Quotes about furniture

A collection of quotes on the topic of furniture, likeness, other, people.

Quotes about furniture

“Dr. Franklin says "it is the eyes of others and not our own eyes which ruin us. If all the world were blind except myself I should not care for fine clothes or furniture.”

P.T. Barnum (1810–1891) American showman and businessman

Source: The Art of Money Getting; Or, Golden Rules for Making Money

World, Clothes

“I couldn't live a week without a private library - indeed, I'd part with all my furniture and squat and sleep on the floor before I'd let go of the 1500 or so books I possess.”

H.P. Lovecraft (1890–1937) American author

Books, Sleep, Parting

“In fact the only thing that I don't like about Whisky, is that if I take the merest sip of the stuff, it sends a sharp pain from the back of my left eyeball down to the tip of my right elbow, and I begin to walk in a very special way, bumping into people and snarling at the furniture. I have therefore learned to turn my attention to other tipples. Margaritas, I'm very fond of, but they make me buy very stupid things. When ever I've had a few margaritas I always wake up in the morning with a sense of dread as to what I will find downstairs. The worst was a 6ft long pencil and a 2ft wide India rubber that I had shipped over from New York, as a result of one injudicious binge.”

Douglas Adams book The Salmon of Doubt

The Salmon of Doubt (2002)

Pain, People, Stupidity, Way

“A man should keep his little brain attic stocked with all the furniture that he is likely to use, and the rest he can put away in the lumber room of his library, where he can get it if he wants it.”

Arthur Conan Doyle (1859–1930) Scottish physician and author

“Rincewind tried to force the memory out of his mind, but it was rather enjoying itself there, terrorizing the other occupants and kicking over the furniture.”

Terry Pratchett (1948–2015) English author

Source: The Color of Magic

Memory

“If we do not understand furniture we cannot understand the city”

Constantinos Apostolou Doxiadis (1914–1975) Greek architect

Source: Building Entopia - 1975, Chapter 6, The furniture, p. 70

Understanding

“I don't like film. Film is too clankingly real, too permanent, too industrial for me. … The worst thing about film, from my point of view, is that it cripples illusions which I have encouraged people to create in their heads. Film doesn't create illusions. It makes them impossible. It's a bullying form of reality, like the model rooms in the furniture department of Bloomingdale's.”

Kurt Vonnegut (1922–2007) American writer

"Preface"
Between Time and Timbuktu (1972)

People, Reality

“Who are the men, who, without our realizing it, give us our ideas, tell us whom to admire and whom to despise, what to believe about the ownership of public utilities.. about immigration who tell us how our houses should be designed, what furniture we should put into them, what menus we should serve at our table, what kind of shirts we must wear, what sports we should indulge in, what plays we should see, what charities we should support, what pictures we should admire, what slang we should affect, what jokes we should laugh at?”

Edward Bernays book Propaganda

Source: Propaganda (1928), p.59

Men, Idea, Support, Sport

“Apart from autograph hunters, I get… many letters from Hindus, beseeching me to adopt some form of mysticism, from young Americans, asking me where I think the line should be drawn in petting, and from Poles, urging me to admit that while all other nationalism may be bad that of Poland is wholly noble. I get letters from engineers who cannot understand Einstein, and from parsons who think that I cannot understand Genesis, from husbands whose wives have deserted them – not (they say) that that would matter, but the wives have taken the furniture with them, and what in these circumstances should an enlightened male do? …I get letters (concerning whose genuineness I am suspicious) trying to get me to advocate abortion, and I get letters from young mothers asking my opinion of bottle-feeding.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Letter to Mr C. L. Aiken, March 19, 1930
1930s

Understanding, Thinking

“I gyve unto my wief my second best bed with the furniture”

William Shakespeare (1564–1616) English playwright and poet

Shakespeare's will

“I tried to like it. For me, it was like being smacked around the head by a piece of IKEA furniture: it hurts, but you've got to admire the workmanship.”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Remarkable Guide to the Orchestra (2008)

Hurt

“Many people assert that this abandonment of the god hypothesis means the abandonment of all religion and all moral sanctions. This is simply not true. But it does mean, once our relief at jettisoning an outdated piece of ideological furniture is over, that we must construct some thing to take its place.”

Julian Huxley (1887–1975) English biologist, philosopher, author

The New Divinity (1964)
Context: God is a hypothesis constructed by man to help him understand what existence is all about.... To say that God is ultimate reality is just semantic cheating, as well as being so vague as to become effectively meaningless... Today the god hypothesis has ceased to be scientifically tenable, has lost its explanatory value and is becoming an intellectual and moral burden to our thought. It no longer convinces or comforts, and its abandonment often brings a deep sense of relief. Many people assert that this abandonment of the god hypothesis means the abandonment of all religion and all moral sanctions. This is simply not true. But it does mean, once our relief at jettisoning an outdated piece of ideological furniture is over, that we must construct some thing to take its place.

God, People, Religion

“The source of all unhappiness is other people. As soon as you learn to
think of other people as noisy furniture, the sooner you will be happy.
- Wally's Keynote Speech”

Scott Adams (1957) cartoonist, writer

People, Thinking, Learning, Happiness

“I'd spent way more years worrying about how to look like a poet -- buying black clothes, smearing on scarlet lipstick, languidly draping myself over thrift-store furniture -- than I had learning how to assemble words in some discernible order.”

Mary Karr (1955) American writer

Source: Lit

Way, Learning, Clothes

“A house with old furniture has no need of ghosts to be haunted.”

