Quotes about amusement

A collection of quotes on the topic of amusement, people, likeness, other.

Quotes about amusement

Sophie Scholl photo

“I pity people who can't find laughter or at least some bit of amusement in the little doings of the day. I believe I could find something ridiculous even in the saddest moment, if necessary. It has nothing to do with being superficial. It's a matter of joy in life.”

Sophie Scholl (1921–1943) White Rose member

As quoted in Christian Jazz Artists Newsletter (February/March 2005) http://www.songsofdavid.com/CJAFebMarch2005.htm; this source is disputed as it does not cite an original document for the quote.
Disputed

Erich Maria Remarque photo
Simone Weil photo
Cassandra Clare photo

“Declarations of love amuse me. Especially when unrequited.”

Variant: I was laughing at you because declarations of love amuse me, especially when unrequited.
Source: City of Bones

Terry Pratchett photo
Gustave Flaubert photo

“Do not read, as children do, to amuse yourself, or like the ambitious, for the purpose of instruction. No, read in order to live.”

Gustave Flaubert (1821–1880) French writer (1821–1880)

Correspondence, Letters to Mademoiselle Leroyer de Chantepie
Variant: Do not read as children do to enjoy themselves, or, as the ambitious do to educate themselves. No, read to live.
Context: Do not read as children do to enjoy themselves, or, as the ambitious do to educate themselves. No, read to live. (June 1857)

Anthony Bourdain photo

“your body is not a temple, it's an amusement park. Enjoy the ride.”

Source: Kitchen Confidential: Adventures in the Culinary Underbelly

Oscar Wilde photo
Anne Frank photo
Robert Browning photo

“Perhaps one has to be very old before one learns to be amused rather than shocked.”

Robert Browning (1812–1889) English poet and playwright of the Victorian Era

Not Browning, but a misquotation from Pearl Buck's China, Past and Present: "Ah well, perhaps one has to be very old before one learns how to be amused rather than shocked".
Misattributed

Octavia E. Butler photo

“A pet. In pets, free will was tolerated only as long as the pet owner found it amusing.”

Source: Mind of My Mind (1977), Chapter 5 (p. 344)

George Orwell photo

“I could see even then that the British officials who spoke of him with a mixture of amusement and disapproval also genuinely liked and admired him, after a fashion. Nobody ever suggested that he was corrupt, or ambitious in any vulgar way, or that anything he did was actuated by fear or malice.”

George Orwell (1903–1950) English author and journalist

"Reflections on Gandhi" (1949)
Context: I could see even then that the British officials who spoke of him with a mixture of amusement and disapproval also genuinely liked and admired him, after a fashion. Nobody ever suggested that he was corrupt, or ambitious in any vulgar way, or that anything he did was actuated by fear or malice. In judging a man like Gandhi one seems instinctively to apply high standards, so that some of his virtues have passed almost unnoticed. For instance, it is clear even from the autobiography that his natural physical courage was quite outstanding: the manner of his death was a later illustration of this, for a public man who attached any value to his own skin would have been more adequately guarded. Again, he seems to have been quite free from that maniacal suspiciousness which, as E. M. Forster rightly says in A Passage to India, is the besetting Indian vice, as hypocrisy is the British vice. Although no doubt he was shrewd enough in detecting dishonesty, he seems wherever possible to have believed that other people were acting in good faith and had a better nature through which they could be approached.

Anne Frank photo

“Ordinary people simply don't know what books mean to us, shut up here. Reading, learning, and the radio are our amusements.”

Anne Frank (1929–1945) victim of the Holocaust and author of a diary

Source: The Diary of a Young Girl

Terry Pratchett photo
Oscar Wilde photo
Aristotle photo
Augusten Burroughs photo
Pearl S.  Buck photo

“Ah well, perhaps one has to be very old before one learns how to be amused rather than shocked.”

Pearl S. Buck (1892–1973) American writer

China, Past and Present (1972) Ch. 6

Marcel Duchamp photo
Tamora Pierce photo
Richelle Mead photo
Gary L. Francione photo
Barry Lyga photo

“Are you stalking me, Mr. Fulton?" The idea both amused and horrified Jazz.”

