Quotes about writer
page 10

“In order for a writer to produce something which is original and correct, it is not absolutely necessary that his predecessors have been wrong.”

William J. Baumol (1922–2017) American economist

William J. Baumol, "Baumol's Sales-Maximization Model: Reply." The American Economic Review 54.6 (1964): 1081-1081: Quoted in: Walid Marrouch, Essays on International Environmental Policy. Diss. 2009.

“When he looks back, the critic sees a eunuch's shadow. Who would be a critic if he could be a writer? Who would hammer out the subtlest insight into Dostoevsky if he could weld an inch of the Karamazovs, or argue the poise of Lawrence if he could shape the free gust of life in The Rainbow?”

George Steiner (1929–2020) American writer

"Humane Literacy" (1963).
Language and Silence: Essays 1958-1966 (1967)

Life

“State censorship was an obvious assault on our creativity, but few Chinese writers actually acknowledge the serious and endemic issue of self-censorship. For me it was as clear as the operation of the state's apparatus – without self-censorship an artist in China would get nowhere and had no voice.”

Xiaolu Guo (1973) Chinese-British novelist and film director

Once Upon A Time in the East: A Story of Growing up, Chatto & Windus, 2017, page 259 (ISBN 9781784740689).
Memoir, 2017

“If these Mount Everests of the financial world are going to labor and bring forth still more pictures with people being blown to bits with bazookas and automatic assault rifles with no gory detail left unexploited, if they are going to encourage anxious, ambitious actors, directors, writers and producers to continue their assault on the English language by reducing the vocabularies of their characters to half a dozen words, with one colorful but overused Anglo-Saxon verb and one unbeautiful Anglo-Saxon noun covering just about every situation, then I would like to suggest that they stop and think about this: making millions is not the whole ball game, fellows. Pride of workmanship is worth more. Artistry is worth more.”

Gregory Peck (1916–2003) American actor

Acceptance speech on receiving the American Film Institute's Life Achievement Award in 1989, as quoted in "Gregory Peck, a Star of Quiet Dignity, Dies at 87" by William Grimes in The New York Times (13 June 2003)

People, World, Color, Game

“She was forcing it with her scorn, the kiss she gave me, the hard curl of her lips, the mockery of her eyes, until I was like a man made of wood and there was no feeling within me except terror and a fear of her, a sense that her beauty was too much, that she was so much more beautiful than I, deeper rooted than I. She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle.”

John Fante book Ask the Dust

Ask the Dust (1939)

Money, Fear, Beauty, Feeling

“Behind the big names of twentieth-century literature there stands a shadow cabinet of writers waiting to take over once the Wind of Change has blown. My own vote goes to Hugh Kingsmill as leader of this opposition.”

Hugh Kingsmill (1889–1949) British writer and journalist

Michael Holroyd, in The Best of Hugh Kingsmill (1973) p. 7.
Criticism

Literature, Change, Waiting

“The Uniﬁed Modeling Language (UML) is a general-purpose visual modeling language that is used to specify, visualize, construct, and document the artifacts of a software system. It captures decisions and understanding about systems that must be constructed. It is used to understand, design, browse, conﬁgure, maintain, and control information about such systems. It is intended for use with all development methods, lifecycle stages, application domains, and media. The modeling language is intended to unify past experience about modeling techniques and to incorporate current software best practices into a standard approach. UML includes semantic concepts, notation, and guidelines. It has static, dynamic, environmental, and organizational parts. It is intended to be supported by interactive visual modeling tools that have code generators and report writers. The UML speciﬁcation does not deﬁne a standard process but is intended to be useful with an iterative development process. It is intended to support most existing object-oriented development processes.”

Ivar Jacobson (1939) Swedish computer scientist

James Rumbaugh, Ivar Jacobson, & Grady Booch (1999) The Unified Modeling Language Reference Manual. p. 1.

Understanding, Support, Decision, Past

“The modern writer is too often a Theseus so enamored of the grotesque appearance and strange cavortings of the Minotaur that he has decided to make his permanent abode in the Labyrinth, and to accept the Minotaur's laws as his own.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

Law, Appearance

“The Violencia that ravaged Colombia for the next decade, pitting Liberals against the ruling Conservatives, took 200,000 lives – a catastrophe worse than any endured in Peru. This was the historical background to Márquez’s early career as a journalist and writer. But he seems to have remained eerily untouched by it.”

Perry Anderson (1938) British historian

Spectrum: From Right to Left in the World of Ideas (2005), Ch 10. "Tropical Recall, Gabriel García Márquez" (2005)

“Why did I become a writer? A bird's feather on my windowpane in winter and all at once there arose in my heart a battle of embers never to subside again.”

René Char (1907–1988) 20th-century French poet

A statement written soon after the end of World War II, as quoted in René Char : This Smoke That Carried Us : Selected Poems (2004) edited by Susanne Dubroff

Bird, Winter, Heart

“Like many writers before me, I believe in coincidence and, sometimes, in the novelist’s gift for clairvoyance- the word gift not being the right one, for it implies a kind of superiority. Clairvoyance is simply the part of profession: the essential leaps of imagination, the need to fix one’s mind on detail-to the point of obsession, in fact, so as not to lose the thread and to give in one’s natural laziness. All the, is tension, this cerebral exercise may well lead in the long run to “flashes of intuition concerning events past and future”, as defined by Larousse dictionary under “clairvoyance.””

Patrick Modiano (1945) French writer

Source: The Search Warrant (2000), pp. 47-48

Exercises, Imagination, Nature, Past

“Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.”

Frederic Raphael (1931) British writer

Of Eyes Wide Shut
Interview, http://www.tipjar.com/dan/raphael.htm

Way, Game, Time, Parting

“As late as 1959, a friend and colleague of Albert Schweitzer defended his unsterile hospital in the following terms: Now to the domestic animals at the Hospital. People have been shocked by the informality with which animals and people mix, and although it is perhaps not always defensible on hygienic grounds, the mixture adds considerably to the charm of the place. The writer was a dental surgeon from New York, who would obviously have had a fit if a goat or chicken had wandered into his New York surgery. He knew full well that at Schweitzer’s hospital “the goats, dogs and cats visit hospital wards teeming with microbial life of the most horrifying varieties,” but he defended their habitation with Africans because that was part of the culture and charm that had to be preserved!”

