George Raymond Richard Martin quotes

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George Raymond Richard Martin

Birthdate: 20. September 1948

George Raymond Richard Martin , also known as GRRM, is an American novelist and short story writer in the fantasy, horror, and science fiction genres, screenwriter, and television producer. He wrote the series of epic fantasy novels, A Song of Ice and Fire, which was adapted into the HBO series Game of Thrones .

In 2005, Lev Grossman of Time called Martin "the American Tolkien", and in 2011, he was included on the annual Time 100 list of the most influential people in the world. Wikipedia

Works

A Song of Ice and Fire
George Raymond Richard Martin
Meathouse Man
George Raymond Richard Martin
Fevre Dream
George Raymond Richard Martin

„It is the people who speak to me, the men and women who once lived and loved and dreamed and grieved, just as we do.“

—  George Raymond Richard Martin

infinity plus interview (2001)
Context: Historical processes have never much interested me, but history is full of stories, full of triumph and tragedy and battles won and lost. It is the people who speak to me, the men and women who once lived and loved and dreamed and grieved, just as we do. Though some may have had crowns on their heads or blood on their hands, in the end they were not so different from you and me, and therein lies their fascination. I suppose I am still a believer in the now unfashionable "heroic" school, which says that history is shaped by individual men and women and the choices that they make, by deeds glorious and terrible.

„I think that for science fiction, fantasy, and even horror to some extent, the differences are skin-deep.“

—  George Raymond Richard Martin

Interview with Weird Tales (24 May 2007) http://weirdtales.net/wordpress/2007/05/24/george-rr-martin-on-magic-vs-science/
Context: I think that for science fiction, fantasy, and even horror to some extent, the differences are skin-deep. I know there are elements in the field, particularly in science fiction, who feel that the differences are very profound, but I do not agree with that analysis. I think for me it is a matter of the furnishings. An elf or an alien may in some ways fulfill the same function, as a literary trope. It’s almost a matter of flavor. The ice cream can be chocolate or it can be strawberry, but it’s still ice cream. The real difference, to my mind, is between romantic fiction, which all these genres are a part of, and mimetic fiction, or naturalistic fiction.

„The real difference, to my mind, is between romantic fiction, which all these genres are a part of, and mimetic fiction, or naturalistic fiction.“

—  George Raymond Richard Martin

Interview with Weird Tales (24 May 2007) http://weirdtales.net/wordpress/2007/05/24/george-rr-martin-on-magic-vs-science/
Context: I think that for science fiction, fantasy, and even horror to some extent, the differences are skin-deep. I know there are elements in the field, particularly in science fiction, who feel that the differences are very profound, but I do not agree with that analysis. I think for me it is a matter of the furnishings. An elf or an alien may in some ways fulfill the same function, as a literary trope. It’s almost a matter of flavor. The ice cream can be chocolate or it can be strawberry, but it’s still ice cream. The real difference, to my mind, is between romantic fiction, which all these genres are a part of, and mimetic fiction, or naturalistic fiction.

„The battle between good and evil is a legitimate theme for a Fantasy (or for any work of fiction, for that matter), but in real life that battle is fought chiefly in the individual human heart.“

—  George Raymond Richard Martin

infinity plus interview (2001)
Context: The battle between good and evil is a legitimate theme for a Fantasy (or for any work of fiction, for that matter), but in real life that battle is fought chiefly in the individual human heart. Too many contemporary Fantasies take the easy way out by externalizing the struggle, so the heroic protagonists need only smite the evil minions of the dark power to win the day. And you can tell the evil minions, because they're inevitably ugly and they all wear black.
I wanted to stand much of that on its head.
In real life, the hardest aspect of the battle between good and evil is determining which is which.

„There are many different kinds of writers, I like to use the analogy of architects and gardeners.“

—  George Raymond Richard Martin

Audio Interview http://www.geekson.com/archives/archiveepisodes/2006/episode080406.htm with Geekson http://www.geekson.com in Episode 54, (4 August 2006)
Context: There are many different kinds of writers, I like to use the analogy of architects and gardeners. There are some writers who are architects, and they plan everything, they blueprint everything, and they know before the drive the first nail into the first board what the house is going to look like and where all the closets are going to be, where the plumbing is going to run, and everything is figured out on the blueprints before they actually begin any work whatsoever. And then there are gardeners who dig a little hole and drop a seed in and water it with their blood and see what comes up, and sort of shape it. They sort of know what seed they've planted — whether it's an oak or an elm, or a horror story or a science fiction story, but they don't how big it's going to be, or what shape it's going to take. I am much more a gardener than an architect.

„I was always intensely Romantic, even when I was too young to understand what that meant.“

—  George Raymond Richard Martin

infinity plus interview (2001)
Context: I was always intensely Romantic, even when I was too young to understand what that meant. But Romanticism has its dark side, as any Romantic soon discovers... which is where the melancholy comes in, I suppose. I don't know if this is a matter of artistic influences so much as it is of temperament. But there's always been something in a twilight that moves me, and a sunset speaks to me in a way that no sunrise ever has.

„My own heroes are the dreamers, those men and women who tried to make the world a better place than when they found it, whether in small ways or great ones. Some succeeded, some failed, most had mixed results… but it is the effort that's heroic, as I see it. Win or lose, I admire those who fight the good fight.“

—  George Raymond Richard Martin

Talking about Busted Flush the Wild Cards novel, Interview on Pat's Fantasy Hotlist http://fantasyhotlist.blogspot.com/2008/12/interview-with-george-r-r-martin-and.html (December 2008)
Context: With great power comes great responsibility, Stan Lee once wrote. Spidey's credo articulates the basic premise of every superhero universe, including ours. But Lord Acton wrote that power corrupts, and absolute power corrupts absolutely. The tension between those two truths is where the drama comes in. My own heroes are the dreamers, those men and women who tried to make the world a better place than when they found it, whether in small ways or great ones. Some succeeded, some failed, most had mixed results... but it is the effort that's heroic, as I see it. Win or lose, I admire those who fight the good fight.