Barry Lyga (1971) American writer

Source: I Hunt Killers

Wil Wheaton photo

“What does one prefer? An art that struggles to change the social contract, but fails? Or one that seeks to please and amuse, and succeeds?”

Robert Hughes (1938–2012) Australian critic, historian, writer

Source: The Shock of the New

Claude Monet photo
H.P. Lovecraft photo

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Voltaire photo

“The art of medicine consists of amusing the patient while nature cures the disease.”

Voltaire (1694–1778) French writer, historian, and philosopher

According to The Veterinarian (Monthly Journal of Veterinary Science) for 1851, edited by Mr. Percivall, this is Ben Jonson's "satirical definition of physic".
Misattributed

Alexander Calder photo
David Thomas (born 1813) photo

“Amusements are to religion like breezes of air to the flame; gentle ones will fan it, but strong ones will put it out.”

David Thomas (born 1813) (1813–1894) 19th-century Welsh preacher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 12.

Claude Monet photo

“There are the most amusing things everywhere [in The Netherlands]. Houses of every colour, hundreds of windmills and enchanting boats, extremely friendly Dutchmen who almost all speak French…. I have not had time to visit the museums, I wish to work first of all and I'll treat myself to that later.”

Claude Monet (1840–1926) French impressionist painter

Quote in a letter to Camille Pissarro, 17 June 1871; first part cited in: Van Gogh Museum Journal 2001 http://www.dbnl.org/tekst/_van012200101_01/_van012200101_01_0012.php Van Gogh Museum, Amsterdam 2001. p. 140; second part cited in: Ann Dumas, ‎Denver Art Museum, ‎High Museum of Art (2007), Inspiring Impressionism: : the Impressionists and the art of the past. p. 181
1870 - 1890

Charles Baudelaire photo

“It is necessary to work, if not from inclination, at least from despair. As it turns out, work is less boring than amusing oneself.”

Charles Baudelaire (1821–1867) French poet

Il faut travailler, sinon par goût, au moins par désespoir, puisque, tout bien vérifié, travailler est moins ennuyeux que s'amuser.
Journaux intimes (1864–1867; published 1887), Mon cœur mis à nu (1864)

Henri Barbusse photo
Virginia Woolf photo
Edgar Allan Poe photo

“I have sometimes amused myself by endeavouring to fancy what would be the fate of an individual gifted, or rather accursed, with an intellect very far superior to that of his race. Of course he would be conscious of his superiority; nor could he (if otherwise constituted as man is) help manifesting his consciousness. Thus he would make himself enemies at all points. And since his opinions and speculations would widely differ from those of all mankind — that he would be considered a madman is evident. How horribly painful such a condition! Hell could invent no greater torture than that of being charged with abnormal weakness on account of being abnormally strong.In like manner, nothing can be clearer than that a very generous spirit — truly feeling what all merely profess — must inevitably find itself misconceived in every direction — its motives misinterpreted. Just as extremeness of intelligence would be thought fatuity, so excess of chivalry could not fail of being looked upon as meanness in the last degree — and so on with other virtues. This subject is a painful one indeed. That individuals have so soared above the plane of their race is scarcely to be questioned; but, in looking back through history for traces of their existence, we should pass over all the biographies of the "good and the great," while we search carefully the slight records of wretches who died in prison, in Bedlam, or upon the gallows.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

Marginalia http://www.easylit.com/poe/comtext/prose/margin.shtml (November 1844)

Stanley Kubrick photo

“Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write War and Peace in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Video acceptance speech of the D.W. Griffiths Lifetime Achievement Award (1999) - video and transcript http://www.indelibleinc.com/kubrick/kubrick-dga.html

