„I must have the gentleman to haul and draw with the mariner, and the mariner with the gentleman.“

Speech to his crew off of Puerto San Julian, Argentina, prior to entering the Strait of Magellan (May 1578)
Context: For by the life of God, it doth even take my wits from me to think on it. Here is such controversy between the sailors and gentlemen, and such stomaching between the gentlemen and sailors, it doth make me mad to hear it. But, my masters, I must have it left. For I must have the gentleman to haul and draw with the mariner, and the mariner with the gentleman. What! let us show ourselves to be of a company and let us not give occasion to the enemy to rejoice at our decay and overthrow. I would know him that would refuse to set his hand to a rope, but I know there is not any such here...

Francis Drake photo
Francis Drake5
English sea captain, privateer, navigator, slaver, and poli… 1540 - 1596

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„Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color (in other words, style) must be in harmony with the poem?“

—  Paul Gauguin French Post-Impressionist artist 1848 - 1903

in a letter to Charles Morice (July 1901), from French Paintings and Painters from the Fourteenth Century to Post-Impressionism, ed. Gerd Muesham [Frederick Ungar, 1970, ISBN 0-8044-6521-5], p. 551
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„There is no doubt a difference in the right hon. gentleman's demeanour as leader of the Opposition and as Minister of the Crown. But that's the old story; you must not contrast too strongly the hours of courtship with the years of possession. 'Tis very true that the right hon. gentleman's conduct is different. I remember him making his protection speeches. They were the best speeches I ever heard. It was a great thing to hear the right hon. gentleman say: "I would rather be the leader of the gentlemen of England than possess the confidence of Sovereigns". That was a grand thing. We don't hear much of "the gentlemen of England" now. But what of that? They have the pleasures of memory—the charms of reminiscence. They were his first love, and, though he may not kneel to them now as in the hour of passion, still they can recall the past; and nothing is more useless or unwise than these scenes of crimination and reproach, for we know that in all these cases, when the beloved object has ceased to charm, it is in vain to appeal to the feelings. You know that this is true. Every man almost has gone through it. My hon. gentleman does what he can to keep them quiet; he sometimes takes refuge in arrogant silence, and sometimes he treats them with haughty frigidity; and if they knew anything of human nature they would take the hint and shut their mouths. But they won't. And what then happens? What happens under all such circumstances? The right hon. gentleman, being compelled to interfere, sends down his valet, who says in the genteelest manner: "We can have no whining here". And that, sir, is exactly the case of the great agricultural interest—that beauty which everybody wooed and one deluded. There is a fatality in such charms, and we now seem to approach the catastrophe of her career. Protection appears to be in about the same condition that Protestantism was in 1828. The country will draw its moral. For my part, if we are to have free trade, I, who honour genius, prefer that such measures should be proposed by the hon. member for Stockport than by one who through skilful Parliamentary manoeuvres has tampered with the generous confidence of a great people and a great party. For myself, I care not what may be the result. Dissolve, if you please, the Parliament you have betrayed. For me there remains this at least—the opportunity of expressing thus publicly my belief that a Conservative Government is an organised hypocrisy.“

—  Benjamin Disraeli British Conservative politician, writer, aristocrat and Prime Minister 1804 - 1881

Speech http://hansard.millbanksystems.com/commons/1845/mar/17/agricultural-interest in the House of Commons (17 March 1845).
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„To draw, you must close your eyes and sing“

—  Pablo Picasso Spanish painter, sculptor, printmaker, ceramicist, and stage designer 1881 - 1973

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„I have no imagination. I never plan a drawing, they just happen.“

—  Minnie Evans American artist 1892 - 1987

Cited in: Paul Arnett, ‎William Arnett (2000), Souls Grown Deep: The tree gave the dove a leaf. p. 308

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„Traslation: Now it happens that turtles are great speed enthusiasts, which is natural.
The esperanzas know that and don't bother themselves about it.
The famas know it, and make fun of it.
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—  Julio Cortázar Argentinian writer 1914 - 1984

'Ahora pasa que las tortugas son grandes admiradoras de la velocidad, como es natural. Las esperanzas lo saben, y no se preocupan. Los famas lo saben, y se burlan. Los cronopios lo saben, y cada vez que encuentran una tortuga, sacan la caja de tizas de colores y sobre la redonda pizarra de la tortuga dibujan una golondrina.'
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Citát „Everyone can draw, and a drawing doesn't have any mistakes.“
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„Everyone can draw, and a drawing doesn't have any mistakes.“

—  Arifur Rahman Award-winning Cartoonist, Animator, Illustrator 1984

Source: Quoted in his official website https://www.cartoonistarif.com/ in 2014

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„We must either draw closer together or we shall drift apart“

—  Joseph Chamberlain British businessman, politician, and statesman 1836 - 1914

Speech in Glasgow (6 October 1903), quoted in The Times (7 October 1903), p. 4.
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Context: The Colonies are prepared to meet us. In return for a very moderate preference they will give us a substantial advantage. They will give us, in the first place— I believe they will reserve to us the trade which we already enjoy. They will arrange for tariffs in the future in order not to start industries in competition with those which are already in existence in the mother country... But they will do a great deal more for you. This is certain. Not only will they enable you to retain the trade which you have, but they are ready to give you preference to all the trade which is now done with them by foreign competitors... We must either draw closer together or we shall drift apart... It is, I believe, absolutely impossible for you to maintain in the long run your present loose and indefinable relations and preserve these Colonies parts of the Empire... Can we invent a tie which must be a practical one, which will prevent separation... I say that it is only by commercial union, reciprocal preference, that you can lay the foundations of the confederation of the Empire to which we all look forward as a brilliant possibility.

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„I intended all of that. And this is what I like about this, and drawings like draw, like the gunman. I call this the shoot out, the high noon draw. That was also my intent as well as drawings; draw a bucket back to the cables and the whole idea about drawings…“

—  Lorna Dee Cervantes American writer 1954

On how drawings are used in all of its forms as a recurrent theme in From the Cables of Genocide in “Poetry Saved My Life: An Interview with Lorna Dee Cervantes” https://opencourses.uoa.gr/modules/document/file.php/ENL9/Instructional%20Package/Texts//Readings/Chicana%20Movement-%20Further%20Reading/An%20Interview%20with%20Lorna%20Dee%20Cervantes.pdf (Spring 2007)

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„I have focused on your desire to bring in more effect [in the watercolor].... with more light in the drawing, [what] was not the least difficult.... [this operation] has passed tricky moments; but I believe I have remained master of the area and have made a drawing [watercolor] of aspect [? ] and color.“

—  Willem Roelofs Dutch painter and entomologist (1822-1897) 1822 - 1897

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik heb mij op uw verlangen toegelegd er meer effect in te brengen.. ..met méér licht in een teekening [= aquarel] te brengen, [wat] niet van de minst moeijelijke was.. ..[deze bewerking] heeft kwade oogenblikken doorstaan; maar ik geloof meester gebleven te zijn van het terrein en er eene Teekening [aquarel] van aspect [?] en kleur gemaakt te hebben.
In a letter to Pieter verLoren van Themaat, 17 Feb. 1864; in Haagsch Gemeentearchief / Municipal Archive of The Hague
Mr. verLoren van Themaat had asked for some changes in an already purchased watercolor, made by Roelofs: a landscape with duck decoys, near the village Meerkerk
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„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“