Walter Rodney book How Europe Underdeveloped Africa

Source: How Europe Underdeveloped Africa (1972), p. 385

Life, People, Dogs, Cats

“I'm a writer. I've written most of the music we've performed. Most people don't know that because no one cares who writes the music. But, that's who I am. I've written poetry since I was a little girl. Music was an evolution of that.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

greenbaypressgazette.com (October 5, 2005)
2007, 2008

People, Music, Girl

“The travel writer seeks the world we have lost — the lost valleys of the imagination.”

Alexander Cockburn (1941–2012) Leftist journalist and writer

"Bwana Vistas," Harper’s (August 1985), reprinted in Corruptions of Empire (1988).

World, Travel, Imagination

“Positivism … implies the double falsehood that no interpretation is needed, and that it is not needed because the story which the positivist writer tells, such as it is, is obvious. The story he or she tells is usually a bad one, and its being obvious only means that it is familiar.”

Bernard Williams (1929–2003) English moral philosopher

Source: Truth and Truthfulness (2002), p. 12

“A writer will do anything to avoid the act of writing.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 4, Style, p. 21.

“I am a writer an a singer of the words I write I am no speaker nor any politician an my songs speak for me because I write them in the confinement of my own mind an have t cope with no one except my own self.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Letter sent to the ECLC after Dylan received the Tom Paine Award at the Bill of Rights dinner on December 13, 1963, as reported in "Mr. Dylan Regrets" http://www.hotpress.com/Bob-Dylan/music/interviews/Mr-Dylan-Regrets/2836632.html by Niall Stokes, Hot Press (11 November 2005)

“Many great writers have been extraordinarily awkward in daily exchange, but the greatest give the impression that their style was nursed by the closest attention to colloquial speech.”

Thornton Wilder (1897–1975) American playwright and novelist

Writers at Work interview (1958)

“I'm also lumbered with the title of being a writer's writer, which is the worst possible reputation you can have, because, of course, other writers don't read other writers except to gain evidence against them. And it puts readers off.”

John Banville (1945) Irish writer

John Banville: claiming Kafka as an Irish writer (2011)

Reading

“The writer does not get from his work as he writes and reads it the same aesthetic shock that the reader does; and since the writer is so accustomed to reading other stories, and having them produce a decided effect upon him, he is disquieted at not being equally affected by his own.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Ten Books," The Southern Review (Autumn 1935) [p. 8]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Reading

“Sure, sure I wanted out of this game. But I don't care what these writers say. My neck was wrenched about two weeks ago and I aggravated it when I continued to play. But I didn't want to miss any games when we are trying to win the pennant. We caught the Mets and we came here tonight leading them, and I think I had something to do with it. Like I say, I don't care what these writers think. They never believe me when I say I hurt. One time before, they wrote so much about me just imagining my back was hurting me that the manager decided to have me checked over by a specialist. I never did see the report, but Danny said he had been assured my complaint was legitimate, and that he was sorry there had been a misunderstanding. I couldn't know what he meant, but after that he never failed to ask about my back before he put my name in the lineup for the second game of doubleheaders.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "All-Star Case of Roberto Clemente" by Sam Lacy, in The Baltimore Afro-American (July 21, 1970)
Baseball-related, <big><big>1970s</big></big>, <big>1970</big>

Imagination, Game, Thinking, Time

“It occurred to me how very tired I sometimes feel as an outspoken feminist. … Trolls are trying to silence women, and I've installed a fiery declaration within myself to never give in, but it's incredibly hard, and gets harder as my platform as a writer grows. What didn’t occur to me initially is that West has spent years in the trenches fighting this endless, thankless fight, and maybe she needs a goddamn break. I had this revelation again, much more profoundly and emotionally, about my own mother while watching Greta Gerwig’s new film, Lady Bird. … Often, my mother and I clashed when she denied me freedom, but only because she had been harmed by the dangers she knew lay ahead for her daughter. I did so many risky, awful things, and then lied to her about them, because I never felt I could be honest with her. I should have known she wasn’t judging me. I should have known that she had done it all before, that even though she wouldn’t have used the word "feminist" to describe herself at the time, mostly she just didn’t want me to have to be so very tired. … Walking home from Lady Bird on the kind of night that New York fall fantasies are made of, I resisted the urge to call my mother, because I thought I might cry until the universe ripped apart at the seams. But then I called her anyway. I sobbed as I told her I had no idea how impossibly hard she had been trying.”

Lauren Duca (1991) American journalist

Sexism, Remembered and Forgotten (November 17, 2017)

Women, Feeling, Home, Idea

“A week after the attack, one is free to taste the bile of its atrocious ingenuity. It is already trite — but stringently necessary — to emphasise that such a mise en scène would have embarrassed a studio executive's storyboard or a thriller-writer's notebook ("What happened today was not credible," were the wooden words of Tom Clancy, the author of The Sum of All Fears). And yet in broad daylight and full consciousness that outline became established reality: a score or so of Stanley knives produced two million tons of rubble.”

Martin Amis (1949) Welsh novelist

"Fear and loathing" (2001)

Fear, Reality

“I will prefix the motives which originally gave rise to buildings and the development of inventions in this field, following in the steps of early nature and of those writers who have devoted treatises to the origins of civilization and the investigation of inventions. My exposition will, therefore, follow the instruction which I have received from them.”

Vitruvius book De architectura

Introduction, Sec. 5
De architectura (The Ten Books On Architecture) (~ 15BC), Book II

Motivation, Nature

“The first Bengali with a scientific insight to attack the problems of the language was the poet Rabindranath Tagore; and it is flattering for the votaries of philology, to find in one who is the greatest writer in the language, and a great poet and seer for all time, a keen philologist as well, distinguished alike by an assiduous enquiry into the facts of the language as by a scholarly appreciation of the methods and findings of the modern Western philologist. The work of Rabindranath is in the shape of a few essays (now collected in one volume) on Bengali Phonetics, Bengali Onomatopoetics, and on the Bengali noun, and on other topics, the earliest of which appeared in the early nineties, and some fresh papers appeared only several years ago. These papers may be said to have shown to the Bengali enquiring into the problems of his language the proper lines of approaching them.”

