Quotes about pleasure
page 9

Thomas Warton photo

“All human race, from China to Peru,
Pleasure, howe’er disguis’d by art, pursue.”

Thomas Warton (1728–1790) English literary historian, critic, poet

Universal Love of Pleasure, Reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Let observation with extensive view/ Survey mankind, from China to Peru", Samuel Johnson, Vanity of Human Wishes, Line 1.

George Granville, 1st Baron Lansdowne photo

“Tis impious pleasure to delight in harm.
And beauty should be kind, as well as charm.”

George Granville, 1st Baron Lansdowne (1666–1735) 1st Baron Lansdowne

To Myra, line 21; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), "Beauty", p. 57-63.

Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Yehuda Ashlag photo

“[T]he thought of creation itself dictates the presence of an excessive will to receive in the souls, to fit the immense pleasure that the Creator thought to bestow upon them. For the great delight and the great desire to receive must go hand in hand.”

Yehuda Ashlag (1886–1954) Orthodox Jewish Rabbi and Kabbalist

Introduction to the Book of Zohar, in Introduction to the Book of Zohar: Volume Two, Michael Laitman, ed., Laitman Kabbalah Publishers, 2005, p. 119.
Introduction to the Book of Zohar

Johann Georg Hamann photo

“Let us assume that we invited an unknown person to a game of cards. If this person answered us, “I don’t play,” we would either interpret this to mean that he did not understand the game, or that he had an aversion to it which arose from economic, ethical, or other reasons. Let us imagine, however, that an honorable man, who was known to possess every possible skill in the game, and who was well versed in its rules and its forbidden tricks, but who could like a game and participate in it only when it was an innocent pastime, were invited into a company of clever swindlers, who were known as good players and to whom he was equal on both scores, to join them in a game. If he said, “I do not play,” we would have to join him in looking the people with whom he was talking straight in the face, and would be able to supplement his words as follows: “I don’t play, that is, with people such as you, who break the rules of the game, and rob it of its pleasure. If you offer to play a game, our mutual agreement, then, is that we recognize the capriciousness of chance as our master; and you call the science of your nimble fingers chance, and I must accept it as such, it I will, or run the risk of insulting you or choose the shame of imitating you.” … The opinion of Socrates can be summarized in these blunt words, when he said to the Sophists, the leaned men of his time, “I know nothing.””

Johann Georg Hamann (1730–1788) German philosopher

Therefore these words were a thorn in their eyes and a scourge on their backs.
Socratic Memorabilia, J. Flaherty, trans. (Baltimore: 1967), pp. 165-167.

Agatha Christie photo
Attila the Stockbroker photo
Robert Louis Stevenson photo
Kofi Annan photo
Iain Banks photo
John Stuart Mill photo

“Granted that any practice causes more pain to animals than it gives pleasure to man; is that practice moral or immoral? And if, exactly in proportion as human beings raise their heads out of the slough of selfishness, they do not with one voice answer 'immoral,' let the morality of the principle of utility be for ever condemned.”

John Stuart Mill (1806–1873) British philosopher and political economist

Dr. Whewell on Moral Philosophy (1852), in Dissertations and Discussions: Political, Philosophical, and Historical, vol. 2, London: John W. Parker and son, 1859, p. 485 https://books.google.it/books?id=w-I3AQAAMAAJ&pg=PA485

Kris Kristofferson photo

“Why me Lord? What have I ever done
To deserve even one of the pleasures I've known?
Tell me Lord what did I ever do
That was worth loving you or the kindness you've shown?”

Kris Kristofferson (1936) American country music singer, songwriter, musician, and film actor

Why Me
Song lyrics, Jesus Was a Capricorn (1972)

John Ruskin photo

“We need examples of people who, leaving Heaven to decide whether they are to rise in the world, decide for themselves that they will be happy in it, and have resolved to seek — not greater wealth, but simpler pleasure; not higher fortune, but deeper felicity; making the first of possessions, self-possession; and honouring themselves in the harmless pride and calm pursuits of peace.”

