Quotes about drawing
page 2

Jawaharlal Nehru photo
Rainer Maria Rilke photo

“This difficult living, heavy and as if all tied up,
moving through that which has been left undone,
is like the not-quite-finished walk of the swan.And dying, this slipping away from
the ground upon which we stand every day,
is his anxious letting himself fall—:into the waters, which receive him gladly
and which, as if happily already gone by,
draw back under him, wave after wave;
while the swan, infinitely calm and self-assured,
opener and more magnificent
and more serene, allows himself to be drawn on.”

Diese Mühsal, durch noch Ungetanes
schwer und wie gebunden hinzugehen,
gleicht dem ungeschaffnen Gang des Schwanes.<p>Und das Sterben, dieses Nichtmehrfassen
jenes Grunds, auf dem wir täglich stehen,
seinem ängstlichen Sich-Niederlassen—:<p>in die Wasser, die ihn sanft empfangen
und die sich, wie glücklich und vergangen,
unter ihm zurückziehn, Flut um Flut;
während er unendlich still und sicher
immer mündiger und königlicher
und gelassener zu ziehn geruht.
Der Schwan (The Swan) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

Barack Obama photo
Stefan Zweig photo
Franz Kafka photo
Barack Obama photo
Malcolm X photo
Catherine of Genoa photo
Vladimir Mayakovsky photo

“Love's ship has foundered on the rocks of life.
We're quits: stupid to draw up a list
of mutual sorrows, hurts and pains.”

Vladimir Mayakovsky (1893–1930) Russian and Soviet poet, playwright, artist and stage and film actor

Untitled last poem found after his death; translation from Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 4, p. 235

Vladimir Nabokov photo

“As far as I can recall, the initial shiver of inspiration was somehow prompted by a newspaper story about an ape in the Jardin des Plantes who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

As quoted at Penn State University Libraries http://www.libraries.psu.edu/nabokov/wlolita.htm.
On a Book Entitled Lolita (1956)

Karl Marx photo

“Perseus wore a magic cap that the monsters he hunted down might not see him.
We draw the magic cap down over eyes and ears as a make-believe that there are no monsters.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Author's prefaces to the First Edition.
(Buch I) (1867)

Tom Wills photo
Pablo Picasso photo

“I deal with painting as I deal with things, I paint a window just as I look out of a window. If an open window looks wrong in a picture, I draw the curtain and shut it, just as I would in my own room. In painting, as in life, you must act directly.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Herschel Browning Chip (1968, p. 271).
1930s, "Conversations avec Picasso," 1934–35

Rainer Maria Rilke photo

“How shall I hold on to my soul, so that
it does not touch yours? How shall I lift
it gently up over you on to other things?
I would so very much like to tuck it away
among long lost objects in the dark,
in some quiet, unknown place, somewhere
which remains motionless when your depths resound.
And yet everything which touches us, you and me,
takes us together like a single bow,
drawing out from two strings but one voice.
On which instrument are we strung?
And which violinist holds us in his hand?
O sweetest of songs.”

Wie soll ich meine Seele halten, daß
sie nicht an deine rührt? Wie soll ich sie
hinheben über dich zu andern Dingen?
Ach gerne möchte ich sie bei irgendetwas
Verlorenem im Dunkel unterbringen
an einer fremden stillen Stelle, die
nicht weiterschwingt, wenn diene Tiefen schwingen.
Doch alles, was uns anrührt, dich und mich,
nimmt uns zusammen wie ein Bogenstrich,
die aus zwei Saiten eine Stimme zieht.
Auf welches Instrument sind wir gespannt?
Und welcher Geiger hat uns in der Hand?
O süßes Lied.
Liebes-Lied (Love Song) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

Nikola Tesla photo
Louise Bourgeois photo
Nikos Kazantzakis photo
Karl Marx photo
Thomas Paine photo
Martin Luther photo
John Ronald Reuel Tolkien photo

“The heart of Man is not compound of lies,
but draws some wisdom from the only Wise.”

