Quotes about writer
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David Mitchell photo
Rose Wilder Lane photo
Mike Tyson photo
John Banville photo

“When young writers approach me for advice, I remind them, as gently as I can, that they are on their own, with no help available anywhere.”

John Banville (1945) Irish writer

How I Write: John Banville on ‘Ancient Light,’ Nabokov, and Dublin (2012)

Ray Bradbury photo

“What makes a good writer of history is a guy who is suspicious. Suspicion marks the real difference between the man who wants to write honest history and the one who'd rather write a good story.”

Jim Bishop (1907–1987) American journalist and author

As quoted by Lewis Nichols http://www.nytimes.com/1982/04/30/obituaries/lewis-nichols-times-drama-critic-during-world-war-ii-dead-at-78.html in "Talk With Jim Bishop" http://query.nytimes.com/gst/abstract.html?res=9F03EEDE133AE53BBC4E53DFB466838E649EDE, The New York Times (6 February 1955).

Richard Russo photo
George Long photo
Raymond Chandler photo
Henry Miller photo
Paul Klee photo

“Music, for me, is a love bewitched. / Fame as a painter? / Writer, modern poet? Bad joke. / So I have no calling, and loaf.”

Paul Klee (1879–1940) German Swiss painter

Quote (1899), # 67, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Babe Ruth photo
Sam Harris photo

“I'll tell you what harms the vast majority of Muslims that love freedom and hate terror: Muslim theocracy does. Muslim intolerance does. Wahabism does. Salafism does. Islamism does. Jihadism does. Sharia law does. The mere conservatism of traditional Islam does. We're not talking about only jihadists hating homosexuals and thinking they should die, we're talking about conservative Muslims. The percentage of British Muslims polled who said that homosexuality was morally acceptable was zero. Do you realize what it takes to say something so controversial in a poll that not even 1% of those polled would agree with it? There's almost no question that extreme that you will ever see in a poll that gets a zero, but ask British Muslims whether homosexuality is morally acceptable, and that's what you get. And the result is more or less the same in dozens of other countries. It's zero in Cameroon, zero in Ethiopia. 1% in Nigeria, 1% in Tanzania, 1% in Mali, 2% in Kenya, 2% in Chad. 1% in Lebanon, 1% in Egypt, 1% in the Palestinian territories, 1% in Iraq, 2% in Jordan, 2% in Tunisia, 1% in Pakistan. But 10% in Bangladesh. Bangladesh: that bright spot in the Muslim world where they are regularly hunting down and butchering secular writers with machetes. The people who suffer under this belief system are Muslims themselves. The next generation of human beings born into a Muslim community who could otherwise have been liberal, tolerant, well-educated, cosmopolitan productive people are to one or another degree being taught to aspire to live in the Middle Ages, or to ruin this world on route to some fictional paradise after death. That's the thing we have to get our heads around. And yes, some of what I just said applies with varying modifications to other religions and other cults. But there is nothing like Islam at this moment for generating this kind of intolerance and chaos. And if only a right wing demagogue will speak honestly about it, then we will elect right wing demagogues in the West more and more in response to it. And that will be the price of political correctness: that's when this check will finally get cashed. That will be the consequence of this persistent failure we see among liberals to speak and think and act with real moral clarity and courage on this issue. The root of this problem is that liberals consistently fail to defend liberal values as universal human values. Their political correctness, their multiculturalism, their moral relativism has led them to rush to the defense of theocrats and to abandon the victims of theocracy and to vilify anyone who calls out this hypocrisy for what it is as a bigot. And to be clear, and this is what liberals can't seem to get, is that speaking honestly about the ideas that inspire Islamism and jihadism, beliefs about martyrdom, and apostasy and blasphemy and paradise and honour and women, is not an expression of hatred for Muslims. It is in fact the only way to support the embattled people in the Muslim community: The reformers and the liberals and the seculars and the free thinkers and the gays and the Shiia in Sunni-majority context and Sufis and Ahmadiyyas, and as Maajid Nawaz said, the minorities within the minority, who are living under the shadow, and sword rather often, under theocracy. […] If you think that speaking honestly about the need for reform within Islam will alienate your allies in the Muslim community, then you don't know who your allies are.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris, "Waking Up with Sam Harris Podcast #38 — The End of Faith Sessions 2" (15 June 2016) https://www.samharris.org/podcast/item/the-end-of-faith-sessions-2
2010s

