Quotes about furniture

A collection of quotes on the topic of furniture, likeness, other, people.

Quotes about furniture

P.T. Barnum photo

“Dr. Franklin says "it is the eyes of others and not our own eyes which ruin us. If all the world were blind except myself I should not care for fine clothes or furniture.”

P.T. Barnum (1810–1891) American showman and businessman

Source: The Art of Money Getting; Or, Golden Rules for Making Money

H.P. Lovecraft photo
Douglas Adams photo
Arthur Conan Doyle photo
Terry Pratchett photo

“If we do not understand furniture we cannot understand the city”

Constantinos Apostolou Doxiadis (1914–1975) Greek architect

Source: Building Entopia - 1975, Chapter 6, The furniture, p. 70

Kurt Vonnegut photo
Edward Bernays photo
Bertrand Russell photo
William Shakespeare photo

“I gyve unto my wief my second best bed with the furniture”

William Shakespeare (1564–1616) English playwright and poet

Shakespeare's will

Bill Bailey photo

“I tried to like it. For me, it was like being smacked around the head by a piece of IKEA furniture: it hurts, but you've got to admire the workmanship.”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Remarkable Guide to the Orchestra (2008)

Julian Huxley photo

“Many people assert that this abandonment of the god hypothesis means the abandonment of all religion and all moral sanctions. This is simply not true. But it does mean, once our relief at jettisoning an outdated piece of ideological furniture is over, that we must construct some thing to take its place.”

Julian Huxley (1887–1975) English biologist, philosopher, author

The New Divinity (1964)
Context: God is a hypothesis constructed by man to help him understand what existence is all about.... To say that God is ultimate reality is just semantic cheating, as well as being so vague as to become effectively meaningless... Today the god hypothesis has ceased to be scientifically tenable, has lost its explanatory value and is becoming an intellectual and moral burden to our thought. It no longer convinces or comforts, and its abandonment often brings a deep sense of relief. Many people assert that this abandonment of the god hypothesis means the abandonment of all religion and all moral sanctions. This is simply not true. But it does mean, once our relief at jettisoning an outdated piece of ideological furniture is over, that we must construct some thing to take its place.

Scott Adams photo
Mary Karr photo
Rick Riordan photo
Alyson Nöel photo
Steven Wright photo
Christopher Moore photo

“No one knows why, but second only to eating the brains of the living, the dead love affordable prefab furniture.”

Christopher Moore (1957) American writer of comic fantasy

Source: The Stupidest Angel: A Heartwarming Tale of Christmas Terror

Anne Sexton photo

“Out of used furniture she made a tree.”

Anne Sexton (1928–1974) poet from the United States

Source: The Complete Poems

Rick Riordan photo
Chuck Palahniuk photo
Kelley Armstrong photo
Jane Austen photo
Dave Barry photo

“The only really good place to buy lumber is at a store where the lumber has already been cut and attached together in the form of furniture, finished, and put inside boxes.”

Dave Barry (1947) American writer

The Taming of the Screw (1983)
Source: The Taming of the Screw: How to Sidestep Several Million Homeowner's Problems

Albert Einstein photo

“If most of us are ashamed of shabby clothes and shoddy furniture, let us be more ashamed of shabby ideas and shoddy philosophies”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Attributed to Einstein in Treasury of the Christian Faith https://books.google.com/books?id=Ll4wAAAAYAAJ&q=%22shabby+clothes%22+%22shoddy+furniture%22&dq=%22shabby+clothes%22+%22shoddy+furniture%22&hl=en&sa=X&ved=0ahUKEwiS04TynqDLAhUO8GMKHUYICMkQ6AEINTAA (1949), and subsequently repeated in other books. No original source where Einstein supposedly said this has been located, and it is absent from authoritative sources such as Calaprice, The Ultimate Quotable Einstein.
Disputed

F. Scott Fitzgerald photo
Anne Lamott photo

“If there is one door in the castle you have been told not to go through, you must. Otherwise, you'll just be rearranging furniture in rooms you've already been in.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist

Source: Bird by Bird: Some Instructions on Writing and Life

Sydney Smith photo

“No furniture so charming as books.”