John Ronald Reuel Tolkien (1892–1973) British philologist and author, creator of classic fantasy works

Mythopoeia (1931)

Leonardo Da Vinci photo
Leonardo Da Vinci photo
Friedrich Nietzsche photo

“I always believed that at some time fate would take from me the terrible effort and duty of educating myself. I believed that, when the time came, I would discover a philosopher to educate me, a true philosopher whom one could follow without any misgiving because one would have more faith in him than one had in oneself. Then I asked myself: what would be the principles by which he would educate you?—and I reflected on what he might say about the two educational maxims which are being hatched in our time. One of them demands that the educator should quickly recognize the real strength of his pupil and then direct all his efforts and energy and heat at them so as to help that one virtue to attain true maturity and fruitfulness. The other maxim, on the contrary, requires that the educator should draw forth and nourish all the forces which exist in his pupil and bring them to a harmonious relationship with one another. … But where do we discover a harmonious whole at all, a simultaneous sounding of many voice in one nature, if not in such men as Cellini, men in whom everything, knowledge, desire, love, hate, strives towards a central point, a root force, and where a harmonious system is constructed through the compelling domination of this living centre? And so perhaps these two maxims are not opposites at all? Perhaps the one simply says that man should have a center and the other than he should also have a periphery? That educating philosopher of whom I dreamed would, I came to think, not only discover the central force, he would also know how to prevent its acting destructively on the other forces: his educational task would, it seemed to me, be to mould the whole man into a living solar and planetary system and to understand its higher laws of motion.”

“Schopenhauer as educator,” § 3.2, R. Hollingdale, trans. (1983), pp. 130-131
Untimely Meditations (1876)

Adrian Newey photo

“I love the drawing board because most of the work I do is of half scale, so I can have the complete car in front of me, whereas the CAD system limits you to the size of the screen.”

Adrian Newey (1958) British Formula One engineer

Interview, 2013 http://www.formula1.com/news/interviews/2013/11/15315.html

Barack Obama photo

“I have been a consistent and strong opponent of this war. I have also tried to act responsibly in that opposition to ensure that, having made the decision to go into Iraq, we provide our troops, who perform valiantly, the support they need to complete their mission. I have also stated publicly that I think we have both strategic interests and humanitarian responsibilities in ensuring that Iraq is as stable as possible under the circumstances. Finally, I said publicly that it is my preference not to micromanage the Commander-in-Chief in the prosecution of war. Ultimately, I do not believe that is the ideal role for Congress to play. But at a certain point, we have to draw a line. At a certain point, the American people have to have some confidence that we are not simply going down this blind alley in perpetuity.
When it comes to the war in Iraq, the time for promises and assurances, for waiting and patience is over. Too many lives have been lost and too many billions have been spent for us to trust the President on another tried-and-failed policy, opposed by generals and experts, opposed by Democrats and Republicans, opposed by Americans and even the Iraqis themselves. It is time to change our policy. It is time to give Iraqis their country back, and it is time to refocus America's effort on the wider struggle against terror yet to be won.”

Barack Obama (1961) 44th President of the United States of America

Floor Statement on President's Decision to Increase Troops in Iraq (19 January 2007)
2007

Iannis Xenakis photo
Caspar David Friedrich photo

“If a painting has a soulful effect on the viewer, if it puts his mind into a soulful mood, then it has fulfilled the first requirement of a work of art. However bad it might be in drawing, color, handling, etc.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote of Friedrich's letter 8 Feb. 1809, to 'Akademiedirektor Schulz'; as cited by Helmut Bôrsch-Supan and Karl Wilhelm Jàhnig in Caspar David Friedrich: Gemâlde, Druckgraphik und bildmassige Zeichnungen (Munich: Prestel, 1973), 182-83, esp. 183; translation, David Britt - note 117 http://d2aohiyo3d3idm.cloudfront.net/publications/virtuallibrary/0892366745.pdf
1794 - 1840

Friedrich Schiller photo
Leonardo Da Vinci photo
John Ronald Reuel Tolkien photo
Mark Twain photo

“You cannot lay bare your private soul and look at it. You are too much ashamed of yourself. It is too disgusting. For that reason I confine myself to drawing the portraits of others.”