Essay IV: "Ad Valorem," (p. 135 of 1881 edition http://books.google.com/books?id=59UWAAAAYAAJ&dq=%22leaving%20heaven%20to%20decide%20whether%20they%20are%20to%20rise%20in%20the%20world%22%20intitle%3AUnto%20intitle%3AThis%20intitle%3ALast%20inauthor%3AJohn%20inauthor%3ARuskin&pg=RA1-PA135#v=onepage&q=%22leaving%20heaven%20to%20decide%20whether%20they%20are%20to%20rise%20in%20the%20world%22%20intitle:Unto%20intitle:This%20intitle:Last%20inauthor:John%20inauthor:Ruskin&f=true|).
Unto This Last (1860)

Benjamin Franklin photo
William Cowper photo

“Detested sport,
That owes its pleasures to another's pain.”

Of fox-hunting.
Source: The Task (1785), Book III, The Garden, Line 326

William Stanley Jevons photo
Louis Brandeis photo

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Kapila photo

“Kapila's arguments are listed [by Dr. Ambedkar], and the last one introduces yet another fundamental concept of Buddhism: suffering (dukkha). It is brought in from an unusual angle: 'Kapila argued that the process of development of the unevolved is through the activities of three constituents of which it is made up, Sattva, Rajas and Tamas. These are called three Gunas. [Sattva is] light in nature, which reveals, which causes pleasure to men; [Rajas is] what impels and moves, what produces activity; [Tamas is] what is heavy and puts under restraint, what produces the state of indifference or inactivity (') When the three Gunas are in perfect balance, none overpowering the other, the universe appears static (achetan) and ceases to evolve. When the three Gunas are not in balance, one overpowers the other, the universe becomes dynamic (sachetan) and evolution begins. Asked why the Gunas become unbalanced, the answer which Kapila gave was that this disturbance in the balance of the three Gunas was due to the presence of Dukkha (suffering).”

Kapila Vedic sage, of the Samkhya school of Hindu philosophy

Buddhism is quite close to the Samkhya-Yoga viewpoint: to Samkhya for its philosophical framework, to Yoga for its methods of meditation.
Quoted in Elst, Koenraad (2002). Who is a Hindu?: Hindu revivalist views of Animism, Buddhism, Sikhism, and other offshoots of Hinduism. ISBN 978-8185990743, with quote from Ambedkar: The Buddha and his Dhamma, 1:5:2.

Samuel Taylor Coleridge photo
Charlotte Brontë photo
Gideon Mantell photo
John Belushi photo

“I give so much pleasure to so many people. Why can I not get some pleasure for myself?”

John Belushi (1949–1982) American comedian, actor, and musician

Quoted in: Robert Andrews (2003), The New Penguin Dictionary of Modern Quotations. p. 144

Jonathan Edwards photo

“Almost all men, and those that seem to be very miserable, love life, because they cannot bear to lose sight of such a beautiful and lovely world. The ideas, that every moment whilst we live have a beauty that we take not distinct notice of, brings a pleasure that, when we come to the trial, we had rather live in much pain and misery than lose.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

"The Beauty of the World" (c.1725), from the notebook The Images of Divine Things, The Shadows of Divine Things, The Language and Lessons of Nature (published 1948).

John Zerzan photo
John Gray photo
Baba Hari Dass photo

“Having made pleasure and pain, gain and loss, victory and defeat the same, you engage in battle for the sake of battle; thus you shell win and not incur sin.”

Baba Hari Dass (1923–2018) master yogi, author, builder, commentator of Indian spiritual tradition

Bhagavad Gita, Ch II, verse 38
Srimad Bhagavad Gita, Ch. I-VI, 2013

Alexander Pope photo
Joschka Fischer photo

“Stalin was a guy like we are, not only that he considered himself a revolutionary and lived like one, but he was a character in the truest sense of the word… We have finally to let out this psychological wreckage… it is our and my darkest chapter, I know or better to say I suspect it, because I am extremely afraid of certain things that are inside of me. Bartsch and Honka are extreme cases, but in some sense this is as personality inside of oneself… then it easily developed into, yes, the thrill of punching, tending to be a sadistic pleasure.”

