Quotes about pleasure
page 10

Harry Harrison photo
Albrecht Thaer photo
Niklas Luhmann photo

“How to work so as to make work a pleasure.”

Frank Crane (1861–1928) American Presbyterian minister

Four Minute Essays Vol. 7 (1919), A School for Living

Tom Hanks photo
Johann Heinrich Pestalozzi photo
Mohammad Reza Pahlavi photo
William Collins photo

“O Music! sphere-descended maid,
Friend of Pleasure, Wisdom's aid!”

William Collins (1721–1759) English poet, born 1721

Source: The Passions, an Ode for Music (1747), Line 95.

Alexander Bain photo

“Disinterestedness is as great a puzzle and paradox as ever. Indeed, strictly speaking, it is a species of irrationality, or insanity, as regards the individual’s self; a contradiction of the most essential nature of a sentient being, which is to move to pleasure and from pain”

Alexander Bain (1818–1903) Scottish philosopher and educationalist

Alexander Bain, On the Study of Character, including an estimate of phrenology http://books.google.com/books?id=xLhcAAAAcAAJ&pg=PA292, 1861, p. 292.

Kenneth Grahame photo
Jeanne Calment photo

“I took pleasure when I could… I acted clearly and morally and without regret. I'm very lucky.”

Jeanne Calment (1875–1934) French supercentenarian who had the longest confirmed human life span in history

Source: Time, March 6, 1995, p. 85

Sigmund Freud photo

“A person who feels pleasure in producing pain in someone else in a sexual relationship is also capable of enjoying as pleasure any pain which he may himself derive from sexual relations. A sadist is always at the same time a masochist.”

Sigmund Freud (1856–1939) Austrian neurologist known as the founding father of psychoanalysis

"Three Essays On The Theory Of Sexuality" (1905), reprinted in "Essential Papers on Masochism" p.87, edited by Margaret Ann Fitzpatrick Hanly, New York University press, New York and London, (1995)
1900s

Rousas John Rushdoony photo
Percy Bysshe Shelley photo
Walt Disney photo

“I am interested in entertaining people, in bringing pleasure, particularly laughter, to others, rather than being concerned with "expressing" myself with obscure creative impressions.”

Walt Disney (1901–1966) American film producer and businessman

Quoted in "The man behind 'The Magic Kingdom'" in The Gazette [Colorado Springs http://findarticles.com/p/articles/mi_qn4191/is_20050507/ai_n14625292/print (7 May 2005)]

W. Somerset Maugham photo

“Do you know that conversation is one of the greatest pleasures in life? But it wants leisure.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

The Trembling of a Leaf (1921), ch. 3

Hermann Hesse photo
Charles Baudelaire photo

“To love intelligent women is the pleasure of a pederast.”

Charles Baudelaire (1821–1867) French poet

Aimer les femmes intelligentes est un plaisir de pédéraste.
VI http://fr.wikisource.org/wiki/Fus%C3%A9es#VI
Journaux intimes (1864–1867; published 1887), Fusées (1867)

Robert Erskine Childers photo

“…to feel oneself a martyr, as everybody knows, is a pleasurable thing…”

Robert Erskine Childers (1870–1922) Irish nationalist and author

Source: Literary Years and War (1900-1918), The Riddle Of The Sands (1903), p. 1.

John Varley photo

“I found that it is much more pleasurable to read adventures than to live them.”

Source: The Ophiuchi Hotline (1977), Chapter 23 (p. 210)

