Quotes about writer (1935 quotes, page 12)

“I retained no records and I am not a good writer anyhow. So the best approach is for historians like you to extract the facts directly from people like me.”

Shunroku Hata (1879–1962) Japanese general

Quoted in "Nomonhan: Japan Against Russia, 1939" - by Alvin D. Coox - Page 1184 - 1990

People

“Most fiction writers uses dreams decoratively without relating them to daily life, but the contemporary writer is becoming more expert at detecting the influence of one upon the other.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

Life , Dreams

“A painter can leave you with nothing left to say. A writer leaves you with everything to say.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Georg Christoph Lichtenberg', p. 405
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

“There is no one way 'correct' way of becoming a writer. The very quirks and eccentricities which a workshop will probably discourage may in fact be the aspiring writer's most valuable capital in the longer term. Would be literary Samsons should be wary of enrolling in a hairdressing school.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

School , Way

“As long as the bourgeois parliament remains a means of duping the workers, and phrases about “democracy” are used to cover up financial swindling and every kind of bribery (the particularly “subtle” brand of bribery the bourgeoisie practise with regard to writers, N. P. s, lawyers, and others is nowhere to be seen on so wide a scale as in the bourgeois parliament), we Communists are in duty bound to be in this very institution (which is supposed to express the people’s will but actually covers up the deception of the people by the wealthy) to untiringly expose this deception, and expose each and every case of the Renners and Co.’s desertion to the capitalists, against the workers”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Collected Works, Vol. 31, pp. 267–69.
Collected Works

People , Democracy

“I would give a good deal of money, blood, books or years to be able to watch as Amanda, in a picture hat, looked back from the vantage of a long and productive career to reject her first published efforts as uneven or only halfway there or, worst of all, as promising, or to see her condescend to them, cuddle them almost, as mature writers sometimes do with their early books, the way we give our old stuffed pony or elephant, with its one missing shirt-button eye, a fond squeeze before returning it to the hatbox in the attic.At bottom of this kind of behavior on the part of old, established writers is the undeniable way in which our young selves, and the books that issued from them, invariably seem to reproach us: with the fading of our fire, the diminishment of our porousness to the world and the people in it, the compromises made, the friendships abandoned, the opportunities squandered, the loss of velocity on our fastball.”

Michael Chabon (1963) Novelist, short story writer, essayist

The New York Times Magazine http://wonderwhenyoullmissme.com/chabon.html (December 28th, 2003)
About Amanda Davis, who died at the age of 32 in a plane crash

Money , Friendship , People , Books

“The mark of a great writer: who sees his own time, but with a detachment that makes him communicable to other ages.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

2:579
"Quotes", Late Notebooks, 1982–1990: Architecture of the Spiritual World (2002)

Age , Time

“Be a writer. Write things down.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 10, Writing About People: The Interview, p. 70.

“In dealing with its subject, [this book] exercises complete fidelity to truth; unlike secularist and Marxist writers, it does not believe in re-writing and fabricating history. Its aim is to raise the informational level of our people and to make them better aware of the more persistent ideological forces at work.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume I (1990)

People , Truth , Books , Exercises

“I was filled with joy when studying quantum physics at the university as a means to understand the universe. But at the same time, I was preoccupied with the oppressive conditions in my country and the tyranny suffered by our universities, intellectuals, and the media. Like many others in our universities, I felt compelled to join the struggle for freedom. What we experience is a decades-old tyranny, that cannot tolerate freedom of speech and thought. In the name of religion, it restricts and punishes science, intellect, and even love. It labels as a threat to national security and toxic to society whatever is not compatible with its political and economic interests. It considers punishing unwelcome ideas as a positive thing. It does not tolerate differences of opinion; it responds to logic not by logic, discussion or dialog, but by suppression. By tyranny I mean a ruling power that tries to make only one voice—the voice of a ruling minority in Iran—dominant, with no regard for pluralism in the society. By tyranny I mean a judiciary that disregards even the Islamic Republic’s own constitution, and sentences intellectuals, writers, journalists, and political and civil activists to long prison terms, without due process and trial in a court of law. … By tyranny I mean power-holders who believe they stand above the law and who disregard justice and the urgent demands of the human conscience.”

Narges Mohammadi (1972) Iranian human rights activist

Letter Accepting 2018 Andrei Sakharov Prizefrom (2018)

Love , Religion , Justice , Law

“The political history of the 20th century is the history of social-engineering projects executed by well-intentioned people that began well and ended badly. There were big errors like communism, but also lesser ones, like a Vietnam War designed by the best and the brightest, urban renewal efforts that decimated neighborhoods, welfare policies that had the unintended effect of weakening families and development programs that left a string of white elephant projects across the world.These experiences drove me toward the crooked timber school of public philosophy: Michael Oakeshott, Isaiah Berlin, Edward Banfield, Reinhold Niebuhr, Friedrich Hayek, Clinton Rossiter and George Orwell. These writers — some left, some right — had a sense of epistemological modesty. They knew how little we can know. They understood that we are strangers to ourselves and society is an immeasurably complex organism. They tended to be skeptical of technocratic, rationalist planning and suspicious of schemes to reorganize society from the top down.”

David Brooks (1961) American journalist, commentator and editor

[David, Brooks, http://www.nytimes.com/2009/02/24/opinion/24brooks.html?_r=1&ref=opinion, The Big Test, New York Times, February 23, 2009, February 24, 2009]
2000s

War , People , School , Family

“Time spent in labouring to perfect one’s style, or to make of it an instrument for the production of imaginative effects, is, Mr. Read tells us, just so much time wasted. Indeed Mr. Middleton Murry says it is worse than this, for nothing could be more dangerous than the notion that the more poetic is prose, the finer it is; this is a heresy that cannot be too much deplored and combated. ‘The terrible attraction of words, the impulse to use them for anything more than exact symbols of the things they stand for, is another danger; any sacrifice of sense to euphony being, these critics tell us, the beginning of decadence: ‘it is a step on the downward path.’ The histories and associations of words, are, Mr. Read says, entirely irrelevant to prose-style, their face-value in current usage being their only value. The young writer is also warned against rhythmical effects and the use of images, and is told that any conscious care for such devices, any playing, like Stevenson, of the sedulous ape to the masters of this technique, must be carefully eschewed.”