Sydney Smith (1771–1845) English writer and clergyman

Vol. I, ch. 9
Lady Holland's Memoir (1855)
Source: A memoir of the Rev. Sydney Smith

Raymond Carver photo

“But I can hardly sit still. I keep fidgeting, crossing one leg and then the other. I feel like I could throw off sparks, or break a window--maybe rearrange all the furniture.”

Raymond Carver (1938–1988) American short story author and poet

Source: Where I'm Calling From: New and Selected Stories

Steve Wozniak photo

“The trouble with Michael is that he had to buy all his furniture”

Michael Jopling (1930) British politician

About Michael Heseltine, according to Alan Clark in his diaries. Clark called it "snobby but cutting".
Alan Clark Diaries: In Power 1983-1992 (Wednesday 17 June 1987) 1993 Weidenfield & Nicholson

Raymond Poincaré photo
Teresa Kok photo

“Previously, we only made products such as baskets or satay skewers using bamboo. Now, we need to produce higher value products such as furniture, laminated boards, construction materials and innovative novelty products.”

Teresa Kok (1964) Malaysian politician

Teresa Kok (2018) cited in " Bamboo industry must transform, modernise to grow: Kok http://www.thesundaily.my/news/2018/09/18/bamboo-industry-must-transform-modernise-grow-kok" on The Sun Daily, 18 September 2018

Matthew Arnold photo
Beck photo
Colm Tóibín photo

“Given the way these mutants treat women in their societies, the women are probably better off in U. S. custody. They treat women like furniture in those countries. If I was a woman, I think I’d rather be in an American jail cell than I would be living with one of those-whatever they are over there.”

Jack Cafferty (1942) American journalist

On the subject of terrorist demands for the release of two female scientists from an Iraqi prison, September 23, 2004.
[American Arab Anti-Discrimination Committee, Jack Cafferty In His Own Words, 18 November 2004, http://www.adc.org/index.php?id=2386]
2004

Antoni Tàpies photo
Yoshida Kenkō photo
Peter Greenaway photo
Henry Adams photo
Giorgio Morandi photo

“Perhaps I will have photographs taken of the still life with the round table and of the other with oranges and the [piece of] furniture behind.”

Giorgio Morandi (1890–1964) Italian painter

in his letter to the Bolognese writer Raimondi of September 11, 1919; as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 102
Morandi was referring to some still life paintings he recently made, and he pressed Raimondi to lend him the monograph of Cézanne (written by Vollard and published in 1914).
1925 - 1945

“The saws are sawing wood, But wood is also sawing the saws…The wood sawn into boards is fashioned into furniture. Saws just break and are discarded.”

Liu Shahe (1931–2019) Chinese writer and poet

Encarta http://encarta.msn.com/quote_561556246/Consequences_The_saws_are_sawing_wood_But_wood_is_also.html

Oliver Wendell Holmes photo

“Science is a first-rate piece of furniture for a man's upper chamber, if he has common sense on the ground-floor.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Source: The Poet at the Breakfast Table (1872), p. 120 The Writings of Oliver Wendell Holmes, Vol. 3 (1892)

Lee Kuan Yew photo
William Burges photo

“The great feature of our medieval chamber is the furniture; this, in a rich apartment, would be covered with paintings, both ornaments and subjects; it not only did its duty as furniture, but spoke and told a story.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 71; Partly cited in: Export of objects of cultural interest 2010/11: 1 May 2010 - 30 April 2011. Stationery Office, 13 dec. 2011

Will Cuppy photo

“As you may be aware, Louis XIV built Versailles, a large, drafty place full of Louis Quatorze furniture and Madame de Montespan.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part IV: A Few Greats, Louis XIV

Wallace Stevens photo

“How full of trifles everything is! It is only one’s thoughts that fill a room with something more than furniture.”