Theodore Roosevelt photo

“I believe with all my heart in athletics, in sport, and have always done as much thereof as my limited capacity and my numerous duties would permit; but I believe in bodily vigor chiefly because I believe in the spirit that lies back of it. If a boy can not go into athletics because he is not physically able to, that does not count in the least against him. He may be just as much of a man in after life as if he could, because it is not physical address but the moral quality behind it which really counts. But if he has the physical ability and keeps out because he is afraid, because he is lazy, because he is a mollycoddle, then I haven't any use for him. If he has not the right spirit, the spirit which makes him scorn self-indulgence, timidity and mere ease, that is if he has not the spirit which normally stands at the base of physical hardihood, physical prowess, then that boy does not amount to much, and he is not ordinarily going to amount to much in after life. Of course, there are people with special abilities so great as to outweigh even defects like timidity and laziness, but the man who makes the Republic what it is, if he has not courage, the capacity to show prowess, the desire for hardihood; if he has not the scorn of mere ease, the scorn of pain, the scorn of discomfort (all of them qualities that go to make a man's worth on an eleven or a nine or an eight); if he has not something of that sort in him then the lack is so great that it must be amply atoned for, more than amply atoned for, in other ways, or his usefulness to the community will be small. So I believe heartily in physical prowess, in the sports that go to make physical prowess. I believe in them not only because of the amusement and pleasure they bring, but because I think they are useful. Yet I think you had a great deal better never go into them than to go into them with the idea that they are the chief end even of school or college; still more of life.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, Address at the Prize Day Exercises at Groton School (1904)

Leo Tolstoy photo
Oscar Wilde photo
H.P. Lovecraft photo

“Oh, yes … I'm really frightfully human and love all mankind, and all that sort of thing. Mankind is truly amusing, when kept at the proper distance. And common men, if well-behaved, are really quite useful. One is a cynick only when one thinks. At such times the herd seems a bit disgusting because each member of it is always trying to hurt somebody else, or gloating because somebody else is hurt. Inflicting pain seems to be the chief sport of persons whose tastes and interests run to ordinary events and direct pleasures and rewards of life—the animalistic or (if one may use a term so polluted with homoletick associations) worldly people of our absurd civilisation. ……. I may be human, all right, but not quite human enough to be glad at the misfortune of anybody. I am rather sorry (not outwardly but genuinely so) when disaster befalls a person—sorry because it gives the herd so much pleasure. … The natural hatefulness and loathsomeness of the human beast may be overcome only in a few specimens of fine heredity and breeding, by a transference of interests to abstract spheres and a consequent sublimation of the universal sadistic fury. All that is good in man is artificial; and even that good is very slight and unstable, since nine out of ten non-primitive people proceed at once to capitalise their asceticism and vent their sadism by a Victorian brutality and scorn towards all those who do not emulate their pose. Puritans are probably more contemptible than primitive beasts, though neither class deserves much respect.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (8 March 1923), in Selected Letters I, 1911-1924 edited by August Derleth and Donald Wandrei, pp. 211-212
Non-Fiction, Letters

Nikola Tesla photo
G. K. Chesterton photo
Jonathan Richardson photo

“Painting is that pleasant amusement being one of the means whereby we convey ideas to each other.”

Jonathan Richardson (1667–1745) English painter

Essay on the Theory of Painting (1725)

Robert Penn Warren photo

“Storytelling and copulation are the two chief forms of amusement in the South. They’re inexpensive and easy to procure.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Newsweek (25 August 1980)

Socrates photo
Fernando Pessoa photo

“Ah, the freshness in the face of leaving a task undone!
To be remiss is to be positively out in the country!
What a refuge it is to be completely unreliable!
I can breathe easier now that the appointments are behind me.
I missed them all, through deliberate negligence,
Having waited for the urge to go, which I knew wouldn't come.
I'm free, and against organised, clothed society.
I'm naked and plunge into the water of my imagination.
It's too late to be at either of the two meetings where I should have been at the same time,
Deliberately at the same time…
No matter, I'll stay here dreaming verses and smiling in italics.
This spectator aspect of life is so amusing!
I can't even light the next cigarette… If it's an action,
It can wait for me, along with the others, in the non-meeting called life.”

