
Nehru, quoted in Religion, Caste, and Politics in India by C. Jaffrelot
Nehru, quoted in Religion, Caste, and Politics in India by C. Jaffrelot
Diese Mühsal, durch noch Ungetanes
schwer und wie gebunden hinzugehen,
gleicht dem ungeschaffnen Gang des Schwanes.<p>Und das Sterben, dieses Nichtmehrfassen
jenes Grunds, auf dem wir täglich stehen,
seinem ängstlichen Sich-Niederlassen—:<p>in die Wasser, die ihn sanft empfangen
und die sich, wie glücklich und vergangen,
unter ihm zurückziehn, Flut um Flut;
während er unendlich still und sicher
immer mündiger und königlicher
und gelassener zu ziehn geruht.
Der Schwan (The Swan) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)
2016, United Nations Address (September 2016)
2012, Yangon University Speech (November 2012)
The Ballot or the Bullet (1964), Speech in Cleveland, Ohio (April 3, 1964)
Untitled last poem found after his death; translation from Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 4, p. 235
As quoted at Penn State University Libraries http://www.libraries.psu.edu/nabokov/wlolita.htm.
On a Book Entitled Lolita (1956)
Author's prefaces to the First Edition.
(Buch I) (1867)
From a public letter titled "Winter Practice", published in Bell's Life in Victoria and Sporting Chronicle, 10 July 1858.
Herschel Browning Chip (1968, p. 271).
1930s, "Conversations avec Picasso," 1934–35
Wie soll ich meine Seele halten, daß
sie nicht an deine rührt? Wie soll ich sie
hinheben über dich zu andern Dingen?
Ach gerne möchte ich sie bei irgendetwas
Verlorenem im Dunkel unterbringen
an einer fremden stillen Stelle, die
nicht weiterschwingt, wenn diene Tiefen schwingen.
Doch alles, was uns anrührt, dich und mich,
nimmt uns zusammen wie ein Bogenstrich,
die aus zwei Saiten eine Stimme zieht.
Auf welches Instrument sind wir gespannt?
Und welcher Geiger hat uns in der Hand?
O süßes Lied.
Liebes-Lied (Love Song) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)
On the Wardenclyffe Tower, in "The Future of the Wireless Art" in Wireless Telegraphy and Telephony (1908)
Vol. I, Ch. 25, Section 2, pg. 687.
(Buch I) (1867)
The Crisis No. I.
1770s, The American Crisis (1776–1783)
A Commentary on St. Paul's Epistle to the Galatians (1535. Translation revised 1953 by Philip S Watson. On Galatians 1:4.)
“The heart of Man is not compound of lies,
but draws some wisdom from the only Wise.”
Mythopoeia (1931)
The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings
Interview, 2013 http://www.formula1.com/news/interviews/2013/11/15315.html
Floor Statement on President's Decision to Increase Troops in Iraq (19 January 2007)
2007
Formalized Music: Thought and Mathematics in Composition, ISBN 1576470792
Quote of Friedrich's letter 8 Feb. 1809, to 'Akademiedirektor Schulz'; as cited by Helmut Bôrsch-Supan and Karl Wilhelm Jàhnig in Caspar David Friedrich: Gemâlde, Druckgraphik und bildmassige Zeichnungen (Munich: Prestel, 1973), 182-83, esp. 183; translation, David Britt - note 117 http://d2aohiyo3d3idm.cloudfront.net/publications/virtuallibrary/0892366745.pdf
1794 - 1840
The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter
Source: Letter to his son, Christopher (30 January 1945); published in The Letters of J.R.R. Tolkien (1981), Letter 96
Source: Autobiography of Mark Twain, Volume 1 (2010), p. 16
http://edition.cnn.com/2007/SHOWBIZ/books/12/13/terry.pratchett
Misc
Quote of Monet, 1859 in a letter to his mentor Eugène Boudin; as cited in: John Rewald (1961) The History of Impressionism - Volume 1. p. 48
1850 - 1870
Galen, On the Doctrines of Hippocrates and Plato,: PHP III 8.35.1-11 translation: De Lacy, Phillip (1978- 1984) Galen, On the Doctrines of Hippocrates and Plato, Berlin. p. 233; cited in: Christopher Jon Elliott. "Galen, Rome and the Second Sophistic." p. 147-8.
1860s, Speech in Independence Hall (1861)
Source: How 'Slam Dunk' Manga artist brings characters to life https://edition.cnn.com/2012/11/29/showbiz/takehiko-inoue-human-to-hero/index.html,CNN
Rudiger Dornbusch, "Expectations and exchange rate dynamics." The journal of political economy (1976): 1161-1176. p. 1161
Ch. III: "Labor as the Efficient Cause of the Domain of Property" http://www.marxists.org/reference/subject/economics/proudhon/property/ch03.htm
What is Property? (1840)
Quote (1964); as quoted in Picasso and Company (trans. 1966) by Gyula Brassaï
1960s
in a letter to , 1859; as quoted in Discovering Art, – The life time and work of the World's greatest Artists, MONET; K.E. Sullivan, Brockhamptonpress, London 2004, p. 11
1850 - 1870
As quoted in "President Xi: Anti-corruption efforts need to draw on heritage" http://english.cntv.cn/20130420/104746.shtml in cctv.com English (20 April 2013).