Suniti Kumar Chatterji (1890–1977) Bengali linguist

S.K. Chatterji (1926) in: S.K. Chatterji. " Visva-manah Vak-pati http://books.google.nl/books?id=9x-Peh32rw8C&pg=PA124" in: Rabindranath Tagore: A Centenary. S. Radhakrishnan eds. Sahitya Akademi. 1990. p. 124

Problem, Appearance, Time

“I'm the most translated writer in the world, behind Lenin, Tolstoy, Gorki and Jules Verne. And they're all dead…”

Mickey Spillane (1918–2006) American writer

Crime Time interview (2001)

World, Dead

“An American writer's intellectual energy ought to focus on American interests, first. Personal probity demands it! Otherwise, the columnist is a fifth column.”

Ilana Mercer South African writer

“American Rabbis For Israel First, http://www.economicpolicyjournal.com/2014/08/american-rabbis-for-israel-first.html Economic Policy Journal, August 8, 2014. <br class="br">2010s, 2014

Personality

“Class is the most difficult subject for American writers to deal with as it is the most difficult for the English to avoid.”

Gore Vidal (1925–2012) American writer

"Dawn Powell: The American Writer" (1987)
1980s, At Home (1988)

“There were other Batman writers throughout the years but they could never capture the style and flavor of Bill's scripts. Bill was the best writer in the business and it seemed that he was destined to write Batman".”

Bill Finger (1914–1974) American comic strip and comic book writer

About

Business

“I love writing, but I feel like you need time to really get in touch with yourself to do that. On [Metamorphosis], I would have liked to have had more time to work with the writers [and] write some more of my own stuff. Hopefully I can do that on my second album.”

Hilary Duff (1987) American actress and singer

Rosen, Craig. "Hilary Duff: A Performer's Metamorphosis" http://www.billboard.com/bbcom/news/article_display.jsp?vnu_content_id=2076149. Billboard. January 26 2004. Retrieved October 25 2006. <br class="br">On Metamorphosis (2003), her second album and first non-holiday album.

Love, Feeling, Time

“The qualities of a second-rate writer can easily be defined, but a first-rate writer can only be experienced. It is just the thing in him which escapes analysis that makes him first-rate.”

Willa Cather (1873–1947) American writer and novelist

Katherine Mansfield (1925)

“In short, I may affirm that one cannot refer to a single quoted prophecy that is not false; or if you would have me speak more mildly, I will only say that they are all ambiguous and doubtful, and are not to be accepted from writers who trifle with things and words.”

Hermann Samuel Reimarus (1694–1768) German philosopher

Source: Fragments from Reimarus: Consisting of Brief Critical Remarks on the Object of Jesus and His Disciples as Seen in the New Testament, p. 78

Quotes, Falseness

“He had writer's block once. It was the worst ten minutes of his life.”

Harlan Ellison (1934–2018) American writer

About Isaac Asimov – quoted in Page Fright : Foibles and Fetishes of Famous Writers (2009) by Harry Bruce
Jerry Pournelle, in "Chaos Manor: Is there an Upgrade in your future?" in Dr. Dobb's Journal : Software Tools For The Professional Programmer (2005), Vol. 30, Issues 374-379, p. 9
Variant: Most writers hate to write, and will grasp any excuse to do something else … There are exceptions. Isaac Asimov actually was never happier than sitting at a keyboard — first, his old typewriter; then, the TRS-80; and later, a more conventional PC. But then, Isaac was unusual, and his experience with writer's block was the worst 10 minutes of his life.

Life

“There's only one person who needs a glass of water oftener than a small child tucked in for the night, and that's a writer sitting down to write.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Water, Personality, Night

“"Sixty years ago Catholics played a prominent, prestigious, and irreplaceable part in American literary culture…They included established fiction writers--Flannery O'Connor, Katherine Anne Porter, Walker Percy, J. F. Powers, Ernest Hemingway, Paul Horgan, Jack Kerouac, Julien Green, Pietro di Donato, Hisaye Yamamoto, Edwin O'Connor, Henry Morton Robinson, and Caroline Gordon. (Sociologist Father Andrew Greeley had yet to try his formidable hand at fiction.)…also science fiction and detective writers such as Anthony Boucher, Donald Westlake, August Delerth, and Walter Miller, Jr."…in American poetry…Allen Tate, Robert Lowell, Robert Fitzgerald, Kenneth Rexroth, John Berryman, Isabella Gardner, Phyllis McGinley, Claude McKay, Dunstan Thompson, John Frederick Nims, Brother Antoninus (William Everson), Thomas Merton, Josephine Jacobsen, and the Berrigan brothers, Ted and Daniel…. There were even Catholic haiku poets, notably Raymond Roseliep and Nick Virgilio" (15-16).”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)

Science, Parting

“Now, if Mr. Shaw and Mr. Saroyan are poles apart, no comparison between the two, one great and the other nothing, one a genius and the other a charlatan, let me repeat that if you must know which writer has influenced my writing when influences are real and for all I know enduring, then that writer has been George Bernard Shaw. I shall in my own day influence a young writer or two somewhere or other, and no one need worry about that.
Young Shaw, hello out there.”

William Saroyan (1908–1981) American writer

In the The Bicycle Rider In Beverly Hills (1952) Saroyan additionally wrote of Shaw:
He was a gentle, delicate, kind, little man who had established a pose, and then lived it so steadily and effectively that the pose had become real. Like myself, his nature has been obviously a deeply troubled one in the beginning. He had been a man who had seen the futility, meaninglessness and sorrow of life but had permitted himself to thrust aside these feelings and to perform another George Bernard Shaw, which is art and proper.
Hello Out There (1941)

“Others complain that I don’t make the fundamental idea plain enough. This is every writer’s dilemma. Your form is your meaning, and your meaning dictates the form. But what you try to convey is reality—the fact plus the feeling, a total complex experience of a real world. If you make your scheme too explicit, the framework shows and the book dies. If you hide it too thoroughly, the book has no meaning and therefore no form. It is a mess.”

