Quotes about trace

A collection of quotes on the topic of trace, other, timing, time.

Quotes about trace

Ptolemy photo

“I know that I am mortal by nature and ephemeral, but when I trace at my pleasure the windings to and fro of the heavenly bodies, I no longer touch earth with my feet. I stand in the presence of Zeus himself and take my fill of ambrosia.”

In some of the manuscripts, the books begins with this epigram (Owen Gingerich, The Eye of Heaven: Ptolemy, Copernicus, Kepler, American Institute of Physics, 1993, p. 55).
Almagest

Friedrich Schiller photo

“There are three lessons I would write, —
Three words — as with a burning pen,
In tracings of eternal light
Upon the hearts of men.”

Friedrich Schiller (1759–1805) German poet, philosopher, historian, and playwright

Hope, Faith, and Love (c. 1786); also known as "The Words of Strength", as translated in The Common School Journal Vol. IX (1847) edited by Horace Mann, p. 386
Context: There are three lessons I would write, —
Three words — as with a burning pen,
In tracings of eternal light
Upon the hearts of men. Have Hope. Though clouds environ now,
And gladness hides her face in scorn,
Put thou the shadow from thy brow, —
No night but hath its morn. Have Faith. Where'er thy bark is driven, —
The calm's disport, the tempest's mirth, —
Know this: God rules the hosts of heaven,
The habitants of earth. Have Love. Not love alone for one,
But men, as man, thy brothers call;
And scatter, like the circling sun,
Thy charities on all. Thus grave these lessons on thy soul, —
Hope, Faith, and Love, — and thou shalt find
Strength when life's surges rudest roll,
Light when thou else wert blind.

Paul of Tarsus photo

“How unsearchable his judgments [are] and past tracing out his ways [are]! For “who has come to know Jehovah’s mind, or who has become his counselor?”

Romans 11:33 http://www.jw.org/en/publications/bible/nwt/books/romans/11/, NWT
Epistle to the Romans
Context: O the depth of God’s riches and wisdom and knowledge! How unsearchable his judgments [are] and past tracing out his ways [are]! For “who has come to know Jehovah’s mind, or who has become his counselor?”

Pablo Picasso photo

“There is no abstract art. You must always start with something. Afterward you can remove all traces of reality.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Herschel Browning Chip (1968, p. 270).
Other translation:
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality.
Richard Friedenthal (1968, p. 256-7).
Longer version:
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.. .Whether he wants it or not, man is the instrument of nature; she imposes on him character and appearance. In my paintings of Dinard, as in my paintings of Purville, I have given expression to more or less the same vision.. .. You cannot go against nature. She is stronger than the strongest of men. We can permit ourselves some liberties, but in details only (Boisgeloup, winter 1934).
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 313
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Context: Abstract art is only painting. What about drama?
There is no abstract art. You always start with something. Afterward you can remove all traces of reality.

George Orwell photo
Osamu Dazai photo
George Orwell photo

“Since pacifists have more freedom of action in countries where traces of democracy survive, pacifism can act more effectively against democracy than for it. Objectively the pacifist is pro-Nazi.”

George Orwell (1903–1950) English author and journalist

"No, Not One," The Adelphi (October 1941)
See his later thoughts on this statement below from "As I Please," Tribune (8 December 1944)

Sherrilyn Kenyon photo
Leo Tolstoy photo
John Keats photo
Albert Schweitzer photo
Emil M. Cioran photo
Albert Schweitzer photo
William Wordsworth photo

“The feather, whence the pen
Was shaped that traced the lives of these good men,
Dropped from an Angel's wing.”

William Wordsworth (1770–1850) English Romantic poet

Part III, No. 5 - Walton's Book of Lives. Compare: "The pen wherewith thou dost so heavenly sing / Made of a quill from an angel's wing", Henry Constable, Sonnet; "Whose noble praise / Deserves a quill pluckt from an angel's wing", Dorothy Berry, Sonnet.
Ecclesiastical Sonnets (1821)

Virginia Woolf photo
Stefan Zweig photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

Wilhelm Von Humboldt photo
Vladimir Nabokov photo

“To know that no one before you has seen an organ you are examining, to trace relationships that have occurred to no one before, to immerse yourself in the wondrous crystalline world of the microscope, where silence reigns, circumscribed by its own horizon, a blindingly white arena — all this is so enticing that I cannot describe it.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

Letter to his sister Elena Sikorski (1945); in Nabokov's Butterflies: Unpublished and Uncollected Writings (2000) Edited and annotated by Brian Boyd and Robert Michael Pyle, p. 387.