Leo Tolstoy photo

“We cannot pretend that we do not see the armed policeman who marches up and down beneath our window to guarantee our security while we eat our luxurious dinner, or look at the new piece at the theater, or that we are unaware of the existence of the soldiers who will make their appearance with guns and cartridges directly our property is attacked.
We know very well that we are only allowed to go on eating our dinner, to finish seeing the new play, or to enjoy to the end the ball, the Christmas fete, the promenade, the races or, the hunt, thanks to the policeman's revolver or the soldier's rifle, which will shoot down the famished outcast who has been robbed of his share, and who looks round the corner with covetous eyes at our pleasures, ready to interrupt them instantly, were not policeman and soldier there prepared to run up at our first call for help.
And therefore just as a brigand caught in broad daylight in the act cannot persuade us that he did not lift his knife in order to rob his victim of his purse, and had no thought of killing him, we too, it would seem, cannot persuade ourselves or others that the soldiers and policemen around us are not to guard us, but only for defense against foreign foes, and to regulate traffic and fetes and reviews; we cannot persuade ourselves and others that we do not know that the men do not like dying of hunger, bereft of the right to gain their subsistence from the earth on which they live; that they do not like working underground, in the water, or in the stifling heat, for ten to fourteen hours a day, at night in factories to manufacture objects for our pleasure. One would imagine it impossible to deny what is so obvious. Yet it is denied.”

Leo Tolstoy (1828–1910) Russian writer

Source: The Kingdom of God is Within You (1894), Chapter 12

Charles Darwin photo
Swami Vivekananda photo
John Herschel photo
Clive Staples Lewis photo
Bogumil Goltz photo

“What humiliation, what disgrace for us all, that it should be necessary for one man to exhort other men not to be inhuman and irrational towards their fellow-creatures! Do they recognise, then, no mind, no soul in them — have they not feeling, pleasure in existence, do they not suffer pain? Do their voices of joy and sorrow indeed fail to speak to the human heart and conscience — so that they can murder the jubilant lark, in the first joy of his spring-time, who ought to warm their hearts with sympathy, from delight in bloodshed or for their ‘sport,’ or with a horrible insensibility and recklessness only to practise their aim in shooting! Is there no soul manifest in the eyes of the living or dying animal — no expression of suffering in the eye of a deer or stag hunted to death — nothing which accuses them of murder before the avenging Eternal Justice? …. Are the souls of all other animals but man mortal, or are they essential in their organisation? Does the world-idea (Welt-Idee) pertain to them also — the soul of nature — a particle of the Divine Spirit? I know not; but I feel, and every reasonable man feels like me, it is in miserable, intolerable contradiction with our human nature, with our conscience, with our reason, with all our talk of humanity, destiny, nobility; it is in frightful (himmelschreinder) contradiction with our poetry and philosophy, with our nature and with our (pretended) love of nature, with our religion, with our teachings about benevolent design — that we bring into existence merely to kill, to maintain our own life by the destruction of other life. …. It is a frightful wrong that other species are tortured, worried, flayed, and devoured by us, in spite of the fact that we are not obliged to this by necessity; while in sinning against the defenceless and helpless, just claimants as they are upon our reasonable conscience and upon our compassion, we succeed only in brutalising ourselves. This, besides, is quite certain, that man has no real pity and compassion for his own species, so long as he is pitiless towards other races of beings.”

Bogumil Goltz (1801–1870) German humorist and satirist

Das Menschendasein in seinen weltewigen Zügen und Zeichen (1850); as quoted in The Ethics of Diet: A Catena of Authorities Deprecatory of the Practice of Flesh-eating https://archive.org/stream/ethicsofdietcate00will/ethicsofdietcate00will#page/n3/mode/2up by Howard Williams (London: F. Pitman, 1883), pp. 287-286.

John Hoole photo

“Ah! why so rare does cruel Love inspire
Two tender bosoms with a mutual fire?
Say, whence, perfidious, dost thou pleasure find
To sow dissension in the human mind?”

John Hoole (1727–1803) British translator

Book II, line 1
Translations, Orlando Furioso of Ludovico Ariosto (1773)

David Brin photo
John Berger photo
Jacob Bronowski photo
Samuel Butler photo
André Breton photo
Ferdinand Lundberg photo
William Wordsworth photo
Peter Hitchens photo

“We're not close. We're different people, we have different lives, we have entirely different pleasures, we live in different continents. If we weren't brothers we wouldn't know each other.”