Logan Pearsall Smith (1865–1946) British American-born writer

“Fine Writing,” p. 304
Reperusals and Recollections (1936)

Imagination , History , Sense , Time

“Let us admit that most of us writers feel an essential aversion to politics. By taking such a position, however, we accept the perverted principle of specialization, according to which some are paid to write about the horrors of the world and human responsibility and others to deal with those horrors and bear the human responsibility for them.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

Address to the Prague World Congress of International PEN Club (7 November 1994) http://www.englishpen.org/writersinprison/wipcnews/peninternationaldeeplysaddenedbydeathofvclavhavelaconstantchampionforfreedomofexpression/

World , Feeling

“Cesalpino, a celebrated botanist, conceived that fossil shells had been left on the land by the sea, and had concreted into stone during the consolidation the soil; and in the following year (1597), Simeone Majoli went still farther, and coinciding for the most part with views of Cesalpino, suggested that the shells and matter of the Veronese, and other districts, might have cast up, upon the land, by volcanic explosions, like those gave rise, in 1538, to Monte Nuovo, near Puzzuoli.- This hint was the first imperfect attempt to connect the position fossil shells with the agency of volcanoes, a system more fully developed by Hooke, [Antonio] Lazzaro Moro, Hutton, and other writers. Two years afterwards, Imperati advocated the animal origin of fossilized shells, yet admitted that stones could vegetate by force of 'an internal principle,' and, as evidence of this, he referred to the teeth of fish, and spines of echini found petrified.”

Charles Lyell book Principles of Geology

Ref. Ferrante Imperato, Dell'Historia Naturale http://books.google.com/books?id=heGCGe1Rn3YC& (1599)
Chpt.3, p. 30
Principles of Geology (1832), Vol. 1

Fish , Animals , Parting , Sea

“And a writer observed, "We grow good people in our small towns, with honesty and sincerity and dignity," and I know just the kind of people that writer had in mind when he praised Harry Truman.”

Sarah Palin (1964) American politician

Quoting Westbrook Pegler
2008, 2008 Republican National Convention

People , Sincerity

“There cannot be a greater error than to suppose that the poet does not feel what he writes. What an extraordinary, I might say, impossible view, is this to take of an art more connected with emotion than any of its sister sciences. What — the depths of the heart are to be sounded, its mysteries unveiled, and its beatings numbered by those whose own heart is made by this strange doctrine — a mere machine wound up by the clock-work of rhythm! No; poetry is even more a passion than a power, and nothing is so strongly impressed on composition as the character of the writer. I should almost define poetry to be the necessity of feeling strongly in the first instance, and the as strong necessity of confiding in the second.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Art , Error , Feeling , Confidence

“Those writers who lay on the watch for novelty, could have little hope of greatness; for great things cannot have escaped former observation.”

Samuel Johnson (1709–1784) English writer

The Life of Cowley
Lives of the English Poets (1779–81)

Hope

“For the social ecologist language is not "communication." It is not just "message." It is substance. It is the cement that holds humanity together. It creates community and communication…. Social ecologists need not be "great" writers; but they have to be respectful writers, caring writers.”

Peter F. Drucker (1909–2005) American business consultant

The Ecological Vision (1993)
1990s and later

Communication

“Of obvious appeal to the humourless is the writer who comes on stage in a clown outfit or King Kong suit, with party hat and harem slippers, with banana skins and custard pies… It remains a sound rule that funny journalism can only flourish as the offshoot or sideline of something larger. No funny journalist who is that and nothing more will ever write anything lastingly funny.”

Martin Amis (1949) Welsh novelist

Review of The Best of Modern Humour edited by Mordecai Richler, p. 364
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

“Writers differ with respect to the apophthegms of the Seven Sages, attributing the same one to various authors.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Thales, 14.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 1: The Seven Sages

“There isn't any distinction between a reader and a writer – reading is so much a part of it.”

Dermot Healy (1947–2014) Irish writer

Small talk: Dermot Healy, 2011

Reading , Parting

“I was a countryman and a father before I was a writer on political subjects…. Born and bred up in the sweet air myself, I was resolved that [my children] should be bred up in it too.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Source: The Autobiography of William Cobbett (1933), Ch. 8, p. 99.

Children

“I have already spoken of the effects which the solitary and ascetic life of the early monks produced upon their imagination. The same thing took place amongst the recluses of the convents, but particularly nunneries. “The imaginations of women,” says a celebrated author whom I have already quoted, “as their feelings are more keen and exquisite, are more susceptible and ungovernable than those of men; more obnoxious to the injurious influence of solitude; more easily won upon by the arts of delusion, and inflamed by the contagion of the passions.” Hence we may account for the rapidity with which in orphan houses, cloisters, and other institutions, where numbers of the sex are [122] intimately connected with each other, the sickness, humour, habits, of one, if conspicuous and distinguished, become those of all. I remember to have read in a medical writer of considerable merit, that in a French convent of nuns, of more than common magnitude, one of the sisters was seized with a strange impulse to mew like a cat, in which singular propensity she was shortly imitated by several other sisters, and finally, without a solitary exception, by the whole convent, who all joined at regular periods in a general mew that lasted several hours”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), p. 93

Life , Women , Men , Art

Willa Cather (1873–1947) American writer and novelist

"The Novel Démeublé"
Not Under Forty (1936)

Parting

“There is no conservative party left in Washington. Conservative thinkers and writers who were to be the watchdogs of orthodoxy have been as vigilant in policing party deviations from principle as was Cardinal Law in collaring the predator-priests of the Boston archdiocese.”

Patrick Buchanan (1938) American politician and commentator

2000s, Where the Right Went Wrong (2004)

Law

“More generally, the hidden variable account of a given system becomes entirely different when we remember that it has undoubtedly interacted with numerous other systems in the past and that the total wave function will certainly not be factorable. The same effect complicates the hidden variable account of the theory of measurement, when it is desired to include part of the 'apparatus' in the system. Bohm of course was well aware of these features of his scheme, and has given them much attention. However, it must be stressed that, to the present writer's knowledge, there is no proof that any hidden variable account of quantum mechanics must have this extraordinary character. It would therefore be interesting, perhaps, to pursue some further 'impossibility proofs,' replacing the arbitrary axioms objected to above by some condition of locality, or of separability of distant systems.”