Emil M. Cioran photo

“To dream of an enterprise of demolition that would spare none of the traces of the original Big Bang.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Anathemas and Admirations (1987)

V.S. Naipaul photo
Henri Barbusse photo
Jane Addams photo
A. S. Byatt photo
Jean De La Fontaine photo

“For thee I'll trace in verses which I write
Some sketches, paintings which indeed are light,
And if the prize of pleasing thee I do not bear away,
At least, the honour I shall have of having tried I say.”

Jean De La Fontaine (1621–1695) French poet, fabulist and writer.

Je vais t'entretenir de moindres aventures,
Te tracer en ces vers de légères peintures;
Et si de t'agréer je n'emporte le prix,
J'aurai du moins d'honneur de l'avoir entrepris.
Book I (1668), Dedication "To Monseigneur the Dauphin".
Fables (1668–1679)

Edgar Allan Poe photo

“I have sometimes amused myself by endeavouring to fancy what would be the fate of an individual gifted, or rather accursed, with an intellect very far superior to that of his race. Of course he would be conscious of his superiority; nor could he (if otherwise constituted as man is) help manifesting his consciousness. Thus he would make himself enemies at all points. And since his opinions and speculations would widely differ from those of all mankind — that he would be considered a madman is evident. How horribly painful such a condition! Hell could invent no greater torture than that of being charged with abnormal weakness on account of being abnormally strong.In like manner, nothing can be clearer than that a very generous spirit — truly feeling what all merely profess — must inevitably find itself misconceived in every direction — its motives misinterpreted. Just as extremeness of intelligence would be thought fatuity, so excess of chivalry could not fail of being looked upon as meanness in the last degree — and so on with other virtues. This subject is a painful one indeed. That individuals have so soared above the plane of their race is scarcely to be questioned; but, in looking back through history for traces of their existence, we should pass over all the biographies of the "good and the great," while we search carefully the slight records of wretches who died in prison, in Bedlam, or upon the gallows.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

Marginalia http://www.easylit.com/poe/comtext/prose/margin.shtml (November 1844)

Virginia Woolf photo
Henry Hazlitt photo
Cecil Frances Alexander photo
Su Shi photo

“Life is like a spring dream which vanishes without a trace.”

Su Shi (1037–1101) Chinese writer

As quoted in Six Records of a Floating Life by Shen Fu, Chapter 1: 'Wedded Bliss'; translated by Lin Yutang in The Wisdom of China and India (1942), p. 968
Variant translation:
Life passes like a spring dream without a trace.
Lin Yutang, The Importance of Living (1937), p. 156

Cato the Elder photo
Paul Lafargue photo
Mikhail Sholokhov photo
Theodor W. Adorno photo
Leonardo Da Vinci photo
Rabindranath Tagore photo

“To the guests that must go, bid God's speed and brush away all traces of their steps.”

Rabindranath Tagore (1861–1941) Bengali polymath

45
The Gardener http://www.spiritualbee.com/love-poems-by-tagore/ (1915)

“I am Love: in heaven and earth I have no place;
I am the Wondrous Phoenix whose spoor cannot be traced.”

Fakhruddin 'Iraqi (1213–1289) Persian philosopher

Fakhruddin Iraqi: Divine Flashes (1982)

Leonardo Da Vinci photo
Jeremy Bentham photo
C.G. Jung photo
Benjamin Disraeli photo
Ramana Maharshi photo

“The place where even the slightest trace of the 'I' does not exist, alone is Self.”

Ramana Maharshi (1879–1950) Indian religious leader

Nan Yar = Who am I?

José Saramago photo
Pope Francis photo
Pope Francis photo

“This is the Church’s destination: it is, as the Bible says, the “new Jerusalem”, “Paradise”. More than a place, it is a “state” of soul in which our deepest hopes are fulfilled in superabundance and our being, as creatures and as children of God, reach their full maturity. We will finally be clothed in the joy, peace and love of God, completely, without any limit, and we will come face to face with Him! (cf. 1 Cor 13:12). It is beautiful to think of this, to think of Heaven. We will all be there together. It is beautiful, it gives strength to the soul. … At the same time, Sacred Scripture teaches us that the fulfillment of this marvellous plan cannot but involve everything that surrounds us and came from the heart and mind of God. The Apostle Paul says it explicitly, when he says that “Creation itself will be set free from its bondage to decay and obtain the glorious liberty of the children of God” (Rom 8:21). Other texts utilize the image of a “new heaven” and a “new earth” (cf. 2 Pet 3:13; Rev 21:1), in the sense that the whole universe will be renewed and will be freed once and for all from every trace of evil and from death itself. What lies ahead is the fulfillment of a transformation that in reality is already happening, beginning with the death and resurrection of Christ. Hence, it is the new creation; it is not, therefore, the annihilation of the cosmos and of everything around us, but the bringing of all things into the fullness of being, of truth and of beauty.”

