He is a god of warmth and light, which we think of as pleasant, gentle things. I once thought of Him that way, too. But warmth uncooled burns; light undimmed can hurt even my blind eyes. I should have realized. We should all have realized. He was never what we wanted Him to be.
So when the girl begged the Bright Lord to murder her father, He said, “Kill him yourself.” And He gifted her with a knife perfectly suited to her small, weak child’s hands.
She took the knife home and used it that very night. The next day, she came back to the Bright Lord, her hands and soul stained red, happy for the first time in her short life. “I will love you forever,” she declared. And He, for a rare once, found Himself impressed by mortal will.
Or so I imagine.
The child was mad, of course. Later events proved this. But it makes sense to me that this madness, not mere religious devotion, would appeal most to the Bright Lord. Her love was unconditional, her purpose undiluted by such paltry considerations as conscience or doubt. It seems like Him, I think, to value that kind of purity of purpose—even though, like warmth and light, too much love is never a good thing.”

Source: The Broken Kingdoms (2011), Chapter 11 “Possession” (watercolor) (pp. 202-203)

Leo Tolstoy photo
Gregory Benford photo

““You know, my dear, you’re wrong that suffering ennobles people.” She’d stopped to massage her hip, wincing. “It simply makes one cross.””

Gregory Benford (1941) Science fiction author and astrophysicist

Nooncoming, p. 100 (Originally published in Universe 8, edited by Terry Carr), 1978
In Alien Flesh (1986)

George S. McGovern photo
Leonard Peikoff photo
Tom Petty photo

“She's gonna listen to her heart.
It's gonna tell her what to do.
She might need a lot of loving,
But she don't need you.”

Tom Petty (1950–2017) American musician

Listen to Her Heart
Lyrics, You're Gonna Get It! (1978)

Torquato Tasso photo

“She tried to cry out: 'Will you, cruel man,
leave me alone here?' Pain choked off her cry,
and in her heart the plaintive words began
to echo in a yet more bitter sigh.”

Torquato Tasso (1544–1595) Italian poet

Volea gridar: dove, o crudel, me sola
Lasci? ma il varco al suon chiuse il dolore:
Sicchè tornò la flebile parola
Più amara indietro a rimbombar sul core.
Canto XVI, stanza 36 (tr. Wickert)
Gerusalemme Liberata (1581)

Suzanne Collins photo
Walter Scott photo
Carl Friedrich Gauss photo

“Ask her to wait a moment — I am almost done.”

Carl Friedrich Gauss (1777–1855) German mathematician and physical scientist

When told, while working, that his wife was dying, as attributed in Men of Mathematics (1937) by E. T. Bell

Letitia Elizabeth Landon photo
Rudyard Kipling photo

“We have fed our sea for a thousand years
And she calls us, still unfed,
Though there's never a wave of all her waves
But marks our English dead.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Song of the Dead http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/verse/volumeXI/songdead.html, II, Stanza 1 (1896).
The Seven Seas (1896)

Anne Brontë photo

“Adoration isn’t love. I adore Annabella, but I don’t love her; and I love thee, Milicent, but I don’t adore thee.”

Source: The Tenant of Wildfell Hall (1848), Ch. XXXII : Comparisons: Information Rejected; Ralph to Milicent

Suze Robertson photo

“Dear Richard, I just received your letter; I will send the money order f 10 [10 guilders] immediately for the swimming of Saar [their daughter, 10 years old]. She seems to be going well ahead, I think, at least if she can jump off the springboard by herself. Her letter was nice and cheerful. Yes I would have liked her to come here [in Heeze] but I am just afraid that I may not be able to work regularly or that she will get rather bored.”

Suze Robertson (1855–1922) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Suze Robertson's brief:) Lieve Richard [ nl:Richard Bisschop ], Zo even ontving ik je brief; ik zal de postwissel zenden f 10 [10 gulden] meteen voor het zwemmen van Saar [hun dochter, 10 jaar oud]. Ze schijnt me nogal goed vooruit te gaan, tenminste als ze alleen van de plank af springt. Aardig was haar briefje en opgewekt. Ja wel graag had ik dat ze hier [Heeze] kwam maar ik ben alleen bang dat ik misschien niet geregeld zal kunnen werken òf dat zij zich nogal zal vervelen.
In a letter of Suze Robertson from Heeze, Summer 1904, to her husband Richard Bisschop in The Hague; as cited in Suze Robertson 1855-1922 – Schilderes van het harde en zware leven, exhibition catalog, ed. Peter Thoben; Museum Kemperland, Eindhoven, 2008, p. 10
1900 - 1922

“Her words are trusty heralds to her mind.”

Love's Sacrifice, Act I, sc. i. (1632?)

James K. Morrow photo
Jonathan Swift photo

“She looks as if butter wou'dn't melt in her mouth.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

Polite Conversation (1738), Dialogue 1

Daniel Handler photo

“Bird.
A good name for her. She wasn't a sparrow or a songbird, though. She stood so straight, and her face was strong.”

Patricia Reilly Giff (1935) American children's writer

Source: Water Street (2006), Chapters 1-10, p. 27-28

Katherine Paterson photo
Lydia Maria Child photo
Bai Juyi photo

“And, because she so illumined and glorified her clan,
She brought to every father, every mother through the empire,
Happiness when a girl was born rather than a boy.”

Bai Juyi (772–846) Chinese poet of the Tang Dynasty

可憐光彩生門戸
遂令天下父母心
不重生男重生女
"A Song of Unending Sorrow"

Isa Genzken photo
Anthony Burgess photo
John Keats photo
Maurice Glasman, Baron Glasman photo
Ellen Kushner photo
Eric Maskin photo
Madonna photo
Stella Adler photo

“Stella is theatrical royalty who instills in her students a sense of the nobility of acting. She dares her students to act, to lift their bodies and their voices, to be larger than themselves, to love language and ideas.”

Stella Adler (1901–1992) American actress and teaching coach

Foster Hirsch, "A Method to Their Madness" (1984), quoted in http://www.nytimes.com/1992/12/22/obituaries/stella-adler-91-an-actress-and-teacher-of-the-method.html?pagewanted=all&src=pm
About

Ralph Waldo Emerson photo
Gustav Stresemann photo
David Weber photo
Isa Genzken photo
Elsa von Freytag-Loringhoven photo

“People were afraid of her because she was undismayed about the facts of life--any of them--all of them.”

Elsa von Freytag-Loringhoven (1874–1927) German poet

Djuna Barnes quoted in Irene Gammel, Baroness Elsa: Gender, Dada and Everyday Modernity, p 17.
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