John S. Bell (1928–1990) Northern Irish physicist

On the problem of hidden variables in quantum mechanics (1966)

Knowledge , Distant , Past , Parting

“Young girls sometimes make use of the expression: “Reading books to read one’s self.” They prefer a book that presents some resemblance to their own circumstances and experiences. It is true that we can never understand except through ourselves. Yet, when we want to understand a book, it should not be our aim to discover ourselves in that book, but to grasp clearly the meaning which its author has sought to convey through the characters presented in it. We reach through the book to the soul that created it. And when we have learned as much as this of the author, we often wish to read more of his works. We suspect that there is some connection running through the different things he has written and by reading his works consecutively we arrive at a better understanding of him and them. Take, for instance, Henrik Ibsen’s tragedy, “Ghosts.” This earnest and profound play was at first almost unanimously denounced as an immoral publication. Ibsen’s next work, “An Enemy of the People,” describes, as is well known the ill-treatment received by a doctor in a little seaside town when he points out the fact that the baths for which the town is noted are contaminated. The town does not want such a report spread; it is not willing to incur the necessary expensive reparation, but elects instead to abuse the doctor, treating him as if he and not the water were the contaminating element. The play was an answer to the reception given to “Ghosts,” and when we perceive this fact we read it in a new light. We ought, then, preferably to read so as to comprehend the connection between and author’s books. We ought to read, too, so as to grasp the connection between an author’s own books and those of other writers who have influenced him, or on whom he himself exerts an influence. Pause a moment over “An Enemy of the People,” and recollect the stress laid in that play upon the majority who as the majority are almost always in the wrong, against the emancipated individual, in the right; recollect the concluding reply about that strength that comes from standing alone. If the reader, struck by the force and singularity of these thoughts, were to trace whether they had previously been enunciated in Scandinavian books, he would find them expressed with quite fundamental energy throughout the writings of Soren Kierkegaard, and he would discern a connection between Norwegian and Danish literature, and observe how an influence from one country was asserting itself in the other. Thus, by careful reading, we reach through a book to the man behind it, to the great intellectual cohesion in which he stands, and to the influence which he in his turn exerts.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: On Reading: An Essay (1906), pp. 40-43

People , Books , Soul , Girl

“Writers sometimes cast themselves into the most profound depths of despair in order to master it and move on.”

Imre Kertész (1929–2016) Hungarian writer

Liquidation (2003)

Despair

“The climate stubbornly refuses to co-operate with computer models and the writers of alarmist popular articles and books.”

Ian Plimer book Heaven and Earth

Heaven and Earth (2009)

Books

“I was hardly fit for human society. Thus destiny shaped me to be a science fiction writer.”

Brian W. Aldiss (1925–2017) British science fiction author

The Twinkling of an Eye: My Life as an Englishman (1998) Unsourced variant: "Why had I become a writer in the first place? Because I wasn't fit for society; I didn't fit into the system."

Science

“Wadewitz was probably best known as a longtime Wikipedia editor. She edited her first entry in 2004, and went on to create pages for female writers, scholars, and their works, editing nearly 50,000 posts in total”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Solé, Elise (April 18, 2014). "Remembering Adrianne Wadewitz, Beloved Wikipedia Wiz" https://shine.yahoo.com/healthy-living/adrianne-wadewitz-died-rock-climbing-200336364.html. Yahoo Shine.
About

“Jargon or gobbledygook, or what people who live in Washington or Ottawa call "federal prose," [is] the gabble of abstractions and vague words which avoids any simple or direct statement…. Direct and simple language always has some force behind it, and the writers of gobbledygook don't want to be forceful; they want to be soothing and reassuring.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 6: The Vocation of Eloquence

People

“A later writer, such as Leijonhufvud, I knew to have it wrong, when he later argued the merits of Keynes’s subtle intuitions and downplayed the various (identical!) mathematical versions of The General Theory. The so-called 1937 Hicks or later Hicks–Hansen IS–LM diagram will do as an example for the debate.”

Paul A. Samuelson (1915–2009) American economist

New millennium, An Interview with Paul A. Samuelson, 2003

Mathematics

“I am reverential to great stars. I don't want sexual congress with them. The writer in me reveres the artist in them.”

Camille Paglia (1947) American writer

Playboy interview (May 1995)

Star

“There are only four Hindu writers on algebra whose names are particularly noteworthy. These are Āryabhata, whose Āryabhatiyam (c. 510) included problems in series, permutations, and linear and quadratic equations; Brahmagupta, whose Brahmasiddhānta (c. 628) contains a satisfactory rule for solving the quadratic… Mahāvīra, whose Ganita-Sāra Sangraha (c. 850) contains a large number of problems involving series, radicals, and equations; and Bhāskara, whose Bija Ganita (c. 1150)… extends the work through quadratic equations.”

David Eugene Smith (1860–1944) American mathematician

Source: History of Mathematics (1925) Vol.2, Ch. 6: Algebra

Problem

“I hold any writer sufficiently justified who is himself in love with his theme.”

Henry James (1843–1916) American novelist, short story author, and literary critic

"Venice," The Century Magazine, vol. XXV (November 1882), reprinted in Portraits of Places (1883) and later in Italian Hours http://www.gutenberg.org/dirs/etext04/8ihou10.txt (1909), ch: I: Venice, pt. I.

Love

“SHELLEY JACKSON: You began as a writer, moved to performance art, then architecture. I’d like to follow the traces of writing through your career, and see whether your late work could be rethought as a radically materialist practice of writing. What made you want to write?
VITO ACCONCI: I wanted to be involved with the making of some kind of parallel world. I thought, there’s no reason to go to different parts of our world, because you can write them. You can stay home, stay in a little room, and imagine all these worlds. And I wanted to do that. Why did I want to do that, I’m not sure if I can tell.”