Mark Twain (1835–1910) American author and humorist

Source: Autobiography of Mark Twain, Volume 1 (2010), p. 16

Terry Pratchett photo
William Wilberforce photo

“Christianity is not satisfied with producing merely the specious guise of virtue. She requires the substantial reality, which may stand the scrutinizing eye of that Being “who searches the heart.” Meaning therefore that the Christian should live and breathe; in an atmosphere, as it were, of benevolence, she forbids whatever can tend to obstruct its diffusion or vitiate its purity. It is on this principle that Emulation is forbidden: for, besides that this passion almost insensibly degenerates into envy, and that it derives its origin chiefly from pride and a desire of self-exaltation; how can we easily love our neighbour as ourselves, if we consider him at the same time our rival, and are intent upon surpassing him in the pursuit of whatever is the subject of our competition?
Christianity, again, teaches us not to set our hearts on earthly possessions and earthly honours; and thereby provides for our really loving, or even cordially forgiving, those who have been more successful than ourselves in the attainment of them, or who have even designedly thwarted us in the pursuit. “Let the rich,” says the Apostle, “rejoice in that he is brought low.” How can he who means to attempt, in any degree, to obey this precept, be irreconcilably hostile towards any one who may have been instrumental in his depression?
Christianity also teaches us not to prize human estimation at a very high rate; and thereby provides for the practice of her injunction, to love from the heart those who, justly or unjustly, may have attacked our reputation, and wounded our character. She commands not the shew, but the reality of meekness and gentleness; and by thus taking away the aliment of anger and the fomenters of discord, she provides for the maintenance of peace, and the restoration of good temper among men, when it may have sustained a temporary interruption.
It is another capital excellence of Christianity, that she values moral attainments at a far higher rate than intellectual acquisitions, and proposes to conduct her followers to the heights of virtue rather than of knowledge. On the contrary, most of the false religious systems which have prevailed in the world, have proposed to reward the labour of their votary, by drawing aside the veil which concealed from the vulgar eye their hidden mysteries, and by introducing him to the knowledge of their deeper and more sacred doctrines.”

William Wilberforce (1759–1833) English politician

Source: Real Christianity (1797), p. 257.

Catherine of Genoa photo
Isaac Newton photo
Isaac Bashevis Singer photo
Claude Monet photo

“I am surrounded by a small group of young landscapists who will be very happy get to know you. Besides, they are real painters… I find myself very well fixed here. I am drawing figures at hard. And at the Academy, there are only landscapists. They begin to perceive that it's a good thing.”

Claude Monet (1840–1926) French impressionist painter

Quote of Monet, 1859 in a letter to his mentor Eugène Boudin; as cited in: John Rewald (1961) The History of Impressionism - Volume 1. p. 48
1850 - 1870

Galén photo
Abraham Lincoln photo

“When I am drawing the face expression of the character, I have the same expression on my face. I never realized myself, but people have told me so.”

Takehiko Inoue (1967) Japanese artist

Source: How 'Slam Dunk' Manga artist brings characters to life https://edition.cnn.com/2012/11/29/showbiz/takehiko-inoue-human-to-hero/index.html,CNN

Catherine of Genoa photo
Pierre Joseph Proudhon photo
Pablo Picasso photo
Cassandra Clare photo
A.E. Housman photo
Claude Monet photo

“.. learn to draw: that's where most of you [Troyon's pupils] are falling down today…. draw with all your might; you can never learn to much. However, don’t neglect painting, go to the country from time to time and make studies and above all develop them..' [Monet is quoting in his letter Troyon, a friend of Boudin in Paris]”

Claude Monet (1840–1926) French impressionist painter

in a letter to , 1859; as quoted in Discovering Art, – The life time and work of the World's greatest Artists, MONET; K.E. Sullivan, Brockhamptonpress, London 2004, p. 11
1850 - 1870

Xi Jinping photo

“To further promote anti-corruption efforts, we need to insist on the successful experiences gained through the Party's long-term anti-corruption practice. We need to actively draw on effective practices conducted by foreign countries around the world, and our own valuable heritage.”

