Quotes about pleasure
page 11

Richard Blackmore photo
Clive Staples Lewis photo
Ethan Allen photo
John Wilmot, 2nd Earl of Rochester photo

“The clog of all pleasure, the luggage of life,
Is the best can be said for a very good wife.”

John Wilmot, 2nd Earl of Rochester (1647–1680) English poet, and peer of the realm

On a Wife.
Other

Thomas Hobbes photo

“For such Truth as opposeth no man's profit nor pleasure is to all men welcome.”

Review and Conclusion, p. 396, (Last text line)
Leviathan (1651)

José Martí photo
Jimmy Carr photo

“I literally can't believe my luck. Torturing Americans should not only be easy, but a pleasure!”

Jimmy Carr (1972) British comedian and humourist

On hosting the American version of his game show, Distraction — reported in James Rampton (February 19, 2005) "Comedy: Pick of the Week", The Independent.

Ibn Battuta photo
Glen Cook photo
François Fénelon photo
Francis Bacon photo
Nathanael Greene photo
Stephen L. Carter photo
Ella Wheeler Wilcox photo
Samuel Palmer photo

“Rural poetry is the pleasure ground of those who live in cities.”

Samuel Palmer (1805–1881) British landscape painter, etcher and printmaker

Introduction to Palmer's translation of Virgil's Eclogues

Ernst Ludwig Kirchner photo

“[carving a sculpture in wood] is such a sensual pleasure when blow by blow the figure grows more and more from the trunk.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

in a letter to de:Gustav Schiefler from Dresden, 27 June, 1911; as quoted in German Expressionist Sculpture, ed. Stephanie Barron, Los Angeles County Museum of Art, 1983, p. 114
1905 - 1915

Hannah Arendt photo

“What stuck in the minds of these men who had become murderers was simply the notion of being involved in something historic, grandiose, unique ("a great task that occurs once in two thousand years"), which must therefore be difficult to bear. This was important, because the murderers were not sadists or killers by nature; on the contrary, a systematic effort was made to weed out all those who derived physical pleasure from what they did. The troops of the Einsatzgruppen had been drafted from the Armed S. S., a military unit with hardly more crimes in its record than any ordinary unit of the German Army, and their commanders had been chosen by Heydrich from the S. S. élite with academic degrees. Hence the problem was how to overcome not so much their conscience as the animal pity by which all normal men are affected in the presence of physical suffering. The trick used by Himmler — who apparently was rather strongly afflicted by these instinctive reactions himself — was very simple and probably very effective; it consisted in turning these instincts around, as it were, in directing them toward the self. So that instead of saying: What horrible things I did to people!, the murderers would be able to say: What horrible things I had to watch in the pursuance of my duties, how heavily the task weighed upon my shoulders!”

Source: Eichmann in Jerusalem (1963), Ch. VI.

Corneliu Zelea Codreanu photo
John Howard Payne photo

“Mid pleasures and palaces though we may roam,
Be it ever so humble, there 's no place like home;
A charm from the skies seems to hallow us there,
Which sought through the world is ne'er met with elsewhere.”

John Howard Payne (1791–1852) American actor and writer

Home, Sweet Home (1822), from the opera of "Clari, the Maid of Milan", reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Home is home, though it be never so homely", John Clarke, Paræmiologia, p. 101. (1639).

Sir Francis Buller, 1st Baronet photo
Robert A. Heinlein photo
Miguel de Cervantes photo
John Dryden photo

“Drinking is the soldier’s pleasure;
Rich the treasure;
Sweet the pleasure;
Sweet is pleasure after pain.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Source: Alexander’s Feast http://www.bartleby.com/40/265.html (1697), l. 57–60.

“Most of our 'pleasure' activities appear to be substitutes for the natural sensory pleasures of touching.”