Hope Mirrlees book Lud-in-the-Mist

Source: Lud-in-the-Mist

Housing

“Just because I’m Native American doesn’t mean I can track furniture through the wilderness.” She deepened her voice: “‘Yes, kemosabe. A three-legged table passed this way an hour ago.’ Heck, I don’t know.”

Rick Riordan book The Demigod Diaries

Source: The Demigod Diaries

Way

“No: What the heck happened?
Or: Why did you go from nearly kissing me to tossing me across your yard and into the patio furniture?”

Alyson Nöel book Dark Flame

Source: Dark Flame

Kiss

“Shin: a device for finding furniture in the dark.”

Steven Wright (1955) American actor and author

“No one knows why, but second only to eating the brains of the living, the dead love affordable prefab furniture.”

Christopher Moore (1957) American writer of comic fantasy

Source: The Stupidest Angel: A Heartwarming Tale of Christmas Terror

Love, Dead

“Out of used furniture she made a tree.”

Anne Sexton (1928–1974) poet from the United States

Source: The Complete Poems

Tree

“This is Buford,” Leo announced.
“You name your furniture?” Frank asked.”

Rick Riordan The Mark of Athena

Source: The Mark of Athena

“His books were the closest thing he had to furniture and he lived in them the way other men live in easy chairs.”

Laura Hillenbrand book Seabiscuit: An American Legend

Source: Seabiscuit: An American Legend

Men, Books, Way

“Deliver me from Swedish furniture. Deliver me from clever art. May I never be complete. May I never be content. May I never be perfect.”

Chuck Palahniuk Fight Club

Source: Fight Club

Art, Perfection

“Great. So if I saw a guy standing still, and he wasn't wearing an old uniform, I just had to ask him to walk through furniture. If he stared at me like I was crazy, then I'd know he wasn't a ghost. - Chloe”

Kelley Armstrong The Reckoning

Source: The Reckoning

Guy

“A lady, without a family, was the very best preserver of furniture in the world.”

Jane Austen book Persuasion

Source: Persuasion (1817)

World, Family

“The only really good place to buy lumber is at a store where the lumber has already been cut and attached together in the form of furniture, finished, and put inside boxes.”

Dave Barry (1947) American writer

The Taming of the Screw (1983)
Source: The Taming of the Screw: How to Sidestep Several Million Homeowner's Problems

Box

“Cats regard people as warm-blooded furniture.”

Jacquelyn Mitchard (1956) American journalist

People, Cats

“If most of us are ashamed of shabby clothes and shoddy furniture, let us be more ashamed of shabby ideas and shoddy philosophies”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Attributed to Einstein in Treasury of the Christian Faith https://books.google.com/books?id=Ll4wAAAAYAAJ&q=%22shabby+clothes%22+%22shoddy+furniture%22&dq=%22shabby+clothes%22+%22shoddy+furniture%22&hl=en&sa=X&ved=0ahUKEwiS04TynqDLAhUO8GMKHUYICMkQ6AEINTAA (1949), and subsequently repeated in other books. No original source where Einstein supposedly said this has been located, and it is absent from authoritative sources such as Calaprice, The Ultimate Quotable Einstein. Disputed

Idea, Clothes

“A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.”

F. Scott Fitzgerald book The Beautiful and Damned

Source: The Beautiful and Damned

Books, Fashion, Success

“If there is one door in the castle you have been told not to go through, you must. Otherwise, you'll just be rearranging furniture in rooms you've already been in.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist

Source: Bird by Bird: Some Instructions on Writing and Life

“No furniture so charming as books.”

Sydney Smith (1771–1845) English writer and clergyman

Vol. I, ch. 9
Lady Holland's Memoir (1855)
Source: A memoir of the Rev. Sydney Smith

Books

“But I can hardly sit still. I keep fidgeting, crossing one leg and then the other. I feel like I could throw off sparks, or break a window--maybe rearrange all the furniture.”

Raymond Carver (1938–1988) American short story author and poet

Source: Where I'm Calling From: New and Selected Stories

Feeling

“The common people (live in) poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe… their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking…”

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Pelsaert, quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan.
Jahangir’s India

Life, People, Home, Water

“The transition to a GUI, and eventually to one close to a Macintosh, was a far greater step than refinements since. Some of these are just simple alternatives, which can't be over-valued due to increasing the complexity of having less consistency in how things are done. Others of these are more akin to rearranging the furniture. The great change was in becoming a modern GUI machine. In that sense, virtually every machine is a 'Macintosh' now.”

Steve Wozniak (1950) American inventor, computer engineer and programmer

Explaining his comment that now "Every PC is a Macintosh", "Letters-General Questions Answered" p. 105 http://www.woz.org/letters/general/105.html Woz.org files

Guy, Sense, Change

“The trouble with Michael is that he had to buy all his furniture”

Michael Jopling (1930) British politician

About Michael Heseltine, according to Alan Clark in his diaries. Clark called it "snobby but cutting".
Alan Clark Diaries: In Power 1983-1992 (Wednesday 17 June 1987) 1993 Weidenfield & Nicholson

“What justice also demands, inspired by the same feeling, is the punishment of the guilty and effective guaranties against an active return of the spirit by which they were tempted; and it is logical to demand that these guaranties should be given, above all, to the nations that have been, and might again be most exposed to aggressions or threats, to those who have many times stood in danger of being submerged by the periodic tide of the same invasions. What justice banishes is the dream of conquest and imperialism, contempt for national will, the arbitrary exchange of provinces between states as though peoples were but articles of furniture or pawns in a game. The time is no more when diplomatists could meet to redraw with authority the map of the empires on the corner of a table. If you are to remake the map of the world it is in the name of the peoples, and on condition that you shall faithfully interpret their thoughts, and respect the right of nations, small and great, to dispose of themselves, and to reconcile it with the right, equally sacred, of ethnical and religious minorities - a formidable task, which science and history, your two advisers, will contribute to illumine and facilitate.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Welcoming Address http://www.firstworldwar.com/source/parispeaceconf_poincare.htm at the Paris Peace Conference (18 January 1919).

