Source: Titus Groan (1946), Chapter 2 “The Great Kitchen” (p. 18)
Context: It was not often that Flay approved of happiness in others. He saw in happiness the seeds of independence, and in independence the seeds of revolt.

“I am clever enough to know that I am clever.”

Mervyn Peake book Titus Groan

Source: Titus Groan

“Something to remember, that: cats for missiles.”

Mervyn Peake book Titus Groan

Source: Titus Groan

“This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 1 “The Hall of the Bright Carvings” (p. 9)

“Never having had either positive cruelty or kindness shown to her by her parents, but only an indifference, she was not conscious of what it was that she missed—affection.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 37 “The Grotto” (p. 211)

“Through honeycombs of stone would now be wandering the passions in their clay. There would be tears and there would be strange laughter. Fierce births and deaths beneath umbrageous ceilings. And dreams, and violence, and disenchantment.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 69 “Mr Rottcodd Again” (p. 396)

“Autumn returned to Gormenghast like a dark spirit re-entering its stronghold.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 28 “Flay Brings a Message” (p. 152)

“What had happened? As he asked himself the question, he knew the answer. That no one had thought fit to tell him! No one! It was a bitter pill for him to swallow. He had been forgotten. Yet he had always wished to be forgotten. He could not have it both ways.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 69 “Mr Rottcodd Again” (p. 393)

““She thinks she’s a lady.” And then he grinned until the very lake seemed to be in danger of engulfment. “Oh, dear!” the poor thing. Tries so hard, and the more she tries, the less she is. Ha! ha! ha! Take it from me, Fuchsia dear, The only ladies are those to whom the idea of whether they are or not never occurs. Her blood’s all right—Irma’s—same as mine, ha, ha, ha! but it doesn’t go by blood. It’s equipoise, my Gipsy, equipoise that does it—with a bucketful of tolerance thrown in.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 65 “By Gormenghast Lake” (p. 367)

“It was not certain what significance the ceremony held, for unfortunately the records were lost, but the formality was no less sacred for being unintelligible.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 40 “Meanwhile” (pp. 230-231)

“Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 1 “The Hall of the Bright Carvings” (p. 9; opening words)

“He also knew when to stop. In the fine art of deceit and personal advancement as in any other calling this is the hallmark of the master.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 31 “Reintroducing the Twins” (p. 173)

“Drear ritual turned its wheel.”

Mervyn Peake book Titus Groan

Source: Titus Groan (1946), Chapter 60 “In Preparation for Violence” (p. 323)

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