“You know my philosophy is that the world is a big place so if you get the chance to live abroad lessons in life it gives you are like no other. I moved to Cascias when I was one and a half. I do feel very fortunate that I grew up in a Latin culture and learnt another language. When I approach a character or a script I can approach it from different points of view, with maybe a more international perspective.”

— Annabelle Wallis

Glass talks to Annabelle Wallis about her career-defining appearance in Steven Knight’s Peaky Blinders http://www.theglassmagazine.com/interview-with-annabelle-wallis/ (November 12, 2013)

Adopted from Wikiquote. Last update June 3, 2021. History

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Annabelle Wallis2

British Actress 1984

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“Yes, my acting was not stylised. I always underplayed, maybe because I never learnt acting. I thought the best way is to feel it and do it. And when you feel it, the emotions come out naturally. Gulabo (Pyaasa) was liked by people and I started getting different roles. If I liked a story my attitude used to be: this is the scene, this is the character and I have to do it. I never thought about the repercussions of doing a character.”

Waheeda Rehman (1938) Indian actress

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“When I was 14 or 13 or 15 I went to Sri Lanka on the Experiment in International Living for a summer. I wanted to travel. And going outside of my own culture and traveling and seeing my own world from a foreign perspective is a big part of my life and who I am. That's what I was talking about earlier, is stepping outside of yourself and examining yourself with a different perspective is very important, and it's important to do as an artist for others.”

Julie Taymor (1952) American film and theatre director

Academy of Achievement interview (2006)

“I’m always looking for opportunities to explore that freewheeling imagination and insanity of children. To be able to plug in to that and let that carry you in to a performance is such a gas, I have so much fun with that. I love kids; I raised two girls and I love being a parent. Being a parent is hands down the greatest thing of my life, and I loved when they were young because as a parent you can spend that special time with them when they’re young and you can attach your imagination on to their ride and go with them and do what they’re doing. I always loved that and it’s kind of how I approach Patrick. I don’t know if this makes sense, but I guess that’s my approach and that’s what I continue to do because I’m so fortunate to keep going with this character. It’s very satisfying and enjoyable.”

Bill Fagerbakke (1957) American actor

Interview With Bill Fagerbakke: The Voice of Spongebob's Patrick Star http://www.denofgeek.com/us/tv/spongebob-squarepants/225197/interview-with-bill-fagerbakke-the-voice-of-spongebobs-patrick-star (November 11, 2013)

“I grew up in the Valley, and I didn't know any of our neighbors. I think when you grow up like that, there's always sort of a fantasy of a place where everybody knew each other, and you had that safe sort of feeling.”

Amy Sherman-Palladino (1966) American television writer, director, and producer

NYTimes.com, "Job Title: The 'Gilmore' Noodge" http://www.nytimes.com/2005/01/23/arts/television/23heff.html?ex=1121313600&en=6a20ddae804ec0a8&ei=5070&adxnnl=1&oref=login&adxnnlx=1106535613-AH4C904DjoUiEAdysK3Zow&oref=login.

“Well, fortunately, I am bilingual and I have really two cultures. So when you have that to draw on, you are able to write from one extreme to the other, or anywhere in-between. If you look at my discography, you will notice that one of my favorite albums is "Gloria!", which is totally dance-oriented, with very sensual lyrics; and then there's "Mi Tierra which is totoally roots-oriented and really promoted our culture worldwide through music, and that's important for me and also for people of Cuba to know that even though we were in exile and I grew up in the States, our culture and our music are very much a part of my life.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

answer to the question "How do you reinvent yourself through the years?"
2007, 2008

“I was approached to do a film script for the Beatles. I said it would have to be an absolutely original script. Paul McCartney said do whatever you like. I said that means you'll never be able to do it.”

Joe Orton (1933–1967) English playwright and author

Interview with Barry Hanson, programme notes of Peter Gill's Royal Court production of The Erpingham Camp and The Ruffian on the Stair http://dspace.dial.pipex.com/town/parade/abj76/PG/pieces/joe_orton.shtml (June 1967)

“Storytelling is very difficult. But adding the flavor helps to relay the storytelling, meaning in a cut scene, with a set camera and effects, you can make the users feel sorrow, or make them happy or laugh. This is an easy approach, which we have been doing. That is one point, the second point is that if I make multiple storylines and allow the users to select which story, this might really sacrifice the deep emotion the user might feel; when there's a concrete storyline, and you kind of go along that rail, you feel the destiny of the story, which at the end, makes you feel more moved. But when you make it interactive — if you want multiple stories where you go one way or another — will that make the player more moved when he or she finishes the game? These two points are really the key which I am thinking about, and if this works, I think I could probably introduce a more interactive storytelling method.”

Hideo Kojima (1963) Japanese video game designer

Source: "Hideo Kojima: The Kikizo Interview 2008 (Page 3)". https://web.archive.org/web/20111009180041/http://archive.videogamesdaily.com/features/hideo-kojima-interview-2008-p3.asp Kikizo. August 24, 2008. Archived from the original on October 9, 2011. Retrieved August 7, 2009.

“I love coming in with a battle plan, but I also love the freedom to make things up with my actors, and my DP, too. Sometimes we’ll be in a scene and I see new things we can do, so I will throw whatever stuff that has been cooking away in my brain for a long time because I think what I'm coming up with on the set might serve the film better. You know, your instinct will tell you, “This is a better way, try this other way instead,” and that's very important for me, and that is my style of filmmaking, for better or for worse. That's how I like to approach it. And a lot of it comes to me when I'm designing the script, the screenplay. I'm generally very involved in the screenplay, even the ones I'm not on officially as a writer, I'm still extremely involved in how I craft the screen with the writers. I like to get in there and I really craft the world so I can have an idea of how all that will play out before I go on set. Then when I go on set, I like to keep it free, so that I can improvise with my actors.”

James Wan (1977) Malaysian-born Australian film director, screenwriter and producer

Interview: James Wan on His Creative Process, Returning to Horror with The Conjuring 2 and His Approach to Aquaman https://dailydead.com/interview-james-wan-creative-process-returning-horror-conjuring-2-approach-aquaman/ (June 9, 2016)

“When I hold you in my arms,
I know that I can't do no wrong.
And when I hold you in my arms,
My love can't do me no harm.And I feel nice, like sugar and spice
I feel nice, like sugar and spice.
So nice, so nice, well I got you.”

James Brown (1933–2006) American singer, songwriter, musician, and recording artist

I Got You (I Feel Good), from I Got You (1966)
Song lyrics

“I think in the future I'd like to be a little more prolific than I have been. The big dilemma, though, is when you say you want to do more stuff, what stuff do you do? Where are your standards? Fortunately for me, I think the parts get a little better as I get older.”

Matt Dillon (1964) American actor

Martha Southgate (April 25, 1991) "Matt Dillon grows up and doesn't balk at talk", The Toronto Star, p. C8.

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