Quotes about fit
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Fulton J. Sheen photo
Stephen Colbert photo
Patrick Rothfuss photo
Walter Isaacson photo
Janet Evanovich photo
Helen Keller photo
George Bernard Shaw photo
Haruki Murakami photo
David Levithan photo
Meg Cabot photo
Lillian Hellman photo

“I cannot and will not cut my conscience to fit this year’s fashions”

Lillian Hellman (1905–1984) American dramatist and screenwriter

Letter to the House Committee on Un-American Activities http://historymatters.gmu.edu/d/6454 (HUAC) of the US House of Representatives (19 May 1952)
Context: I am ready and willing to testify before the representatives of our Government as to my own opinions and my own actions, regardless of any risks or consequences to myself.
But I am advised by counsel that if I answer the committee’s questions about myself, I must also answer questions about other people and that if I refuse to do so, I can be cited for contempt. My counsel tells me that if I answer questions about myself, I will have waived my rights under the fifth amendment and could be forced legally to answer questions about others. This is very difficult for a layman to understand. But there is one principle that I do understand: I am not willing, now or in the future, to bring bad trouble to people who, in my past association with them, were completely innocent of any talk or any action that was disloyal or subversive. I do not like subversion or disloyalty in any form and if I had ever seen any I would have considered it my duty to have reported it to the proper authorities. But to hurt innocent people whom I knew many years ago in order to save myself is, to me, inhuman and indecent and dishonorable. I cannot and will not cut my conscience to fit this year’s fashions, even though I long ago came to the conclusion that I was not a political person and could have no comfortable place in any political group.

Robert Greene photo
Anthony Trollope photo
Noam Chomsky photo

“The new crimes that the US and Israel were committing in Gaza as 2009 opened do not fit easily into any standard category—except for the category of familiarity.”

Noam Chomsky (1928) american linguist, philosopher and activist

Source: Gaza in Crisis: Reflections on Israel's War Against the Palestinians

Jonathan Stroud photo
Cassandra Clare photo
D.H. Lawrence photo
Ray Bradbury photo

“Men throw huge shadows on the lawn, don't they? Then, all their lives, they try to run to fit the shadows. But the shadows are always longer.”

Ray Bradbury (1920–2012) American writer

Source: I Sing the Body Electric! & Other Stories

Richelle Mead photo

“He stepped forward, took a deep breath, and doubled over in a sneezing fit. My werewolf was allergic to tortoises. Why me?”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Burns

Richard Siken photo
Martin Luther King, Jr. photo

“I submit to you that if a man has not discovered something that he will die for, he isn't fit to live.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Cobo Center speech (1963)

Emily Dickinson photo
James Patterson photo

“There's nothing more annoying than cold logic and reason when you've got a good fit going.”

James Patterson (1947) American author

Source: The Angel Experiment

Brandon Sanderson photo
Elizabeth Gilbert photo

“People think a soul mate is your perfect fit, and that's what everyone wants. But a true soul mate is a mirror, the person who shows you everything that is holding you back, the person who brings you to your own attention so you can change your life.”

Source: Eat, Pray, Love (2006)
Context: People think a soul mate is your perfect fit, and that's what everyone wants. But a true soul mate is a mirror, the person who shows you everything that is holding you back, the person who brings you to your own attention so you can change your life.
A true soul mate is probably the most important person you'll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then leave.
A soul mates purpose is to shake you up, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light can get in, make you so desperate and out of control that you have to transform your life, then introduce you to your spiritual master…

Janet Evanovich photo
Jodi Picoult photo

“Your hand fits mine like the last piece of a jigsaw puzzle”

Jodi Picoult (1966) Author

Source: Between the Lines

Jim Butcher photo
Jerry Seinfeld photo
Sarah Dessen photo
Jerry Spinelli photo

“Why fit in when you're born to stand out?”

Source: Stargirl

Charles Bukowski photo

“Everything you own must be able to fit inside one suitcase; then your mind might be free.”

Charles Bukowski (1920–1994) American writer

Source: Portions from a Wine-Stained Notebook: Uncollected Stories and Essays, 1944-1990

Mario Vargas Llosa photo
Jodi Picoult photo
George Carlin photo
Haruki Murakami photo
Sarah Dessen photo
Bette Davis photo
Homér photo

“Aries in his many fits knows no favorites.”