Fernando Pessoa (1888–1935) Portuguese poet, writer, literary critic, translator, publisher and philosopher

Ah a frescura na face de não cumprir um dever!
Faltar é positivamente estar no campo!
Que refúgio o não se poder ter confiança em nós!
Respiro melhor agora que passaram as horas dos encontros,
Faltei a todos, com uma deliberação do desleixo,
Fiquei esperando a vontade de ir para lá, que'eu saberia que não vinha.
Sou livre, contra a sociedade organizada e vestida.
Estou nu, e mergulho na água da minha imaginação.
E tarde para eu estar em qualquer dos dois pontos onde estaria à mesma hora,
Deliberadamente à mesma hora...
Está bem, ficarei aqui sonhando versos e sorrindo em itálico.
É tão engraçada esta parte assistente da vida!
Até não consigo acender o cigarro seguinte... Se é um gesto,
Fique com os outros, que me esperam, no desencontro que é a vida.
Álvaro de Campos (heteronym), "A Frescura" (1929), in Fernando Pessoa & Co: Selected Poems, trans. Richard Zenith (Grove Press, 1998)

José Saramago photo

“Authoritarian, paralyzing, circular, occasionally elliptical, stock phrases, also jocularly referred to as nuggets of wisdom, are malignant plague, one of the very worst ever to ravage the earth. We say to the confused, Know thyself, as if knowing yourself was not the fifth and most difficult of human arithmetical operations, we say to the apathetic, Where there’s a will, there’s a way, as if the brute realities of the world did not amuse themselves each day by turning that phrase on its head, we say to the indecisive, Begin at the beginning, as if that beginning were the clearly visible point of a loosely wound thread and that all we had to do was to keep pulling until we reached the other end, and as if, between the former and the latter, we had held in our hands a smooth, continuous thread with no knots to untie, no snarled to untangle, a complete impossibility in the life of a skien, or indeed, if we may be permitted on more stock phrase, in the skien of life. … These are the delusions of the pure and unprepared, the beginning is never the clear, precise end of a thread, the beginning is a long, painfully slow process that requires time and patience in order to find out in which direction it is heading, a process that feels its way along the path ahead like a blind man the beginning is just the beginning, what came before is nigh on worthless.”

Source: The Cave (2000), p. 54 (Vintage 2003)

Samuel Johnson photo

“Fly fishing may be a very pleasant amusement; but angling or float fishing I can only compare to a stick and a string, with a worm at one end and a fool at the other.”

Samuel Johnson (1709–1784) English writer

Attributed in Instructions to Young Sportsmen (1824) by Colonel Peter Hawker

Benjamin Disraeli photo

“Amusement to an observing mind is study.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Part 1, Chapter 23.
Books, Coningsby (1844), Contarini Fleming (1832)

Peter Ustinov photo
Bertrand Russell photo
Voltaire photo

“Let us read, and let us dance; these two amusements will never do any harm to the world.”

Laissez lire, et laissez danser; ces deux amusements ne feront jamais de mal au monde.
"Liberty of the Press," Dictionnaire philosophique (1785-1789)
Citas

Oscar Wilde photo
Adolph Freiherr Knigge photo

“One should never forget, that society would rather be amused than instructed.”

Vor allen Dingen soll man nie vergessen, daß die Gesellschaft lieber unterhalten, als unterrichtet sein will.
Variant translation: Above all, we should never forget that society would prefer to be entertained, than taught.
Über den Umgang mit Menschen (1788)