Vito Acconci (1940–2017) Designer, landscape architect, performance and installation artist

Shelley Jackson talks with Vito Acconci http://www.believermag.com/issues/200612/?read=interview_acconci, in: The Believer, Nr. 12. 2006.

World , Art , Home , Imagination

“I remember reading an article about Frasier when it was going off the air – a very sad obituary from a TV writer who said that Frasier was such a smart show, and it was for the Mensa set. And he gave an example, where he quoted some line about a woman that Frasier thinks is very mean and he says, “Her idea of tough love is the Spanish Inquisition.””

Louis C.K. (1967) American comedian and actor

And they thought that was very smart—just because he mentioned something from history.
http://www.dead-frog.com/blog/entry/interview_louis_ck_creator_of_the_sitcom_lucky_louie/ (2006)

Love , Sadness , Quotes , History

“Only a personal experience of it, or a prolonged study of men who have passed into the new life, will enable us to realize what this actually is; but it has seemed to the present writer that to pass in review, even briefly and imperfectly, instances in which the condition in question has existed would be worth while.”

Richard Maurice Bucke (1837–1902) prominent Canadian psychiatrist in the late 19th century

First Words
Cosmic Consciousness (1901)

Life , Men , Question , Study

“The writer is a “somewhat mystical” — or do I mean “mythical?””

Joyce Carol Oates (1938) American author

person.
Joyce Carol Oates interviews herself (2013)

Personality

“writers by whom, more than by any others, a new mode of political thinking was brought home to me, were those of the St. Simonian school in France. In 1829 and 1830 I became acquainted with some of their writings. They were then only in the earlier stages of their speculations. They had not yet dressed out their philosophy as a religion, nor had they organized their scheme of Socialism. They were just beginning to question the principle of hereditary property. I was by no means prepared to go with them even this length; but I was greatly struck with the connected view which they for the first time presented to me, of the natural order of human progress; and especially with their division of all history into organic periods and critical periods.”

John Stuart Mill book Autobiography

Source: Autobiography (1873)
Source: https://archive.org/details/autobiography01mill/page/163/mode/1up p. 163

Nature , Time , Question , Religion

“Hindu writers have been entirely excluded from holding public offices, and all the worshipping places of the infidels and great temples of these infamous people have been thrown down and destroyed in a manner which excites astonishment at the successful completion of so difficult a task. His Majesty personally teaches the sacred kalima to many infidels with success. All the mosques in the empire are repaired at public expense. Imama, criers to the daily prayers, and readers of the khutba, have been appointed to each of them, so that a large sum of money has been and is still laid out in these disbursements.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Mir-at-i 'alam, Mir-at-i Jahan-numa, of Bakhtawar Khan, in Elliot and Dowson, Vol. VII, p. 159.
Quotes from late medieval histories

Money , People , Success , Personality

“He said, for example: "Many people working with the Ouija board or automatic writing receive messages that seem, or purport, to come from historic personages. Often, however, the material is vastly inferior to that which could have been produced by the person in question during his or her earthly existence. Any comparison with the material received to the written books or accounts already existing would immediately show glaring discrepancies. Yet in many instances, the Ouija board operator or the automatic writer is to some extent or other tuning in to a world view, struggling to open roads of perception free enough to perceive an altered version of reality, but not equipped enough through training and temperament, perhaps to express it....”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 85

People , Books , World , Question

“Well what happened was I was asked to be on Seinfeld. They said: “Would you do a Seinfeld?” And I said, and I just happened to know to see a few Seinfelds and I knew these guys were really tops; they were really, really clever guys, and I liked the show. And so I said “Sure!” and I thought they would ask me to do a walk-on, the way it came: "Would you come be part of the show?" And I said “Yeah, sure I’ll do it.” You know what I mean? Then I got the script and my name was on every page because it was about my car. And I laughed; it was hysterically funny. So I was really delighted to do it. The writer came up to me and he said “Jon, would you come take a look at my car to see if you ever owned it?”, because the writer wrote it from a real experience where someone sold him the car based on the fact that it was my car. And I went down and I looked at the car and I said “No, I never had this car.””

Jon Voight (1938) American actor

So unfortunately I had to give him the bad news. But it was a funny episode.
In a Red Carpet interview at the 2006 BAFTA Emmy Awards describing his involvement in and appearance on the 1994 Seinfeld episode The Mom and Pop Store http://www.youtube.com/watch?v=b8o140TFyAA

Cars , Way , Guy , Parting

“If someone asks you where you get your characters… and they're sure to do that… you always say, "He's a combination of a lot of people I have known." That way, if your character is a damn fool, nobody will want to identify with him… To tell the truth, I don't know how a man gets a character for a story, anymore than I know how he falls in love. I don't know if his characters spring full-blown from his head, or if he sees a man walking down the street and recognises him instantly… I doubt any writer knows for sure where his characters come from.”

Robert E. Howard (1906–1936) American author

Comment made to Novalyne Price. One Who Walked Alone by Novalyne Price Ellis, pp. 78-79
Other

Love , People , Truth , Fools

“Mr. Mets is representative not only of the general public, but also of many scientific workers, publicists, and writers. Like most people, he takes words as much for granted as the air he breathes, gives them about as much thought. […] But Mr. Mets, like the rest of us, also adjusts himself automatically to changes in the verbal climate, from one type of discourse to another, from one set terms to another, from the listening habits of one kind of social occasion to those of another kind of social occasion, without conscious effort. He has yet, however, to acknowledge the effect of his verbal climate on his mental health and well-being. ”

S. I. Hayakawa book Language in Thought and Action

Source: Language in Thought and Action (1949), The Niagara of Words, p. 16

People , Health , Effort , Change

“It is in this matter that I fall foul of so many American writers on writing; they seem to think that writing is a confidence game by means of which the author cajoles a restless, dull-witted, shallow audience into hearing his point of view. Such an attitude is base, and can only beget base prose.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Elements of Style (1959).