Pope Francis (1936) 266th Pope of the Catholic Church

"General Audience", in Saint Peter's Square (26 November 2014) https://w2.vatican.va/content/francesco/en/audiences/2014/documents/papa-francesco_20141126_udienza-generale.html.
2010s, 2014

Joseph Alois Schumpeter photo
Leon Trotsky photo
Abraham Lincoln photo

“If they look back through this history to trace their connection with those days by blood, they find they have none, they cannot carry themselves back into that glorious epoch and make themselves feel that they are part of us, but when they look through that old Declaration of Independence they find that those old men say that 'We hold these truths to be self-evident, that all men are created equal,' and then they feel that that moral sentiment taught in that day evidences their relation to those men, that it is the father of all moral principle in them, and that they have a right to claim it as though they were blood of the blood, and flesh of the flesh of the men who wrote that Declaration, and so they are. That is the electric cord in that Declaration that links the hearts of patriotic and liberty-loving men together, that will link those patriotic hearts as long as the love of freedom exists in the minds of men throughout the world.”

Abraham Lincoln (1809–1865) 16th President of the United States

1850s, Speech at Chicago (1858)
Context: There is something else connected with it. We have besides these men — descended by blood from our ancestors — among us perhaps half our people who are not descendants at all of these men, they are men who have come from Europe — German, Irish, French and Scandinavian — men that have come from Europe themselves, or whose ancestors have come hither and settled here, finding themselves our equals in all things. If they look back through this history to trace their connection with those days by blood, they find they have none, they cannot carry themselves back into that glorious epoch and make themselves feel that they are part of us, but when they look through that old Declaration of Independence they find that those old men say that 'We hold these truths to be self-evident, that all men are created equal,' and then they feel that that moral sentiment taught in that day evidences their relation to those men, that it is the father of all moral principle in them, and that they have a right to claim it as though they were blood of the blood, and flesh of the flesh of the men who wrote that Declaration, and so they are. That is the electric cord in that Declaration that links the hearts of patriotic and liberty-loving men together, that will link those patriotic hearts as long as the love of freedom exists in the minds of men throughout the world.

George Sand photo

“He would spend six weeks on one page, only to end up writing it just as he had traced it in his first outpouring.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

On Frédéric Chopin, in Oeuvres autobiographiques, edited by Georges Lubin, Vol. 2; Histoire de ma vie, p. 446. I [Jeffrey Kallberg] have modified somewhat the English translation printed in George Sand, Story of My Life: The Autobiography of George Sand, group translation ed. Thelma Jurgrau (Albany, 1991), p. 1109. The chapter on Chopin dates from August or September 1854.
Context: His creation was spontaneous, miraculous. He found it without searching for it, without foreseeing it. It came to his piano suddenly, complete, sublime, or it sang in his head during a walk, and he would hasten to hear it again by, tossing it off on his instrument. But then would begin the most heartbreaking labor I have ever witnessed. It was a series of efforts, indecision, and impatience to recapture certain details of the theme he had heard: what had come to him all of a piece, he now over-analyzed in his desire to write it down, and his regret at not finding it again "neat," as he said, would throw him into a kind of despair. He would shut himself up in his room for days at a time, weeping, pacing, breaking his pens, repeating and changing a single measure a hundred times, writing it and effacing it with equal frequency, and beginning again the next day with a meticulous and desperate perseverance. He would spend six weeks on one page, only to end up writing it just as he had traced it in his first outpouring.

Henri Barbusse photo

“On this seat — where she came to me for the first time, which was once so important to us that it seemed as if the background of things all about us had been created by us — we sit down to-day, after we have vainly sought in nature the traces of our transit.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XIX - Ghosts
Context: On this seat — where she came to me for the first time, which was once so important to us that it seemed as if the background of things all about us had been created by us — we sit down to-day, after we have vainly sought in nature the traces of our transit.
The landscape is peaceful, simple, empty; it fills us with a great quivering. Marie is so sad and so simple that you can see her thought.
I have leaned forward, my elbows on my knees. I have contemplated the gravel at my feet; and suddenly I start, for I understand that my eyes were looking for the marks of our footsteps, in spite of the stone, in spite of the sand.
After the solemnity of a long silence, Marie's face takes on a look of defeat, and suddenly she begins to cry. The tears which fill her — for one always weeps in full, drop on to her knees. And through her sobs there fall from her wet lips words almost shapeless, but desperate and fierce, as a burst of forced laughter.
"It's all over!" she cries.