Ray Bradbury photo

“I rail against writers who talk about the loneliness of it all — what do they want, a crowd looking over their typewriters? Or those who talk about having to stare at a blank page — do they want someone to write on it?”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Come on, Big Boy — Let Me See Your Manuscript," review and interview by Herbert Gold, The New York Times (1987-08-02)

Jack Benny photo

“Perry Mason: Maybe my writers are better than yours.”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

André Maurois photo
John Aubrey photo
Martin Amis photo

“It would be inaccurate to say that John Fowles is a middlebrow writer who sometimes hopes he is a highbrow: it has never occurred to him to believe otherwise. There is a difference, morally.”

Martin Amis (1949) Welsh novelist

Opening lines of his review of Mantissa by John Fowles, p. 138
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

Mo Yan photo
Katherine Mansfield photo

“I'm a writer first & a woman after.”

Katherine Mansfield (1888–1923) New Zealand author

Letter to John Middleton Murry (3 December 1920), from The Collected Letters of Katherine Mansfield, vol. IV

Russell Brand photo
Lydia Sigourney photo
André Maurois photo
James A. Michener photo

“Russia, France, Germany and China. They revere their writers. America is still a frontier country that almost shudders at the idea of creative expression.”

James A. Michener (1907–1997) American author

"A Spelunker in the Caves of History" in Modern Maturity (August 1985)

Bob Kane photo
Farrukh Dhondy photo
John Dalberg-Acton, 1st Baron Acton photo
Joseph Joubert photo
Nelson Algren photo
Carl Friedrich Gauss photo
Dana Gioia photo
Tina Fey photo

“If you want to make an audience laugh, you dress a man up like an old lady and push her down the stairs. If you want to make comedy writers laugh, you push an actual old lady down the stairs.”

Tina Fey (1970) American comedian, writer, producer and actress

On Comedy
Source: https://www.newyorker.com/magazine/2003/11/03/anchor-woman

William Saroyan photo

“What a lonely and silly thing it is to be an Armenian writer in America.”

William Saroyan (1908–1981) American writer

"The Armenian Writers : A Short Story" (1954)

Donald Barthelme photo
Lois McMaster Bujold photo
André Maurois photo
Roberto Clemente photo

“Writers used to say, "You don't drive in 100 runs," burt they forget I played for the worst team in baseball from 1955 to 1960. I didn't drive in runs because there was no one to drive in.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Clemente Changes Batting Title Tune" https://news.google.com/newspapers?id=d9weAAAAIBAJ&sjid=OVAEAAAAIBAJ&pg=7121,5291429 by Phil Musick, in The Pittsburgh Press (Thursday, August 14, 1969), p. 38
Baseball-related, <big><big>1960s</big></big>, <big>1969</big>

Muhammad bin Qasim photo
Ernest Hemingway photo
Helen Keller photo
Colette photo

“The writer who loses his self-doubt, who gives way as he grows old to a sudden euphoria, to prolixity, should stop writing immediately: the time has come for him to lay aside his pen.”

Colette (1873–1954) 1873-1954 French novelist: wrote Gigi

Speech on being elected to the Belgian Academy, as quoted in “Lady of Letters” Pt. 4, Earthly Paradise (1966) ed. Robert Phelps

Edmund Burke photo
John Ruskin photo
Clinton Edgar Woods photo
Martin Amis photo
Robert Benchley photo

“The free-lance writer is a man who is paid per piece or per word or perhaps.”