Joyce Cary (1888–1957) Irish writer

The Paris Review Interview: "Joyce Cary, The Art of Fiction," No. 7. Fall-Winter 1954-1955.

Books, World, Feeling, Idea

“The great classic writers, it will be said, sought rather to proclaim universal truths than to leave their imprint on them.”

André Maurois (1885–1967) French writer

The Art of Writing

Truth, Universe

“Because, Renisenb, it is so easy and it costs so little labour to write down ten bushels of barley, or a hundred head of cattle, or ten fields of spelt - and the thing that is written will come to seem like the real thing, and so the writer and the scribe will come to despise the man who ploughs the fields and reaps the barley and raises the cattle - but all the same the fields and the cattle are real - they are not just marks of inks on papyrus. And when all the records and all the papyrus rolls are destroyed and the scribes are scattered, the men who toil and reap will go on, and Egypt will still live.”

Agatha Christie (1890–1976) English mystery and detective writer

Hori
(1945)

Men

“The idea of an art world forms the backbone of my analysis. "Art world" is commonly used by writers on the arts in a loose and metaphoric way, mostly to refer to the most fashionable people associated with those newsworthy objects and events that command astronomical prices. I have used the term in a more technical way, to denote the the network of people whose cooperative activity, organized via their joint knowledge of conventional means of doing things, produce(s) the kind of art works that art world is noted for.”

Howard S. Becker (1928) American sociologist

Source: Art Worlds (1982), p.x.

People, World, Art, Way

“In the age of the concentration camp, when from 1935 to 1947 or so, she wrote her very best novels, no writer did more to illumine the springs of human cruelty, suffering and bravery.”

Ivy Compton-Burnett (1884–1969) English writer

Angus Wilson, quoted in Malcolm Bradbury The Modern British Novel (Harmondsworth: Penguin, 2001) p. 250.
Criticism

Age, Spring, Suffering

“Writers only think they are interested in politics, they are not really, it gives them a chance to talk and writers like to talk but really no real writer is really interested in politics.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"The Situation in American Writing," Partisan Review (Summer 1939)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)

Thinking, Chance

“As a writer, I'm a composite intelligence.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Yonder Mark (ed.), The Quotable Gordimer, 2014.

Intelligence

“I was made an example of—by that woman from the Threepenny Review as the sort of writer, the callow, who parades his education. I use literary allusion as a way of showing off, proof that I have mastered a white idiom, but do not have the confidence of it.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Education, Way, Confidence

“It's very important to feel foreign. I was born in England, but when I'm being a writer, everyone in England is foreign to me.”

V.S. Pritchett (1900–1997) British writer and critic

Quoted in " How Did I Do That? http://www.nytimes.com/books/98/12/06/specials/pritchett-complete.html" by Deborah Stead, in The New York Times (24 March 1991)

Feeling

“Silence,” it has been said by one writer, “is a virtue which renders us agreeable to our fellow-creatures.”

Samuel Butler (1835–1902) novelist

Source: Erewhon (1872), Ch. 23

Silence

“A writer who takes political, social or literary positions must act only with the means that are his. These means are the written words.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

Refusing the Nobel Prize, New York Times (22 October 1964)

“Pride in one’s work carries with it a determination to accept the demands imposed by that work: in the case of philosophy to follow the argument where it leads, in the case of history to discover what actually happened, in the case of literature to explore to its depths a particular theme. In consequence, this sort of pride demands freedom: it has to be laid low in any authoritarian State. The historian, in such a system, has to conform to official interpretations of the past, the philosopher to dogmas, the writer to stereotypes of human action, the craftsman to “production-schedules.” More subtly, attempts are made to lay pride low in a consumer’s society: the film-director, the novelist, the craftsman are called upon to produce “what will sell” at whatever cost to their pride in workmanship.”

John Passmore (1914–2004) Australian philosopher

Source: The Perfectibility of Man (1971), p. 290.

History, Literature, Freedom, Past

“The exploration of oneself is usually also an exploration of the world at large, of other writers, a process of comparison with oneself with others, discoveries of kinships, gradual illumination of one's own potentialities.”

Colin Wilson book The Outsider

Source: The Outsider (1956), p. 231

World

“4301. Tailors and Writers must mind the Fashion.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Fashion

“Writers don't own their words. Since when do words belong to anybody? 'Your very own words,' indeed! And who are you?”

Brion Gysin (1916–1986) Canadian artist

'Cut-Ups Self-Explained' in Brion Gysin Let the Mice In, Tuning in to the Multimedia Age, p. 153.

“I love writers who limit themselves, who write beneath their intelligence.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 27
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Love, Intelligence

“It's very hard to be a gentleman and a writer.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Source: Cakes and Ale: Or, The Skeleton in the Cupboard (1930), p. 157

“A writer? What education did I receive? None. Where did I study? Nowhere. What did I study? It does not matter. I nonetheless became a writer immediately, because I wrote more than I have ever read; hence I thought more than I had food for thought.”

Moses Hess (1812–1875) German philosopher

Hess' Diary

Education, Food, Study, Reading

“Of Rhetoric various definitions have been given by different writers; who, however, seem not so much to have disagreed in their conceptions of the nature of the same thing, as to have had different things in view while they employed the same term.”

Richard Whately (1787–1863) English rhetorician, logician, economist, and theologian

Introduction, p. 1
Elements of Rhetoric (1828)

Nature

“A bad writer is just a good writer with writer's block.”

Darby Conley (1970) American cartoonist

Strip from November 18, 2006
Bucky Katt

“It's really no different for me 'cause I work for BET so it's like the writers are always on strike.”