Jef Raskin photo
H.P. Lovecraft photo

“Now the trickiest catch in the negro problem is the fact that it is really twofold. The black is vastly inferior. There can be no question of this among contemporary and unsentimental biologists—eminent Europeans for whom the prejudice-problem does not exist. But, it is also a fact that there would be a very grave and very legitimate problem even if the negro were the white man's equal. For the simple fact is, that two widely dissimilar races, whether equal or not, cannot peaceably coexist in the same territory until they are either uniformly mongrelised or cast in folkways of permanent and traditional personal aloofness. No normal being feels at ease amidst a population having vast elements radically different from himself in physical aspect and emotional responses. A normal Yankee feels like a fish out of water in a crowd of cultivated Japanese, even though they may be his mental and aesthetic superiors; and the normal Jap feels the same way in a crowd of Yankees. This, of course, implies permanent association. We can all visit exotic scenes and like it—and when we are young and unsophisticated we usually think we might continue to like it as a regular thing. But as years pass, the need of old things and usual influences—home faces and home voices—grows stronger and stronger; and we come to see that mongrelism won't work. We require the environing influence of a set of ways and physical types like our own, and will sacrifice anything to get them. Nothing means anything, in the end, except with reference to that continuous immediate fabric of appearances and experiences of which one was originally part; and if we find ourselves ingulphed by alien and clashing influences, we instinctively fight against them in pursuit of the dominant freeman's average quota of legitimate contentment.... All that any living man normally wants—and all that any man worth calling such will stand for—is as stable and pure a perpetuation as possible of the set of forms and appearances to which his value-perceptions are, from the circumstances of moulding, instinctively attuned. That is all there is to life—the preservation of a framework which will render the experience of the individual apparently relevant and significant, and therefore reasonably satisfying. Here we have the normal phenomenon of race-prejudice in a nutshell—the legitimate fight of every virile personality to live in a world where life shall seem to mean something.... Just how the black and his tan penumbra can ultimately be adjusted to the American fabric, yet remains to be seen. It is possible that the economic dictatorship of the future can work out a diplomatic plan of separate allocation whereby the blacks may follow a self-contained life of their own, avoiding the keenest hardships of inferiority through a reduced number of points of contact with the whites... No one wishes them any intrinsic harm, and all would rejoice if a way were found to ameliorate such difficulties as they have without imperilling the structure of the dominant fabric. It is a fact, however, that sentimentalists exaggerate the woes of the average negro. Millions of them would be perfectly content with servile status if good physical treatment and amusement could be assured them, and they may yet form a well-managed agricultural peasantry. The real problem is the quadroon and octoroon—and still lighter shades. Theirs is a sorry tragedy, but they will have to find a special place. What we can do is to discourage the increase of their numbers by placing the highest possible penalties on miscegenation, and arousing as much public sentiment as possible against lax customs and attitudes—especially in the inland South—at present favouring the melancholy and disgusting phenomenon. All told, I think the modern American is pretty well on his guard, at last, against racial and cultural mongrelism. There will be much deterioration, but the Nordic has a fighting chance of coming out on top in the end.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (January 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 253
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Bertrand Russell photo

“It is amusing to hear the modern Christian telling you how mild and rationalistic Christianity really is and ignoring the fact that all its mildness and rationalism is due to the teaching of men who in their own day were persecuted by all orthodox Christians.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

"Sources of Intolerance"
1930s, Has Religion Made Useful Contributions to Civilization? (1930)

José Saramago photo

“I was reading even before I could spell properly, even though I couldn't necessarily understand what I was reading. Being able to identify a word I knew was like finding a signpost on the road telling me I was on the right path, heading in the right direction. And so it was, in this rather unusual way, Diário by Diário, month by month, pretending not to hear the jokey comments made by the adults in the house, who were amused by the way I would stare at the newspaper as if at a wall, that my moment to astonish them finally came, when, one day, nervous but triumphant, I read out loud, in one go, without hesitation, several consecutive lines of print.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Mal sabendo ainda soletrar, já lia, sem perceber que estava lendo. Identificar na escrita do jornal uma palavra que eu conhecesse era como encontrar um marco na estrada a dizer-me que ia bem, que seguia na boa direcção. E foi assim, desta maneira algo invulgar, Diário após Diário, mês após mês, fazendo de conta que não ouvia as piadas dos adultos da casa, que se divertiam por estar eu a olhar para o jornal como se fosse um muro, que a minha hora de os deixar sem fala chegou, quando, um dia, de um fôlego, li em voz alta, sem titubear, nervoso mas triunfante, umas quantas linhas seguidas.
Source: Small Memories (2006), pp. 87–88

Golda Meir photo
Pierre Bonnard photo
Frank Zappa photo

“I think that people are entitled to be amused, and entertained. If they see deviations from this classical norm, it's probably good for their mental health.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Cocaine Decisions (1983) http://youtube.com/watch?v=RDEwJ2xlSXk
Context: I'll tell you what classical music is, for those of you who don't know. Classical music is this music that was written by a bunch of dead people a long time ago. And it's formula music, the same as top forty music is formula music. In order to have a piece be classical, it has to conform to academic standards that were the current norms of that day and age … I think that people are entitled to be amused, and entertained. If they see deviations from this classical norm, it's probably good for their mental health.

