Quotes about feelings
page 100

Dana Gioia photo
Suvi Koponen photo
Karel Appel photo

“I'm not a pessimist. Maybe I don't have a primitive feeling of happiness, that is true. Sometimes my color is happy but not the expression.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Source: Karel Appel – the complete sculptures,' (1990), p. 85 'Quotes', K. Appel (1989)

Samuel Butler photo
George Gordon Byron photo
Henry Stephens Salt photo
Ventseslav Konstantinov photo

“The greatest pleasure in translating is precisely this feeling of spiritual closeness and spiritual merging with the translated author. Moreover this spiritual relation is different with every writer.”

Ventseslav Konstantinov (1940–2019) Bulgarian writer and Translator

As quoted in "From Bach to Kafka, or... about temptation - An interview by Emil Bassat http://darl.eu/intervie/84_05_30.htm" in Sofia News (30 May 1984).

Michael Franti photo
Don Soderquist photo

“When people feel good about themselves, then they feel good about others.  When people feel good about each other, they can work together as a team, and when people work as a team, they are able to accomplish exceedingly more than anyone could hope to expect.”

Don Soderquist (1934–2016)

Don Soderquist “ The Wal-Mart Way: The Inside Story of the Success of the World's Largest Company https://books.google.com/books?id=mIxwVLXdyjQC&lpg=PR9&dq=Don%20Soderquist&pg=PR9#v=onepage&q=Don%20Soderquist&f=false, Thomas Nelson, April 2005, p. 53.
On Creating Teamwork

David Lloyd George photo

“The right hon. Gentleman the Member for West Birmingham said, in future what are you going to tax when you will want more money? He also not merely assumed but stated that you could not depend upon any economy in armaments. I think that is not so. I think he will find that next year there will be substantial economy without interfering in the slightest degree with the efficiency of the Navy. The expenditure of the last few years has been very largely for the purpose of meeting what is recognised to be a temporary emergency. … It is very difficult for one nation to arrest this very terrible development. You cannot do it. You cannot when other nations are spending huge sums of money which are not merely weapons of defence, but are equally weapons of attack. I realise that, but the encouraging symptom which I observe is that the movement against it is a cosmopolitan one and an international one. Whether it will bear fruit this year or next year, that I am not sure of, but I am certain that it will come. I can see signs, distinct signs, of reaction throughout the world. Take a neighbour of ours. Our relations are very much better than they were a few years ago. There is none of that snarling which we used to see, more especially in the Press of those two great, I will not say rival nations, but two great Empires. The feeling is better altogether between them. They begin to realise they can co-operate for common ends, and that the points of co-operation are greater and more numerous and more important than the points of possible controversy.”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

Speech in the House of Commons http://hansard.millbanksystems.com/commons/1914/jul/23/finance-bill on the day the Austrian ultimatum was sent to Serbia (23 July 1914); The "neighbour" mentioned is Germany.
Chancellor of the Exchequer

Jean-François Millet photo

“They [the Paris art-critics] wish to force me into their drawing-room art, to break my spirit. No, no! I was born as a peasant and a peasant I will die. I say what I feel. I paint things as I see them, and I will hold my ground without retreating one sabot; if necessary, I will fight for honour.”

Jean-François Millet (1814–1875) French painter

Quote from his letter, March 1859; as quoted by Arthur Hoeber in The Barbizon Painters – being the story of the Men of thirty – associate of the National Academy of Design; publishers, Frederick A. Stokes Company, New York 1915, p. 53
his now famous picture 'Death and the Woodcutter' https://upload.wikimedia.org/wikipedia/commons/d/dd/Death-and-the-woodcutter-jean-francois-millet3.jpg, had been rejected at the Salon, and the important and conservative journal 'Gazette des Beaux Arts' was most indignant. The well known Hedouin engraved this work.
1851 - 1870

Anna Sui photo

“I'm always about optimism and exuberance. It's what I feel about fashion.”

Anna Sui (1964) American fashion designer

via Borrelli-Persson, Laird. Spring 2010 Ready-to-Wear. Vogue (September 16, 2009). http://www.vogue.com/fashion-shows/spring-2010-ready-to-wear/anna-sui

Christopher Isherwood photo
Jeet Thayil photo
John McLaughlin photo
Susannah Constantine photo

“In social situations I still feel scared. My best friend and husband give me the freedom to be myself.”