D. L. Hughley (1963) American actor and comedian

Commenting on the Writers Guild strike.
Appearance on The Tonight Show with Jay Leno (January 17, 2008)

“The story of English literature, viewed aesthetically, is one thing; the story of English writers is quite another. The price of contributing to the greatest literature the world has ever seen is often struggle and penury: art is still too often its own reward. It is salutary sometimes to think of the early deaths of Keats, Shelley, Byron, Chatterton, Dylan Thomas, of the Grub Street struggles of Dr. Johnson, the despair of Gissing and Francis Thompson. That so many writers have been prepared to accept a kind of martyrdom is the best tribute that flesh can pay to the living spirit of man as expressed in his literature. One cannot doubt that the martyrdom will continue to be gladly embraced. To some of us, the wresting of beauty out of language is the only thing in the world that matters.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, English Literature: A Survey for Students (1958, revised 1974)

Death, World, Beauty, Art

“There are certain common privileges of a writer, the benefit whereof, I hope, there will be no reason to doubt; particularly, that where I am not understood, it shall be concluded, that something very useful and profound is couched underneath; and again, that whatever word or sentence is printed in a different character, shall be judged to contain something extraordinary either or wit of sublime.”

Jonathan Swift book A Tale of a Tub

Preface
A Tale of a Tub (1704)

Hope

“Politicians are all on the same platform when it comes down to me. I think it’s because they think that if they can satisfy the Muslim fundamentalists they will get votes. I believe I am a victim of votebank politics. This also shows that how weak the democracy is and politicians ask votes by banning a writer … Even though I am not staying there, she (Banerjee) has not allowed my book ‘Nirbasan’ to be published. Also, she has stopped the broadcast of a TV serial scripted by me after Muslim fundamentalists objected to it. She is not allowing me to enter the state… This is a dangerous opposition … I wrote to Mamata Banerjee. But there was no response to that… No I am not going to write to her again. I do not think she will consider my request. I feel very hopeless because I expected something positive. I think when it comes down to me, she has similar vision like that of the Left leaders…. I do not consider India as a foreign country. The history of this country is my history. It’s the country of my forefathers. I love this country and in Kolkata, I feel at home because I can relate that place to my homeland. … I have sacrificed my freedom and have been sacrificing for a big cause… All these (problems) are because of my writings. I could have stopped writing against fundamentalists and possibly the bans would have been removed and I had got back my freedom and allowed to enter my motherland again. But I will never do that. … I have spoken of humanism and equal rights for women and secularism stating that religion and nation should be treated separately. One should not get confused with nation and religion. Rules should be made based on equality, and not on religion. … I know that only by writing I will not be able to change an entire society. The laws need to be changed. Equal rights cannot be established in a short time, it requires a long time and huge efforts … I have got many awards but the best is when people come forward and tell me that my writings have help them change their vision,… I do not think I would have been treated in the same manner if I was born there (Europe). I am a writer, not an activist… I write with a pen and if you have any problem why do not you pick up a pen to protest…. The surprising thing in this part of the world is that they have picked up arms against me because I have expressed my views. I have never enforced my thoughts on anybody ever, then why they are trying to kill me. I am not a supporter of violence.”

Taslima Nasrin (1962) Poet, columnist, novelist

Taslima Nasrin about Mamata, Indian Express https://indianexpress.com/article/india/mamata-banerjee-turned-out-harsher-than-left-in-my-case-taslima-nasreen-4486028/

Love, Women, People, Books

Grady Booch (1955) American software engineer

James Rumbaugh, Ivar Jacobson, & Booch (1999) The Unified Modeling Language Reference Manual. p. 1

Understanding, Support, Decision, Past

“I am a writer today because I learned to love reading as a child — and mostly on account of the Oz books.”

Elizabeth Gilbert (1969) American writer

On the inspiration she received from reading, and the works of L. Frank Baum.

Love, Books, Learning, Reading

“All writing is an antisocial act, since the writer is a man who can speak freely only when alone; to be himself he must lock himself up, to communicate he must cut himself off from all communication; and in this there is something always a little mad.”

Kenneth Tynan (1927–1980) English theatre critic and writer

"Tennessee Williams" (1956), p. 97
Profiles (1990)

Communication, Madness

“Criticism is often not a science; it is a craft, requiring more good health than wit, more hard work than talent, more habit than native genius. In the hands of a man who has read widely but lacks judgment, applied to certain subjects it can corrupt both its readers and the writer himself.”

Jean de La Bruyère book Les Caractères

La critique souvent n'est pas une science; c'est un métier, où il faut plus de santé que d'esprit, plus de travail que de capacité, plus d'habitude que de génie. Si elle vient d'un homme qui ait moins de discernement que de lecture, et qu'elle s'exerce sur de certains chapitres, elle corrompt et les lecteurs et l'écrivain.
Aphorism 63
Les Caractères (1688), Des Ouvrages de l'Esprit

Health, Science, Reading

“I am the one to whom you wrote in care of the Belgian Academy… Read no newspapers, try to find a few friends who think as you do, read the wonderful writers of earlier times, Kant, Goethe, Lessing, and the classics of other lands, and enjoy the natural beauties of Munich's surroundings. Make believe all the time that you are living, so to speak, on Mars among alien creatures and blot out any deeper interest in the actions of those creatures. Make friends with a few animals. Then you will become a cheerful man once more and nothing will be able to trouble you.
Bear in mind that those who are finer and nobler are always alone — and necessarily so — and that because of this they can enjoy the purity of their own atmosphere.
I shake your hand in heartfelt comradeship, E.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Response to a letter from an unemployed professional musician (5 April 1933), p. 115
The editors precede this passage thus, "Early in 1933, Einstein received a letter from a professional musician who presumably lived in Munich. The musician was evidently troubled and despondent, and out of a job, yet at the same time, he must have been something of a kindred spirit. His letter is lost, all that survives being Einstein's reply....Note the careful anonymity of the first sentence — the recipient would be safer that way:" Albert Einstein: The Human Side concludes with this passage, followed by the original passages in German.
Attributed in posthumous publications, Albert Einstein: The Human Side (1979)

Beauty, Nature, Thinking, Time

“By and large, the critics and readers gave me an affirmed sense of my identity as a writer. You might know this within yourself, but to have it affirmed by others is of utmost importance. Writing is, after all, a form of communication.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"The Art of Fiction: An Interview" (The Paris Review, Spring 1955), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 218.