Confidence , Game , Thinking

“Poetry, as nearly as I can understand it, is a statement in words about a human experience, whether the experience be real or hypothetical, major or minor; but it is a statement of a particular kind. Words are symbols for concepts, and the philosopher or scientist endeavors as far as may be to use them with reference to nothing save their conceptual content. Most words, however, connote feelings and perceptions, and the poet, like the writer of imaginative prose, endeavors to use them with reference not only to their denotations but to their connotations as well. Such writers endeavor to communicate not only concepts, arranged, presumably, either in rational order or in an order of apprehensible by the rational mind, but the feeling or emotion which the rational content ought properly to arouse.”

Yvor Winters (1900–1968) American poet and literary critic

The Audible Reading of Poetry (1951)

Feeling , Imagination , Communication , Understanding

“The routine in the gallery seemed eternal. The artists ate a skimpy breakfast, worked from seven in the morning until noon, ate lunch when lunch was available, exercised by shift in the courtyard below, worked again till six, ate dinner, and worked from seven until eight-thirty. The gallery housed writers, artists, and a few musicians. Sexes were segregated. Every two weeks the men and women were allowed to mix indiscriminately. Any children born were immediately put in the outside government nurseries where they were brought up as workers, beginning in the fields or chemical gardens at the age of six.”

Jane Roberts (1929–1984) American Writer

Source: The Rebellers (1963), p. 9

Women , Men , Children , Age

“I wonder sometimes if the motivation for writers ought to be contempt, not admiration.”

Orson Scott Card book Future on Fire

Future on Fire (1991), introduction.

Motivation

“The writer feels that management is also destined to become more of an art, and that many of the, elements which are now believed to be outside the field of exact knowledge will soon be standardized tabulated, accepted, and used, as are now many of the elements of engineering.”

Frederick Winslow Taylor (1856–1915) American mechanical engineer and tennis player

Source: Shop Management, 1903, p. 1373.

Art , Feeling , Knowledge

“The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast any radical or surprising ideas, it combines numerous familiar plot elements into a suspenseful, entertaining whole. Best of all, perhaps, is the realization that some thought went into writer/director David Twohy's script. This is not a dumb movie; in fact, with its heavy reliance upon real science, it's startlingly credible.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/a/arrival.html of The Arrival (1996).
Three star reviews

Idea , Science , Summer

“A novelist has to enter deeper exile still. In most outward ways the experience was depressive, as many young would-be writers and painters who have ever gone to Greece have discovered. We used to have a nickname for the sense of inadequacy and accidie it produced – the ‘Aegean blues’. One has to be a very complete artist to create good work among the purest and most balanced landscapes on the planet…The Greece of the Islands is Circe still; no place for the artist-voyager to linger long, if he cares for his soul.”

John Fowles book The Magus

Introduction (1977 edition)
The Magus (1965)

Way , Soul , Sense

“We have aimed at popularity in the best sense of that term. The truly popular writer never sinks into the vulgar crowd. He rather raises the masses by bringing the highest subjects within their comprehension, making them, without a show of erudition, easily understood”

Ernst, Baron von Feuchtersleben (1806–1849) Austrian psychiatrist, poet and philosopher

The Dietetics of the Soul; Or, True Mental Discipline (1838)

Sense

“As it seems to me, skill of the writer in abilities not only to write, but will delete everything that is unessential.”

Miho Mosulishvili (1962) Georgian writer

Interviews

“The history of organization theory contrasts with the history of managerial thought. When people began to compose texts about organized activities, between 2,000 and 3,000 years before the Christian era (BCE), they focused on managerial practices rather than on organizations as such. Several writers proposed general principles for managerial practice before 1000 BCE, so one can say that theories about managing have existed for at least 3000 years. However, these writings often said nothing about the organizational contexts in which managing was to occur. When the writers did make statements about organizations, they did not generalize. They wrote about specific organizations.”

William H. Starbuck (1934) American academic

Source: "The Origins of Organizational Theory," 2005, p. 143

People , History

“One writer, for instance, excels at a plan or a title page, another works away at the body of the book, and a third is a dab at an index.”

Oliver Goldsmith (1728–1774) Irish physician and writer

No. 1 (Oct. 6, 1759).
The Bee (1759)

Books

“It is all very well for intellectuals in their air-conditioned offices to bemoan the unbelievable impact of either mean-spirited or silly rumours in the genesis of communal riots among the common folk. But in this instance, in their own reports on and analysis of communal violence, factual data were just as shamelessly replaced with invention, rumours and conspiracy theories. In this respect, religious extremists such as the Shahi Imam have behaved themselves better than the secularist campaigners who pose as the guardians of modernity and the scientific temper. Arundhati Roy risked the international fame she so clearly cherishes by going public with blatant lies about atrocities against named Gujarati Muslim women who turned out to be either non-existent or abroad at the time of the riots. Perhaps a fiction writer can afford this, but the news media with their deontology of accuracy and objectivity made themselves guilty of similar howlers. Internationally influential media like the Washington Post copied from an Islamist website rumours about Hindu provocations behind the Godhra carnage, falsely claiming a Gujarati journalist as source, and never publishing a correction when the journalist in question denied ever having put out such a story. With such media, who needs rumors?”

Koenraad Elst (1959) orientalist, writer

2000s, Gujarat after Godhra: Real violence, selective outrage (2003)

Women , Communication , Question , Time

“Gertrude Johnson could feel no real respect for, no real interest in, anybody who wasn't a writer. For her there were two species: writers and people; and the writers were really people, and the people weren't.”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Chapter 1, p. 22

People , Feeling

“Most writers enjoy two periods of happiness – when a glorious idea comes to mind and, secondly, when a last page has been written and you haven’t had time to know how much better it ought to be.”

J.B. Priestley (1894–1984) English writer

International Herald Tribune, January 3, 1978.

Idea , Time , Happiness

“I cannot remember a time when I did not consider myself a writer.”