Peter Hitchens (1951) author, journalist

2009-05-14
Question Time
The Guardian
http://www.guardian.co.uk/lifeandstyle/2009/may/14/peter-hitchens-interview

George Herbert photo

“440. Fly the pleasure that bites to-morrow.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

John Jay photo
Bernard Mandeville photo
Michel De Montaigne photo
Linn Boyd photo

“GENTLEMEN OF THE HOUSE OF REPRESENTATIVES: I may be allowed this occasion to say that, in undertaking to discharge the duties of the Chair, I relied for success rather upon your forbearance and kindly aid than upon any poor abilities of my own. That reliance, I am happy to say, has not failed me. On the contrary, the untiring efforts I feel I have made to perform the task in a becoming manner, have been met and sustained with a degree of liberality seldom equaled in any deliberative body. A striking illustration of this is seen in the fact, that notwithstanding the multiplied questions of parliamentary law and usage which have arisen, and in despite of errors into which I may have fallen, each and all the decisions of the Chair, with a single exception, (and that upon a question of minor importance,) have been generously sustained by this body. And as a further mark of respect and kindness, you have been pleased to adopt a resolution approving of my general conduct as the Presiding Officer of this body. In all this, I feel that I have been peculiarly fortunate; and for it all I beg you will accept my most sincere thanks.Allow me to congratulate you, gentlemen, upon the harmony and personal kindness which have so generally prevailed throughout this Hall. It must remain a source of unmixed pleasure to us all, that our conflicts of opinion here, however fierce they may occasionally have been, were not allowed materially to disturb our social relations; and that now, having finished our work, we part in peace. This House stands adjourned sine die.”

Linn Boyd (1800–1859) American politician

Journal Of the House of Representatives the United States: Second Session of the Thirty-Second Congress (1853-03-03)

“In the Far West, the United States of America openly claimed to be custodians of the whole planet. Universally feared and envied, universally respected for their enterprise, yet for their complacency very widely despised, the Americans were rapidly changing the whole character of man’s existence. By this time every human being throughout the planet made use of American products, and there was no region where American capital did not support local labour. Moreover the American press, gramophone, radio, cinematograph and televisor ceaselessly drenched the planet with American thought. Year by year the aether reverberated with echoes of New York’s pleasures and the religious fervours of the Middle West. What wonder, then, that America, even while she was despised, irresistibly moulded the whole human race. This, perhaps, would not have mattered, had America been able to give of her very rare best. But inevitably only her worst could be propagated. Only the most vulgar traits of that potentially great people could get through into the minds of foreigners by means of these crude instruments. And so, by the floods of poison issuing from this people’s baser members, the whole world, and with it the nobler parts of America herself, were irrevocably corrupted.
For the best of America was too weak to withstand the worst. Americans had indeed contributed amply to human thought. They had helped to emancipate philosophy from ancient fetters. They had served science by lavish and rigorous research. In astronomy, favoured by their costly instruments and clear atmosphere, they had done much to reveal the dispositions of the stars and galaxies. In literature, though often they behaved as barbarians, they had also conceived new modes of expression, and moods of thought not easily appreciated in Europe. They had also created a new and brilliant architecture. And their genius for organization worked upon a scale that was scarcely conceivable, let alone practicable, to other peoples. In fact their best minds faced old problems of theory and of valuation with a fresh innocence and courage, so that fogs of superstition were cleared away wherever these choice Americans were present. But these best were after all a minority in a huge wilderness of opinionated self-deceivers, in whom, surprisingly, an outworn religious dogma was championed with the intolerant optimism of youth. For this was essentially a race of bright, but arrested, adolescents. Something lacked which should have enabled them to grow up. One who looks back across the aeons to this remote people can see their fate already woven of their circumstance and their disposition, and can appreciate the grim jest that these, who seemed to themselves gifted to rejuvenate the planet, should have plunged it, inevitably, through spiritual desolation into senility and age-long night.”

Source: Last and First Men (1930), Chapter II: Europe’s Downfall; Section 1, “Europe and America” (p. 33)

Daniel Pennac photo
David Attenborough photo
Pierre Choderlos de Laclos photo

“I was astonished at the pleasure to be derived from doing good.”