Joschka Fischer (1948) German politician

"Stalin war also so ein Typ wie wir, nicht nur, daß er sich auch als Revolutionär verstanden und gelebt hat, sondern er war im wahrsten Sinne des Wortes eben auch ein Typ."
… [Wir müssen] "diese psychische Kaputtheit aus uns endlich rauslassen … Es ist unser und mein dunkelstes Kapitel, ich weiß, oder ahne es besser nur, weil ich da selber wahnsinnig Angst vor bestimmten Sachen in mir habe. Bartsch und Honka sind Extremfälle, aber irgendwo hängt das als Typ in dir drin … dann wurde dann leicht auch, ja, die Lust am Schlagen draus, ein tendenziell sadistisches Vergnügen."
Autonomie, No. 5 (1977)

Cyril Connolly photo
Letitia Elizabeth Landon photo

“Alas! alas! too often conscience sleeps,
When pleasure's syren numbers lull its rest.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto II, VIII
The Fate of Adelaide (1821)

Michel De Montaigne photo
Hermann Hesse photo
Gregory Benford photo
Jiddu Krishnamurti photo

“Thought nourishes, sustains and gives continuity to fear and pleasure.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

3rd Public Talk, Bombay (Mumbai), India (14 February 1971)
1970s

James D. Watson photo

“I suspect that in the beginning Maurice hoped that Rosy would calm down. Yet mere inspection suggested that she would not easily bend. By choice she did not emphasize her feminine qualities. Though her features were strong, she was not unattractive and might have been quite stunning had she taken even a mild interest in clothes. This she did not. There was never lipstick to contrast with her straight black hair, while at the age of thirty-one her dresses showed all the imagination of English blue-stocking adolescents. So it was quite easy to imagine her the product of an unsatisfied mother who unduly stressed the desirability of professional careers that could save bright girls from marriages to dull men. But this was not the case. Her dedicated austere life could not be thus explained — she was the daughter of a solidly comfortable, erudite banking family.
Clearly Rosy had to go or be put in her place. The former was obviously preferable because, given her belligerent moods, it would be very difficult for Maurice to maintain a dominant position that would allow him to think unhindered about DNA. Not that at times he'd didn't see some reason for her complaints — King's had two combination rooms, one for men, the other for women, certainly a thing of the past. But he was not responsible, and it was no pleasure to bear the cross for the added barb that the women's combination room remained dingily pokey whereas money had been spent to make life agreeable for him and his friends when they had their morning coffee.
Unfortunately, Maurice could not see any decent way to give Rosy the boot. To start with, she had been given to think that she had a position for several years. Also there was no denying that she had a good brain. If she could keep her emotions under control, there was a good chance she could really help him. But merely wishing for relations to improve was taking something of a gamble, for Cal Tech's fabulous chemist Linus Pauling was not subject to the confines of British fair play. Sooner or later Linus, who had just turned fifty, was bound to try for the most important of all scientific prizes. There was no doubt he was interested. … The thought could not be avoided that the best home for a feminist was in another person's lab.”

Description of Rosalind Franklin, whose data and research were actually key factors in determining the structure of DNA, but who died in 1958 of ovarian cancer, before the importance of her work could be widely recognized and acknowledged. In response to these remarks her mother stated "I would rather she were forgotten than remembered in this way." As quoted in "Rosalind Franklin" at Strange Science : The Rocky Road to Modern Paleontology and Biology by Michon Scott http://www.strangescience.net/rfranklin.htm
The Double Helix (1968)