People, World, Justice, Dreams

“Previously, we only made products such as baskets or satay skewers using bamboo. Now, we need to produce higher value products such as furniture, laminated boards, construction materials and innovative novelty products.”

Teresa Kok (1964) Malaysian politician

Teresa Kok (2018) cited in " Bamboo industry must transform, modernise to grow: Kok http://www.thesundaily.my/news/2018/09/18/bamboo-industry-must-transform-modernise-grow-kok" on The Sun Daily, 18 September 2018

“The people who believe most that our greatness and welfare are proved by our being very rich, and who most give their lives and thoughts to becoming rich, are just the very people whom we call the Philistines. Culture says: “Consider these people, then, their way of life, their habits, their manners, the very tones of their voice; look at them attentively; observe the literature they read, the things which give them pleasure, the words which come forth out of their mouths, the thoughts which make the furniture of their minds; would any amount of wealth be worth having with the condition that one was to become just like these people by having it?””

Matthew Arnold book Culture and Anarchy

Source: Culture and Anarchy (1869), Ch. I, Sweetness and Light

Life, People, Pleasure, Way

“I think it would be great to have a mall that looked like stores but you weren't selling things. You were just going to hang out or do things. Or if somebody bought a mall and turned it into a house that people could kind of come to and you could build rooms, and it's all orange furniture. Or you could just build environments. Reclaim a mall just in the name of aesthetics or to make something beautiful or something that has no real purpose. Wouldn't that be amazing?”

Beck (1970) American Musician (b.1970)

Black Book magazine, Fall 2002

People, Beauty, Thinking, Housing

“The room is like a cave, and has books I love in it. The main door was closed up and a smaller opening was made under the stairs. (I went away while all this was happening.) The furniture is locked in, and part of me is locked in too, or I hope it is, although I often made a bid to escape. I have left instructions that I would like to be buried here when I die or a bit before, the cave bricked up.”

Colm Tóibín (1955) Irish novelist and writer

Writers' rooms: Colm Tóibín http://www.guardian.co.uk/books/2007/jul/13/writers.rooms.colm.toibin#, The Guardian (13 July 2007)

Love, Books, Hope, Parting

“Given the way these mutants treat women in their societies, the women are probably better off in U. S. custody. They treat women like furniture in those countries. If I was a woman, I think I’d rather be in an American jail cell than I would be living with one of those-whatever they are over there.”

Jack Cafferty (1942) American journalist

On the subject of terrorist demands for the release of two female scientists from an Iraqi prison, September 23, 2004.
[American Arab Anti-Discrimination Committee, Jack Cafferty In His Own Words, 18 November 2004, http://www.adc.org/index.php?id=2386]
2004

Women, Way, Thinking, Country

“Towards the end of 1958, I greatly increased.... the works done with what is called poor material. I felt the need to persist and go deeper with the entire message of what is insignificant, worn or dramatised by time... In fact, it was the most conscious resumption of subjects that had often attracted me. In my research, I had discovered this material, one I find loaded with strange suggestions, which is cardboard. A grey, anonymous material that won't be easily manipulated, for which very reason the slightest mark of the hand torments it and destroys it. But the piece of cardboard, the box, the lid, the tray.... dirty clothes (socks, T-shirt, underpants…), old furniture, everyday objects; not used as a representation or theme in the picture but as real bodies, objects.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

as quoted in 'Tàpies: From Within', June/November 2013 - Presse Release text, Museu Nacional d'Art de Catalunya (MNAC), pp. 7-8
1971 - 1980, Memòria Personal', 1977

Time, Clothes, Box

“In all things I yearn for the past. Modern fashions seem to keep on growing more and more debased. I find that even among the splendid pieces of furniture built by our master cabinetmakers, those in the old forms are the most pleasing.”

Yoshida Kenkō (1283–1350) japanese writer

22
Essays in Idleness (1967 Columbia University Press, Trns: Donald Keene)

Fashion, Past

“I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze.”

Peter Greenaway (1942) British film director

Watching Water

Music, Way, Travel, Feeling

“As for broken hearts, no self-respecting young woman shows such an ornament at any well regulated breakfast-table; they are kept in dark drawers and closets like other broken furniture.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Source: Esther: A Novel (1884), Ch. IX

Heart

“Perhaps I will have photographs taken of the still life with the round table and of the other with oranges and the [piece of] furniture behind.”

Giorgio Morandi (1890–1964) Italian painter

in his letter to the Bolognese writer Raimondi of September 11, 1919; as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 102
Morandi was referring to some still life paintings he recently made, and he pressed Raimondi to lend him the monograph of Cézanne (written by Vollard and published in 1914).
1925 - 1945

Life

“The saws are sawing wood, But wood is also sawing the saws…The wood sawn into boards is fashioned into furniture. Saws just break and are discarded.”