Lois Duncan (1934–2016) American young-adult and children's writer

Quoted in The 100 Most Popular Young Adult Authors: Biographical Sketches and Bibliographies (1997), p. 109
1990–2002

Time

“Nowadays three witty turns of phrase and a lie make a writer.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

D 25
Aphorisms (1765-1799), Notebook D (1773-1775)

Lie

“I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian… But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian… Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Richard Burgin, Conversation with Jorge Luis Borges, pages 92-93.
Conversations with Jorge Luis Borges (1968)

Life , People , World , Color

“To Parker Bright, Hannah Black, and other critics of this painting, I say this:
I completely reject your criticism. If only artists of the proper ethnicity can depict violence inflicted on their group, then only writers of the proper ethnicity can write about the same issues, and so on with all the arts. And what goes for ethnicity or race goes for gender: men cannot write about suffering inflicted on women, nor women about suffering inflicted on men. Gays cannot write about straight people and vice versa.
The fact is that we are all human, and we are all capable of sharing, as well as depicting, the pain and suffering of others. I will not allow you to fracture art and literature the way you have fractured politics. Yes, horrible injustices have been visited on minority groups, on women, on gays, and on other marginalized people, but to allow that injustice to be conveyed only by “properly ethnic or gendered artists” is to deny us our common humanity and deprive us of emotional solidarity. No group, whatever its pigmentation or chromosomal constitution, has the exclusive right to create art or literature about their own subgroup. To deny others that right is to censor them.
To those who say this painting has caused them “unnecessary hurt” because it is by a white artist about black pain, I say, “Your own pain about this artwork is gratuitous; I do not take it seriously. It’s the cry of a coddled child who simply wants attention.””

Jerry Coyne (1949) American biologist

" Insane political correctness: snowflakes urge destruction of Emmett Till painting https://whyevolutionistrue.wordpress.com/2017/04/04/insane-political-correctness-snowflakes-urge-destruction-of-emmett-till-painting/" April 4, 2017

Women , Men , Pain , People

“An aphorism is a generalization of sorts, and our present-day writers seem more at home with the particular.”

Anatole Broyard (1920–1990) American literary critic

‘Wisdom of Aphorisms’, New York Times, 30th April 1983.

Home

“Who is Gloria Estefan today? I'm very fulfilled as a woman. I've been able to have a wonderful family life, a fantastic career. I have a lot of good friends around me. My family has been my grounding point, and rooted me deeply to the earth... I'm very happy. I've done everything I ever wanted to do. The key to me was -- I told my husband when we were in our 20s -- I'm going to work really hard, so one day I won't have to work so hard. And to me what that was, was having choices. And I do have choices now -- and I have take full advantage of that. It's important for me now to be here for my little girl [Emily, age 12]. My son is full grown -- and I know have quickly that goes. So, I'm balancing being a mother -- which to me is the most important role I have on this earth -- and still being creative, writing -- which is what I love to do. So, I've been able to branch out into not just writing songs like you have heard through the years -- but writing children's books, writing a screenplay. But at my core that's what I am: a writer. And that's what I enjoy doing behind the scenes: writing the songs for albums, recording it. And that's why you have seen me take more of a back seat to being the center of attention, and being out on tour and doing that kind of thing. I've stepped up a lot of my charity work. This year, the five concerts I did were all for charity: different ones and my own foundation. So, that's becoming a bigger and bigger part of my life -- as I wanted it to be. And [I keep] just growing and evolving.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

iTunes interview (released June 2, 2007)
2007

Love , Life , Children , Books

“The writer is more concerned to know than to judge.”

W. Somerset Maugham book The Moon and Sixpence

Source: The Moon and Sixpence (1919), Ch. 41, p. 140

“Thus far, gentlemen, I have been insisting very strenuously upon what the most vulgar common sense has every disposition to assent to and only ingenious philosophers have been able to deceive themselves about. But now I come to a category which only a more refined form of common sense is prepared willingly to allow, the category which of the three is the chief burden of Hegel's song, a category toward which the studies of the new logico-mathematicians, Georg Cantor and the like, are steadily pointing, but to which no modern writer of any stripe, unless it be some obscure student like myself, has ever done anything approaching to justice.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

Lecture II : The Universal Categories, §3. Laws: Nominalism, CP 5.59
Pragmatism and Pragmaticism (1903)

Justice , Sense , Study

“There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions — is he tall, is he short?”

Rex Stout (1886–1975) American writer

he had better quit.
Rex Stout
The New York Times, "Talk with Rex Stout"

Question

“The novelist with a prudent prodigality may employ descriptions, dialogues, and episodes, which would be fatal in a drama. Characters may be introduced and dismissed without having any important connection with the plot; it is enough if they serve the purpose of the chapter in which they appear. Although as a matter of fine art no character should have a place in a novel unless it form an integral element of the story, and no episode should be introduced unless it reflects some strong light on the characters or incidents, this is a critical demand which only fine artists think of satisfying, and only delicate tastes appreciate. For the mass of readers it is enough if they are mused; and indeed all readers, no matter how critical their taste, would rather be pleased by a transgression of the law than wearied by prescription. Delight condones offence. The only question for the writer is, whether the offence is so trivial as to be submerged in the delight. And he will do well to remember that the greater flexibility belonging to the novel by no means removes the novel from the laws which rule the drama.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

Law , Art , Question , Thinking

“You become a good writer just as you become a good joiner: by planing down your sentences.”

Anatole France (1844–1924) French writer

On devient bon écrivain comme on devient bon menuisier: en rabotant ses phrases.
As quoted in Anatole France en pantoufles by Jean-Jacques Brousson (1924); published in English as Anatole France Himself: A Boswellian Record by His Secretary, Jean-Jacques Brousson (1925), trans. John Pollock, p. 85
Variant translation: You become a good writer just as you become a good carpenter: by planing down your sentences.

“The first time I remember women reacting to me was when we were filming Hud in Texas. Women were literally trying to climb through the transoms at the motel where I stayed. At first, it's flattering to the ego. At first. Then you realize that they're mixing me up with the roles I play — characters created by writers who have nothing to do with who I am.”