Paul Gauguin photo

“My Dear Mr. Pissarro; - I accept with pleasure the invitation that you and Mr. Degas were kind enough to extend to me. And naturally in that case I shall abide by all the rules that govern your Societe. Based on this decision, I also have the membership dues available. I will probably see you at Miss Latouche's and we will talk about this.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote from a short letter of Gauguin, 3 April 1879, to French artist to Pissarro; as cited on 'Paul Gauguin Autograph Letter Signed to Camille Pissarro' - Nade D. Sanders http://natedsanders.com/paul_gauguin_autograph_letter_signed_to_camille_pi-lot13463.aspx
Gauguin accepted membership in the Societe Anonyme Cooperative des Artistes Peintres, Sculpteurs, Graveurs, formed in 1873 by Pissarro, Claude Monet, Pierre-Auguste Renoir and Alfred Sisley for the purpose of exhibiting their artwork independently
1870s - 1880s

Moses Isserles photo
Alexis De Tocqueville photo
Robert Graves photo
Robert Seymour Bridges photo
Richard III of England photo

“Right trusty and well beloved, we greet you well, and where, by your letters of supplication to us delivered by your servant John Brackenbury, we understand that, by reason of your great charges that ye have had and sustained, as well in the defence of this realm against the Scots as otherwise, your worshipful city remaineth greatly in poverty, for the which ye desire us to be good mean unto the King’s Grace for an ease of such charges as ye yearly bear and pay unto His Highness, we let you wit that for such great matters and businesses as we now have to do for the weal and usefulness of the realm, we as yet ne can have convenient leisure to accomplish this your business, but be assured that for your kind and loving dispositions to us at all times showed, which we ne can forget, we in goodly haste shall so endeavour us for your ease in this behalf as that ye shall verily understand we be your especial good and loving lord, as your said servant shall show you, to whom it will like you herein to give further credence; and for the diligent service which he hath done to our singular pleasure unto us at this time, we pray you to give unto him laud and thanks, and God keep you.”

Richard III of England (1452–1485) English monarch

Letter to the city fathers of York in April or early May 1483 as Lord Protector for his nephew, Edward V, reprinted in Richard the Third (1956) http://books.google.com/books?id=dNm0JgAACAAJ&dq=Paul+Murray+Kendall+Richard+the+Third&ei=TZHDR8zXKZKIiQHf2NCpCA

Arthur Penrhyn Stanley photo
Steven Erikson photo
Samuel Butler photo

“More positively, taking pleasure in music is the most obvious sign of comprehension, the proof that we understand it, and we may extend that to sympathy with other listeners' enjoyment …”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense

Joseph Addison photo

“To a man of pleasure every moment appears to be lost, which partakes not of the vivacity of amusement.”

Joseph Addison (1672–1719) politician, writer and playwright

Very often attributed to Addison, this is apparently a paraphrase of a statement by Hugh Blair, published in Blair's Sermons (1815), Vol. 1, p. 219, where he mentions "men of pleasure and the men of business", and that "To the former every moment appears to be lost, which partakes not of the vivacity of amusement".
Misattributed

Mikhail Bulgakov photo

“I had the pleasure of meeting that young man at the Patriarch's Ponds. He almost drove me mad myself, proving to me that I don't exist. But you do believe that it is really I?”

Book Two in 'The Extraction of the Master, P/V, here Woland addresses the Master about Ivan (alias "Homless")
The Master and Margarita (1967)

Sarah Jessica Parker photo
Vātsyāyana photo

“Karma is the enjoyment of appropriate objects by the five senses of hearing, feeling, seeing, tasting and smelling, assisted by the mind together with the soul. The ingredient in this is a peculiar contact between the organ of sense and its object, and the consciousness of pleasure which arises from that contact is called Kama.”

Vātsyāyana Indian logician

Source: The Kama Sutra of Vatsyayana: Translated from the Sanskrit. In seven parts, with preface, introduction, and concluding remarks http://books.google.com/books?id=-ElAAQAAIAAJ&pg=PA18, Kama Shastra Society of London and Benares, 1883, P. 17

Leo Tolstoy photo
Henry Taylor photo
Cesare Borgia photo
Théodore Rousseau photo
David Garrick photo

“I am disappointed by that stroke of death that has eclipsed the gaiety of nations, and impoverished the public stock of harmless pleasure.”