J’ai été étonné du plaisir qu’on éprouve en faisant le bien.
Letter 21: Le Vicomte de Valmont to la Marquise de Merteuil. Trans. P.W.K. Stone (1961). http://www.cartage.org.lb/fr/themes/livreBiblioteques/Livres/Biblio(fr)/L/Lacl/Liaisonsdangereuses/lett21.htm
Les liaisons dangereuses (1782)

Isaac Asimov photo

“Radiation, unlike smoking, drinking, and overeating, gives no pleasure, so the possible victims object.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

As quoted in The Journal of NIH Research (1990), 2, 30
General sources

John Calvin photo
Marcus Aurelius photo
Ralph Ellison photo

“At best Americans give but limited attention to history. Too much happens too rapidly, and before we can evaluate it, or exhaust its meaning or pleasure, there is something new to concern us. Ours is the tempo of the motion picture, not that of the still camera, and we waste experience as we wasted the forest.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"The Golden Age, Time Past" (1959), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 239.

Anaïs Nin photo
Walt Disney photo

“Animation offers a medium of story telling and visual entertainment which can bring pleasure and information to people of all ages everywhere in the world.”

Walt Disney (1901–1966) American film producer and businessman

As quoted in "COSI exhibit explores world of cartoons" by Jeffrey Zupanic in The Review (2 August 2007) http://www.the-review.com/news/article/2344671

Aaron Burr photo

“The rule of my life is to make business a pleasure and pleasure my business.”

Aaron Burr (1756–1836) American Vice President and politician

Letter to Pichon, reported in Marshall Brown, Wit and Humor of Bench and Bar (1899), p. 67.

Ursula K. Le Guin photo
Samuel Johnson photo
Michael Moorcock photo

“My own self-deception at least promised some kind of pleasure. Theirs offered nothing but terror and guilt.”

Source: The City in the Autumn Stars (1986), Chapter 14 (p. 375)

Derren Brown photo

“Stirner … holds to a joy-principle rather than to a pleasure-principle.”

John Carroll (1944) Australian professor and author

Source: Break-Out from the Crystal Palace (1974), p. 143

Ursula K. Le Guin photo
Jane Austen photo

“The pleasures of friendship, of unreserved conversation, of similarity of taste and opinions will make good amends for orange wine.”

Jane Austen (1775–1817) English novelist

Letter to Cassandra (1808-06-20) [Letters of Jane Austen -- Brabourne Edition]
Letters

Alain-René Lesage photo
Zygmunt Bauman photo
Charles Baudelaire photo

“The phrase "a literature of decadence" implies a scale of literature: infancy, childhood, adolescence, etc. This term, I would say, supposes something fateful and providential, like an inescapable decree; and it is completely unjust to reproach us for the fulfillment of a law that is mysterious. All I can understand of this academic saying is that it is shameful to obey this law pleasurably, and that we are guilty of rejoicing in our destiny.”

Charles Baudelaire (1821–1867) French poet

Le mot littérature de décadence implique qu'il y a une échelle de littératures, une vagissante, une puérile, une adolescente, etc. Ce terme, veux-je dire, suppose quelque chose de fatal et de providentiel, comme un décret inéluctable; et il est tout à fait injuste de nous reprocher d'accomplir la loi mystérieuse. Tout ce que je puis comprendre dans la parole académique, c'est qu'il est honteux d'obéir à cette loi avec plaisir, et que nous sommes coupables de nous réjouir dans notre destinée.
XI: "Notes nouvelles sur Edgar Poe III," I http://fr.wikisource.org/wiki/Edgar_Poe_III._Notes_nouvelles_sur_Edgar_Poe_%28L%E2%80%99Art_romantique%29#I
L'art romantique (1869)

Lactantius photo

“For he who reckons it a pleasure that a man, though justly condemned, should be slain in his sight, pollutes his conscience as much as if he should become a spectator and a sharer of a homicide which is secretly committed.”
Nam qui hominem, quamuis ob merita damnatum, in conspectu suo iugulari pro uoluptate computat, conscientiam suam polluit, tam scilicet, quam si homicidii, quod fit occulte, spectator et particeps fiat.