Susannah Constantine (1962) British fashion designer and journalist

As quoted in "Retail therapists" by Fiona Neill in The Times (14 July 2007)

Phil Brooks photo
Eduardo Torroja photo
Herbert Hoover photo
Lawrence M. Schoen photo
Henry Wadsworth Longfellow photo
Henry Adams photo

“To feel the art of Mont Saint Michel and Chartres we have got to become pilgrims again.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Chinmayananda Saraswati photo
Noel Gallagher photo
Kate Bush photo

“See how the child reaches out instinctively
To feel how fire will feel.
See how the man reaches out instinctively
For what he cannot have.
The pull and the push of it all.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Sensual World (1989)

Gloria Estefan photo

“I'm singing the hardest song [the national anthem] you could possibly sing at this hour of the morning [8 a. m. ]. [I came from Cuba] when I was sixteen months old, although I didn't become a citizen until I was actually about 9 or 10 years old [1966-67]. I had to leave the country to become a citizen, because we had to go to Canada -- and I'll never forget that trip as long as I live. But it was very important for me then, and for them [new citizens] today, What more special day can you have: July 4th in the American Mecca. It doesn't get better than that for them. Well, I'll tell you this -- and I can base it on my own feelings. The beauty of this country is that you can become a citizen of this wonderful nation, and still keep who you are: your culture, your lifestyle. It's a melting pot that allows you not to melt if you don't want to. And it's a wonderful place. I love this country. I really admire it: its ideals, the freedom, the things it stands for. As an immigrant that came from a country that doesn't have those freedoms and still doesn't have them -- which is Cuba -- it's much more special to me: To be able to live here and to be able to have the life that I do in this country.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

interview with Sam Champion on Good Morning America television progam before ceremony at Walt Disney World in Orlando, Florida to swear in 1,000 new U.S. citizens (July 4, 2007)
2007, 2008

Richard A. Posner photo
Ashrita Furman photo

“Going beyond your every day capacity is such a fulfilling feeling.”

Ashrita Furman (1954) American world record holder

srichinmoybio.co.uk / World’s largest incense stick (September 6, 2013) http://www.srichinmoybio.co.uk/news/ashrita-furman/worlds-largest-incense-stick/

Joseph Gordon-Levitt photo
Albert Camus photo
Vincent Van Gogh photo

“.. I have painted a few studies of the figure… I send you [Theo] two sketches. The painting of the figure appeals to me very much, but it must ripen - I must learn to know the technique better - that which is sometimes called "la cuisine de l'art". In the beginning I shall have to do much scraping, and often to begin anew, but I feel that I learned from it and that gives me a new fresh view on the things.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in a letter of Vincent to Theo, from The Hague (Netherlands), August 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 226), catalogus-page: Oil Paintings -Dutch Period: 'Scheveningen, Fisherwoman'
1880s, 1882

Tom Petty photo

“Oh baby, don't it feel like heaven right now,
Don't it feel like something from a dream.”

Tom Petty (1950–2017) American musician

The Waiting
Lyrics, Hard Promises (1981)

José Martí photo
Amir Taheri photo

“It is not solely by weapons that ISIS imposes its control. More important is the terror it has instilled in millions in Syria, Iraq, Jordan, Lebanon and, increasingly, Saudi Arabia and Kuwait. Indeed, Jordan’s panic-driven decision to execute two jihadists in response to the burning of its captured pilot is another sign of the terror Daesh has instilled in Arab governments and much of the public. In the short run, terror is a very effective means of psychological control of unarmed and largely defenseless populations. Even in areas far from Daesh’s reach, growing numbers of preachers, writers, politicians and even sheiks and emirs, terrorized by unprecedented savagery, are hedging their bets. Today, Daesh is a menacing presence not only in Baghdad but in Arab capitals from Cairo to Muscat — an evil ghost capable of launching attacks in the Sinai and organizing deadly raids on Jordanian and Saudi borders. ISIS enjoys yet another advantage: It has a clear strategy of making areas beyond its control unsafe. No one thinks Daesh can seize Baghdad, but few Baghdadis feel they’re living anything close to a normal life. Daesh’s message is clear: No one is safe anywhere, including in non-Muslim lands, until the whole world is brought under “proper Islamic rule.””