Source: The Odyssey

Brandon Sanderson photo

“It was amazing how many books one could fit into a room, assuming one didn't want to move around very much.”

Brandon Sanderson (1975) American fantasy writer

Source: The Well of Ascension

William Golding photo

“Language fits over experience like a straight jacket.”

William Golding (1911–1993) British novelist, poet, playwright and Nobel Prize for Literature laureate
Ayn Rand photo

“Rationalization is a process of not perceiving reality, but of attempting to make reality fit one’s emotions.”

Ayn Rand (1905–1982) Russian-American novelist and philosopher

Source: Philosophy: Who Needs It?

Garth Nix photo
Haruki Murakami photo
Stephen King photo
Holly Black photo
Nicholas Sparks photo
David Sedaris photo
Cassandra Clare photo
David Levithan photo
Dorothy Koomson photo

“It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed.”

Source: The Haunting of Hill House (1959)
Context: This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed.

“Getting a lecture on restraint from the woman who threw a hissy fit and blew up Babylon.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Bleeds

Jasper Fforde photo
Scott Lynch photo
Wendell Berry photo
Douglas Adams photo
Sophie Kinsella photo
Shane Claiborne photo
Jeanette Winterson photo

“This hole in my heart is in the shape of you. No one else can fit it. Why would I want them to?”

Jeanette Winterson (1959) English writer

Source: Written on the Body

Jean Cocteau photo
Kim Stanley Robinson photo
Albrecht Thaer photo

“Mathematics because of its nature and structure is peculiarly fitted for high school instruction [Gymnasiallehrfach]. Especially the higher mathematics, even if presented only in its elements, combines within itself all those qualities which are demanded of a secondary subject. It engages, it fructifies, it quickens, compels attention, is as circumspect as inventive, induces courage and self-confidence as well as modesty and submission to truth. It yields the essence and kernel of all things, is brief in form and overflows with its wealth of content. It discloses the depth and breadth of the law and spiritual element behind the surface of phenomena; it impels from point to point and carries within itself the incentive toward progress; it stimulates the artistic perception, good taste in judgment and execution, as well as the scientific comprehension of things. Mathematics, therefore, above all other subjects, makes the student lust after knowledge, fills him, as it were, with a longing to fathom the cause of things and to employ his own powers independently; it collects his mental forces and concentrates them on a single point and thus awakens the spirit of individual inquiry, self-confidence and the joy of doing; it fascinates because of the view-points which it offers and creates certainty and assurance, owing to the universal validity of its methods. Thus, both what he receives and what he himself contributes toward the proper conception and solution of a problem, combine to mature the student and to make him skillful, to lead him away from the surface of things and to exercise him in the perception of their essence. A student thus prepared thirsts after knowledge and is ready for the university and its sciences. Thus it appears, that higher mathematics is the best guide to philosophy and to the philosophic conception of the world (considered as a self-contained whole) and of one’s own being.”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 40.

Moshe Chaim Luzzatto photo
Thomas Browne photo

“WE MUST DESTROY ALL PASSÉIST CLOTHES, and everything about them which is tight-fitting, colourless, funereal, decadent, boring and unhygienic. As far as materials are concerned, we must abolish: wishywashy, pretty-pretty, gloomy, and neutral colours, along with patterns composed of lines, checks and spots.”

Giacomo Balla (1871–1958) Italian artist

(Manuscript, 1913); as quoted at dekorera.tumblr: Futurist manifesto of men's clothing http://dekorera.tumblr.com/post/3212646425/futurist-manifesto-of-mens-clothing-by-giacomo
Futurist Manifesto of Men's clothing,' 1913/1914

L. Frank Baum photo
Bon Scott photo

“It keeps you fit - the alcohol, nasty women, sweat on stage, bad food - it's all very good for you.”

Bon Scott (1946–1980) Rock musician

When asked about touring. From Circus, January 1979.