James W. Prescott (1930) American psychologist

"Body Pleasure and the Origins of Violence" (1975)

Jonathan Edwards photo

“They say there is a young lady in [New Haven] who is beloved of that Great Being, who made and rules the world, and that there are certain seasons in which this Great Being, in some way or other invisible, comes to her and fills her mind with exceeding sweet delight; and that she hardly cares for any thing, except to meditate on him— that she expects after a while to be received up where he is, to be raised up out of the world and caught up into heaven; being assured that he loves her too well to let her remain at a distance from him always. There she is to dwell with him, and to be ravished with his love and delight for ever. Therefore, if you present all the world before her, with the richest of its treasures, she disregards it and cares not for it, and is unmindful of any pain or affliction. She has a strange sweetness in her mind, and singular purity in her affections; is most just and conscientious in all her conduct; and you could not persuade her to do any thing wrong or sinful, if you would give her all the world, lest she should offend this Great Being. She is of a wonderful sweetness, calmness, and universal benevolence of mind; especially after this Great God has manifested himself to her mind. She will sometimes go about from place to place, singing sweetly; and seems to be always full of joy and pleasure; and no one knows for what. She loves to be alone, walking in the fields and groves, and seems to have some one invisible always conversing with her.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

Written in 1723; from The Works of President Edwards, vol. I, ed. Sereno B. Dwight, 1830.
The young woman described here was Sarah Pierrepont, who became Edwards' wife in 1727.

Quentin Crisp photo
Cesare Pavese photo

“It is not the actual enjoyment of pleasure that we desire. What we want is to test the futility of that pleasure, so as to be no longer obsessed by it.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

Democritus photo

“Of all things the worst to teach the young is dalliance, for it is this that is the parent of those pleasures from which wickedness springs.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Source Book in Ancient Philosophy (1907), The Golden Sayings of Democritus

Stendhal photo

“Were I to buy this life of pleasure and this only chance at happiness with a few little dangers, where would be the harm? And wouldn’t it still be fortunate to find a weak excuse to give her proof of my love?”

Quand je devrais acheter cette vie de délices et cette chance unique de bonheur par quelques petits dangers, où serait le mal? Et ne serait-ce pas encore un bonheur que de trouver ainsi une faible occasion de lui donner une preuve de mon amour?
Source: La Chartreuse de Parme (The Charterhouse of Parma) (1839), Ch. 20

Torquato Tasso photo

“Oh, such a gentle entreaty
this fool has found,
reminding me of my youth,
of pleasures past and present woes!”

O che gentile
Scongiuro hà ritrovato questo sciocco
Di rammentarmi la mia giovanezza,
Il ben passato, e la presente noia.
Act II, scene ii.
Aminta (1573)

Brian W. Aldiss photo
André Maurois photo

“The longer the road to love, the keener is the pleasure to be experienced by the sensitive lover.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

Eric Rücker Eddison photo
Horace photo

“He wins every hand who mingles profit with pleasure, by delighting and instructing the reader at the same time.”
Omne tulit punctum qui miscuit utile dulci, lectorem delectando pariterque monendo.

Source: Ars Poetica, or The Epistle to the Pisones (c. 18 BC), Line 343

Pauline Kael photo
Whittaker Chambers photo
Annie Besant photo
Winston S. Churchill photo

“The object of presenting medals, stars, and ribbons is to give pride and pleasure to those who have deserved them. At the same time a distinction is something which everybody does not possess. If all have it it is of less value … A medal glitters, but it also casts a shadow.”

Speech in the House of Commons, March 22, 1944 "War Decorations" http://hansard.millbanksystems.com/commons/1944/mar/22/war-decorations-and-medals#column_872.
The Second World War (1939–1945)

Margaret Fuller photo

“Beware of over-great pleasure in being popular or even beloved.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Letter to her brother, (20 December 1840) as quoted in The Feminist Papers (1973) by Alice Rossi.

Anthony Burgess photo
J. P. Donleavy photo

“Rid the mind of knowledge when looking for pleasure. Or start thinking and find a lot of pain.”

J. P. Donleavy (1926–2017) Novelist, playwright, essayist

The Saddest Summer of Samuel S (New York: Delacorte Press, 1966) pp. 62-3.