Paul Newman (1925–2008) American actor and film director

Quoted in Paul and Joanne: A Biography of Paul Newman and Joanne Woodward by Joe Morella and Edward Z. Epstein (Delacorte Press, 1988, ISBN 0-440-50004-4), p. 96

Women , Time

“But there was sufficient spirit of toleration and candor amongst the Italian ecclesiastics to allow the subject to be canvassed with much freedom They entered warmly themselves into the controversy often favoring different sides of the question and however much we may deplore the loss of time and labor devoted to the defense of untenable positions it must be conceded that they displayed far less polemic bitterness than certain writers who followed them beyond the Alps two centuries and a half later”

Charles Lyell book Principles of Geology

Chpt.3, p. 28
Principles of Geology (1832), Vol. 1

Question , Freedom , Loss , Time

“The writer probably knows what he meant when he wrote a book, but he should immediately forget what he meant when he's written it.”

William Golding (1911–1993) British novelist, poet, playwright and Nobel Prize for Literature laureate

As quoted in Novelists in Interview (1985) edited by John Haffenden

Books , Forgetting

“I could not have learned to listen to coyotes without having first learned to listen to my unwillingness to sell my hours, then to listen to the signals of my body, then to listen to the disease that has made my insides my home, and thus become a part of me. And I could not have learned to listen to coyotes without having talked to other people courageous enough to validate my perception of an animate world. I talked to the writer Christoper Manes, who said, 'For most cultures through history--including our own in preliterate times--the entire world used to speak. Anthropologists call this animism, the most pervasive worldview in human history. Animistic cultures listen to the natural world. For them, birds have something to say. So do worms, wolves, and waterfalls.' Later the philosopher Thomas Berry told me, 'The universe is composed of subjects to be communed with, not objects to be exploited. Everything has its own voice. Thunder and lightning and stars and planets, flowers, birds, animals, trees--all these have voices, and they constitute a community of existence that is profoundly related.”

Derrick Jensen book A Language Older Than Words

Source: A Language Older Than Words (2000), p. 361

People , World , Disease , Home

“The biblical case for vegetarianism does not rest on the view that killing may never be allowable in the eyes of God, rather on the view that killing is always a grave matter. When we have to kill to live we may do so, but when we do not, we should live otherwise. It is vital to appreciate the force of this argument. In past ages many – including undoubtedly the biblical writers themselves – have thought that killing for food was essential in order to live. But … we now know that – at least for those now living in the rich West – it is perfectly possible to sustain a healthy diet without any recourse to flesh products. … Those individuals who opt for vegetarianism can do so in the knowledge that they are living closer to the biblical ideal of peaceableness than their carnivorous contemporaries. The point should not be minimized. In many ways it is difficult to know how we can live more peaceably in a world striven by violence and greed and consumerism. Individuals often feel powerless in the face of great social forces beyond even democratic control. To opt for a vegetarian life-style is to take one practical step towards living in peace with the rest of creation. One step towards reducing the rate of institutionalized killing in the world today.”

Andrew Linzey (1952) British theologian and divine

Source: Animal Theology (1994), pp. 131-132

Life , God , Age , World

“For now, I'm supposing that all movements are equal, which they're not, except in this respect: that none of them gives a damn about artists beyond their immediate utility. Good movements will use a writer just as ruthlessly as bad ones; since they all fancy they have better things to do than worry about one man's artistic survival.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"On Keeping Closets Closed" (1973), p. 76
The Good Word & Other Words (1978)

“I began to get up at two or three in the morning and work for twelve to fifteen hours a day. I’d get so emotionally drained by the writing, that I’d feel sick at the end of the day. My family became worried about me and they invited a friend, who was a writer in Los Angeles, to see me. He told me that he’d heard how serious I was about my writing, so he was willing to take a little time off of his busy schedule to glance at my work. I gave him the latest version of my manuscript. He took it home and came back to see me the following week. His face was long. He told me that he was sorry to say this but, as a family friend, he had the obligation to be truthful, so he’d tell me straight out that I had no talent. The book was terrible. And also, I was trying to write way beyond my mental capabilities.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Truth , Books , Family , Angels

“Every great and original writer, in proportion as he is great and original, must himself create the taste by which he is to be relished.”

William Wordsworth (1770–1850) English Romantic poet

Letter to Lady Beaumont (May 21, 1807).

“As writers become more numerous, it is natural for readers to become more indolent.”

Oliver Goldsmith (1728–1774) Irish physician and writer

No. 175, Upon Unfortunate Merit.
The Bee (1759)

Nature

“I'm not going to vote. I won't vote for a Catholic and I won't vote for a damned Republican. Maybe I've said that before. My ancestors were all Catholic and not very far back. And I have reason to hate the church.
I feel a curious kinship, though, with the Middle Ages. I have been more successful in selling tales laid in that period of time, than in any other. Truth it was an epoch for strange writers. Witches and werewolves, alchemists and necromancers, haunted the brains of those strange savage people, barbaric children that they were, and the only thing which was never believed was the truth. Those sons of the old pagan tribes were wrought upon by priest and monk, and they brought all their demons from their mythology and accepted all the demons of the new creed also, turning their old gods into devils. The slight knowledge which filtered through the monastaries from the ancient sources of decayed Greece and fallen Rome, was so distorted and perverted that by the time it reached the people, it resembled some monstrous legend. And the vague minded savages further garbed it in heathen garments. Oh, a brave time, by Satan! Any smooth rogue could swindle his way through life, as he can today, but then there was pageantry and high illusion and vanity, and the beloved tinsel of glory without which life is not worth living.
I hate the devotees of great wealth but I enjoy seeing the splendor that wealth can buy. And if I were wealthy, I'd live in a place with marble walls and marble floors, lapis lazulis ceilings and cloth-of-gold and I would have silver fountains in the courts, flinging an everlasting sheen of sparkling water in the air. Soft low music should breathe forever through the rooms and slim tigerish girls should glide through on softly falling feet, serving all the wants of me and my guests; girls with white bare limbs like molten gold and soft dreamy eyes.”

Robert E. Howard (1906–1936) American author

From a letter to Harold Preece (received October 20, 1928)
Letters

Life , God , Hate , Children

“It is perfectly possible to be a professional director or a professional writer and not to be an artist: merely a sort of executor of other people's ideas.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 188

People , Idea

“My own unryhmed cadences, and those of other writers are a reversion to the real English tradition of Cynewulf.”