Wallace Stevens (1879–1955) American poet

Letter to his future wife Elsie Moll Kachel (16 May 1907); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 9

Ann Coulter photo
Aldous Huxley photo
Laurell K. Hamilton photo
William Burges photo
S. I. Hayakawa photo
Oliver Wendell Holmes photo

“I don't want to have the territory of a man's mind fenced in. I don't want to shut out the mystery of the stars and the awful hollow that holds them. We have done with those hypaethral temples, that were open above to the heavens, but we can have attics and skylights to them. Minds with skylights…
One-story intellects, two-story intellects, three-story intellects, with skylights. All fact-collectors, who have no aim beyond their facts, are one-story men. Two-story men compare, reason, generalize, using the labors of the fact-collectors as well as their own. Three-story men idealize, imagine, predict; their best illumination comes from above, through the skylight. There are minds with large ground floors, that can store an infinite amount of knowledge; some librarians, for instance, who know enough of books to help other people, without being able to make much other use of their knowledge, have intellects of this class. Your great working lawyer has two spacious stories; his mind is clear, because his mental floors are large, and he has room to arrange his thoughts so that he can get at them,—facts below, principles above, and all in ordered series; poets are often narrow below, incapable of clear statement, and with small power of consecutive reasoning, but full of light, if sometimes rather bare of furniture in the attics.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Poet at the Breakfast Table (1872)

Craig Ferguson photo

“Don't do that… By the way, this is not Oprah furniture; you jump on this, and it will be firewood… Oprah's got the real thing, this stuff…this is about as real as that [points to cityscape backdrop] right there.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

On Clive Barker pretending to be Tom Cruise.
The Late Late Show with Craig Ferguson (2005–2014)

Arthur C. Clarke photo
El Lissitsky photo
John Varley photo

“Buildings were just the world's furniture, and he didn't care how it was arranged.”

"The Pusher", The Magazine of Fantasy & Science Fiction (October 1981), reprinted in The John Varley Reader (2005)

Harold Macmillan photo

“The sale of assets is common with individuals and states when they run into financial difficulties. First, all the Georgian silver goes, and then all that nice furniture that used to be in the saloon. Then the Canalettos go.”

Harold Macmillan (1894–1986) British politician

"Stockton attacks Thatcher policies", The Times, 9 November 1985, p. 1.
Speech to the Tory Reform Group, 8 November 1985. Often quoted as "selling off the family silver".
1980s

Fran Lebowitz photo
Alain de Botton photo

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 212.

George Lippard photo
William Burges photo

“Allowing, therefore, the great usefulness of the Government Schools, the Exhibitions, and the Museums both public and private, the question now arises as to what are the impediments to our future progress. The principal ones appear to me to be three.
# A want of a distinctive architecture, which is fatal to art generally.
# The want of a good costume, which is fatal to colour; and
# The want of a sufficient teaching of the figure, which is fatal to art in detail.
It will perhaps be as well to take these one by one.
The most fatal impediment of the three is undeniably the want of a distinctive architecture in the nineteenth century. Architecture is commonly called the mother of all the other arts, and these latter are all more or less affected by it in their details. In almost every age of the world except our own only one style of architecture has been in use, and consequently only one set of details. The designer had accordingly to master, 1. the figure, and the great principles of ornament; 2. those details of the architecture then practised which were necessary to his trade; and 3. the technical processes. Now what is the case in the present day? If we take a walk in the streets of London we may see at least half-a-dozen sorts of architecture, all with different details; and if we go to a museum we shall find specimens of the furniture, jewellery, &c., of these said different styles all beautifully classed and labelled. The student, instead of confining himself to one style as in former times, is expected to be master of all these said half-dozen, which is just as reasonable as asking him to write half-a-dozen poems in half-a-dozen languages, carefully preserving the idiomatic peculiarities of each. This we all know to be an impossibility, and the end is that our student, instead of thoroughly applying the principles of ornament to one style, is so bewildered by having the half-dozen on his hands, that he ends by knowing none of them as he ought to do. This is the case in almost every trade; and until the question of style gets gets settled, it is utterly hopeless to think about any great improvement in modern art.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 8-9; Partly cited in: Journal of the Royal Society of Arts. Vol. 99. 1951. p. 520

Wendy Brown photo
Robin Williams photo
Emily Dickinson photo
Honoré de Balzac photo

“The wife is a piece of property, acquired by contract; she is part of your furniture, for possession is nine-tenths of the law; in fact, the woman is not, to speak correctly, anything but an adjunct to the man; therefore abridge, cut, file this article as you choose; she is in every sense yours.”