2010s
Homilies on the Statues http://www.ccel.org/ccel/schaff/npnf109/Page_472.html, Homily XX
letter to his grandmother, c. 1883; as cited in Pierre Bonnard, by John Rewald; MoMA -distribution, Simon & Schuster, New York, 1918, p. 12 (note 1)
Preface (8 May 1686)
Philosophiae Naturalis Principia Mathematica (1687)
Context: The ancients considered mechanics in a twofold respect; as rational, which proceeds accurately by demonstration, and practical. To practical mechanics all the manual arts belong, from which mechanics took its name. But as artificers do not work with perfect accuracy, it comes to pass that mechanics is so distinguished from geometry, that what is perfectly accurate is called geometrical; what is less so is called mechanical. But the errors are not in the art, but in the artificers. He that works with less accuracy is an imperfect mechanic: and if any could work with perfect accuracy, he would be the most perfect mechanic of all; for the description of right lines and circles, upon which geometry is founded, belongs to mechanics. Geometry does not teach us to draw these lines, but requires them to be drawn; for it requires that the learner should first be taught to describe these accurately, before he enters upon geometry; then it shows how by these operations problems may be solved.
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: Drawing is based upon perspective, which is nothing else than a thorough knowledge of the function of the eye. And this function simply consists in receiving in a pyramid the forms and colours of all the objects placed before it. I say in a pyramid, because there is no object so small that it will not be larger than the spot where these pyramids are received into the eye. Therefore, if you extend the lines from the edges of each body as they converge you will bring them to a single point, and necessarily the said lines must form a pyramid.
Arithmetica Universalis (1707)
Context: Geometry was invented that we might expeditiously avoid, by drawing Lines, the Tediousness of Computation. Therefore these two Sciences ought not to be confounded. The Antients did so industriously distinguish them from one another, that they never introduc'd Arithmetical Terms into Geometry. And the Moderns, by confounding both, have lost the Simplicity in which all the Elegancy of Geometry consists. Wherefore that is Arithmetically more simple which is determin'd by the more simple Æquations, but that is Geometrically more simple which is determin'd by the more simple drawing of Lines; and in Geometry, that ought to be reckon'd best which is Geometrically most simple. Wherefore, I ought not to be blamed, if with that Prince of Mathematicians, Archimedes and other Antients, I make use of the Conchoid for the Construction of solid Problems.<!--p.230
Letter to General Winfield Scott (20 April 1861) after turning down an offer by Abraham Lincoln of supreme command of the U.S. Army; as quoted in Personal Reminiscences, Anecdotes, and Letters of Gen. Robert E. Lee (1875) by John William Jones, p. 139
1860s
Context: Since my interview with you on the 18th I have felt that I ought not longer retain my commission in the Army … It would have been presented at once, but for the struggle, it has cost me to separate myself from a service to which I have devoted all the best years of my life, and all the ability I possessed … I shall carry with me to the grave the most grateful recollections of your kind consideration and your name and fame will always be dear to me. Save for defense of my native state, I never desire again to draw my sword.
Voltaire's account of meeting the Quaker Andrew Pit
The History of the Quakers (1762)
Context: He advanced toward me without moving his hat, or making the least inclination of his body; but there appeared more real politeness in the open, humane air of his countenance, than in drawing one leg behind the other, and carrying that in the hand which is made to be worn on the head. "Friend," said he, "I perceive thou art a stranger, if I can do thee any service thou hast only to let me know it." "Sir," I replied, bowing my body, and sliding one leg toward him, as is the custom with us, "I flatter myself that my curiosity, which you will allow to be just, will not give you any offence, and that you will do me the honor to inform me of the particulars of your religion." "The people of thy country," answered the Quaker, "are too full of their bows and their compliments; but I never yet met with one of them who had so much curiosity as thyself. Come in and let us dine first together."
Harijan (20 October 1946); as quoted in The Encyclopaedia of Gandhian Thoughts (1985)
1940s
“A good teacher does not draw out; he gives out, and what he gives out is love.”
The Problem Teacher (1939), p. 11
Context: A good teacher does not draw out; he gives out, and what he gives out is love. And by love I mean approval, or if you like, friendliness, good nature. The good teacher not only understands the child: he approves of the child.
“he who voluntarily confronts tremendous odds must have very great internal resources to draw upon.”
Book II, 2.89-[6].