Willa Cather photo

“Everything about Pee-Wee's Big Adventure, from its toy-box colors to its superb, hyper-animated Danny Elfman score to the butch-waxed hairdo and wooden-puppet walk of its star and mastermind is pure pleasure.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/dvd/review/2000/10/10/peewees_big_adventure/index.html of Pee-Wee's Big Adventure (1985)

Herbert Spencer photo

“Every pleasure raises the tide of life; every pain lowers the tide of life.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

Source: The Principles of Ethics (1897), Part I: The Data of Ethics, Ch. 6, The Biological View

David Foster Wallace photo
Cyril Connolly photo
José Ortega Y Gasset photo
David Hume photo
Democritus photo

“Men achieve tranquillity through moderation in pleasure and through the symmetry of life. Want and superfluity are apt to upset them and to cause great perturbations in the soul. The souls that are rent by violent conflicts are neither stable nor tranquil. One should therefore set his mind upon the things that are within his power, and be content with his opportunities, nor let his memory dwell very long on the envied and admired of men, nor idly sit and dream of them. Rather, he should contemplate the lives of those who suffer hardship, and vividly bring to mind their sufferings, so that your own present situation may appear to you important and to be envied, and so that it may no longer be your portion to suffer torture in your soul by your longing for more. For he who admires those who have, and whom other men deem blest of fortune, and who spends all his time idly dreaming of them, will be forced to be always contriving some new device because of his [insatiable] desire, until he ends by doing some desperate deed forbidden by the laws. And therefore one ought not to desire other men's blessings, and one ought not to envy those who have more, but rather, comparing his life with that of those who fare worse, and laying to heart their sufferings, deem himself blest of fortune in that he lives and fares so much better than they. Holding fast to this saying you will pass your life in greater tranquillity and will avert not a few of the plagues of life—envy and jealousy and bitterness of mind.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Source Book in Ancient Philosophy (1907), The Golden Sayings of Democritus

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

“The essence of all art is to have pleasure in giving pleasure.”

Dale Carnegie (1888–1955) American writer and lecturer

As quoted in Art Smart (2007) by Alan Bryce

Edward Hopper photo

“The people here in fact seem to live in the streets, which are alive from morning until night, not as they are in New York with that never-ending determination for the 'long-green', but with a pleasure-loving crowd that doesn’t care what it does or where it goes, so that it has a good time.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Edward Hopper, in a letter to his mother, Paris, October 30, 1906; as quoted in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 14
1905 - 1910

Theodor Mommsen photo
Thomas Babington Macaulay, 1st Baron Macaulay photo
Tom Robbins photo
Gustave Moreau photo

“Other than pleasure-seeking and consumerism, it seems that the only fruit of our social development is a cancerous overgrowth of "the rational economic man": maximize personal gain, and that's all.”

Liu Xiaobo (1955–2017) Chinese literary critic, writer, professor, and human rights activist

The Spiritual Landscape of the Urban Young in Post-Totalitarian China" (2004)
No Enemies, No Hate: Selected Essays and Poems

Dana Gioia photo

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Edvard Munch photo
Titian photo

“I have been expecting the bull of the benefice of Medole which your Excellency gave me for my son Pomponio last year, and seeing that the matter is delayed beyond measure, and what is worse, that I have not received the income of the benefice — I find myself in a state of great discontent. It would be greatly to my dishonour and infamy, if my boy should be forced to change the priest's dress, which he wears with so much pleasure, after all Venice has been made acquainted with the gift made to him of this benefice by your Excellency.”

Titian (1488–1576) Italian painter

In a letter of Titian to the Marquess Gonzaga of Mantua, from Venice, 12 July, 1531; published by Pungileoni in the 'Giornale Arcadico' in 1831 and reprinted in Cadorin, 'Dello Amore', p. 37; transl. J.A.Y. Crowe & G.B. Cavalcaselle
The gift made it possible that his son Pomponio could start a career in the catholic church. A fortnight later Titian's note has become humble and thankful, for the Duke has written him, to say that the benefice and its income are his
1510-1540

“Fellowship with Jesus lies not alone in pleasurable emotions; you must learn it in suffering and in service.”

Anna Shipton (1815–1901) British religious writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 246.