Theodore Roosevelt photo

“It is enough to give any one a sense of sardonic amusement to see the way in which the people generally, not only in my own country but elsewhere, gauge the work purely by the fact that it succeeded. If I had not brought about peace I should have been laughed at and condemned.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

Letter to his daughter, Alice Roosevelt Longworth (2 September 1905)
1900s
Context: It is enough to give any one a sense of sardonic amusement to see the way in which the people generally, not only in my own country but elsewhere, gauge the work purely by the fact that it succeeded. If I had not brought about peace I should have been laughed at and condemned. Now I am over-praised. I am credited with being extremely longheaded, etc. As a matter of fact I took the position I finally did not of my own volition but because events so shaped themselves that I would have felt as if I was flinch- ing from a plain duty if I had acted otherwise. … Neither Government would consent to meet where the other wished and the Japanese would not consent to meet at The Hague, which was the place I desired. The result was that they had to meet in this country, and this necessarily threw me into a position of prominence which I had not sought, and indeed which I had sought to avoid — though I feel now that unless they had met here they never would have made peace.

George Washington photo

“My first wish is to see this plague to mankind banished from off the Earth, and the sons and Daughters of this world employed in more pleasing and innocent amusements, than in preparing implements and exercising them for the destruction of mankind:”

George Washington (1732–1799) first President of the United States

Letter to David Humphreys (25 July 1785), published in The Writings of George Washington, edited by John C. Fitzpatrick, Vol. 28, pp. 202-3. The W. W. Abbot transcription (given at Founders Online http://founders.archives.gov/documents/Washington/04-03-02-0142) differs slightly:
My first wish is, to see this plague to Mankind banished from the Earth; & the Sons & daughters of this World employed in more pleasing & innocent amusements than in preparing implements, & exercising them for the destruction of the human race.
1780s
Context: As the complexion of European politics seems now (from letters I have received from the Marqs. de la Fayette, Chevrs. Chartellux, De la Luzerne, &c.,) to have a tendency to Peace, I will say nothing of war, nor make any animadversions upon the contending powers; otherwise, I might possibly have said that the retreat from it seemed impossible after the explicit declaration of the parties: My first wish is to see this plague to mankind banished from off the Earth, and the sons and Daughters of this world employed in more pleasing and innocent amusements, than in preparing implements and exercising them for the destruction of mankind: rather than quarrel about territory let the poor, the needy and oppressed of the Earth, and those who want Land, resort to the fertile plains of our western country, the second Promise, and there dwell in peace, fulfilling the first and great commandment.

Lewis Carroll photo

“I believe this thought, of the possibility of death — if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong.”

Preface
Sylvie and Bruno (1889)
Context: I believe this thought, of the possibility of death — if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going. Be sure the safest rule is that we should not dare to live in any scene in which we dare not die.
But, once realise what the true object is in life — that it is not pleasure, not knowledge, not even fame itself, 'that last infirmity of noble minds' — but that it is the development of character, the rising to a higher, nobler, purer standard, the building-up of the perfect Man — and then, so long as we feel that this is going on, and will (we trust) go on for evermore, death has for us no terror; it is not a shadow, but a light; not an end, but a beginning!

John Ruskin photo

“When men are rightly occupied, their amusement grows out of their work”

John Ruskin (1819–1900) English writer and art critic

Sesame and Lilies.
Context: When men are rightly occupied, their amusement grows out of their work, as the colour-petals out of a fruitful flower;—when they are faithfully helpful and compassionate, all their emotions become steady, deep, perpetual, and vivifying to the soul as the natural pulse to the body. But now, having no true business, we pour our whole masculine energy into the false business of money-making; and having no true emotion, we must have false emotions dressed up for us to play with, not innocently, as children with dolls, but guiltily and darkly.

Henri-Frédéric Amiel photo

“Clever men will recognize and tolerate nothing but cleverness; every authority rouses their ridicule, every superstition amuses them, every convention moves them to contradiction. Only force finds favor in their eyes, and they have no toleration for anything that is not purely natural and spontaneous. And yet ten clever men are not worth one man of talent, nor ten men of talent worth one man of genius.”