Xi Jinping (1953) General Secretary of the Communist Party of China and paramount leader of China

As quoted in "President Xi: Anti-corruption efforts need to draw on heritage" http://english.cntv.cn/20130420/104746.shtml in cctv.com English (20 April 2013).
2010s

Johannes Tauler photo
John Chrysostom photo
Pierre Bonnard photo
Morihei Ueshiba photo
Isaac Newton photo

“Geometry does not teach us to draw these lines, but requires them to be drawn; for it requires that the learner should first be taught to describe these accurately, before he enters upon geometry; then it shows how by these operations problems may be solved.”

Preface (8 May 1686)
Philosophiae Naturalis Principia Mathematica (1687)
Context: The ancients considered mechanics in a twofold respect; as rational, which proceeds accurately by demonstration, and practical. To practical mechanics all the manual arts belong, from which mechanics took its name. But as artificers do not work with perfect accuracy, it comes to pass that mechanics is so distinguished from geometry, that what is perfectly accurate is called geometrical; what is less so is called mechanical. But the errors are not in the art, but in the artificers. He that works with less accuracy is an imperfect mechanic: and if any could work with perfect accuracy, he would be the most perfect mechanic of all; for the description of right lines and circles, upon which geometry is founded, belongs to mechanics. Geometry does not teach us to draw these lines, but requires them to be drawn; for it requires that the learner should first be taught to describe these accurately, before he enters upon geometry; then it shows how by these operations problems may be solved.

Leonardo Da Vinci photo

“Drawing is based upon perspective, which is nothing else than a thorough knowledge of the function of the eye.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: Drawing is based upon perspective, which is nothing else than a thorough knowledge of the function of the eye. And this function simply consists in receiving in a pyramid the forms and colours of all the objects placed before it. I say in a pyramid, because there is no object so small that it will not be larger than the spot where these pyramids are received into the eye. Therefore, if you extend the lines from the edges of each body as they converge you will bring them to a single point, and necessarily the said lines must form a pyramid.

Isaac Newton photo

“Geometry was invented that we might expeditiously avoid, by drawing Lines, the Tediousness of Computation.”

Arithmetica Universalis (1707)
Context: Geometry was invented that we might expeditiously avoid, by drawing Lines, the Tediousness of Computation. Therefore these two Sciences ought not to be confounded. The Antients did so industriously distinguish them from one another, that they never introduc'd Arithmetical Terms into Geometry. And the Moderns, by confounding both, have lost the Simplicity in which all the Elegancy of Geometry consists. Wherefore that is Arithmetically more simple which is determin'd by the more simple Æquations, but that is Geometrically more simple which is determin'd by the more simple drawing of Lines; and in Geometry, that ought to be reckon'd best which is Geometrically most simple. Wherefore, I ought not to be blamed, if with that Prince of Mathematicians, Archimedes and other Antients, I make use of the Conchoid for the Construction of solid Problems.<!--p.230

Robert E. Lee photo

“I shall carry with me to the grave the most grateful recollections of your kind consideration and your name and fame will always be dear to me. Save for defense of my native state, I never desire again to draw my sword.”

Robert E. Lee (1807–1870) Confederate general in the Civil War

Letter to General Winfield Scott (20 April 1861) after turning down an offer by Abraham Lincoln of supreme command of the U.S. Army; as quoted in Personal Reminiscences, Anecdotes, and Letters of Gen. Robert E. Lee (1875) by John William Jones, p. 139
1860s
Context: Since my interview with you on the 18th I have felt that I ought not longer retain my commission in the Army … It would have been presented at once, but for the struggle, it has cost me to separate myself from a service to which I have devoted all the best years of my life, and all the ability I possessed … I shall carry with me to the grave the most grateful recollections of your kind consideration and your name and fame will always be dear to me. Save for defense of my native state, I never desire again to draw my sword.