David Garrick (1717–1779) English actor, playwright, theatre manager and producer

Samuel Johnson; carved on Garrick's memorial in Lichfield Cathedral http://www.britannica.com/shakespeare/article-2605
About

Marcus Manilius photo

“Labor is itself a pleasure.”
Labor est etiam ipse voluptas.

Variant translation (reading ipsa): Even pleasure itself is a toil.
Book IV, line 155. Explained by Housman ad loc. The first reading is the correct one in the context.
Astronomica

Gerald Ford photo

“Obviously, it's a great privilege and pleasure to be here at the Yale Law School Sesquicentennial Convocation. And I defy anyone to say that and chew gum at the same time.”

Gerald Ford (1913–2006) American politician, 38th President of the United States (in office from 1974 to 1977)

Address at Yale Law School's 150th anniversary (25 April 1975) http://www.presidency.ucsb.edu/ws/index.php?pid=4869
1970s

Herbert Read photo

“A short poem is often called a lyric, which originally meant a poem short enough to be set to music and sung for a moment's pleasure.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

Diogenes Laërtius photo

“Epicurus laid down the doctrine that pleasure was the chief good.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Epicurus, 6.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 10: Epicurus

Anne-Thérèse de Marguenat de Courcelles, marquise de Lambert photo

“The most necessary disposition to relish pleasures is to know how to be without them.”

Source: A Mother's Advice to Her Son, 1726, p. 160

Cristoforo Colombo photo

“Thanks be to God," says the Admiral; "the air is soft as in April in Seville, and it is a pleasure to be in it, so fragrant it is.”

Cristoforo Colombo (1451–1506) Explorer, navigator, and colonizer

8 October 1492
Journal of the First Voyage

André Maurois photo
Giovanni della Casa photo

“pleasure wouldn’t exist without the sharp bite of pain. Even the brief flash of orgasm is too intense to be absolutely pleasurable”

have you ever seen anyone who could take anything from me against my will, ever, anywhere, anytime?
The Silver Wolf

Stephen King photo
Max Beckmann photo

“I have never, God or whatever knows, prostrated myself to be famous, but I would meander through all the sewers of the world, through all degradation and humiliations, in order to paint. I have to do this. Until the last drop every vision that exists in my being must be purged; then it will be a pleasure for me to be rid of this damned torture”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

letter to his first wife Minna, from the front, 1915; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 5
1900s - 1920s

Miklós Horthy photo
Philip Stanhope, 4th Earl of Chesterfield photo

“Then in chat, or at play, with a dance, or a song,
Let the night, like the day, pass with pleasure along.
All cares, but of love, banish far from your mind;
And those you may end, when you please to be kind.”

Philip Stanhope, 4th Earl of Chesterfield (1694–1773) British statesman and man of letters

"Advice to a Lady in Autumn", published in A Collection of Poems in Six Volumes. By Several Hands. Vol. I. (1763), printed by J. Hughs, for R. and J. Dodsley

Pierre Nicole photo

“It is another aphorism that no ones knows everything about anything. That need not dull the pleasure and fascination of the fact that a great deal is known about some things.”

George Gaylord Simpson (1902–1984) American paleontologist

Splendid Isolation (1980) New Haven: Yale University Press. p. 38

Jerome K. Jerome photo
Pierre Louis Maupertuis photo
Pauline Kael photo
Dana Gioia photo
Gregory of Nyssa photo

“For the majority, I take it, who live all their lives with such obtuse faculties of thinking, it is a difficult thing to perform this feat of mental analysis and of discriminating the material vehicle from the immanent beauty, … Owing to this men give up all search after the true Beauty. Some slide into mere sensuality. Others incline in their desires to dead metallic coin. Others limit their imagination of the beautiful to worldly honours, fame, and power. There is another class which is enthusiastic about art and science. The most debased make their gluttony the test of what is good. But he who turns from all grosser thoughts and all passionate longings after what is seeming, and explores the nature of the beauty which is simple, immaterial, formless, would never make a mistake like that when he has to choose between all the objects of desire; he would never be so misled by these attractions as not to see the transient character of their pleasures and not to win his way to an utter contempt for every one of them. This, then, is the path to lead us to the discovery of the Beautiful. All other objects that attract men's love, be they never so fashionable, be they prized never so much and embraced never so eagerly, must be left below us, as too low, too fleeting, to employ the powers of loving which we possess; not indeed that those powers are to be locked up within us unused and motionless; but only that they must first be cleansed from all lower longings; then we must lift them to that height to which sense can never reach.”