Henri-Frédéric Amiel (1821–1881) Swiss philosopher and poet

16 February 1868
Journal Intime (1882), Journal entries
Context: Clever men will recognize and tolerate nothing but cleverness; every authority rouses their ridicule, every superstition amuses them, every convention moves them to contradiction. Only force finds favor in their eyes, and they have no toleration for anything that is not purely natural and spontaneous. And yet ten clever men are not worth one man of talent, nor ten men of talent worth one man of genius. And in the individual, feeling is more than cleverness, reason is worth as much as feeling, and conscience has it over reason. If, then, the clever man is not mockable, he may at least be neither loved, nor considered, nor esteemed. He may make himself feared, it is true, and force others to respect his independence; but this negative advantage, which is the result of a negative superiority, brings no happiness with it. Cleverness is serviceable for everything, sufficient for nothing.

Clifford D. Simak photo

“I find it a most intriguing and amusing thing that it might be possible to package the experiences, not only of one's self, but of other people.”

Cemetery World (1973)
Context: I find it a most intriguing and amusing thing that it might be possible to package the experiences, not only of one's self, but of other people. Think of the hoard we might then lay up against our later, lonely years when all old friends are gone and the opportunity for new experiences have withered. All we need to do then is to reach up to a shelf and take down a package that we have bottled or preserved or whatever the phrase might be, say from a hundred years ago, and uncorking it, enjoy the same experience again, as sharp and fresh as the first time it had happened... I have tried to imagine... the various ingredients one might wish to compound in such a package. Beside the bare experience itself, the context of it, one might say, he should want to capture and hold all the subsidiary factors which might serve as a background for it — the sound, the feel of wind and sun, the cloud floating in the sky, the color and the scent. For such a packaging, to give the desired results, must be as perfect as one can make it. It must have all those elements which would be valuable in invoking the total recall of some event that had taken place many years before...

Benjamin Disraeli photo

“Be amusing: never tell unkind stories; above all, never tell long ones.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Upon being asked to offer the young son of a member of Parliament advice, cited in Wilfrid Meynell, Benjamin Disraeli: An Unconventional Biography (1903), p. 83.
Sourced but undated

“Death waits for me, I know it, around
one corner or another.
This doesn't amuse me.
Neither does it frighten me.”

Mary Oliver (1935–2019) American writer

"Sometimes", § 7
Red Bird (2008)
Context: Death waits for me, I know it, around
one corner or another.
This doesn't amuse me.
Neither does it frighten me. After the rain, I went back into the field of sunflowers.
It was cool, and I was anything but drowsy.
I walked slowly, and listened to the crazy roots, in the drenched earth, laughing and growing.

Al Capone photo
Al Capone photo
Winston S. Churchill photo
Edith Wharton photo
Samuel Johnson photo
Cinda Williams Chima photo
Richelle Mead photo
Naomi Novik photo
Jane Austen photo
Elizabeth Gilbert photo

“I just want God. I want God inside me. I want God to play in my bloodstream the way sunlight amuses itself on water.”

Variant: I want God to play in my bloodstream the way sunlight amuses itself on the water.
Source: Eat, Pray, Love

Cassandra Clare photo
Cassandra Clare photo
Anne Brontë photo
Arthur Conan Doyle photo
Sylvia Day photo
Helen Gurley Brown photo
Charlaine Harris photo

“The sight of me puffing and straining apparently amused him to no end.”

Ilona Andrews American husband-and-wife novelist duo

Source: Magic Burns

“Knowing who you really are and dressing the part -- with an air of amused recklessness -- is life affirming for you and life enhancing for other people.”

Simon Doonan (1952) British businessman

Source: Eccentric Glamour: Creating an Insanely More Fabulous You

Agatha Christie photo
Cassandra Clare photo
Alexandre Dumas photo
Cassandra Clare photo
Charles Bukowski photo
Cassandra Clare photo
Evelyn Waugh photo

“I can't bare you when you're not amusing.”

Source: Vile Bodies

Shannon Hale photo
Cassandra Clare photo