Lactantius (250–325) Early Christian author

Book VI, Chap. XX
The Divine Institutes (c. 303–13)

Muhammad Qutb photo
José Martí photo
László Tisza photo

“If history has a lesson, it is that the "winner take all" attitude deprives one of the pleasures of being the heir to the best of different traditions, even while avoiding their intolerance against each other.”

László Tisza (1907–2009) Hungarian physicist

as reported by [Magdolna Hargittai, Candid science IV: conversations with famous physicists, Imperial College Press, 2004, 1860944167, 402]

L. Frank Baum photo
Gail Dines photo
Maria Edgeworth photo

“Man is to be held only by the slightest chains; with the idea that he can break them at pleasure, he submits to them in sport.”

Maria Edgeworth (1768–1849) Irish writer

Letters for Literary Ladies (1795), "Julia and Caroline", Letter 1; Tales and Novels, vol. 13, p. 225.

Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Moshe Chaim Luzzatto photo
Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

Carl XVI Gustaf of Sweden photo
Natalie Merchant photo
Thomas Babington Macaulay, 1st Baron Macaulay photo

“The Puritan hated bear-baiting, not because it gave pain to the bear, but because it gave pleasure to the spectators.”

Thomas Babington Macaulay, 1st Baron Macaulay (1800–1859) British historian and Whig politician

Vol. I, ch. 3
History of England (1849–1861)

Peter F. Hamilton photo
Samuel Butler (poet) photo

“Doubtless the pleasure is as great
Of being cheated as to cheat.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto III, line 1
Source: Hudibras, Part II (1664)

Felix Adler photo
Thomas Aquinas photo
Democritus photo

“Moderation multiplies pleasures, and increases pleasure.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Freeman (1948), p. 163
Variant: Moderation increases enjoyment, and makes pleasure even greater.

“Rejoicing and celebrating with sinners was incomprehensibly scandalous (Luke 15:1). They [the Pharisees] could only assume that he [Jesus] had become a pleasure-seeker, “a drunkard and a glutton””

Albert Nolan (1934) South African priest and activist

Luke 7:34
Source: Jesus Before Christianity: The Gospel of Liberation (1976), p. 42.

Niccolao Manucci photo

“All Muhammadans are fond of women, who are their principal relaxation and almost their only pleasure.”

Niccolao Manucci (1638–1717) Italian writer and historian

Manucci, II, 240; quoted from Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan.
Storia do Mogor

Dylan Moran photo
Jimmy Kimmel photo

“There's something comforting and pleasurable about watching people win money.”

Jimmy Kimmel (1967) American talk show host and comedian

On hosting the television game show Set for Life — reported in Gary Levin (January 11, 2007) "TV is riding a wave of prime-time game shows", Asbury Park Press.

Emil M. Cioran photo
Clement of Alexandria photo
Harry V. Jaffa photo
Michel De Montaigne photo

“Tis the sharpness of our mind that gives the edge to our pains and pleasures.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Book I, Ch. 14
Attributed

Gustave Flaubert photo

“He is so corrupt that he would willingly pay for the pleasure of selling himself.”

Pt. 3, Ch. 3
Sentimental Education (1869)

William Cowper photo

“Ever let the Fancy roam,
Pleasure never is at home.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Actually the opening lines of Keats's "Fancy" (1820).
Misattributed

Honoré de Balzac photo

“To kill a relative of whom you are tired, is something; but to inherit his property afterwards — that is a real pleasure!”

Honoré de Balzac (1799–1850) French writer

Tuer un parent de qui l’on se plaint, c’est quelque chose; mais hériter de lui, c’est là un plaisir!
cousin Pons http://fr.wikisource.org/wiki/Le_Cousin_Pons_-_5#XLVI._Consultation_non_gratuiteLe (1847), translated by Ellen Marriage, ch. XLVI.