Luís de Camões photo

“Ever in this world saw I
Good men suffer grave torments,
But even more—
Enough to terrify—
Men who live out evil lives
Reveling in pleasure and in content.”

Luís de Camões (1524–1580) Portuguese poet

Os bons vi sempre passar
No mundo graves tormentos;
E para mais me espantar,
Os maus vi sempre nadar
Em mar de contentamentos.
"Esparsa ao Desconcerto do Mundo", translation from Luís de Camões and the Epic of the Lusiads (1962) by Henry Hersch Hart, p. 111
Lyric poetry, Songs (redondilhas)

Pauline Kael photo

“At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us. They are saying that everyone is brutal, and the heroes must be as brutal as the villains or they turn into fools. There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counterbalance: the freedom of the press to say that there's anything conceivably damaging in these films — the freedom to analyze their implications. If we don't use this critical freedom, we are implicitly saying that no brutality is too much for us — that only squares and people who believe in censorship are concerned with brutality. Actually, those who believe in censorship are primarily concerned with sex, and they generally worry about violence only when it's eroticized. This means that practically no one raises the issue of the possible cumulative effects of movie brutality. Yet surely, when night after night atrocities are served up to us as entertainment, it's worth some anxiety. We become clockwork oranges if we accept all this pop culture without asking what's in it. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?”

"Stanley Strangelove" (January 1972) http://www.visual-memory.co.uk/amk/doc/0051.html, review of A Clockwork Orange
Deeper into Movies (1973)

Stendhal photo

“People who have been made to suffer by certain things cannot be reminded of them without a horror which paralyses every other pleasure, even that to be found in reading a story.”

Les contemporains qui souffrent de certaines choses ne peuvent s'en souvenir qu'avec une horreur qui paralyse tout autre plaisir, même celui de lire un conte.
Vol. I, ch. XXVII
Le Rouge et le Noir (The Red and the Black) (1830)

Robert Sheckley photo
Corneliu Zelea Codreanu photo

“It is a new form of leadership of states, never encountered yet. I don't know what designation it will be given, but it is a new form. I think that it is based on this state of mind, this state of high national consciousness which, sooner or later, spreads to the periphery of the national organism. It is a state of inner light. What previously slept in the souls of the people, as racial instinct, is in these moments reflected in their consciousness, creating a state of unanimous illumination, as found only in great religious experiences. This state could be rightly called a state of national oecumenicity. A people as a whole reach self-consciousness, consciousness of its meaning and its destiny in the world. In history, we have met in peoples nothing else than sparks, whereas, from this point of view, we have today permanent national phenomena. In this case, the leader is no longer a 'boss' who 'does what he wants', who rules according to 'his own good pleasure': he is the expression of this invisible state of mind, the symbol of this state of consciousness. He does not do what he wants, he does what he has to do. And he is guided, not by individual interests, nor by collective ones, but instead by the interests of the eternal nation, to the consciousness of which the people have attained. In the framework of these interests and only in their framework, personal interests as well as collective ones find the highest degree of normal satisfaction.”

Corneliu Zelea Codreanu (1899–1938) Romanian politician

On the form of government he plans on creating.
For My Legionaries: The Iron Guard (1936), Politics

Benoît Mandelbrot photo
Evelyn Waugh photo

“Of children as of procreation— the pleasure momentary, the posture ridiculous, the expense damnable.”

Evelyn Waugh (1903–1966) British writer

Letter to Nancy Mitford, May 5, 1954, cited from Mark Amory (ed.) The Letters of Evelyn Waugh (Harmondsworth: Penguin, 1982) p. 423
"The pleasure is momentary, the position ridiculous, and the expense damnable" is sometimes attributed to Lord Chesterfield (British statesman, diplomat and wit, 1694-1773), but has not been found in his works.

John Buchan photo
Walt Disney photo

“In my view, wholesome pleasure, sport, and recreation are as vital to this nation as productive work and should have a large share in the national budget.”

