
As quoted in Christian Jazz Artists Newsletter (February/March 2005) http://www.songsofdavid.com/CJAFebMarch2005.htm; this source is disputed as it does not cite an original document for the quote.
Disputed
A collection of quotes on the topic of amusement, people, likeness, other.
As quoted in Christian Jazz Artists Newsletter (February/March 2005) http://www.songsofdavid.com/CJAFebMarch2005.htm; this source is disputed as it does not cite an original document for the quote.
Disputed
“Declarations of love amuse me. Especially when unrequited.”
Variant: I was laughing at you because declarations of love amuse me, especially when unrequited.
Source: City of Bones
Correspondence, Letters to Mademoiselle Leroyer de Chantepie
Variant: Do not read as children do to enjoy themselves, or, as the ambitious do to educate themselves. No, read to live.
Context: Do not read as children do to enjoy themselves, or, as the ambitious do to educate themselves. No, read to live. (June 1857)
“your body is not a temple, it's an amusement park. Enjoy the ride.”
Source: Kitchen Confidential: Adventures in the Culinary Underbelly
“Perhaps one has to be very old before one learns to be amused rather than shocked.”
Not Browning, but a misquotation from Pearl Buck's China, Past and Present: "Ah well, perhaps one has to be very old before one learns how to be amused rather than shocked".
Misattributed
“A pet. In pets, free will was tolerated only as long as the pet owner found it amusing.”
Source: Mind of My Mind (1977), Chapter 5 (p. 344)
"Reflections on Gandhi" (1949)
Context: I could see even then that the British officials who spoke of him with a mixture of amusement and disapproval also genuinely liked and admired him, after a fashion. Nobody ever suggested that he was corrupt, or ambitious in any vulgar way, or that anything he did was actuated by fear or malice. In judging a man like Gandhi one seems instinctively to apply high standards, so that some of his virtues have passed almost unnoticed. For instance, it is clear even from the autobiography that his natural physical courage was quite outstanding: the manner of his death was a later illustration of this, for a public man who attached any value to his own skin would have been more adequately guarded. Again, he seems to have been quite free from that maniacal suspiciousness which, as E. M. Forster rightly says in A Passage to India, is the besetting Indian vice, as hypocrisy is the British vice. Although no doubt he was shrewd enough in detecting dishonesty, he seems wherever possible to have believed that other people were acting in good faith and had a better nature through which they could be approached.
Source: The Diary of a Young Girl
“Ah well, perhaps one has to be very old before one learns how to be amused rather than shocked.”
China, Past and Present (1972) Ch. 6
“Are you stalking me, Mr. Fulton?" The idea both amused and horrified Jazz.”
Source: I Hunt Killers
“I have found that the key to being happy — well, one of the keys, anyway — is to be easily amused”
Source: The Shock of the New
in Denis Rouart (1972) Claude Monet, p. 21 : About his youth
after Monet's death
Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters
“The art of medicine consists of amusing the patient while nature cures the disease.”
According to The Veterinarian (Monthly Journal of Veterinary Science) for 1851, edited by Mr. Percivall, this is Ben Jonson's "satirical definition of physic".
Misattributed
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 12.
Quote in a letter to Camille Pissarro, 17 June 1871; first part cited in: Van Gogh Museum Journal 2001 http://www.dbnl.org/tekst/_van012200101_01/_van012200101_01_0012.php Van Gogh Museum, Amsterdam 2001. p. 140; second part cited in: Ann Dumas, Denver Art Museum, High Museum of Art (2007), Inspiring Impressionism: : the Impressionists and the art of the past. p. 181
1870 - 1890
Il faut travailler, sinon par goût, au moins par désespoir, puisque, tout bien vérifié, travailler est moins ennuyeux que s'amuser.
Journaux intimes (1864–1867; published 1887), Mon cœur mis à nu (1864)
Marginalia http://www.easylit.com/poe/comtext/prose/margin.shtml (November 1844)
Video acceptance speech of the D.W. Griffiths Lifetime Achievement Award (1999) - video and transcript http://www.indelibleinc.com/kubrick/kubrick-dga.html
1900s, Address at the Prize Day Exercises at Groton School (1904)
Letter to James F. Morton (8 March 1923), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, pp. 211-212
Non-Fiction, Letters
As quoted in "Tesla Says Edison Was an Empiricist", The New York Times (19 Oct 1931), 25.
Child Psychology and Nonsense (15 October 1921)
“Painting is that pleasant amusement being one of the means whereby we convey ideas to each other.”
Essay on the Theory of Painting (1725)
Newsweek (25 August 1980)
Socrates as quoted by Plato. In Richard Garnett, Léon Vallée, Alois Brandl (eds.), The Universal Anthology: A Collection of the Best Literature (1899), Vol. 4, 111.