F. S. Flint (1885–1960) English Imagist poet

Preface , 'Otherworld Cadences', Poetry Bookshop, London 1920
Otherworld Cadences (1920)

“My wife says I had a nervous breakdown during the writing of Mefisto. Maybe I did, but what's a nervous breakdown for a writer? For a writer every day is a nervous breakdown. […] The book came out in the spring, and I remember I spent that following summer digging my garden — Voltaire would have been proud. I made a wonderful garden. Grew beans, lettuces. I was healing myself from some kind of traumatic process that I don't pretend to understand. All right, let's agree with my wife and call it a nervous breakdown.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

Books , Spring , Understanding , Summer

“Thinking of Melville, thinking of Poe, thinking of Mark Twain and Vachel Lindsay, thinking of Jack London and Tom Wolfe, one begins to feel there is almost no way of becoming a creative writer in America without being a loser.”

Nelson Algren (1909–1981) American novelist, short story writer

"Algren at the height of his success" in 1950, quoted by Richard Flanagan, 2005.
Nonfiction works

Way , Feeling , Thinking , Wolf

“Palissy, a French writer on 'the Origin of Springs from Rain-water' and of other scientific works, undertook, in 1580, to combat the notions of many of his contemporaries in Italy, that petrified shells had all been deposited by the universal deluge. 'He was the first,' said Fontenelle, when, in the French Academy, he pronounced his eulogy nearly a century and a half later, 'who dared assert' in Paris, that fossil remains of testacea and fish had once belonged to marine animals.”

Charles Lyell book Principles of Geology

Chpt.3, p. 31
Principles of Geology (1832), Vol. 1

Spring , Fish , Universe , Water

“I doubt myself every day. I think most writers do. It’s part of the process. It’s in part what keeps you trying to write better each day, each book. If you were ever completely satisfied, I think you might just move on to something else. So you persevere. My bandmate, Stephen King, says successful writing is 5% talent, 5% luck, and 90% perseverance. You hit walls, reviews, dead-ends, editors, trends, and you wake up in the morning and keep going. You write for the joy of writing. It’s the best job in the world. I never—never—take this opportunity for granted. I try to earn it every day I’m in the chair.”

Ridley Pearson (1953) American writer

Interview with Ridley Pearson http://blog.booksamillion.com/author-spotlight/author-interviews/2016/08/interview-ridley-pearson/ (August 22, 2016)

Books , World , Thinking , Success

“The figure [neo-roman writers] wish to hold out for our admiration is described again and again. He is plain and plain-hearted; he is upright and full of integrity; above all he is a man of true manliness, of dependable valour and fortitude. His virtues are repeatedly contrasted with the vices characteristic of the obnoxious lackeys and parasites who flourish at court. The courtier, instead of being plain and plain-hearted, is lewd, dissolute and debauched; instead of being upright, he is cringing, servile and base; instead of being brave, he is fawning, abject and lacking in manliness.”

Quentin Skinner (1940) British historian

Source: Liberty Before Liberalism (1998), pp. 95-96

Heart , Dependency

“One of the most considerable achievements of Surrealism was its discovery that many writers and painters of the past had been Surrealists without knowing it.”

Henri Peyre (1901–1988) American linguist

As quoted in Cohn Existentialism (1948), p. 36

Past

“I would write, edit, rewrite and re-edit the text. However, I still felt that I was miles away from the ideal version of the story born and still alive in me. I ran towards it with all my might and when I thought I had finally captured it, it would slip away from me and disappear. It looked more like an everlasting vision of an oasis in the mind of the thirsty pilgrim wandering in the desert. Finally, I realised I would never be able to record it in a way that makes myself completely happy with it. I had felt this earlier, but did not want to acknowledge the feeling, I did not want to feel defeated. Now I know - unless the writer suffers, goes through difficulties and finally, feels beaten, like me; if he writes the way he himself wants to write, if he wins over the story, he is dead and finished, as a writer… So, in a nutshell, the writer faces the possibility to die after finishing each of his/her works. However, it is better not to use that possibility until the end…”

Miho Mosulishvili book A Big She-Bear

Source: A Big She-Bear (2013), p. 3

Way , Feeling , Suffering , Dead

“Sometimes when I am alone in my beautiful apartments, brooding over these things and nursing my loneliness, I say to myself: "There are cases when success is a tragedy." There are moments when I regret my whole career, when my very success seems to be a mistake. I think that I was born for a life of intellectual interest. I was certainly brought up for one. The day when that accident turned my mind from college to business seems to be the most unfortunate day in my life. I think that I should be much happier as a scientist or writer, perhaps. I should then be in my natural element, and if I were doomed to loneliness I should have comforts to which I am now a stranger. That's the way I feel every time I pass the abandoned old building of the City College. The business world contains plenty of successful men who have no brains. Why, then, should I ascribe my triumph to special ability?”

Abraham Cahan book The Rise of David Levinsky

The Rise of David Levinsky (1917)

Life , Men , World , Beauty

“They're hardly given to conventional writers, and a writer like myself is hardly given a knighthood.”

Wilson Harris (1921–2018) Guyanese writer

Interview with Wilson Harris (2010) on being Knighted at Queen Elizabeth II Birthday Honours

“Science fiction these days is only half a step ahead of science. Astrophysicists and scientists are working in the same way as science fiction writers. They’re working things out in their imagination based on the slim scientific facts that they know. Hawking imagines a black hole and then discovers the mathematics that support his theory, and new possibilities come to light. That’s the imaginative flair that scientists have to have. For me as a sci-fi writer, spinning those ideas in your mind brings you to the point where you dream in science fiction. Suddenly you think of something in the middle of the night, and it’s so vivid you don’t need to write it down because you know you’ll remember it in the morning. That’s what these books, Zero G, reflect: a vivid imagination.”

William Shatner (1931) Canadian actor, musician, recording artist, author, and film director

"William Shtner on Sci-Fi, Aging and the Environment" http://www.saturdayeveningpost.com/2017/08/22/in-the-magazine/shatner.html as interviewed by Jeanne Wolf, Saturday Evening Post, September/October 2017

Books , Dreams , Way , Imagination