Frederick Winslow Taylor photo
Olaudah Equiano photo

“Such a tendency has the slave-trade to debauch men's minds, and harden them to every feeling of humanity! For I will not suppose that the dealers in slaves are born worse than other men—No; it is the fatality of this mistaken avarice, that it corrupts the milk of human kindness and turns it into gall. And, had the pursuits of those men been different, they might have been as generous, as tender-hearted and just, as they are unfeeling, rapacious and cruel. Surely this traffic cannot be good, which spreads like a pestilence, and taints what it touches! which violates that first natural right of mankind, equality and independency, and gives one man a dominion over his fellows which God could never intend! For it raises the owner to a state as far above man as it depresses the slave below it; and, with all the presumption of human pride, sets a distinction between them, immeasurable in extent, and endless in duration! Yet how mistaken is the avarice even of the planters? Are slaves more useful by being thus humbled to the condition of brutes, than they would be if suffered to enjoy the privileges of men? The freedom which diffuses health and prosperity throughout Britain answers you—No. When you make men slaves you deprive them of half their virtue, you set them in your own conduct an example of fraud, rapine, and cruelty, and compel them to live with you in a state of war; and yet you complain that they are not honest or faithful! You stupify them with stripes, and think it necessary to keep them in a state of ignorance; and yet you assert that they are incapable of learning; that their minds are such a barren soil or moor, that culture would be lost on them; and that they come from a climate, where nature, though prodigal of her bounties in a degree unknown to yourselves, has left man alone scant and unfinished, and incapable of enjoying the treasures she has poured out for him!—An assertion at once impious and absurd. Why do you use those instruments of torture? Are they fit to be applied by one rational being to another? And are ye not struck with shame and mortification, to see the partakers of your nature reduced so low? But, above all, are there no dangers attending this mode of treatment? Are you not hourly in dread of an insurrection? […] But by changing your conduct, and treating your slaves as men, every cause of fear would be banished. They would be faithful, honest, intelligent and vigorous; and peace, prosperity, and happiness, would attend you.”

Olaudah Equiano (1745–1797) African abolitionist

Chap. V
The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African (1789)

“The Latmian hunter rests in the summer shade, fit lover for a goddess, and soon the Moon comes with veiled horns.”
Latmius aestiva residet venator in umbra dignus amore deae, velatis cornibus et iam Luna venit.

Source: Argonautica, Book VIII, Lines 28–30

Walker Percy photo
Mark Knopfler photo
John Calvin photo
Elaine Paige photo

“Learn to take rejection, keep fit and work only with the best in your field.”

Elaine Paige (1948) English singer and actress

As quoted in "Portrait of the artist: Elaine Paige, actor" by Laura Barnett in The Guardian (22 May 2007)

Marie François Xavier Bichat photo

“One might almost say that the plant is the framework, the foundation of the animal, and that to form the animal it sufficed to cover this foundation with a system of organs fitted to establish relations consists forms with the world outside. It follows of the succession substance of the animal form two quite distinct classes. One class in a continual into its own assimilation molecules that the functions and of excretion; through these functions the animal incessantly transsurrounding bodies, later to reject these molecules when they have become heterogeneous to it. Through this first class of functions the animal exists only within itself; through the other class it exists outside; it is an inhabitant of the world, and not, like the plant, of the place which saw its birth. The animal feels and perceives its surroundings, reflects its sensations, moves of its own will under their influence, and, as a rule, can communicate by its voice its desires and its fears, its pleasures or its pains. I call organic life the sum of the functions of the former class, for all organised creatures, plants or animals, possess them to a more or less marked degree, and organised structure is the sole condition necessary to their exercise. The combined functions of the second class form the ' animal' life named because it is the exclusive attribute of the animal kingdom.”

Marie François Xavier Bichat (1771–1802) French anatomist and physiologist

Original: (fr) On dirait que le végétal est l'ébauche, le canevas de l'animal, et que, pour former ce dernier, il n'a fallu que revêtir ce canevas d'un appareil d'organes extérieurs, propres à établir des relations. Il résulte de là que les fonctions de l'animal forment deux classes très-distinctes. Les unes se composent d'une succession habituelle d'assimilation et d'excrétion ; par elles il transforme sans cesse en sa propre substance les molécules des corps voisins, et rejette ensuite ces molécules, lorsqu'elles lui sont devenues hétérogènes. Il ne vit qu'en lui, par cette classe de fonctions ; par l'autre il existe hors de lui : il est l'habitant du monde, et non, comme le végétal, du lieu qui le vit naître. Il sent et aperçoit ce qui l'entoure, réfléchit ses sensations, se meut volontairement d'après leur influenc, et le plus souvent peut communiquer par la voix, ses désirs et ses craintes, ses plaisirs ou ses peines. J'appelle vie organique l'ensemble des fonctions de la première classe, parce que tous les êtres organisés, végétaux ou animaux, en jouissent à un degré plus ou moins marqué, et que la texture organique est la seule condition nécessaire à son exercice. Les fonctions réunies de la seconde classe forment la vie animale, ainsi nommée, parce qu'elle est l'attribut exclusif du règne animal. Recherches Physiologiques sur la Vie et la Mort (1800) Translation: [Russell, E. S., Form and Function: A Contribution to the History of Animal Morphology, 1916, London, 28,