Attributed
Ah a frescura na face de não cumprir um dever!
Faltar é positivamente estar no campo!
Que refúgio o não se poder ter confiança em nós!
Respiro melhor agora que passaram as horas dos encontros,
Faltei a todos, com uma deliberação do desleixo,
Fiquei esperando a vontade de ir para lá, que'eu saberia que não vinha.
Sou livre, contra a sociedade organizada e vestida.
Estou nu, e mergulho na água da minha imaginação.
E tarde para eu estar em qualquer dos dois pontos onde estaria à mesma hora,
Deliberadamente à mesma hora...
Está bem, ficarei aqui sonhando versos e sorrindo em itálico.
É tão engraçada esta parte assistente da vida!
Até não consigo acender o cigarro seguinte... Se é um gesto,
Fique com os outros, que me esperam, no desencontro que é a vida.
Álvaro de Campos (heteronym), "A Frescura" (1929), in Fernando Pessoa & Co: Selected Poems, trans. Richard Zenith (Grove Press, 1998)
Attributed in Instructions to Young Sportsmen (1824) by Colonel Peter Hawker
“Amusement to an observing mind is study.”
Part 1, Chapter 23.
Books, Coningsby (1844), Contarini Fleming (1832)
Part I, Ch. 3: Lenin, Trotsky and Gorky
1920s, The Practice and Theory of Bolshevism (1920)
“Let us read, and let us dance; these two amusements will never do any harm to the world.”
Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde.
"Liberty of the Press," Dictionnaire philosophique (1785-1789)
Citas
“One should never forget, that society would rather be amused than instructed.”
Vor allen Dingen soll man nie vergessen, daß die Gesellschaft lieber unterhalten, als unterrichtet sein will.
Variant translation: Above all, we should never forget that society would prefer to be entertained, than taught.
Über den Umgang mit Menschen (1788)
Letter to James F. Morton (January 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 253
Non-Fiction, Letters, to James Ferdinand Morton, Jr.
"Sources of Intolerance"
1930s, Has Religion Made Useful Contributions to Civilization? (1930)
Mal sabendo ainda soletrar, já lia, sem perceber que estava lendo. Identificar na escrita do jornal uma palavra que eu conhecesse era como encontrar um marco na estrada a dizer-me que ia bem, que seguia na boa direcção. E foi assim, desta maneira algo invulgar, Diário após Diário, mês após mês, fazendo de conta que não ouvia as piadas dos adultos da casa, que se divertiam por estar eu a olhar para o jornal como se fosse um muro, que a minha hora de os deixar sem fala chegou, quando, um dia, de um fôlego, li em voz alta, sem titubear, nervoso mas triunfante, umas quantas linhas seguidas.
Source: Small Memories (2006), pp. 87–88
Israel’s Iron Lady unfiltered: 17 Golda Meir quotes on her 117th birthday, Yadid, Judd, 2015-05-03, English, Haaretz http://www.haaretz.com/news/features/.premium-1.654218,
letter to his grandmother, c. 1883; as cited in Pierre Bonnard, by John Rewald; MoMA -distribution, Simon & Schuster, New York, 1918, p. 12 (note 1)
Cocaine Decisions (1983) http://youtube.com/watch?v=RDEwJ2xlSXk
Context: I'll tell you what classical music is, for those of you who don't know. Classical music is this music that was written by a bunch of dead people a long time ago. And it's formula music, the same as top forty music is formula music. In order to have a piece be classical, it has to conform to academic standards that were the current norms of that day and age … I think that people are entitled to be amused, and entertained. If they see deviations from this classical norm, it's probably good for their mental health.
Letter to his daughter, Alice Roosevelt Longworth (2 September 1905)
1900s
Context: It is enough to give any one a sense of sardonic amusement to see the way in which the people generally, not only in my own country but elsewhere, gauge the work purely by the fact that it succeeded. If I had not brought about peace I should have been laughed at and condemned. Now I am over-praised. I am credited with being extremely longheaded, etc. As a matter of fact I took the position I finally did not of my own volition but because events so shaped themselves that I would have felt as if I was flinch- ing from a plain duty if I had acted otherwise. … Neither Government would consent to meet where the other wished and the Japanese would not consent to meet at The Hague, which was the place I desired. The result was that they had to meet in this country, and this necessarily threw me into a position of prominence which I had not sought, and indeed which I had sought to avoid — though I feel now that unless they had met here they never would have made peace.