History of the Peloponnesian War, Book II
1860s, Thanksgiving Proclamation (1863)
Context: The year that is drawing towards its close, has been filled with the blessings of fruitful fields and healthful skies. To these bounties, which are so constantly enjoyed that we are prone to forget the source from which they come, others have been added, which are of so extraordinary a nature, that they cannot fail to penetrate and soften even the heart which is habitually insensible to the ever watchful providence of Almighty God.
Source: Terre des Hommes (1939), Ch. IX Barcelona and Madrid (1936)<!-- * L’expérience nous montre qu’aimer ce n’est point nous regarder l’un l’autre mais regarder ensemble dans la même direction. /** Life has taught us that love does not consist in gazing at each other but in looking outward together in the same direction.-->
Context: No man can draw a free breath who does not share with other men a common and disinterested ideal. Life has taught us that love does not consist in gazing at each other but in looking outward together in the same direction. There is no comradeship except through union in the same high effort. Even in our age of material well-being this must be so, else how should we explain the happiness we feel in sharing our last crust with others in the desert? No sociologist's textbook can prevail against this fact. Every pilot who has flown to the rescue of a comrade in distress knows that all joys are vain in comparison with this one. And this, it may be, is the reason why the world today is tumbling about our ears. It is precisely because this sort of fulfilment is promised each of us by his religion, that men are inflamed today. All of us, in words that contradict each other, express at bottom the same exalted impulse. What sets us against one another is not our aims — they all come to the same thing — but our methods, which are the fruit of our varied reasoning.
Let us, then, refrain from astonishment at what men do. One man finds that his essential manhood comes alive at the sight of self-sacrifice, cooperative effort, a rigorous vision of justice, manifested in an anarchist's cellar in Barcelona. For that man there will henceforth be but one truth — the truth of the anarchists. Another, having once mounted guard over a flock of terrified little nuns kneeling in a Spanish nunnery, will thereafter know a different truth — that it is sweet to die for the Church. If, when Mermoz plunged into the Chilean Andes with victory in his heart, you had protested to him that no merchant's letter could possibly be worth risking one's life for, Mermoz would have laughed in your face. Truth is the man that was born in Mermoz when he slipped through the Andean passes.
Light (1919), Ch. XXII - Light
Context: The so-called inseparable cohesions of national interests vanish away as soon as you draw near to examine them. There are individual interests and a general interest, those two only. When you say "I," it means "I"; when you say "We," it means Man. So long as a single and identical Republic does not cover the world, all national liberations can only be beginnings and signals!
When the divine heat of love has drawn out all the moisture, heaviness, unfitness, then this holy food plunges such a one into the life of God. As Our Lord himself said to St Augustine, "I am the food of the strong: believe and feast on me. You will not change me into yourself; rather you will be changed into me".
Sermons, From Our Daily Bread
“Draw you pleasure, paint your pleasure, and express your pleasure strongly.”
“You reason colour more than you reason drawing Colour has a logic as severe as form.”
"Observations on Mental Education" (May 6, 1854) a lecture before His Royal Highness The Prince Consort and the Members of the Royal Institution, Lectures on Education (1855) as quoted in Faraday's Experimental Researches in Chemistry and Physics (1859) p. 486. https://books.google.com/books?id=AUwNAAAAYAAJ&pg=PA486
1910s, Address to the Knights of Columbus (1915)
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
It happened to all of us, but if somebody had told me all my life, "Yeah, you're a great artist," I would have been a more secure person.
Source: The Beatles Anthology (2000), p. 9
“Nothing is so apt to draw men under teaching, as to love, and be loved.”
Homily 6 on First Timothy https://www.newadvent.org/fathers/230606.htm
“That's what love is. It's some power greater than you and me, that draws us to one special person”
Source: Between the Lines
Source: The Thirteenth Tale
“Draw your chair up close to the edge of the precipice and I’ll tell you a story.”
“what did wards matter when you could create your own reality just by drawing it?”
Source: City of Glass
Part I : Ambiguity and Freedom
The Ethics of Ambiguity (1947)
Variant: Let us try to assume our fundamental ambiguity. It is in the knowledge of the genuine conditions of our life that we must draw our strength to live and our reason for acting
Context: In spite of so many stubborn lies, at every moment, at every opportunity, the truth comes to light, the truth of life and death, of my solitude and my bond with the world, of my freedom and my servitude, of the insignificance and the sovereign importance of each man and all men. There was Stalingrad and there was Buchenwald, and neither of the two wipes out the other. Since we do not succeed in fleeing it, let us therefore try to look the truth in the face. Let us try to assume our fundamental ambiguity. It is in the knowledge of the genuine conditions of our life that we must draw our strength to live and our reason for acting [C'est dans la connaissance des conditions authentiques de notre vie qu'il nous faut puiser la force de vivre et des raisons d'agir].
Source: Nightwoods