Robert Benchley (1889–1945) American comedian

Quoted by James Thurber in The Bermudian (November 1950)

Anthony Burgess photo
David Eugene Smith photo
Anaïs Nin photo
Richard Rodríguez photo
William Saroyan photo
Nadine Gordimer photo
John Banville photo
John Banville photo
Paulo Coelho photo
A. Wayne Wymore photo
Mickey Spillane photo
Thomas Henry Huxley photo

“Since Lord Brougham assailed Dr Young, the world has seen no such specimen of the insolence of a shallow pretender to a Master in Science as this remarkable production, in which one of the most exact of observers, most cautious of reasoners, and most candid of expositors, of this or any other age, is held up to scorn as a "flighty" person, who endeavours "to prop up his utterly rotten fabric of guess and speculation," and whose "mode of dealing with nature" is reprobated as "utterly dishonourable to Natural Science."
And all this high and mighty talk, which would have been indecent in one of Mr. Darwin's equals, proceeds from a writer whose want of intelligence, or of conscience, or of both, is so great, that, by way of an objection to Mr. Darwin's views, he can ask, "Is it credible that all favourable varieties of turnips are tending to become men?"; who is so ignorant of paleontology, that he can talk of the "flowers and fruits" of the plants of the Carboniferous epoch; of comparative anatomy, that he can gravely affirm the poison apparatus of the venomous snakes to be "entirely separate from the ordinary laws of animal life, and peculiar to themselves"…
Nor does the reviewer fail to flavour this outpouring of preposterous incapacity with a little stimulation of the odium theologicum. Some inkling of the history of the conflicts between Astronomy, Geology, and Theology, leads him to keep a retreat open by the proviso that he cannot "consent to test the truth of Natural Science by the word of Revelation;" but, for all that, he devotes pages to the exposition of his conviction that Mr. Darwin's theory "contradicts the revealed relation of the creation to its Creator," and is "inconsistent with the fulness of his glory."”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

If I confine my retrospect of the reception of the 'Origin of Species' to a twelvemonth, or thereabouts, from the time of its publication, I do not recollect anything quite so foolish and unmannerly as the Quarterly Review article...
Huxley's commentary on the Samuel Wilberforce review of the Origin of Species in the Quarterly Review.
1880s, On the Reception of the Origin of Species (1887)

Thomas Jefferson photo
Colin Wilson photo
George Raymond Richard Martin photo

“I hear you jeering. Pfui. Those of you who know my work only from A SONG OF ICE AND FIRE may not be aware that I was once considered the most romantic science fiction writer of the 70s, back when I was doing my Thousand Worlds stuff.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

On romance in science fiction and fantasy, in his blog http://grrm.livejournal.com/126645.html (January 2010)

Emma Donoghue photo
Vanna Bonta photo

“In Flight (a quantum fiction novel), essentially our protagonist is a writer who is writing a novel and then begins to see things from his novel occurring in the reality around him, and he questions "am I losing my mind?"”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

or "am I somehow influencing reality around me?"
Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Tony Benn photo

“I sometimes wish the trade unionists who work in the mass media, those who are writers and broadcasters and secretaries and printers and lift operators of Thomson House would remember that they too are members of our working class movement and have a responsibility to see that what is said about us is true.”

Tony Benn (1925–2014) British Labour Party politician

Chairman's closing address to the Labour Party Conference in Blackpool (6 October 1972); Labour Party Annual Conference Report 1972, p. 349
1970s

Patrick Pearse photo
John Napier photo

“19 Proposition. The foure beasts are the foure Evangelles with all the true writers and professors thereof.”

John Napier (1550–1617) Scottish mathematician

A Plaine Discovery of the Whole Revelation of St. John (1593), The First and Introductory Treatise

Anthony Burgess photo
Carlos Fuentes photo

“Don't classify me, read me. I'm a writer, not a genre.”

Carlos Fuentes (1928–2012) Mexican writer

"How I Started to Write", in Rick Simonson and Scott Walker (eds.) The Graywolf Annual Five: Multi-Cultural Literacy (St. Paul, Minn.: Graywolf Press, 1988); cited from Myself With Others (London: Pan, 1989) p. 27.