Amir Taheri (1942) Iranian journalist

How ISIS is winning: The long reach of terror http://nypost.com/2015/02/05/how-isis-is-winning-the-long-reach-of-terror/, New York Post (February 5, 2015).
New York Post

Haruki Murakami photo
Bob Dylan photo
William Hazlitt photo
Don DeLillo photo

“We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."”

Another silence ensued. "They are taking pictures of taking pictures," he said.”
White Noise (1984)

Letitia Elizabeth Landon photo
Perry Anderson photo

“The range of emotions parents can arouse in their children – affection, rebellion, indifference, fear, adulation, their disturbing combinations – suggest a repertory of subjective universals, cutting in each individual case at random across cultures. What children know – as opposed to feel – about their parents, on the other hand, is likely to be a function of objective constraints that vary more systematically: tradition, place, life-span.”

Perry Anderson (1938) British historian

Debts 2. "An Anglo-Irishman In China: J.C. O’G. Anderson" (1998;2005)
Ref: en.wikiquote.org - Perry Anderson / Quotes / Spectrum: From Right to Left in the World of Ideas (2005), Debts 2. "An Anglo-Irishman In China, J.C. O’G. Anderson" (1998;2005)
Spectrum: From Right to Left in the World of Ideas (2005)

John Kenneth Galbraith photo
John Bright photo
Maurice de Vlaminck photo

“I wanted to burn down the 'École de Beaux Arts' with my cobalts and vermilions and I wanted to express my feelings with my brushes without troubling what painting was like before me... Life and me, me and life.”

Maurice de Vlaminck (1876–1958) French painter

Quote of De Vlaminck; as cited in Picasso, Matisse and Modernism in Paris 1900-1910, Sue Roe; Penguin Press, 2015; quoted in 'Becoming an Artist' on Widewalls https://www.widewalls.ch/artist/maurice-de-vlaminck/
Quotes undated

Xun Zi photo
Carl von Clausewitz photo
Lizzie Deignan photo
Hartley Shawcross, Baron Shawcross photo

“I feel that I've had a happy life, not a very useful life, but a happy one.”

Hartley Shawcross, Baron Shawcross (1902–2003) British politician

As quoted in his obituary in The Independent (11 July 2003) http://news.independent.co.uk/people/obituaries/article36741.ece

Bawa Muhaiyaddeen photo
Annabelle Wallis photo
Don Soderquist photo

“Striving for excellence means never being satisfied—always doing things to keep improving, even if it means changing everything we do. It means we never feel that we have arrived. We don’t believe our press clippings. We don’t get complacent and pat ourselves on the backs. We talk about what we could have done better. We believe that we can achieve extraordinary results when we strive for excellence in all we do.”

Don Soderquist (1934–2016)

Don Soderquist “ The Wal-Mart Way: The Inside Story of the Success of the World's Largest Company https://books.google.com/books?id=mIxwVLXdyjQC&lpg=PR9&dq=Don%20Soderquist&pg=PR9#v=onepage&q=Don%20Soderquist&f=false, Thomas Nelson, April 2005, p. 33.
On Striving for Excellence

Christopher Pitt photo

“Ah, mighty Queen! you urge me to disclose,
And feel, once more, unutterable woes.”

Christopher Pitt (1699–1748) English poet

Book II, line 3
The Æneid of Virgil (1740)

Bill Hicks photo
Ferdinand Hodler photo
Malcolm Muggeridge photo

“The only ultimate disaster that can befall us, I have come to realise, is to feel ourselves to be at home here on earth.”

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

Chapter 1, Jesus Rediscovered (1969)

Reggie Fils-Aimé photo

“Mario sees himself in Nintendo DS, and he feels like flying.”

Reggie Fils-Aimé (1961) American businessman

On Nintendo DS
Source: E3 2004

Friedrich Hayek photo
Jack McDevitt photo

“The earliest religious feeling MacAllister could recall was being annoyed at Adam, because it was his fault that girls subsequently had to wear clothes.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 7 (p. 66)

Colum McCann photo
Mark Tobey photo
Melanie Joy photo
Anne Brontë photo
Geoff Dyer photo

“I had to be on my own, just so that I would not feel as alone.”