Liu Shahe (1931–2019) Chinese writer and poet

Encarta http://encarta.msn.com/quote_561556246/Consequences_The_saws_are_sawing_wood_But_wood_is_also.html

Fashion

“It has also been said that your Education has been a failure no matter how much it has done for you, if it has failed to open your heart. Dr. Zakir Hussain, when Vice-Chancellor of the Aligarh University, said, that the aim of Education was that students should become responsible citizens and not merely bundles of styles and sophistication like articles in a furniture shop – the product now being churned out lacks even that saving grace….. The old system may have produced 'snobs' what is being spewed out now are 'slobs'. The young student in Indian Schools is being smothered under a dead weight of books and notes dealing with a host of subjects imaginable and unimaginable. Busy cramming from morning till night and repeating parrot-like that he does not understand, he is fast becoming a literate moron. Initiative, leadership and education in the real sense of the term are encouraged only in a few public Schools.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Teachers & Education

Books, Education, School, Imagination

“Science is a first-rate piece of furniture for a man's upper chamber, if he has common sense on the ground-floor.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Source: The Poet at the Breakfast Table (1872), p. 120 The Writings of Oliver Wendell Holmes, Vol. 3 (1892)

Sense, Science

“(Without the CPF), Singaporeans would buy enormous quantities of clothes, shoes, furniture, television sets, radio, tape recorders, hi-fis, washing machines, motor cars. They would have no substantial or permanent asset to show for it.”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

Asian Wall Street Journal, Oct 21 1985
1980s

Cars, Shoe, Clothes

“The great feature of our medieval chamber is the furniture; this, in a rich apartment, would be covered with paintings, both ornaments and subjects; it not only did its duty as furniture, but spoke and told a story.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 71; Partly cited in: Export of objects of cultural interest 2010/11: 1 May 2010 - 30 April 2011. Stationery Office, 13 dec. 2011

Painting

“As you may be aware, Louis XIV built Versailles, a large, drafty place full of Louis Quatorze furniture and Madame de Montespan.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part IV: A Few Greats, Louis XIV

“How full of trifles everything is! It is only one’s thoughts that fill a room with something more than furniture.”

Wallace Stevens (1879–1955) American poet

Letter to his future wife Elsie Moll Kachel (16 May 1907); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 9

“The amazing part of the great Danish cartoon caper isn't that Muslims immediately engage in acts of mob violence when things don't go their way. That is de rigueur for the Religion of Peace. Their immediate response to all bad news is mass violence. That's a "dog bites man" story and belongs on page B-34, next to the grade school hot lunch menu and the birth notices. After an Egyptian ferry capsized recently, killing hundreds of passengers, a whole braying mob of passengers' relatives staged an organized attack on the company, throwing furniture out the window and burning the building to the ground. Witnesses say it was the most violent ocean liner-related incident since Carnival Cruise Lines fired Kathie Lee Gifford. The "offense to Islam" ruse is merely an excuse for Muslims to revert to their default mode: rioting and setting things on fire.”

Ann Coulter (1961) author, political commentator

"Muslim Bites Dog" (15 February 2006) http://www.anncoulter.com/cgi-local/printer_friendly.cgi?article=100. 2006

School, Peace, Religion, Dogs

“I was looking at my furniture, not as the utilitarian who has to sit on chairs, to write at desks and tables, and not as the cameraman or scientific recorder, but as the pure aesthete whose concern is only with forms and their relationships within the field of vision or the picture space. But as I looked, this purely aesthetic, Cubist's-eye view gave place to what I can only describe as the sacramental vision of reality. I was back where I had been when I was looking at the flowers—back in a world where everything shone with the Inner Light, and was infinite in its significance.”

Aldous Huxley book The Doors of Perception

describing his experiment with mescaline, p. 22
The Doors of Perception (1954)

World, Flowers, Reality, Light

“That feeling of terrible emptiness when I touched him was like going into a house that you thought would be full of people you loved, only to find it empty, and even the furniture taken. You walk from room to room, hearing your footsteps echo on the naked floors. Your voice bounces back from the empty walls, where the lines of beloved photos still show like the line around a body at a crime scene. He was gone.”

Laurell K. Hamilton (1963) Novelist

memories of Princess Meredith about encountering the body of her father, Essus; p. 40
Merry Gentry series, A Stroke of Midnight (2005)

Love, People, Feeling, Photo

“There are two great uses of antiquarian studies. One of them is to enable us to conjure up as if by the magician's wand the dress, furniture, architecture, &c., of past ages, so that we can live, as it were, in many centuries almost at the same moment. This is a very great and a very pleasant species of knowledge, but it is not particularly useful in this work-a-day world; and it sometimes, like other knowledge, renders its possessor far from happy, more especially when he goes to the theatre, and sees all sorts of anachronisms and impossibilities a. The other use of antiquarian studies is to restore disused arts, and to get all the good we can out of them for our own improvement.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 13

Age, World, Art, Knowledge

“We select our furniture to serve as visible symbols of our taste, wealth, and social position. We often choose our residences on the basis of a feeling that it "looks well" to have a "good address." We trade in perfectly good cars for later models, not always to get better transportation, but to give evidence to the community that we can afford it.2 ”