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„In real life, the hardest aspect of the battle between good and evil is determining which is which.“

—  George Raymond Richard Martin

infinity plus interview (2001)
Variant: In real life, the hardest aspect of the battle between good and evil is determining which is which.
Context: The battle between good and evil is a legitimate theme for a Fantasy (or for any work of fiction, for that matter), but in real life that battle is fought chiefly in the individual human heart. Too many contemporary Fantasies take the easy way out by externalizing the struggle, so the heroic protagonists need only smite the evil minions of the dark power to win the day. And you can tell the evil minions, because they're inevitably ugly and they all wear black.
I wanted to stand much of that on its head.
In real life, the hardest aspect of the battle between good and evil is determining which is which.

„It doesn't seem to matter what gods you pray to. We all die, in the real world and in fantasy worlds, and if there was some religion where you did not die I suspect that would be, that god would become very popular.“

—  George Raymond Richard Martin

Discussing the influence of real-life faiths on his work and its religious systems, Authors@Google (August 2011)
Context: I think worship of death is an interesting basis for religion, because after all death is the one universal. It doesn't seem to matter what gods you pray to. We all die, in the real world and in fantasy worlds, and if there was some religion where you did not die I suspect that would be, that god would become very popular. They all promise us eternal life, but whatever.

„They may get invited to the premiere and they come out of the premiere looking like all of their children had just been gassed, with a stunned look on their face because everything has been changed.“

—  George Raymond Richard Martin

On his background in Hollywood and the risks of adaptioning one's work for the screen, at Authors@Google (August 2011) http://www.youtube.com/watch?v=QTTW8M_etko
Context: Sometimes I think some of my fellow novelists who have not worked in television and film are very naive about this process. They get an offer and there's the dump truck full of money and they sign it, they cash the check and then they're not involved in the series. They may get invited to the premiere and they come out of the premiere looking like all of their children had just been gassed, with a stunned look on their face because everything has been changed.

„I am much more a gardener than an architect.“

—  George Raymond Richard Martin

Audio Interview http://www.geekson.com/archives/archiveepisodes/2006/episode080406.htm with Geekson http://www.geekson.com in Episode 54, (4 August 2006)
Context: There are many different kinds of writers, I like to use the analogy of architects and gardeners. There are some writers who are architects, and they plan everything, they blueprint everything, and they know before the drive the first nail into the first board what the house is going to look like and where all the closets are going to be, where the plumbing is going to run, and everything is figured out on the blueprints before they actually begin any work whatsoever. And then there are gardeners who dig a little hole and drop a seed in and water it with their blood and see what comes up, and sort of shape it. They sort of know what seed they've planted — whether it's an oak or an elm, or a horror story or a science fiction story, but they don't how big it's going to be, or what shape it's going to take. I am much more a gardener than an architect.

„I suppose I am still a believer in the now unfashionable "heroic" school, which says that history is shaped by individual men and women and the choices that they make, by deeds glorious and terrible.“

—  George Raymond Richard Martin

infinity plus interview (2001)
Context: Historical processes have never much interested me, but history is full of stories, full of triumph and tragedy and battles won and lost. It is the people who speak to me, the men and women who once lived and loved and dreamed and grieved, just as we do. Though some may have had crowns on their heads or blood on their hands, in the end they were not so different from you and me, and therein lies their fascination. I suppose I am still a believer in the now unfashionable "heroic" school, which says that history is shaped by individual men and women and the choices that they make, by deeds glorious and terrible.

„Back at the Philadelphia Worldcon (which seems a million years ago), I announced the famous five-year gap: I was going to skip five years forward in the story, to allow some of the younger characters to grow older and the dragons to grow larger, and for various other reasons. I started out writing on that basis in 2001, and it worked very well for some of my myriad characters but not at all for others, because you can't just have nothing happen for five years. If things do happen you have to write flashbacks, a lot of internal retrospection, and that's not a good way to present it. I struggled with that essentially wrong direction for about a year before finally throwing it out, realizing there had to be another interim book. That became A Feast for Crows, where the action is pretty much continuous from the preceding book. Even so, that only accounts for one year. Why the four after that? I don't know, except that this was a very tough book to write -- and it remains so, because I've only finished half. Going in, I thought I could do something about the length of the second book in the series, A Clash of Kings, roughly 1,200 pages in manuscript. But I passed that and there was a lot more to write. Then I passed the length of the third book, A Storm of Swords, which was something like 1,500 pages in manuscript and gave my publishers all around the world lots of production problems. I didn't really want to make any cuts because I had this huge story to tell. We started thinking about dividing it in two and doing it as A Feast for Crows, Parts One and Two, but the more I thought about that the more I really did not like it. Part One would have had no resolution whatsoever for 18 viewpoint characters and their 18 stories. Of course this is all part of a huge megaseries so there is not a complete resolution yet in any of the volumes, but I try to give a certain sense of completion at the end of each volume -- that a movement of the symphony has wrapped up, so to speak.“

—  George Raymond Richard Martin

Interview with Locus magazine (November 2005)

„Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Etiam egestas wisi a erat. Morbi imperdiet, mauris ac auctor dictum.“

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