Communication, Sense

“As the writer of the lyric of the song ‘God’s Country’, I am outraged by the suggestion that somehow I am connected with, believe in, or am sympathetic with Communist or totalitarian philosophy.”

Yip Harburg (1896–1981) American song lyricist

Letter to the House Un-American Activities Committee (1950), as quoted in "Somewhere Over the Rainbow", by Scott Jacobs, in The Week Behind (23 September 2009) http://www.theweekbehind.com/2009/09/23/somewhere-over-the-rainbow/

God, Country

“While the Marxist faith in central planning is now confined to a few dingy sects, a quasi-religious belief in free markets continues to shape the policies of governments.Many writers have pointed to the havoc and ruin that have accompanied the imposition of free markets across the world. Whether in Africa, Asia, Latin America or post-communist Europe, policies of wholesale privatisation and structural adjustment have led to declining economic activity and social dislocation on a massive scale.”

John Gray (1948) British philosopher

"The end of the world as we know it," http://www.guardian.co.uk/books/2007/sep/15/politics The Guardian (2007-09-15)

World, Faith

“A friend of mine in Brooklyn was talking about ethnic writers, and he was using Amy Tan as an example. And he said, "You know, the really interesting thing about ethnic writers in America right now is that the women sit down and tell these sets of interesting stories. Asian girl meets blonde boy and they go to Harvard together—they're dopey stories, but everybody loves them, and they're best sellers. That's what the women write, whereas the guys struggle and try to find these new literary forms—writing these intricate parables that nobody quite follows and so forth."”

Richard Rodríguez (1944) American journalist and essayist

And he said, "Isn't it interesting that women have always had this kind of genius for telling stories in the kitchen."
Violating the Boundaries: An Interview with Richard Rodriguez (1999)

Love, Women, Guy, Girl

“My personal philosophy is that all writers need to put GET PAID in their mission statement. All that artistic creative stuff is nice too, but make sure GET PAID is in there”

Larry Correia (1977) American fantasy writer

in all caps <br class="br">"How Authors Get Paid, part 2", Monster Hunter Nation http://monsterhunternation.com/2015/06/25/how-authors-get-paid-part-2/, 2015-06-15

Personality

“Movies are always made by committees, and the writer is not at the head of the committee. Thus, mush.”

Jane Espenson (1964) American television writer and producer

Ain't It Cool News interview (17 July 2003)

“I've been to Sarajevo a few times and have got to know a lot of people there who put on plays during the siege. I wanted to share in that because I knew it was important to them... I began to see something of what was going on there in terms of actually keeping up people's spirit to resist - the resistance that causes change - even in the worst imaginable circumstances. And I realized that it paralleled the same spirit that existed during the Holocaust and in the gulag. Theater and poetry were what helped people stay alive and want to go on living. That experience changed me, because I realized that if, as actors or writers or directors or designers, we can keep the will to resist alive in as many people as possible, then that's what we are about, and that's what we can do. It's more and more important because of the terrible things that are happening in our cities and the political and economic agendas that various governments have.”

Vanessa Redgrave (1937) English actress

Shawn, Wallace (April 1997), “Mission: possible - interview with actress Vanessa Redgrave” http://www.findarticles.com/p/articles/mi_m1285/is_n4_v27/ai_19382618, Interview.

People, Imagination, Change, Time

“I'm the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian's from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it's worked like a goddamn charm. Next up, I'm going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.”

Brian K. Vaughan (1976) American screenwriter, comic book creator

Ain't It Cool News interview http://www.aintitcool.com/display.cgi?id=17832

People

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

Love, Life, Happiness, Books

“One of the greatest writers of [the 20th] century.”

Lord Dunsany (1878–1957) Irish writer and dramatist

Arthur C. Clarke, quoted on the backcover of Time and the Gods, the second volume of the Fantasy Masterworks series
About

“How lasting the impact of social media will have is yet to be determined, but one thing for sure, it has turned the chain of influence upside down. Today the reader, the lowly reader, that presumably passive consumer of all the great insight handed down by the reporter, confirmed by the analyst, attested to by the reference customer—this reader, I say, has now become the writer! Except it is not a reader/writer. It is reader/writers at large, many readers, the wisdom (or madness) of crowds. We have embarked upon the world's largest and longest cocktail party, and every issue imaginable is up for grabs.”

Geoffrey Moore (1946) American business writer

Paul Gillin, ‎Geoffrey A. Moore (2009), The New Influencers: A Marketer's Guide to the New Social Media. p. vii

Wisdom, World, Imagination, Madness

“If a writer of prose knows enough about what he is writing about he may omit things that he knows, and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things only because he does not know them only makes hollow places in his writing.”

Ernest Hemingway book Death in the Afternoon

Hemingway's famous iceberg theory of writing.
Source: Death in the Afternoon (1932), Ch. 16

Feeling, Water

“But American nationalism has been conditioned, to a large extent, by the "indoctrination" of the children of immigrants, inevitably coupled with a certain denigration of the Old World. Any German, or Italian, or American gentleman will naturally defend his country against patently unjust accusations—loyalty demands this; but he will not try to convince others that his nation has the highest qualities in the world, the most gifted inventors, the most profound philosophers, the best writers, the finest painters, the fastest trains, the most beautiful women. (This uncouth boasting is reserved for the traveling salesman after a third drink, or the likes of a National Socialist or a Russian Communist.)”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

Source: Leftism Revisited (1990), p. 199

Women, Children, World, Beauty

“I was invited to Romania at least once, but was warned that I should not be free to travel where I pleased in the country, but should be more or less confined to the Writers' Union. Because I ceased long ago to be an urban poet and feel claustrophobic in literary conferences, I could not accept such an invitation.”

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Interview with Lidia Vianu http://lidiavianu.scriptmania.com/Michael%20Hamburger.htm

Travel, Feeling, Country

“A despot doesn't fear eloquent writers preaching freedom — he fears a drunken poet who may crack a joke that will take hold.”

