Quotes from book
The Simple Art of Murder

Name: The Simple Art of Murder
Author: Raymond Chandler

The Simple Art of Murder is hard-boiled detective fiction author Raymond Chandler's critical essay, a magazine article, and his collection of short stories. The essay was first published in The Atlantic Monthly in December 1944 and a revised version was included in Howard Haycraft's anthology The Art of the Mystery Story. The magazine article which is more a history of Chandler's writings has little to do with the essay and appeared in the Saturday Review of Literature, April 15, 1950. The essay, somewhat rewritten, served to introduce the collection The Simple Art of Murder, 1950 , which contained eight of Chandler's early stories pre-dating his first novel, The Big Sleep.

“Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse; and with the means at hand, not hand-wrought dueling pistols, curare and tropical fish.”

Raymond Chandler book The Simple Art of Murder

Source: The Simple Art of Murder

“Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero, he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor, by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world.”

Raymond Chandler book The Simple Art of Murder

essay, first appeared in The Atlantic Monthly (November, 1945)
The Simple Art of Murder (1950)

“I merely say that all reading for pleasure is escape, whether it be Greek, mathematics, astronomy, Benedetto Croce, or The Diary of the Forgotten Man. To say otherwise is to be an intellectual snob, and a juvenile at the art of living.”

Raymond Chandler book The Simple Art of Murder

Source: The Simple Art of Murder

“The boys with their feet on the desks know that the easiest murder case in the world to break is the one somebody tried to get very cute with.”

Raymond Chandler book The Simple Art of Murder

essay, first appeared in The Atlantic Monthly (November, 1945)
The Simple Art of Murder (1950)

“There are no 'classics' of crime and detection. Not one. Within its frame of reference, which is the only way it should be judged, a classic is a piece of writing which exhausts the possibilities of its form and can never be surpassed. No story or novel of mystery has done that yet. Few have come close. Which is one of the principal reasons why otherwise reasonable people continue to assault the citadel.”

Raymond Chandler book The Simple Art of Murder

Introduction
The Simple Art of Murder (1950)

“Undoubtedly the stories about them [hard-boiled detectives] had a fantastic element. Such things happened, but not so rapidly, nor to so close-knit a group of people, nor within so narrow a frame of logic. This was inevitable because the demand was for constant action; if you stopped to think you were lost. When in doubt, have a man come through a door with a gun in his hand.”

Raymond Chandler book The Simple Art of Murder

Introduction
The Simple Art of Murder (1950)

“The mystery story is a kind of writing that need not dwell in the shadow of the past and owes little if any allegiance to the cult of the classics. It is a good deal more than unlikely that any writer now living will produce a better historical novel than Henry Esmond, a better tale of children than The Golden Age, a sharper social vignette than Madame Bovary, a more graceful and elegant evocation than The Spoils of Poynton, a wider and richer canvas than War and Peace or The Brothers Karamazov. But to devise a more plausible mystery than The Hound of the Baskervilles or The Purloined Letter should not be too difficult. Nowadays it would be rather more difficult not to.”

Raymond Chandler book The Simple Art of Murder

Introduction
The Simple Art of Murder (1950)

“Nor is it any part of my thesis to maintain that it [the detective story] is a vital and significant form of art. There are no vital and significant forms of art; there is only art, and precious little of that.”

Raymond Chandler book The Simple Art of Murder

essay, first appeared in The Atlantic Monthly (November, 1945)
The Simple Art of Murder (1950)

“Everything written with vitality expresses that vitality: there are no dull subjects, only dull minds. All men who read escape from something else into what lies behind the printed page; the quality of the dream may be argued, but its release has become a functional necessity. All men must escape at times from the deadly rhythm of their private thoughts. It is part of the process of life among thinking beings.”

Raymond Chandler book The Simple Art of Murder

essay, first appeared in The Atlantic Monthly (November, 1945)
The Simple Art of Murder (1950)

Raymond Chandler book The Simple Art of Murder

But to devise a more plausible mystery than The Hound of the Baskervilles or The Purloined Letter should not be too difficult. Nowadays it would be rather more difficult not to.
Introduction
The Simple Art of Murder (1950)