Walt Disney (1901–1966) American film producer and businessman

The Quotable Walt Disney (2001)

Richard Bach photo
Amanda Filipacchi photo
Arthur Schopenhauer photo

“The Philistine … is a man without intellectual needs. Now it follows from this that, as regards himself, he is left without any intellectual pleasures in accordance with the principle, il n’est pas de vrais plaisirs qu’avec de vrais besoins. [There are no true pleasures without true needs. ]”

Der Philister … ist demnach ein Mensch ohne geistige Bedürfnisse. Hieraus nun folgt gar mancherlei: erstlich, in Hinsicht auf ihn selbst, daß er ohne geistige Genüsse bleibt; nach dem schon erwähnten Grundsatz: il n’est pas de vrais plaisirs qu’avec de vrais besoins.
E. Payne, trans. (1974) Vol. 1, p. 344
Parerga and Paralipomena (1851), Aphorisms on the Wisdom of Life

Margaret Fuller photo

“Heroes have filled the zodiac of beneficent labors, and then given up their mortal part to the fire without a murmur. Sages and lawgivers have bent their whole nature to the search for truth, and thought themselves happy if they could buy, with the sacrifice of all temporal ease and pleasure, one seed for the future Eden. Poets and priests have strung the lyre with heart-strings, poured out their best blood upon the altar which, reare'd anew from age to age, shall at last sustain the flame which rises to highest heaven. What shall we say of those who, if not so directly, or so consciously, in connection with the central truth, yet, led and fashioned by a divine instinct, serve no less to develop and interpret the open secret of love passing into life, the divine energy creating for the purpose of happiness; — of the artist, whose hand, drawn by a preexistent harmony to a certain medium, moulds it to expressions of life more highly and completely organized than are seen elsewhere, and, by carrying out the intention of nature, reveals her meaning to those who are not yet sufficiently matured to divine it; of the philosopher, who listens steadily for causes, and, from those obvious, infers those yet unknown; of the historian, who, in faith that all events must have their reason and their aim, records them, and lays up archives from which the youth of prophets may be fed. The man of science dissects the statement, verifies the facts, and demonstrates connection even where he cannot its purpose·”

Woman in the Nineteenth Century (1845)

E.M. Forster photo
Christopher Hitchens photo
Charles Lamb photo

“Separate from the pleasure of your company, I don't much care if I never see a mountain in my life.”

Charles Lamb (1775–1834) English essayist

Letter to Wordsworth (January 30, 1801)

Isaac Rosenberg photo
Kellyanne Conway photo

“I serve at the pleasure of @POTUS. His message is my message. His goals are my goals. Uninformed chatter doesn't matter.”

Kellyanne Conway (1967) American strategist and pollster

Twitter account @KellyannePolls https://twitter.com/KellyannePolls/status/831566360153042944 (February 14, 2017)

Thomas Aquinas photo

“Man cannot live without joy. That is why one deprived of spiritual joys goes over to carnal pleasures.”

II–II, q. 35, art. 4, ad. 2
Summa Theologica (1265–1274)

Leona Lewis photo

“I hate the thought of animals being killed just for our pleasure…”

Leona Lewis (1985) British singer-songwriter

Bang Showbiz, December 2007

Ambrose Bierce photo

“Along the road of life are many pleasure resorts, but think not that by tarrying in them you will take more days to the journey. The day of your arrival is already recorded.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 364

Susan Neiman photo
Tim Parks photo
Leo Tolstoy photo
Báb photo
Oliver Goldsmith photo

“Who mix'd reason with pleasure, and wisdom with mirth:
If he had any faults, he has left us in doubt.”

Oliver Goldsmith (1728–1774) Irish physician and writer

Source: Retaliation (1774), Line 24.

Antisthenes photo

“I'd rather be mad than feel pleasure.”

Antisthenes (-444–-365 BC) Greek philosopher

§ 3; quoted also by Eusebius of Caesarea, Praeparatio Evangelica xv. 13
From Lives and Opinions of the Eminent Philosophers by Diogenes Laërtius

Percy Bysshe Shelley photo

“Tragedy delights by affording a shadow of the pleasure which exists in pain.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

A Defence of Poetry http://www.bartleby.com/27/23.html (1821)

Letitia Elizabeth Landon photo