E. B. White (1899–1985) American writer

Salt Water Farm http://books.google.com/books?id=njRHAAAAYAAJ&q=%22A+despot+doesn't+fear+eloquent+writers+preaching+freedom+he+fears+a+drunken+poet+who+may+crack+a+joke+that+will+take+hold%22&pg=PA52#v=onepage <br class="br">One Man's Meat (1942)

Fear, Freedom

“In practice, the writer or scholar who aspires to that public position which defines intellectuals and distinguishes them from mere scribblers has always had to choose between being the apologist for rulers or an advisor to the people; the tragedy of the twentieth century is that these two functions have ceased to exist independently of one another, and intellectuals like Sartre who thought they were fulfilling one role were inevitably drawn to play both. If their successors, in France or elsewhere, are truly to put this past behind them, it will not be enough to recognize past mistakes. It will also be necessary to accept that entailed in the very meaning for modern society of the term intellectual are a number of roles that writers and scholars today may no longer wish to fulfill; indeed, a refusal to occupy the post of the (engaged) intellectual may be the most positive of the steps modern thinkers can take in any serious effort to come to terms with their own responsibility for our common recent past.”

Tony Judt (1948–2010) British historian

Source: Past Imperfect: French Intellectuals, 1944-1956 (1992), p. 319

People, Effort, Past

“We are now living in an age of literary exhaustion; we get used to the bleak landscape. Cyril Connolly said that the writer's business is to produce masterpieces; but what masterpieces have been produced in the past fifty years?”

Colin Wilson (1931–2013) author

Source: Tree By Tolkien (1974), p. 11

Age, Business, Past

“Earlier writers have recognized that economic activity is only in part trading and that the element of administration enters in, but they have tended to minimize this administrative aspect. The modern corporation has not only increased this aspect by bringing a greater part of economic activity within the administrative limits of single units, has altered the character of the market by making price not an outgrowth of trading but of administration.”

Gardiner C. Means (1896–1988) American economist

Source: The Corporate Revolution in America, 1957, p. 18

Parting

“You get ideas from daydreaming. You get ideas from being bored. You get ideas all the time. The only difference between writers and other people is we notice when we're doing it.”

Neil Gaiman (1960) English fantasy writer

" Where do you get your ideas? http://www.neilgaiman.com/p/Cool_Stuff/Essays/Essays_By_Neil/Where_do_you_get_your_ideas%3F" (1997)

People, Idea, Time

“Writers, especially when they act in a body and with one direction, have great influence on the public mind.”

Edmund Burke book Reflections on the Revolution in France

Reflections on the Revolution in France (1790)

“I know that any discussion of the relation of this poem to its historical materials is, in one perspective, irrelevant to its value; and it could be totally accurate as history and still not worth a dime as a poem. I am trying to write a poem, not a history, and therefore have no compunction about tampering with non-essential facts. But poetry is more than fantasy and is committed to the obligation of trying to say something, however obliquely, about the human condition. Therefore, a poem dealing with history is no more at liberty to violate what the writer takes to be the spirit of his history than it is at liberty to violate what he takes to be the nature of the human heart. What he takes those things to be is, of course, his ultimate gamble.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Foreword, Brother to Dragons: A Tale in Verse and Voices — A New Version (1979)

History, Nature, Heart

“The relatively strong Jewish element in Hungary was a particular thorn in [Hitler's] flesh, especially as many Jews were eminent in Hungarian finance, commerce and industry, in the press and in the professions. Of course, the bourgeois middle classes cherished a feeling of resentment that the executive posts and the offices in the liberal professions most in demand were in Jewish hands. The Jews supported each other with the solidarity of their race and earned more than twenty-five percent of the national income. After the First World War, there had been a wave of open anti-Semitism in Hungary. Even writers with left-wing sympathies have pointed out that nine-tenths of the higher positions of Béla Kun’s regime were filled by Jews. It was, therefore, humanly understandable that the crimes of the Communists were attributed to the Jews. But the innate Hungarian sense of fairness and justice, strengthened by the efforts of both Catholic and Protestant Churches to suppress all forms of racial prejudice, soon re-established good relations between Jews and non-Jews.”

Miklós Horthy (1868–1957) Hungarian Admiral and Regent 1920-1944

Source: Memoirs, p. 208

War, World, Justice, Feeling

“For some time I debated over whether I should start these memoirs at the beginning or at the end, that is, whether I should put my birth or my death in first place. Since common usage would call for beginning with birth, two considerations led me to adopt a different method: the first is that I am not exactly a writer who is dead but a dead man who is a writer, for whom the grave was a second cradle; the second is that the writing would be more distinctive and novel in that way. Moses, who also wrote about his death, didn't place it at the opening but at the close: a radical difference between this book and the Pentateuch.”

Machado de Assis (1839–1908) Brazilian writer

Algum tempo hesitei se devia abrir estas memórias pelo princípio ou pelo fim, isto é, se poria em primeiro lugar o meu nascimento ou a minha morte. Suposto o uso vulgar seja começar pelo nascimento, duas considerações me levaram a adotar diferente método: a primeira é que eu não sou propriamente um autor defunto mas um defunto autor, para quem a campa foi outro berço; a segunda é que o escrito ficaria assim mais galante e mais novo. Moisés, que também contou a sua morte, não a pôs no intróito, mas no cabo: diferença radical entre este livro e o Pentateuco.
Source: As Memórias Póstumas de Brás Cubas (1881), Ch. 1 (opening words), p. 7.

Death, Books, Way, Birth

“If the project was lucky enough to have a writer or two well-informed about some specialized subject, and if their work was not degraded in quality by the majority of people, whose knowledge of the subject is based on paragraphs in books and mere mentions in college classes, then there might be a good, credible article on that specialized subject. Otherwise, there will be no article at all, a very amateurish-sounding article, or an article that looks like it might once have been pretty good, but which has been hacked to bits by hoi polloi.”

Larry Sanger (1968) American former professor, co-founder of Wikipedia, founder of Citizendium and other projects

"Why Wikipedia Must Jettison Its Anti-Elitism" at kuro5hin (31 December 2004).

