Quotes from book
The Moviegoer

The Moviegoer

The Moviegoer is the debut novel by Walker Percy, first published in the United States by Vintage in 1961. It won the U.S. National Book Award. Time magazine included the novel in its "Time 100 Best English-language Novels from 1923 to 2005". In 1998, the Modern Library ranked The Moviegoer sixtieth on its list of the hundred best English-language novels of the twentieth century. It is published in the UK by Methuen.The novel is heavily influenced by the existentialist themes of authors like Søren Kierkegaard, whom Percy read extensively. Unlike many dark didactic existentialist novels , The Moviegoer has a light poetic tone. It was Percy's first, most famous, and most widely praised novel, and established him as one of the major voices in Southern literature. The novel also draws on elements of Dante by paralleling the themes of Binx Bolling's life to that of the narrator of the Divine Comedy.


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“Beauty is a whore.”

Walker Percy book The Moviegoer

The Moviegoer (1961)

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“The search is what anyone would undertake if he were not sunk in the everydayness of his own life. To become aware of the possibility of the search is to be onto something. Not to be onto something is to be in despair.”

Walker Percy book The Moviegoer

Variant: What is the nature of the search? you ask. The search is what anyone would undertake if he were not sunk in the everydayness of his own life. To become aware of the search is to be onto something. Not to be onto something is to be in despair.
Source: The Moviegoer (1961)
Context: To become aware of the possibility of the search is to be onto something. Not to be onto something is to be in despair. The movies are onto the search, but they screw it up. The search always ends in despair. They like to show a fellow coming to himself in a strange place-but what does he do? He takes up with the local librarian, sets about proving to the local children what a nice fellow he is, and settles down with a vengeance. In two weeks time he is so sunk in everydayness that he might just as well be dead.

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