Voltaire photo

“He advanced toward me without moving his hat, or making the least inclination of his body; but there appeared more real politeness in the open, humane air of his countenance, than in drawing one leg behind the other, and carrying that in the hand which is made to be worn on the head.”

Voltaire (1694–1778) French writer, historian, and philosopher

Voltaire's account of meeting the Quaker Andrew Pit
The History of the Quakers (1762)
Context: He advanced toward me without moving his hat, or making the least inclination of his body; but there appeared more real politeness in the open, humane air of his countenance, than in drawing one leg behind the other, and carrying that in the hand which is made to be worn on the head. "Friend," said he, "I perceive thou art a stranger, if I can do thee any service thou hast only to let me know it." "Sir," I replied, bowing my body, and sliding one leg toward him, as is the custom with us, "I flatter myself that my curiosity, which you will allow to be just, will not give you any offence, and that you will do me the honor to inform me of the particulars of your religion." "The people of thy country," answered the Quaker, "are too full of their bows and their compliments; but I never yet met with one of them who had so much curiosity as thyself. Come in and let us dine first together."

Mahatma Gandhi photo

“I draw no distinction between error and sin. If a man commits a bona fide mistake and confesses it with a contrite heart before his Maker, the merciful Maker sterilizes it of all harm.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Harijan (20 October 1946); as quoted in The Encyclopaedia of Gandhian Thoughts (1985)
1940s

A.S. Neill photo

“A good teacher does not draw out; he gives out, and what he gives out is love.”

A.S. Neill (1883–1973) Scottish educator and theorist

The Problem Teacher (1939), p. 11
Context: A good teacher does not draw out; he gives out, and what he gives out is love. And by love I mean approval, or if you like, friendliness, good nature. The good teacher not only understands the child: he approves of the child.

Thucydides photo

“he who voluntarily confronts tremendous odds must have very great internal resources to draw upon.”

Book II, 2.89-[6].
History of the Peloponnesian War, Book II

Abraham Lincoln photo

“The year that is drawing towards its close, has been filled with the blessings of fruitful fields and healthful skies.”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Thanksgiving Proclamation (1863)
Context: The year that is drawing towards its close, has been filled with the blessings of fruitful fields and healthful skies. To these bounties, which are so constantly enjoyed that we are prone to forget the source from which they come, others have been added, which are of so extraordinary a nature, that they cannot fail to penetrate and soften even the heart which is habitually insensible to the ever watchful providence of Almighty God.

Antoine de Saint-Exupéry photo

“No man can draw a free breath who does not share with other men a common and disinterested ideal. Life has taught us that love does not consist in gazing at each other but in looking outward together in the same direction.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Source: Terre des Hommes (1939), Ch. IX Barcelona and Madrid (1936)<!-- * L’expérience nous montre qu’aimer ce n’est point nous regarder l’un l’autre mais regarder ensemble dans la même direction. /** Life has taught us that love does not consist in gazing at each other but in looking outward together in the same direction.-->
Context: No man can draw a free breath who does not share with other men a common and disinterested ideal. Life has taught us that love does not consist in gazing at each other but in looking outward together in the same direction. There is no comradeship except through union in the same high effort. Even in our age of material well-being this must be so, else how should we explain the happiness we feel in sharing our last crust with others in the desert? No sociologist's textbook can prevail against this fact. Every pilot who has flown to the rescue of a comrade in distress knows that all joys are vain in comparison with this one. And this, it may be, is the reason why the world today is tumbling about our ears. It is precisely because this sort of fulfilment is promised each of us by his religion, that men are inflamed today. All of us, in words that contradict each other, express at bottom the same exalted impulse. What sets us against one another is not our aims — they all come to the same thing — but our methods, which are the fruit of our varied reasoning.
Let us, then, refrain from astonishment at what men do. One man finds that his essential manhood comes alive at the sight of self-sacrifice, cooperative effort, a rigorous vision of justice, manifested in an anarchist's cellar in Barcelona. For that man there will henceforth be but one truth — the truth of the anarchists. Another, having once mounted guard over a flock of terrified little nuns kneeling in a Spanish nunnery, will thereafter know a different truth — that it is sweet to die for the Church. If, when Mermoz plunged into the Chilean Andes with victory in his heart, you had protested to him that no merchant's letter could possibly be worth risking one's life for, Mermoz would have laughed in your face. Truth is the man that was born in Mermoz when he slipped through the Andean passes.