Letter to David Humphreys (25 July 1785), published in The Writings of George Washington, edited by John C. Fitzpatrick, Vol. 28, pp. 202-3. The W. W. Abbot transcription (given at Founders Online http://founders.archives.gov/documents/Washington/04-03-02-0142) differs slightly:
My first wish is, to see this plague to Mankind banished from the Earth; & the Sons & daughters of this World employed in more pleasing & innocent amusements than in preparing implements, & exercising them for the destruction of the human race.
1780s
Context: As the complexion of European politics seems now (from letters I have received from the Marqs. de la Fayette, Chevrs. Chartellux, De la Luzerne, &c.,) to have a tendency to Peace, I will say nothing of war, nor make any animadversions upon the contending powers; otherwise, I might possibly have said that the retreat from it seemed impossible after the explicit declaration of the parties: My first wish is to see this plague to mankind banished from off the Earth, and the sons and Daughters of this world employed in more pleasing and innocent amusements, than in preparing implements and exercising them for the destruction of mankind: rather than quarrel about territory let the poor, the needy and oppressed of the Earth, and those who want Land, resort to the fertile plains of our western country, the second Promise, and there dwell in peace, fulfilling the first and great commandment.
Preface
Sylvie and Bruno (1889)
Context: I believe this thought, of the possibility of death — if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going. Be sure the safest rule is that we should not dare to live in any scene in which we dare not die.
But, once realise what the true object is in life — that it is not pleasure, not knowledge, not even fame itself, 'that last infirmity of noble minds' — but that it is the development of character, the rising to a higher, nobler, purer standard, the building-up of the perfect Man — and then, so long as we feel that this is going on, and will (we trust) go on for evermore, death has for us no terror; it is not a shadow, but a light; not an end, but a beginning!
“When men are rightly occupied, their amusement grows out of their work”
Sesame and Lilies.
Context: When men are rightly occupied, their amusement grows out of their work, as the colour-petals out of a fruitful flower;—when they are faithfully helpful and compassionate, all their emotions become steady, deep, perpetual, and vivifying to the soul as the natural pulse to the body. But now, having no true business, we pour our whole masculine energy into the false business of money-making; and having no true emotion, we must have false emotions dressed up for us to play with, not innocently, as children with dolls, but guiltily and darkly.
16 February 1868
Journal Intime (1882), Journal entries
Context: Clever men will recognize and tolerate nothing but cleverness; every authority rouses their ridicule, every superstition amuses them, every convention moves them to contradiction. Only force finds favor in their eyes, and they have no toleration for anything that is not purely natural and spontaneous. And yet ten clever men are not worth one man of talent, nor ten men of talent worth one man of genius. And in the individual, feeling is more than cleverness, reason is worth as much as feeling, and conscience has it over reason. If, then, the clever man is not mockable, he may at least be neither loved, nor considered, nor esteemed. He may make himself feared, it is true, and force others to respect his independence; but this negative advantage, which is the result of a negative superiority, brings no happiness with it. Cleverness is serviceable for everything, sufficient for nothing.
Cemetery World (1973)
Context: I find it a most intriguing and amusing thing that it might be possible to package the experiences, not only of one's self, but of other people. Think of the hoard we might then lay up against our later, lonely years when all old friends are gone and the opportunity for new experiences have withered. All we need to do then is to reach up to a shelf and take down a package that we have bottled or preserved or whatever the phrase might be, say from a hundred years ago, and uncorking it, enjoy the same experience again, as sharp and fresh as the first time it had happened... I have tried to imagine... the various ingredients one might wish to compound in such a package. Beside the bare experience itself, the context of it, one might say, he should want to capture and hold all the subsidiary factors which might serve as a background for it — the sound, the feel of wind and sun, the cloud floating in the sky, the color and the scent. For such a packaging, to give the desired results, must be as perfect as one can make it. It must have all those elements which would be valuable in invoking the total recall of some event that had taken place many years before...
“Be amusing: never tell unkind stories; above all, never tell long ones.”
Upon being asked to offer the young son of a member of Parliament advice, cited in Wilfrid Meynell, Benjamin Disraeli: An Unconventional Biography (1903), p. 83.
Sourced but undated
"Sometimes", § 7
Red Bird (2008)
Context: Death waits for me, I know it, around
one corner or another.
This doesn't amuse me.
Neither does it frighten me. After the rain, I went back into the field of sunflowers.
It was cool, and I was anything but drowsy.
I walked slowly, and listened to the crazy roots, in the drenched earth, laughing and growing.
“Beauty can't amuse you, but brainwork — reading, writing, thinking — can.”
“The sight of me puffing and straining apparently amused him to no end.”
Source: Magic Burns
Source: Eccentric Glamour: Creating an Insanely More Fabulous You