https://archive.org/details/formfunctioncont00russ/page/n5/mode/2up]

Ref: en.wikiquote.org - Xavier Bichat / Quotes

A.E. Housman photo
George Soros photo

“My peculiarity is that I don't have a particular style of investing or, more exactly, I try to change my style to fit the conditions.”

George Soros (1930) Hungarian-American business magnate, investor, and philanthropist

Soros on Soros (1995)

Edwin Abbott Abbott photo

“Had the acute-angled rabble been all, without exception, absolutely destitute of hope and of ambition, they might have found leaders in some of their many seditious outbreaks, so able as to render their superior numbers and strength too much even for the wisdom of the Circles. But a wise ordinance of Nature has decreed that, in proportion as the working-classes increase in intelligence, knowledge, and all virtue, in that same proportion their acute angle (which makes them physically terrible) shall increase also and approximate to the comparatively harmless angle of the Equilateral Triangle. Thus, in the most brutal and formidable of the soldier class — creatures almost on a level with women in their lack of intelligence — it is found that, as they wax in the mental ability necessary to employ their tremendous penetrating power to advantage, so do they wane in the power of penetration itself.

How admirable is this Law of Compensation! And how perfect a proof of the natural fitness and, I may almost say, the divine origin of the aristocratic constitution of the States in Flatland! By a judicious use of this Law of Nature, the Polygons and Circles are almost always able to stifle sedition in its very cradle, taking advantage of the irrepressible and boundless hopefulness of the human mind. Art also comes to the aid of Law and Order. It is generally found possible — by a little artificial compression or expansion on the part of the State physicians — to make some of the more intelligent leaders of a rebellion perfectly Regular, and to admit them at once into the privileged classes; a much larger number, who are still below the standard, allured by the prospect of being ultimately ennobled, are induced to enter the State Hospitals, where they are kept in honourable confinement for life; one or two alone of the more obstinate, foolish, and hopelessly irregular are led to execution.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 3. Concerning the Inhabitants of Flatland

Robert Louis Stevenson photo
Wassily Kandinsky photo

“The disharmoniousness (one might say, the negative rhythm) of the individual forms was that which primarily drew me, attracted me, during the period to which this watercolor belongs. The so-called rhythmic always comes on its own because in general the person himself is rhythmically built. Thus at least on the surface, the rhythmic is innate in people. Children, 'primitive' peoples, and laymen draw rhythmically..
In that period my soul was especially enchanted by the not-fitting-together of drawn and painterly form. Line serves the plane in that the former bounds the latter. And it makes my heart race in those cases when the independent plane springs over the confining line: line and plane are not in tune! It was this that produced a strong inner emotion in me, the inner 'ah!”

Wassily Kandinsky (1866–1944) Russian painter

2 quotes from Kandinsky's letter to Hans Arp, November 1912; in Friedel, Wassily Kandinsky, p. 489; as cited in Negative Rhythm: Intersections Between Arp, Kandinsky, Münter, and Taeuber, Bibiana K. Obler (including transl. - Yale University Press, 2014
Kandinsky was trying to explain to Arp his state of mind when he made his sketch for 'Improvisation with Horses' https://upload.wikimedia.org/wikipedia/commons/c/ce/Wassily_Kandinsky_Cossacks_or_Cosaques_1910%E2%80%931.jpg, 1911, a watercolor belonging to Arp. Kandinsky had told Arp that he could have one of his pictures included in the 'Moderne Bund' (second) exhibition in Zurich, 1912, and this was the one Arp selected
1910 - 1915

Helena Petrovna Blavatsky photo
Mary Midgley photo