S. I. Hayakawa book Language in Thought and Action

Source: Language in Thought and Action (1949), The Symbolic Process, p. 26

Cars, Feeling, Communication, Wealth

“I don't want to have the territory of a man's mind fenced in. I don't want to shut out the mystery of the stars and the awful hollow that holds them. We have done with those hypaethral temples, that were open above to the heavens, but we can have attics and skylights to them. Minds with skylights…
One-story intellects, two-story intellects, three-story intellects, with skylights. All fact-collectors, who have no aim beyond their facts, are one-story men. Two-story men compare, reason, generalize, using the labors of the fact-collectors as well as their own. Three-story men idealize, imagine, predict; their best illumination comes from above, through the skylight. There are minds with large ground floors, that can store an infinite amount of knowledge; some librarians, for instance, who know enough of books to help other people, without being able to make much other use of their knowledge, have intellects of this class. Your great working lawyer has two spacious stories; his mind is clear, because his mental floors are large, and he has room to arrange his thoughts so that he can get at them,—facts below, principles above, and all in ordered series; poets are often narrow below, incapable of clear statement, and with small power of consecutive reasoning, but full of light, if sometimes rather bare of furniture in the attics.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Poet at the Breakfast Table (1872)

Men, People, Books, Imagination

“Don't do that… By the way, this is not Oprah furniture; you jump on this, and it will be firewood… Oprah's got the real thing, this stuff…this is about as real as that [points to cityscape backdrop] right there.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

On Clive Barker pretending to be Tom Cruise.
The Late Late Show with Craig Ferguson (2005–2014)

Way

“If the house is to be demolished tomorrow anyhow, people seem to feel, we may as well burn the furniture today. None of our problems are insoluble…But it seems clear that to prevail we humans will have to act with a smartness and selflessness that has so far eluded us during our long and tangled history.”

Arthur C. Clarke book The Light of Other Days

Source: The Light of Other Days (2000), Chapter 4

People, Feeling, History, Problem

“Back in Moscow in 1925 - teacher at 'Vchutemas' of interior design and furniture at the faculty of wood and metalwork. In 1926 my most important artistic work began: designing exhibitions. In that year I was invited by the committee of the International Exhibition of Art in Dresden to design the space for contemporary art. Was sent abroad for by 'VOKS.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

[In] 1927 Exhibition of Typography in Moscow.
1926 - 1941, Autobiography of the artist' (1941)

Art, Teachers

“In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture and intelligent sensibilities, and no possibility of escape.”

J. G. Ballard book High-Rise

Source: High-Rise (1975), Ch. 8

People, Education, Intelligence, Sense

“Buildings were just the world's furniture, and he didn't care how it was arranged.”

John Varley book The Pusher

"The Pusher", The Magazine of Fantasy & Science Fiction (October 1981), reprinted in The John Varley Reader (2005)

World

“The sale of assets is common with individuals and states when they run into financial difficulties. First, all the Georgian silver goes, and then all that nice furniture that used to be in the saloon. Then the Canalettos go.”

Harold Macmillan (1894–1986) British politician

"Stockton attacks Thatcher policies", The Times, 9 November 1985, p. 1.
Speech to the Tory Reform Group, 8 November 1985. Often quoted as "selling off the family silver".
1980s

“No animal should ever jump up on the dining room furniture unless absolutely certain that he can hold his own in the conversation.”

Fran Lebowitz book Social Studies

"Pointers for Pets".
Social Studies (1981)

Animals

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 212.

Books, Age, Beauty, History

“The numerous chimneys with their fantastic shapes rose grimly in the moonlight, like a strange band of goblin sentinels, perched of the roof to watch the mansion. The general effect was that of an ancient structure falling to decay, deserted by all inhabitants save the rats that gnawed the wainscot along the thick old walls. The door-plate that glittered on the faded door, half covered as it was with rust and verdigris, with its saintly name afforded the only signs of the actual occupation of Monk-hall by human beings: in all other respects it looked so desolate, so time-worn, so like a mausoleum for old furniture, and crumbling tapestry, for high-backed mahogany chairs, gigantic bedsteads, and strange looking mirrors, veiled in the thick folds of the spider's web.”

George Lippard (1822–1854) Novelist, journalist

The Quaker City; or, the Monks of Monk Hall, part 1, chapter 7 "The Monks of Monk-Hall" (1844)

Time

“Yet again - visible and invisible. The panic of loneliness - not physical, far more moral - arises from the fact that every lonely person is wearing a tarnkappe, a magic hood, (in German fairy tales, a magic cap which makes the wearer invisible) against his will: which is tantamount to saying: "If people don't bother about me, it's because nobody is seeing me - seeing me. I'm just a piece of furniture in their eyes." … Newcomers in a strange world suffer this fate especially, what's more in a doubly unpleasant way: first because no one takes any notice of them since they don't belong, i. e. they're nobodies, yet at the same time they're conspicuous, in the way, a nuisance, desperately conscious of being just awkward lumps of furniture.”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Diaries 1957-59