La femme est une propriété que l'on acquiert par contrat, elle est mobilière, car la possession vaut titre; enfin, la femme n'est, à proprement parler, qu'une annexe de l'homme; or, tranchez, coupez, rognez, elle vous appartient à tous les titres.
Part II, Meditation Number XII: The Hygiene of Marriage.
Physiology of Marriage (1829)

Octavio Paz photo
Alan Clark photo

“The trouble with Michael [Heseltine] is that he had to buy his own furniture”

Alan Clark (1928–1999) British politician

Attributed by Clark in his diaries to Michael Jopling. The full quote is "An arriviste, certainly, who can't shoot straight and in Jopling's damning phrase 'bought all his own furniture', but who at any rate seeks the cachet. All the nouves in the party think he is the real thing." https://www.theguardian.com/media/2003/aug/07/bbc.politicsandthemedia
Misattributed

Sinclair Lewis photo
Hugh Laurie photo
Christiaan Huygens photo
C. Wright Mills photo

“Competition has been curtailed by larger corporations; it has been sabotaged by groups of smaller entrepreneurs acting collectively. Both groups have made clear the locus of liberalism's rhetoric of small business and family farm.The character and ideology of the small entrepreneur and the facts of the market are selling the idea of competition short. These liberal heroes, the small businessmen and the farmer, do not want to develop their characters by free and open competition; they do not believe in competition, and they have been doing their best to get away from it.When the small businessmen are asked whether they think free competition is…a good thing, they answer…, 'Yes, of course—what do you mean?' … Finally: 'How about here in this town in furniture?'—or groceries, or whatever the man's line is. Their answers are of two sorts: 'Yes, if it's fair competition,' which turns out to mean: 'if it doesn't make me compete.' … The small businessman, as well as the farmer, wants to become big, not directly by eating up others like himself in competition, but by the indirect ways means practiced by his own particular heroes—those already big. In the dream life of the small entrepreneur, the sure fix is replacing the open market.But if small men wish to close their ranks, why do they continue to talk…about free competition? The answer is that the political function of free competition is what really matters now…[f]or, if there is free competition and a constant coming and going of enterprises, the one who remains established is 'the better man' and 'deserves to be where he is.' But if instead of such competition, there is a rigid line between successful entrepreneurs and the employee community, the man on top may be 'coasting on what his father did,' and not really be worthy of his hard-won position. Nobody talks more of free enterprise and competition and of the best man winning than the man who inherited his father's store or farm. …… In Congress small-business committees clamored for legislation to save the weak backbone of the national economy. Their legislative efforts have been directed against their more efficient competitors. First they tried to kill off the low-priced chain stores by taxation; then they tried to eliminate the alleged buying advantages of mass distributor; finally they tried to freeze the profits of all distributors in order to protect their own profits from those who could and were selling goods cheaper to the consumer.The independent retailer…has been pushing to maintain a given margin under the guise of 'fair competition' and 'fair-trade' laws. He now regularly demands that the number of outlets controlled by chain stores be drastically limited and that production be divorced from distribution. This would, of course, kill the low prices charged consumers by the A&P;, which makes very small retail profits, selling almost at cost, and whose real profits come from the manufacturing and packaging.…Under the threat of 'ruinous competition,' laws are on the books of many states and cities legalizing the ruin of competition.”

Section One: The Competitive Way of Life.
White Collar: The American Middle Classes (1951)

Neal Stephenson photo

“"It might interest you to know that our state is tired of being used as a chemical toilet so that people in Utah can have plastic lawn furniture."
"I can't believe an assistant attorney general came right out and said that."
"Well, I wouldn't say it in public."”

"Cohen," the assistant attorney general of an unnamed East Coast state meeting covertly with Sangamon Taylor near the Jersey Shore. Chapter 11
Zodiac (1988)

Renée Vivien photo

“Men smell of leather. … The leather of huntsmen, furniture movers, porters.”

Renée Vivien (1877–1909) British poet who wrote in the French language

Quoted in Mercure de France, I-XII (1953), trans. Jeannette H. Foster (1977)

Saki photo
Christopher Hitchens photo
Orson Scott Card photo

“Arthur had heard Peggy say that she didn’t wish for more comfortable furniture, because if the chairs were softer, company would be inclined to stay longer.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, The Crystal City (2003), Chapter 17 “Foundation” (p. 334).