Geoff Dyer (1958) English writer

Source: Yoga For People Who Can't Be Bothered To Do It (1993), p. 201

Lewis Black photo
Raymond Chandler photo
Abba Lerner photo
Conor Oberst photo
Julian of Norwich photo
Lloyd Kenyon, 1st Baron Kenyon photo
Elliott Smith photo

“You don't deserve to be lonely,but those drugs you got won't make you feel better. Pretty soon you'll find it's the only little part of your life you're keeping together.”

Elliott Smith (1969–2003) American singer-songwriter

Twilight.
Lyrics, From a Basement on the Hill (posthumous, 2004)

Roger Scruton photo

“The object of the educational system is to make the child feel suitably guilty for the harm that has been done to him.”

Celia Green (1935) British philosopher

Source: The Decline and Fall of Science (1976)

Yuval Noah Harari photo
Jackie DeShannon photo

“Censors will try to censor a little bit more each year (because, like editors and other officious people, censors don't feel they are getting anywhere unless they are up and doing).”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Dirty Business" (1973), p. 83
The Good Word & Other Words (1978)

Joseph Priestley photo
James Whitbread Lee Glaisher photo

“Quite distinct from the theoretical question of the manner in which mathematics will rescue itself from the perils to which it is exposed by its own prolific nature is the practical problem of finding means of rendering available for the student the results which have been already accumulated, and making it possible for the learner to obtain some idea of the present state of the various departments of mathematics…. The great mass of mathematical literature will be always contained in Journals and Transactions, but there is no reason why it should not be rendered far more useful and accessible than at present by means of treatises or higher text-books. The whole science suffers from want of avenues of approach, and many beautiful branches of mathematics are regarded as difficult and technical merely because they are not easily accessible…. I feel very strongly that any introduction to a new subject written by a competent person confers a real benefit on the whole science. The number of excellent text-books of an elementary kind that are published in this country makes it all the more to be regretted that we have so few that are intended for the advanced student. As an example of the higher kind of text-book, the want of which is so badly felt in many subjects, I may mention the second part of Prof. Chrystal’s “Algebra” published last year, which in a small compass gives a great mass of valuable and fundamental knowledge that has hitherto been beyond the reach of an ordinary student, though in reality lying so close at hand. I may add that in any treatise or higher text-book it is always desirable that references to the original memoirs should be given, and, if possible, short historic notices also. I am sure that no subject loses more than mathematics by any attempt to dissociate it from its history.”

James Whitbread Lee Glaisher (1848–1928) English mathematician and astronomer

Source: "Presidential Address British Association for the Advancement of Science," 1890, p. 466 : On the need of text-books on higher mathematics

Norman Mailer photo
Henry Taylor photo
George Carlin photo
Aron Ra photo
Tanith Lee photo
Bernard Lewis photo
Klaus Kinski photo
Stanley A. McChrystal photo
William Irwin Thompson photo
Bob Dylan photo

“I ain't looking for you to feel like me, see like me, or be like me.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Another Side of Bob Dylan (1964), All I Really Want To Do

Noel Gallagher photo
Ed Harcourt photo
John Updike photo
Lupe Fiasco photo
William Foote Whyte photo
A. P. J. Abdul Kalam photo

“If a country is to be corruption free and become a nation of beautiful minds, I strongly feel there are three key societal members who can make a difference. They are the father, the mother and the teacher.”

A. P. J. Abdul Kalam (1931–2015) 11th President of India, scientist and science administrator

Arvind Gupta, Mukul Chaturvedi, Akshay Joshi (2004) Security and Diplomacy: Essential Documents. p. 144.

M.I.A. photo

“I haven't heard honesty in music for so long and this is how I feel, and this is what I think. You don't even have to say words … I was just being as raw as possible. I wanted to make music that you felt in your gut.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Archive Interview http://tamilnation.co/diaspora/unitedkingdom/mia.htm to Eye Weekly (January 2005)
Sourced quotes