Henri Barbusse photo

“The so-called inseparable cohesions of national interests vanish away as soon as you draw near to examine them. There are individual interests and a general interest, those two only.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXII - Light
Context: The so-called inseparable cohesions of national interests vanish away as soon as you draw near to examine them. There are individual interests and a general interest, those two only. When you say "I," it means "I"; when you say "We," it means Man. So long as a single and identical Republic does not cover the world, all national liberations can only be beginnings and signals!

Johannes Tauler photo

“This food of love draws the soul above distinction or difference, beyond resemblance to divine unity. This is what happens to the transfigured spirit.”

Johannes Tauler (1300–1361) German theologian

When the divine heat of love has drawn out all the moisture, heaviness, unfitness, then this holy food plunges such a one into the life of God. As Our Lord himself said to St Augustine, "I am the food of the strong: believe and feast on me. You will not change me into yourself; rather you will be changed into me".
Sermons, From Our Daily Bread

Keanu Reeves photo
Michael Faraday photo
Theodore Roosevelt photo
Peter Dutton photo
Jawaharlal Nehru photo
Leonardo Da Vinci photo
John Lennon photo

“All kids draw and write poetry and everything, and some of us last until we're about eighteen, but most drop off at about twelve when some guy comes up and says, "You're no good." That's all we get told all our lives. "You haven't got the ability. You're a cobbler."”

John Lennon (1940–1980) English singer and songwriter

It happened to all of us, but if somebody had told me all my life, "Yeah, you're a great artist," I would have been a more secure person.
Source: The Beatles Anthology (2000), p. 9

Eckhart Tolle photo
John Chrysostom photo

“Nothing is so apt to draw men under teaching, as to love, and be loved.”

John Chrysostom (349–407) important Early Church Father

Homily 6 on First Timothy https://www.newadvent.org/fathers/230606.htm

Stepan Bandera photo
Cassandra Clare photo

“… As could the sarcasm in her voice. "yes, she's bleeding to deat Lu upstairs, but i thought I'd avoid telling you right away, because I like to draw the suspense out.”

Variant: Yes, she's bleeding to death upstairs, but I thought I'd avoid telling you right away, because I like to draw the suspense out.
Source: City of Fallen Angels

Jodi Picoult photo
Rick Riordan photo
Haruki Murakami photo
Nicholas Sparks photo
Cassandra Clare photo
Philip Roth photo
Charles Bukowski photo
Sören Kierkegaard photo
Gary D. Schmidt photo
Yukio Mishima photo
Spencer W. Kimball photo
Karen Blixen photo
Stephen King photo
Simone de Beauvoir photo

“It is in the knowledge of the genuine conditions of our lives that we must draw our strength to live and our reasons for living.”

Part I : Ambiguity and Freedom
The Ethics of Ambiguity (1947)
Variant: Let us try to assume our fundamental ambiguity. It is in the knowledge of the genuine conditions of our life that we must draw our strength to live and our reason for acting
Context: In spite of so many stubborn lies, at every moment, at every opportunity, the truth comes to light, the truth of life and death, of my solitude and my bond with the world, of my freedom and my servitude, of the insignificance and the sovereign importance of each man and all men. There was Stalingrad and there was Buchenwald, and neither of the two wipes out the other. Since we do not succeed in fleeing it, let us therefore try to look the truth in the face. Let us try to assume our fundamental ambiguity. It is in the knowledge of the genuine conditions of our life that we must draw our strength to live and our reason for acting [C'est dans la connaissance des conditions authentiques de notre vie qu'il nous faut puiser la force de vivre et des raisons d'agir].

Milan Kundera photo
Dan Brown photo