Addison Mizner photo

“…Louis Fourteenth Street furniture…”

Addison Mizner (1872–1933) American architect

From his sketchbook

Frida Kahlo photo
James Burke (science historian) photo
E. W. Howe photo

“A loafer never works except when there's a fire; then he will carry out more furniture than anybody.”

E. W. Howe (1853–1937) Novelist, magazine and newspaper editor

Source: Ventures in Common Sense (1919), p171.

William Burges photo

“We now come to a third evil, namely, our very unsatisfactory, not to say ugly, furniture. It may be objected that it does not much matter what may be the exact curve of the legs of the chair a man sits upon, or of the table off which he eats his dinner, provided the said articles of furniture answer their respective uses; but, unfortunately, what we see continually before our eyes is likely, indeed is quite sure, to exercise a very great influence upon our taste, and therefore the question of beautiful versus ugly furniture does become a matter of very great importance. I might easily enlarge upon the enormities, inconveniences, and extravagances of our modern upholsterers, but that has been so fully done in a recent number of the "Cornhill Magazine" that I may well dispense with the task.”

William Burges (1827–1881) English architect

Eastop & Gil commented that:
Burges held strong views about furniture, and protested at the "enormities, inconveniences, and upholsterers." (1865: 69) He advocated the use of the medieval style, because "not only did its duty as furniture, but spoke and told a story" (1865: 71).
Source: Art applied to industry: a series of lectures, 1865, p. 69: Partly cited in: Dinah Eastop, ‎Kathryn Gill (2012) Upholstery Conservation: Principles and Practice. http://books.google.com/books?id=2gf50OiP8lAC&pg=PA50 p. 47.

Auguste Rodin photo

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Karl Schmidt-Rottluff photo

“The atelier was under the roof. Inhabiting this space was forbidden due to fire code restrictions, but staying and working there was allowed. We therefore had to avoid the impression that these were our living quarters. The most necessary furniture had to disappear into the attic during the day. And so the place was decorated purely with curtains. A curtain hung in front of the entrance door, a second one in front of the oven heating.... an adjoining room was hidden by a curtain with abstractedly patterned batik.”

Karl Schmidt-Rottluff (1884–1976) German artist

In addition to defying societal standards, die Brücke artists defied housing laws: the ateliers in Dresden that they worked and lived in were forbidden to be used as homes
Source: Brücke und Berlin: 100 Jahre Expressionismus, Anita Beloubek-Hammer, ed.; Berlin: Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 312 (https://www.researchgate.net/publication/272168564 translation, Claire Louise Albiez]

John Dos Passos photo
John Bright photo

“If a man have three or four children, he has just three or four times as much interest in having the Corn Laws abolished as the man who has none. Your children will grow up to be men and women. It may be that your heads will be laid in the grave before they come to manhood or womanhood; but they will grow up, and want employment at honest trades—want houses and furniture, food and clothing, and all the necessaries and comforts of life. They will be honest and industrious as yourselves. But the difficulties which surround you will be increased tenfold by the time they have arrived at your age. Trade will then have become still more crippled; the supply of food still more diminished; the taxation of the country still further increased. The great lords, and some other people, will have become still more powerful, unless the freemen and electors of Durham and of other places stand to their guns, and resolve that, whatever may come of Queen, or Lords, or Commons, or Church, or anybody—great and powerful, and noble though they be—the working classes will stand by the working classes; and will no longer lay themselves down in the dust to be trampled upon by the iron heel of monopoly, and have their very lives squeezed out of them by evils such as I have described.”

John Bright (1811–1889) British Radical and Liberal statesman

Speech during the general election of 1843, quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), pp. 113-114.
1840s

Nélson Rodrigues photo

“The bed is a metaphysical piece of furniture.”

Nélson Rodrigues (1912–1980) Brazilian writer and playwright

Memórias - Página 73, de Nelson Rodrigues - Publicado por Edições Correio de Manhã, 1967

“You never realize how tacky your furniture is till you try to give it to the Salvation Army and they won't take it.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified