Quotes about flower
page 2
“There are flowers everywhere for those who want to see them”
1940s, Jazz (1947)
A Fairly Honourable Defeat (1970); 2001, p. 170.
“The thought that I might kill myself formed in my mind coolly as a tree or a flower.”
“Stretching his hand up to reach the stars, too often man forgets the flowers at his feet.”
“Moments like this are buds on the tree of life. Flowers of darkness they are.”
Source: Mrs. Dalloway
Une jeune fille est comme une fleur qu'on a cueillie; mais la femme coupable est une fleur sur laquelle on a marché.
Honorine http://fr.wikisource.org/wiki/Honorine (1845), translated by Clara Bell
“No path of flowers leads to glory.”
Book X, fable 14; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Fables (1668–1679)
Do mamy lecim do mamy! Cóż to, mamo nie znasz Józia? Ja to Józio ja ten samy. A to moja siostra Rózia. My teraz w raju latamy, Tam nam lepiej niż u mamy. Patrz jakie główki w promieniu, Ubiór z jutrzenki światełka, A na oboim ramieniu Jak u motylków skrzydełka, w raju wszystkiego dostatek, Co dzień to inna zabawka, gdzie stąpim wypływa trawka, gdzie dotkniem rozkwita kwiatek. Lecz choć wszystkiego dostatek dręczy nad nuda i trwoga. Ach mamo dla twoich dziatek zamknięta do nieba droga!
Part two.
Dziady (Forefathers' Eve) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_fore.htm
183e, M. Joyce, trans, Collected Dialogues of Plato (1961), p. 537
The Symposium
“One who is blind throws away even a garland of flower placed on his head, thinking it is a snake.”
Abhijñānaśākuntalam (The Sign of Shakuntala)
" Fragmentary Blue http://www.ketzle.com/frost/fragblue.htm", st. 1 (1923)
1920s
Source: Robert C. Morgan (2002). Bruce Nauman, p. 281
“I hate flowers — I paint them because they're cheaper than models and they don't move!”
quote in Portrait of an Artist: A Biography of Georgia O'Keeffe, Laurie Lisle, Viking Press, New York, 1981, p. 180
1980s
" VIII. ON "LET A HUNDRED FLOWERS BLOSSOM LET A HUNDRED SCHOOLS OF THOUGHT CONTEND" AND "LONG-TERM COEXISTENCE AND MUTUAL SUPERVISION" "
On the Correct Handling of Contradictions Among the People
Original: (zh-CN) 马克思主义者不应该害怕任何人批评。相反,马克思主义者就是要在人们的批评中间,就是要在斗争的风雨中间,锻炼自己,发展自己,扩大自己的阵地。同错误思想作斗争,好比种牛痘,经过了牛痘疫苗的作用,人身上就增强免疫力。在温室里培养出来的东西,不会有强大的生命力。实行百花齐放、百家争鸣的方针,并不会削弱马克思主义在思想界的领导地位,相反地正是会加强它的这种地位。
On Truth and Lie in an Extra-Moral Sense (1873)
Mais, quand d’un passé ancien rien ne subsiste, après la mort des êtres, après la destruction des choses, seules, plus frêles mais plus vivaces, plus immatérielles, plus persistantes, plus fidèles, l’odeur et la saveur restent encore longtemps, comme des âmes, à se rappeler, à attendre, à espérer, sur la ruine de tout le reste, à porter sans fléchir, sur leur gouttelette presque impalpable, l’édifice immense du souvenir.<p>Et dès que j’eus reconnu le goût du morceau de madeleine trempé dans le tilleul que me donnait ma tante (quoique je ne susse pas encore et dusse remettre à bien plus tard de découvrir pourquoi ce souvenir me rendait si heureux), aussitôt la vieille maison grise sur la rue, où était sa chambre, vint comme un décor de théâtre.
"Overture"
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)
Source: The Spiritual Life (1947), p. 256
Quote in a letter from Pourville c. 1882, to his art-dealer Durand-Ruel; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 50
1870 - 1890
"Corona" In: Paul Celan, Pierre Joris (2005). Paul Celan: Selections. p. 44
“Literaturaliae”, from Theme of My Biography (2000)
“The curious crime, the fine
Felicity and flower of wickedness.”
Book X: The Pope, line 590.
The Ring and the Book (1868-69)
“You are a cosmic flower. Om chanting is the process of opening the psychic petals of that flower.”
OM Chanting and Meditation (2010) http://books.google.co.uk/books/about/OM_Chanting_and_Meditation.html?id=3KKjPoFmf4YC,
Éstas que fueron pompa y alegría
despertando al albor de la mañana,
a la tarde serán lástima vana
durmiendo en brazos de la noche fría.
A las flores ("Éstas, que fueron pompa y alegría") http://es.wikisource.org/wiki/A_las_flores_%28Calder%C3%B3n_de_la_Barca%29.
Lecture, "Seemliness" (Glasgow, 1902), as cited in: David Brett, C. R. Mackintosh: The Poetics of Workmanship, (2004), p. 56
Boisgeloup, winter 1934
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008
Quotes, 1930's, "Conversations avec Picasso," 1934–35
“To stagnate in the sun, goldenly, like an obscure lake surrounded by flowers.”
On a strictly intellectual life.
A Factless Autobiography, Richard Zenith Edition, Lisbon, 2006, p. 70
The Book of Disquiet
Original: Estagnar ao sol, douradamente, como um lago obscuro rodeado de flores.
Hitherto it has grown out of the secure, non-struggling life of the aristocrat. In future it may be expected to grow out of the secure and not-so-struggling life of whatever citizens are personally able to develop it. There need be no attempt to drag culture down to the level of crude minds. That, indeed, would be something to fight tooth and nail! With economic opportunities artificially regulated, we may well let other interests follow a natural course. Inherent differences in people and in tastes will create different social-cultural classes as in the past—although the relation of these classes to the holding of material resources will be less fixed than in the capitalistic age now closing. All this, of course, is directly contrary to Belknap's rampant Stalinism—but I'm telling you I'm no bolshevik! I am for the preservation of all values worth preserving—and for the maintenance of complete cultural continuity with the Western-European mainstream. Don't fancy that the dethronement of certain purely economic concepts means an abrupt break in that stream. Rather does it mean a return to art impulses typically aristocratic (that is, disinterested, leisurely, non-ulterior) rather than bourgeois.
Letter to Clark Ashton Smith (28 October 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 60-64
Non-Fiction, Letters
"In a Gondola", line 49 (1842).
Source: Striking Thoughts (2000), p. 11
“All the mysteries of consciousness flower in the body.”
The Art of Poetry - interview 1995 with Downing & Kunitz
The Gift of Living With the Not Gifted http://www.wsj.com/articles/the-gift-of-living-with-the-not-gifted-1428103079 Wall Street Journal, April 3, 2015
From interviews and talks
Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919). This song was written and composed by Linley for Mr. Augustus Braham, and sung by him. It is not known when it was written,—probably about 1830. Another song, entitled "Though lost to Sight, to Memory dear," was published in London in 1880, purporting to have been written by Ruthven Jenkyns in 1703 and published in the "Magazine for Mariners". That magazine, however, never existed, and the composer of the music acknowledged, in a private letter, that he copied the words from an American newspaper. The reputed author, Ruthven Jenkyns, was living, under another name, in California in 1882.
On the need of good looks for success in industry https://timesofindia.indiatimes.com/tv/news/hindi/My-boyfriend-doesnt-enjoy-watching-my-romantic-scenes-Sukirti-Kandpal/articleshow/20330247.cms/
<span class="plainlinks"> Children http://www.occupypoetry.net/children_1/</span>
From Poetry
The Telling of Me, by Me (1981)
Quote from Friedrich's Diary-note, 1803; as cited by C. D. Eberlein in C. D. Friedrich - Bekenntnisse, pp. 72-73; translated and quoted by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 45
1794 - 1840
<span class="plainlinks"> Children http://www.occupypoetry.net/children_1/</span>
From Poetry
“Whatever is truly alive must die. Look at the flowers; only plastic flowers never die.”
Flow
One Minute Wisdom (1989)
“To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.”
Intimations of Immortality Stanza 11.
Bartlett's Familiar Quotations, 10th ed. (1919)
Everything must be doubted
Marx's replies to a set of questions given to him by his daughters Jenny and Laura in 1865 http://www.marxists.org/archive/marx/works/1865/04/01.htm
“Yes, Heaven is thine; but this
Is a world of sweets and sours;
Our flowers are merely—flowers.”
"Israfel", st. 7 (1831).
Laus Veneris.
Undated
As quoted in "The Meditations of Al-Maʿarri", Studies in Islamic Poetry (1921) by R. A. Nicholson, Verse 197, pp. 134–135
Glimpses of Bengal http://www.spiritualbee.com/tagore-book-of-letters/ (1921)
<p>Sou um guardador de rebanhos.
O rebanho é os meus pensamentos
E os meus pensamentos são todos sensações.
Penso com os olhos e com os ouvidos
E com as mãos e os pés
E com o nariz e a boca.
Pensar uma flor é vê-la e cheirá-la
E comer um fruto é saber-lhe o sentido.</p><p>Por isso quando num dia de calor
Me sinto triste de gozá-lo tanto,
E me deito ao comprido na erva,
E fecho os olhos quentes,
Sinto todo o meu corpo deitado na realidade,
Sei a verdade e sou feliz.</p>
Alberto Caeiro (heteronym), O Guardador de Rebanhos ("The Keeper of Sheep"), IX — in A Little Larger Than the Entire Universe, trans. Richard Zenith (Penguin, 2006)
"At an Old Palace" (《行宫》), in Gems of Chinese Literature, trans. Herbert A. Giles
Variant translations:
Deserted now imperial bowers.
For whom still redden palace flowers?
Some white-haired chambermaids at leisure
Talk of the late emperor's pleasure.
"At an Old Palace", in Song of the Immortals: An Anthology of Classical Chinese Poetry, trans. Yuanchong Xu (Beijing: New World Press, 1994), p. 128
The ancient Palace lies in desolation spread.
The very garden flowers in solitude grow red.
Only some withered dames with whitened hair remain,
Who sit there idly talking of mystic monarchs dead.
"The Ancient Palace", as translated by W. J. B. Fletcher in Lotus and Chrysanthemum: An Anthology of Chinese and Japanese Poetry (New York: Boni & Liveright, 1934), p. 107
“Cornelia. What flowers are these?
Gazetta. The pansy this.
Cor. Oh, that's for lover's thoughts.”
Act II, scene i.
All Fools (1605)
(14th October 1826) Changes
The London Literary Gazette, 1826
in a letter to Frédéric Bazille; as cited in: Edward B. Henning, Cleveland Museum of Art. Creativity in art and science, 1860-1960. (1987), p. 95
1850 - 1870
“The being filled with wonder is lovely, like a flower.”
Lucretius, p. 163
Dialogue de l'arbre (1943)
Du bist wie eine Blume,
So hold und schön und rein;
Ich schau dich an, und Wehmut
Schleicht mir ins Herz hinein.
Du Bist Wie eine Blume, st. 1
Fly not yet.
Bartlett's Familiar Quotations, 10th ed. (1919)
“He who does not love a flower, has lost all love and fear of God.”
Wer keine Blume mehr liebt, dem ist alle Liebe und Gottesfurcht verloren.
"Der Runenberg", from Phantasus (1812-16) http://ftp4.de.freesbie.org/pub/misc/gutenberg-de/1996/gutenb/tieck/runenbrg/runbrg3.htm; translation from Thomas Carlyle German Romance: Specimens of its Chief Authors, (London: Tait, 1827), vol. 2, p. 107.
1870s, Speech before the Pole-Bearers Association (1875)
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
“The tantra masters are simply wild flowers, they have everything in them.”
Tantra: the Supreme Understanding (1984)
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
“Nothing in the whole world is of interest to me but my painting and my flowers.”
his remark, shortly after the death of his second wife Alice in 1911; as quoted in: K.E. Sullivan Monet: Discovering Art, Brockhampton press, London (2004), p. 76
1900 - 1920