People, Books, Knowledge

“In a sense the present work is to be regarded as a secondary-study of the work of a group of writers in the field of social theory. But the genus "secondary study" comprises several species; of these an example of only one, and that perhaps not the best known, is to be found in these pages.
The primary aim of the study is not to determine and state in summary form what these writers said or believed about the subjects they wrote about. Nor is it to inquire directly with reference to each proposition of their "theories" whether what they have said is tenable in the Hght of present sociological and related knowledge. Both these questions must be asked repeatedly, but what is important is not so much the fact that they are asked, or even answered, but the context in which this takes place.”

Talcott Parsons (1902–1979) American sociologist

Source: The structure of social action (1937), p. v; Preface first edition

Question, Knowledge, Sense, Study

“The network called up and said 'We piggybacked you on the deal for another show,' I'm like 'Okay, so what you're saying to my writers is that they weren't picked up when they thought they were and now that they are it was because of something that has nothing to do with them. Okay. Great. Stop calling.”

Joss Whedon (1964) American director, writer, and producer for television and film

Underground Online, interview by Michael Patrick Sullivan
This is in reference to the WB network announcing that Angel had been confirmed for a full fifth season of 22 episodes, when Mutant Enemy Productions had already assumed that to be so.

“Who Are the Semanticists? To answer this question, let us go to the writings of those who make frequent references to semantics or to equivalent terms which have to do with the study of meaning. We find that a number of prominent thinkers have occupied themselves with this study. In England these include Whitehead, Russell, Ogden, Richards, Ayer, and others; in Austria (later scattered, fleeing from fascism), a group of writers who called themselves the Vienna Circle, which included Carnap and Frank (now in in the United States), Wittgenstein (now in England), and Neurath (deceased); the United States is represented by Charles Morris, and Poland by Tarski and Korzybski (deceased), both of whom emigrated to the United States.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

1950, p. 12 (1952, p. 123)
1950s, "What is Semantics?", 1950

Question, Study

“Writers around the world protested when two Communist writers, Siniavski and Daniel, were sentenced to prison by their own comrades. But not even churches protest when Christians are put in prison for their faith.”

Richard Wurmbrand (1909–2001) Romanian Christian minister of Jewish descent

Source: Tortured For Christ (1967), p. 74.

World, Faith

“Vito Acconci’s extraordinary career—poetry, art, architecture: a sort of triathlon of the arts—began in the Bronx, where as an aspiring author of seven years he wrote stories about cowboys and athletes. At his Catholic college, he published sexy stuff about priests and nuns that got the school magazine banned for three issues running. He went on to write fiction in the Iowa Writers’ Workshop. But when he came back to New York in the early ’60s, something changed, and he began writing poems. Highly conceptual constructions, they did not tell stories, express feelings, or evoke a fictional world. They were not representational. Maybe you could call them presentational: this is a word, this is a sentence, you are reading.”

Shelley Jackson (1963) a writer and artist known for her cross-genre experiments

Shelley Jackson, in: Shelley Jackson talks with Vito Acconci http://www.believermag.com/issues/200612/?read=interview_acconci, in: The Believer, Nr. 12. 2006.

World, School, Art, Feeling

“Here's one more from my limited experience with all 3 fields: A writer creates life; a poet creates magic from life; a philosopher tries to understand life.”

Siddharth Katragadda (1972) Indian writer

page 4
Dark Rooms (2002)

Life, Understanding

“The Sultan himself joined in the pursuit, and went after them as far as the fort called Bhimnagar [Nagarkot, modern Kangra], which is very strong, situated on the promontory of a lofty hill, in the midst of impassable waters. The kings of Hind, the chiefs of that country, and rich devotees, used to amass their treasures and precious jewels, and send them time after time to be presented to the large idol that they might receive a reward for their good deeds and draw near to their God. So the Sultan advanced near to this crow's fruit, ^ and this accumulation of years, which had attained such an amount that the backs of camels would not carry it, nor vessels contain it, nor writers hands record it, nor the imagination of an arithmetician conceive it. The Sultan brought his forces under the fort and surrounded it, and prepared to attack the garrison vigorously, boldly, and wisely. When the defenders saw the hills covered with the armies of plunderers, and the arrows ascending towards them like flaming sparks of fire, great fear came upon them, and, calling out for mercy, they opened the gates, and fell on the earth, like sparrows before a hawk, or rain before lightning. Thus did God grant an easy conquest of this fort to the Sultan, and bestowed on him as plunder the products of mines and seas, the ornaments of heads and breasts, to his heart's content. … After this he returned to Ghazna in triumph; and, on his arrival there, he ordered the court-yard of his palace to be covered with a carpet, on which he displayed jewels and unbored pearls and rubies, shining like sparks, or like wine congealed with ice, and emeralds like fresh sprigs of myrtle, and diamonds in size and weight like pomegranates. Then ambassadors from foreign countries, including the envoy from Tagh^n Khan, king of Turkistin, assembled to see the wealth which they had never yet even read of in books of the ancients, and which had never been accumulated by kings of Persia or of Rum, or even by Karun, who had only to express a wish and Grod granted it.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

About the capture of Bhimnagar, Tarikh Yamini (Kitabu-l Yamini) by Al Utbi, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 34-35 Also quoted in Jain, Meenakshi (2011). The India they saw: Foreign accounts.
Quotes (971 CE to 1013 CE)

God, Books, Fear, Imagination

“March and Simon's work reflects a key concern with the issue of inducing contributions from organizational members and emphasizes rationality in organizations. The writing of Likert and McGregor reflects a central interest in organizational arrangements for releasing the underutilized energy of individual members. Argyris' work emphasizes the impact of the organization on individual development. All of these writers tend to start with the individual as the basic unit of analysis and build toward the large organization, while we are proposing to start with larger, sociological entities- the entire organization and its larger subsystems.”

Paul R. Lawrence (1922–2011) American business theorist

Source: "Differentiation and integration in complex organizations," 1967, p. 3

“To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.”

Willa Cather (1873–1947) American writer and novelist

"Miss Jewett"; originally published as the Preface to The Best Stories of Sarah Orne Jewett (1925)
Not Under Forty (1936)