Gregory of Nyssa (335–395) bishop of Nyssa

On Virginity, Chapter 11

Nathanael Greene photo
Johann de Kalb photo
Samuel Taylor Coleridge photo
André Maurois photo
Juan Luis Vives photo

“All these books were written by idle, unoccupied, ignorant men, the slaves of vice and filth. I wonder what it is that delights us in these books unless it be that we are attracted by indecency. Learning is not to be expected from authors who never saw even a shadow of learning. As for their story-telling, what pleasure is to be derived from the things they invent, full of lies and stupidity?”
Quos omnes libros conscripserunt homines otiosi, male feriati, imperiti, vitiis ac spurcitiae dediti, in queis miror quid delectet nisi tam nobis flagitia blandirentur. Eruditio non est exspectanda ab hominibus qui ne umbram quidem eruditionis viderant. Iam cum narrant, quae potest esse delectatio in rebus quas tam aperte et stulte confingunt?

Juan Luis Vives (1492–1540) Spanish philosopher

De Institutione Feminae Christianae (1523), trans. by C. Fantazzi (1996), Vol. I, p. 47.

Letitia Elizabeth Landon photo

“The path was new, and there was thrown
A sweet veil over pleasure's ray;
But ignorance is happiness,
When young Hope is to show the way;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(12th January 1822) Ten Years Ago.
The London Literary Gazette, 1821-1822

Albert Szent-Györgyi photo

“If any student comes to me and says he wants to be useful to mankind and go into research to alleviate human suffering, I advise him to go into charity instead. Research wants real egotists who seek their own pleasure and satisfaction, but find it in solving the puzzles of nature.”

Albert Szent-Györgyi (1893–1986) Hungarian biochemist who won the Nobel Prize in Physiology or Medicine in 1937

Attributed to Szent-Györgyi by :w:Gerald Holton (1978); cited in: Robert Cohen (1985) The Development of spatial cognition. p. 363.

Samuel Johnson photo

“Poetry is the art of uniting pleasure with truth, by calling imagination to the help of reason.”

Samuel Johnson (1709–1784) English writer

The Life of Milton
Lives of the English Poets (1779–81)

Walter Scott photo
Henry David Thoreau photo
Tanith Lee photo
Charles Baudelaire photo

“What is intoxicating about bad taste is the aristocratic pleasure of offensiveness.”

Charles Baudelaire (1821–1867) French poet

Ce qu'il y a d'enivrant dans le mauvais goût, c'est le plaisir aristocratique de déplaire.
XVIII http://fr.wikisource.org/wiki/Fus%C3%A9es#XVIII
Journaux intimes (1864–1867; published 1887), Fusées (1867)

Perry Anderson photo

“The greater pleasures of reading the LRB are thus paid for in a more erratic and limited horizon.”

Perry Anderson (1938) British historian

Spectrum: From Right to Left in the World of Ideas (2005), Debts 1. "The London Review of Books" (1996; 2005)

John of St. Samson photo
René Descartes photo
Letitia Elizabeth Landon photo

“Sweet Pauline, could I buy thee
With gold or its worth,
I would not deny thee
The wealth of the earth.
They talk of the pleasure
That riches bestow —
Without thee, my treasure,
What joy could I know?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette (10th January 1835) Versions from the German (Second Series.) 'Pauline's Price'— Goethe.
Translations, From the German

Hermann Hesse photo
Vincent Van Gogh photo
Martin Farquhar Tupper photo