Fate, People, World, Way

“Allowing, therefore, the great usefulness of the Government Schools, the Exhibitions, and the Museums both public and private, the question now arises as to what are the impediments to our future progress. The principal ones appear to me to be three.
# A want of a distinctive architecture, which is fatal to art generally.
# The want of a good costume, which is fatal to colour; and
# The want of a sufficient teaching of the figure, which is fatal to art in detail.
It will perhaps be as well to take these one by one.
The most fatal impediment of the three is undeniably the want of a distinctive architecture in the nineteenth century. Architecture is commonly called the mother of all the other arts, and these latter are all more or less affected by it in their details. In almost every age of the world except our own only one style of architecture has been in use, and consequently only one set of details. The designer had accordingly to master, 1. the figure, and the great principles of ornament; 2. those details of the architecture then practised which were necessary to his trade; and 3. the technical processes. Now what is the case in the present day? If we take a walk in the streets of London we may see at least half-a-dozen sorts of architecture, all with different details; and if we go to a museum we shall find specimens of the furniture, jewellery, &c., of these said different styles all beautifully classed and labelled. The student, instead of confining himself to one style as in former times, is expected to be master of all these said half-dozen, which is just as reasonable as asking him to write half-a-dozen poems in half-a-dozen languages, carefully preserving the idiomatic peculiarities of each. This we all know to be an impossibility, and the end is that our student, instead of thoroughly applying the principles of ornament to one style, is so bewildered by having the half-dozen on his hands, that he ends by knowing none of them as he ought to do. This is the case in almost every trade; and until the question of style gets gets settled, it is utterly hopeless to think about any great improvement in modern art.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 8-9; Partly cited in: Journal of the Royal Society of Arts. Vol. 99. 1951. p. 520

Age, World, School, Art

“Terrorism conjoins with neoliberalism to heighten a sense of insecurity and even a sense that the nation state now fails to provide for the security of the people. That said, the chances of being killed in a terrorist attack remain very low in the order of possible dangers that a human being can face. A person is more likely to be killed by their own furniture than by a terrorist. So, we have fear and panic about improbable yet dramatic and unpredictable dangers, which is how terrorism works. It is supposed to make you frightened in a routine way by non-routine events, and it’s effective in that sense.”

Wendy Brown (1955) American political theorist

Neoliberalism Has Eviscerated the Fabric of Social Life http://www.greeneuropeanjournal.eu/neoliberalism-has-eviscerated-the-fabric-of-social-life/, interview with Wendy Brown by Adam Ostolski, Green European Journal, March 2017

People, Fear, Way, Sense

“They call it freebasing. It's not free, it costs you your house! It should be called home basing! Three signs you're addicted to cocaine: First of all, if you come home to your house and you have no furniture and your cat's going "I'm outta here, prick!," Warning! Number two: If you have this dream where you're doing cocaine in your sleep and you can't fall asleep, and you wake up and you're doing cocaine, BINGO! Number three: if on your tax form it says, "$50,000 for snacks," MAYDAY!”

Robin Williams (1951–2014) American actor and stand-up comedian

A Night at the Met (1986)

Dreams, Home, Cats, Sleep

“Who has not found the heaven below
Will fail of it above.
God’s residence is next to mine,
His furniture is love.”

Emily Dickinson Life, and Death, and Giants —

Life, p. 54
Collected Poems (1993)

Love, God

“The wife is a piece of property, acquired by contract; she is part of your furniture, for possession is nine-tenths of the law; in fact, the woman is not, to speak correctly, anything but an adjunct to the man; therefore abridge, cut, file this article as you choose; she is in every sense yours.”

Honoré de Balzac book Physiology of Marriage

La femme est une propriété que l'on acquiert par contrat, elle est mobilière, car la possession vaut titre; enfin, la femme n'est, à proprement parler, qu'une annexe de l'homme; or, tranchez, coupez, rognez, elle vous appartient à tous les titres.
Part II, Meditation Number XII: The Hygiene of Marriage.
Physiology of Marriage (1829)

Law, Sense, Parting

“The first deaths will barely swell the daily count, and no one in the statistics bureau will notice that extra zero. But after a while everyone will begin to look at each other and ask: what's happening? Because for months doors and windows are going to rattle, furniture and trees will creak.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

The Clerk's Vision (1949)

Death, Tree

“The trouble with Michael [Heseltine] is that he had to buy his own furniture”

Alan Clark (1928–1999) British politician

Attributed by Clark in his diaries to Michael Jopling. The full quote is "An arriviste, certainly, who can't shoot straight and in Jopling's damning phrase 'bought all his own furniture', but who at any rate seeks the cachet. All the nouves in the party think he is the real thing." https://www.theguardian.com/media/2003/aug/07/bbc.politicsandthemedia Misattributed

“Though Frank Shallard might have come to admire pictures, great music, civilized furniture, he had been trained to regard them as worldly, and to content himself with art which 'presented a message,' to regard 'Les Miserables' as superior because the bishop was a kind man, and 'The Scarlet Letter' as a poor book because the heroine was sinful and the author didn't mind.”

Sinclair Lewis book Elmer Gantry

Elmer Gantry (1927)

Books, Art, Music, Training

“They said it was a sitting-room, but I don’t know why they’d decided to confine its purpose just to sitting. Obviously, sitting was one of the things you could do in a room this size; but you could also stage operas, hold cycling races, and have an absolutely cracking game of frisbee, all at the same time, without having to move any of the furniture.
It could rain in a room this big.”

Hugh Laurie book The Gun Seller

The Gun Seller (1996)

Game, Time

“A Man that is of Copernicus’s Opinion, that this Earth of ours is a Planet, carry’d round and enlighten’d by the Sun, like the rest of the Planets, cannot but sometimes think, that it’s not improbable that the rest of the Planets have their Dress and Furniture, and perhaps their Inhabitants too as well as this Earth of ours…”

Christiaan Huygens (1629–1695) Dutch mathematician and natural philosopher

Book 1, p. 1
Cosmotheoros (1695; publ. 1698)

Thinking, Sun

“Competition has been curtailed by larger corporations; it has been sabotaged by groups of smaller entrepreneurs acting collectively. Both groups have made clear the locus of liberalism's rhetoric of small business and family farm.The character and ideology of the small entrepreneur and the facts of the market are selling the idea of competition short. These liberal heroes, the small businessmen and the farmer, do not want to develop their characters by free and open competition; they do not believe in competition, and they have been doing their best to get away from it.When the small businessmen are asked whether they think free competition is…a good thing, they answer…, 'Yes, of course—what do you mean?' … Finally: 'How about here in this town in furniture?'—or groceries, or whatever the man's line is. Their answers are of two sorts: 'Yes, if it's fair competition,' which turns out to mean: 'if it doesn't make me compete.' … The small businessman, as well as the farmer, wants to become big, not directly by eating up others like himself in competition, but by the indirect ways means practiced by his own particular heroes—those already big. In the dream life of the small entrepreneur, the sure fix is replacing the open market.But if small men wish to close their ranks, why do they continue to talk…about free competition? The answer is that the political function of free competition is what really matters now…[f]or, if there is free competition and a constant coming and going of enterprises, the one who remains established is 'the better man' and 'deserves to be where he is.' But if instead of such competition, there is a rigid line between successful entrepreneurs and the employee community, the man on top may be 'coasting on what his father did,' and not really be worthy of his hard-won position. Nobody talks more of free enterprise and competition and of the best man winning than the man who inherited his father's store or farm. …… In Congress small-business committees clamored for legislation to save the weak backbone of the national economy. Their legislative efforts have been directed against their more efficient competitors. First they tried to kill off the low-priced chain stores by taxation; then they tried to eliminate the alleged buying advantages of mass distributor; finally they tried to freeze the profits of all distributors in order to protect their own profits from those who could and were selling goods cheaper to the consumer.The independent retailer…has been pushing to maintain a given margin under the guise of 'fair competition' and 'fair-trade' laws. He now regularly demands that the number of outlets controlled by chain stores be drastically limited and that production be divorced from distribution. This would, of course, kill the low prices charged consumers by the A&P;, which makes very small retail profits, selling almost at cost, and whose real profits come from the manufacturing and packaging.…Under the threat of 'ruinous competition,' laws are on the books of many states and cities legalizing the ruin of competition.”

C. Wright Mills book White Collar: The American Middle Classes

Section One: The Competitive Way of Life.
White Collar: The American Middle Classes (1951)

Life, Men, Books, Family

“"It might interest you to know that our state is tired of being used as a chemical toilet so that people in Utah can have plastic lawn furniture."
"I can't believe an assistant attorney general came right out and said that."
"Well, I wouldn't say it in public."”

Neal Stephenson book Zodiac

"Cohen," the assistant attorney general of an unnamed East Coast state meeting covertly with Sangamon Taylor near the Jersey Shore. Chapter 11
Zodiac (1988)

People

“Miss Rasmussen made a welded sculpture. Her statues were—as she would say, smiling—untouched by human hands; and they looked it. You could tell one from another, if you wanted to, but it was hard to want to. You felt, yawning: It’s ugly, but is it Art?
Miss Rasmussen also designed furniture, but people persisted in sitting down in her sculpture, and in asking “What is that named?” of her chairs. This showed how advanced her work was, and pleased her; yet when she laughed to show her pleasure, her laugh sounded thin and strained.”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 6: “Art Night”, p. 228

People, Pleasure, Smile, Art

“Men smell of leather. … The leather of huntsmen, furniture movers, porters.”

Renée Vivien (1877–1909) British poet who wrote in the French language

Quoted in Mercure de France, I-XII (1953), trans. Jeannette H. Foster (1977)

Men

“Reginald sat in a corner of the Princess's salon and tried to forgive the furniture, which started out with an obvious intention of being Louis Quinze, but relapsed at frequent intervals into Wilhelm II.”

Saki (1870–1916) British writer

"Reginald in Russia"
Reginald in Russia (1910)

Forgiveness, Princess

“Every day, the New York Times carries a motto in a box on its front page. "All the News That's Fit to Print," it says. It's been saying it for decades, day in and day out. I imagine most readers of the canonical sheet have long ceased to notice this bannered and flaunted symbol of its mental furniture. I myself check every day to make sure that the bright, smug, pompous, idiotic claim is still there. Then I check to make sure that it still irritates me. If I can still exclaim, under my breath, why do they insult me and what do they take me for and what the hell is it supposed to mean unless it's as obviously complacent and conceited and censorious as it seems to be, then at least I know I still have a pulse. You may wish to choose a more rigorous mental workout but I credit this daily infusion of annoyance with extending my lifespan.”

Christopher Hitchens (1949–2011) British American author and journalist

2000s, 2001, Letters to a Young Contrarian (2001)

Imagination, Hell, Time, Box

“Arthur had heard Peggy say that she didn’t wish for more comfortable furniture, because if the chairs were softer, company would be inclined to stay longer.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, The Crystal City (2003), Chapter 17 “Foundation” (p. 334).

“This is what has Gropius the director made the Bauhaus famous. Not its lamps or its furniture. They are all out of fashion already. But the way of approaching formal problems or material as such, that has made it famous. And the emphasis on material, especially its capacity is my contribution. That was never cleared between us teachers. Kandinsky did what he thought should be done. Klee developed an absolutely different method. Schlemmer developed absolutely something else. Klee was my so-called form master. In the workshops there they had a crafts master and a form master. The crafts master had to direct the practical work, the mechanics of the workshop. And the form master had to develop the, formal qualities. Klee was my form master in the glass workshop. He came to me and never criticized anything. He talked about something else. Never asked about any form problem with the windows I was working on. Never a word. He was too respectful. He was the nicest master I could ask for. He talked about exhibitions. He thought I should exhibit. That's another story. We had a good relationship because we never dealt with the same problems. He didn’t attack our problems. He never brought up a problem.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Way, Fashion, Problem, Teachers

“…Louis Fourteenth Street furniture…”

Addison Mizner (1872–1933) American architect

From his sketchbook

“We [Frida and Diego] moved from the house on Reforma [street] to Coyoacán, and that had an enormous influence on me. How we painted the house and the Mexican furniture, all that influenced my painting a lot. While still on Reforma, I painted a self-portrait [Self-portrait 'Time Flies', 1929] that is owned by Morillo Safa. Once in Coyoacán I began to make paintings with backgrounds and Mexican things in them. I painted the portraits of Hale's sister.... and the one of Diego, which I did not finish [this painting is lost and was never documented before]. Those three paintings, who knows where they are. Mirillo Safa has the third self-portrait [her Self-portrait of 1930], showing me bald and sitting in a cane chair.”

Frida Kahlo (1907–1954) Mexican painter

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 75

Sister, Time, Painting, Housing

“When any good attitude or concept or system worked well, we hung onto it. We preserved representative democracy, intended for a time when only a few could get to the capital to speak for the many. Modern finance was designed in the 17th century. Literacy as a test of intelligence came in the 15th century. The idea of progress is 19th century. And yet, all of those things are part of our mental furniture today, because when the answer to a question -- a solution to a problem -- suits us, we kind of institutionalize it, so that it won't change even when we do. The business of questioning, itself, has been institutionalized like that, in the kind of place that Jodrell Bank telescope belongs to: a university.”

James Burke (science historian) (1936) British broadcaster, science historian, author, and television producer

The Day the Universe Changed (1985), 1 - The Way We Are

Democracy, Intelligence, Idea, Question

“A loafer never works except when there's a fire; then he will carry out more furniture than anybody.”

E. W. Howe (1853–1937) Novelist, magazine and newspaper editor

Source: Ventures in Common Sense (1919), p171.

“I was arguing with Father Sebastian the other day,” she said thoughtfully. “I quoted the thing about giving all you have to the poor. He said that was all very well but you had to come to terms with the Scriptures and realize there had to be teachers and leaders for the people’s own good. It seemed an awful get-out to me, and I couldn’t help saying so. I told him if the Church would sell half her altar plate she could by shoes for everybody in the country, and a lot else besides; and that if the Pope would make a start in Rome I’d see about getting rid of a few job lots of furniture down in Corfe. I’m afraid he didn’t take very kindly to it. I know it was wrong of me but he annoys me sometimes; he’s so pious, and it seems to mean so very little. He’d walk miles in the snow to pray for a sick child, he’s a very good man; but if there was more money about to start with, maybe the child wouldn’t have been taken ill. It all seems so unnecessary….”

Keith Roberts book Pavane

Sixth measure “Corfe Gate” (p. 223)
Pavane (1968)

Money, People, Shoe, Quotes

“We now come to a third evil, namely, our very unsatisfactory, not to say ugly, furniture. It may be objected that it does not much matter what may be the exact curve of the legs of the chair a man sits upon, or of the table off which he eats his dinner, provided the said articles of furniture answer their respective uses; but, unfortunately, what we see continually before our eyes is likely, indeed is quite sure, to exercise a very great influence upon our taste, and therefore the question of beautiful versus ugly furniture does become a matter of very great importance. I might easily enlarge upon the enormities, inconveniences, and extravagances of our modern upholsterers, but that has been so fully done in a recent number of the "Cornhill Magazine" that I may well dispense with the task.”

William Burges (1827–1881) English architect

Eastop & Gil commented that: Burges held strong views about furniture, and protested at the "enormities, inconveniences, and upholsterers." (1865: 69) He advocated the use of the medieval style, because "not only did its duty as furniture, but spoke and told a story" (1865: 71). Source: Art applied to industry: a series of lectures, 1865, p. 69: Partly cited in: Dinah Eastop, ‎Kathryn Gill (2012) Upholstery Conservation: Principles and Practice. http://books.google.com/books?id=2gf50OiP8lAC&pg=PA50 p. 47.

Beauty, Exercises, Question, Evil

“The streets of Paris, with their shops of old furniture, etchings, and works of art, are a veritable museum, far less tiring than official museums, and from which one imbibes just as much as one can.”

Auguste Rodin (1840–1917) French sculptor

Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 105

Art

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Life, People, Food, Home

“The atelier was under the roof. Inhabiting this space was forbidden due to fire code restrictions, but staying and working there was allowed. We therefore had to avoid the impression that these were our living quarters. The most necessary furniture had to disappear into the attic during the day. And so the place was decorated purely with curtains. A curtain hung in front of the entrance door, a second one in front of the oven heating.... an adjoining room was hidden by a curtain with abstractedly patterned batik.”

Karl Schmidt-Rottluff (1884–1976) German artist

In addition to defying societal standards, die Brücke artists defied housing laws: the ateliers in Dresden that they worked and lived in were forbidden to be used as homes
Source: Brücke und Berlin: 100 Jahre Expressionismus, Anita Beloubek-Hammer, ed.; Berlin: Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 312 (https://www.researchgate.net/publication/272168564 translation, Claire Louise Albiez]