Ursula K. Le Guin photo
Ambrose Bierce photo

“This is a simple story of a battle; such a tale as may be told by a soldier who is no writer to a reader who is no soldier.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: What I Saw At Shiloh (1881), I

Richard Rodríguez photo

“His name was William Saroyan. He was the first writer I fell in love with, boyishly in love. I was held by his unaffected voice, his sentimentality, his defiant individualism. I found myself in the stories he told… I learned from Saroyan that you do not have to live in some great city — in New York or Paris — in order to write… When I was a student at Stanford, a generation ago, the name of William Saroyan was never mentioned by any professor in the English Department. William Saroyan apparently was not considered a major American talent. Instead, we undergraduates set about the business of psychoanalyzing Hamlet and deconstructing Lolita. In my mind Saroyan belongs with John Steinbeck, a fellow small town Californian and of the same generation. He belongs with Thornton Wilder, with those writers whose aching love of America was formed by the Depression and the shadow of war. … Saroyan's prose is as plain as it is strong. He talks about the pleasure of drinking water from a hose on a summer afternoon in California's Central Valley, and he holds you with the pure line. My favorite is his novel The Human Comedy… In 1943, The Human Comedy became an MGM movie starring Mickey Rooney, but I always imagined Homer Macaulay as a darker, more soulful boy, someone who looked very much like a young William Saroyan…”

Richard Rodríguez (1944) American journalist and essayist

"Time Of Our Lives" (26 May 1997) http://www.cilicia.com/armo22_william_saroyan_6.html

Murray N. Rothbard photo

“An elegant writer has observed, that wit may do very well for a mistress, but that he should prefer reason for a wife.”

Charles Caleb Colton (1777–1832) British priest and writer

Vol. I; LXXI
Lacon (1820)

Samuel Taylor Coleridge photo

“Intense study of the Bible will keep any writer from being vulgar, in point of style.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Specimens of the table talk of the late Samuel Taylor Coleridge, June 14, 1830, (1835) p. 177

John Irving photo
Louis C.K. photo
John Banville photo
John Fante photo
Neil Armstrong photo
James A. Michener photo

“I was brought up in the great tradition of the late nineteenth century: that a writer never complains, never explains and never disdains.”

James A. Michener (1907–1997) American author

As quoted in The Observer (26 November 1989)

William Saroyan photo

“My writing is careless, but all through it is something that is good, that is mine alone, that no other writer could ever achieve.”

William Saroyan (1908–1981) American writer

The Bicycle Rider In Beverly Hills (1952)

James A. Michener photo
Ernest Hemingway photo
Moses Hess photo
Raymond Chandler photo
Alfred P. Sloan photo

“My father was in the wholesale tea, coffee, and cigar business, with a firm called Bennett-Sloan and Company. In 1885 he moved the business to New York City, on West Broadway, and from the age of ten I grew up in Brooklyn. I am told I still have the accent. My father's father was a schoolteacher. My mother's father was a Methodist minister. My parents had five children, of whom I am the oldest. There is my sister, Mrs. Katharine Sloan Pratt, now a widow. There are my three brothers — Clifford, who was in the advertising business; Harold, a college professor; and Raymond, the youngest, who is a professor, writer, and expert on hospital administration. I think we have all had in common a capability for being dedicated to our respective interests.
I came of age at almost exactly the time when the automobile business in the United States came into being. In 1895 the Duryeas, who had been experimenting with motor cars, started what I believe was the first gasoline-automobile manufacturing company in the United States. In the same year I left the Massachusetts Institute of Technology with a a BS. in electrical engineering, and went to work for the Hyatt Roller Bearing Company of Newark, later of Harrison, New Jersey. The Hyatt antifriction bearing was later to become a component of the automobile, and it was through this component that I came into the automotive industry. Except for one early and brief departure from it, I have spent my life in the industry.”

Alfred P. Sloan (1875–1966) American businessman

Source: My Years with General Motors, 1963, p. 37

Bob Kane photo