Novalis photo

“Men travel in manifold paths: whoso traces and compares these, will find strange Figures come to light; Figures which seem as if they belonged to that great Cipher-writing which one meets with everywhere”

Novalis (1772–1801) German poet and writer

Pupils at Sais (1799)
Context: I. The Pupil. — Men travel in manifold paths: whoso traces and compares these, will find strange Figures come to light; Figures which seem as if they belonged to that great Cipher-writing which one meets with everywhere, on wings of birds, shells of eggs, in clouds, in the snow, in crystals, in forms of rocks, in freezing waters, in the interior and exterior of mountains, of plants, animals, men, in the lights of the sky, in plates of glass and pitch when touched and struck on, in the filings round the magnet, and the singular conjunctures of Chance. In such Figures one anticipates the key to that wondrous Writing, the grammar of it; but this Anticipation will not fix itself into shape, and appears as if, after all, it would not become such a key for us. An Alcahest seems poured out over the senses of men. Only for a moment will their wishes, their thoughts thicken into form. Thus do their Anticipations arise; but after short whiles, all is again swimming vaguely before them, even as it did.

Jiddu Krishnamurti photo

“Many crimes have men committed in the name of the God of Love, moved by this nightmare of superstition; be very careful therefore that no slightest trace of it remains in you.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

§ IV
1910s, At the Feet of the Master (1911)
Context: Superstition is another mighty evil, and has caused much terrible cruelty. The man who is a slave to it despises others who are wiser, tries to force them to do as he does. Think of the awful slaughter produced by the superstition that animals should be sacrificed, and by the still more cruel superstition that man needs flesh for food. Think of the treatment which superstition has meted out to the depressed classes in our beloved India, and see in that how this evil quality can breed heartless cruelty even among those who know the duty of brotherhood. Many crimes have men committed in the name of the God of Love, moved by this nightmare of superstition; be very careful therefore that no slightest trace of it remains in you.

William Golding photo

“The theme is an attempt to trace the defects of society back to the defects of human nature. The moral is that the shape of a society must depend on the ethical nature of the individual and not on any political system however apparently logical or respectable.”

William Golding (1911–1993) British novelist, poet, playwright and Nobel Prize for Literature laureate

Responses in a publicity questionnaire on Lord of the Flies from the American publishers, as quoted in Who Rules?: Introduction to the Study of Politics (1971) by Dick W. Simpson, p. 16
Context: The theme is an attempt to trace the defects of society back to the defects of human nature. The moral is that the shape of a society must depend on the ethical nature of the individual and not on any political system however apparently logical or respectable. The whole book is symbolic in nature except the rescue in the end where adult life appears, dignified and capable, but in reality enmeshed in the same evil as the symbolic life of the children on the island. The officer, having interrupted a man-hunt, prepares to take the children off the island in a cruiser which will presently be hunting its enemy in the same implacable way. And who will rescue the adult and his cruiser?

Miyamoto Musashi photo
Novalis photo

“As we see a future Painter in the boy who fills every wall with sketches and variedly adds colour to figure; so we see a future Philosopher in him who restlessly traces and questions all natural things, pays heed to all, brings together whatever is remarkable, and rejoices when he has become master and possessor of a new phenomenon, of a new power and piece of knowledge.”

Novalis (1772–1801) German poet and writer

Pupils at Sais (1799)
Context: Not wise does it seem to attempt comprehending and understanding a Human World without full perfected Humanity. No talent must sleep; and if all are not alike active, all must be alert, and not oppressed and enervated. As we see a future Painter in the boy who fills every wall with sketches and variedly adds colour to figure; so we see a future Philosopher in him who restlessly traces and questions all natural things, pays heed to all, brings together whatever is remarkable, and rejoices when he has become master and possessor of a new phenomenon, of a new power and piece of knowledge.

Ram Mohan Roy photo
Jawaharlal Nehru photo

“My intention was to trace, as far as I could, my own mental development and not write a survey of recent Indian history.”

Jawaharlal Nehru (1889–1964) Indian lawyer, statesman, and writer, first Prime Minister of India

Autobiography (1936; 1949; 1958)

Ronald Reagan photo

“Ben if only it were possible to look into each other’s hearts and minds, you would find no trace of prejudice or bigotry in mine. I know that’s hard for you to believe and that’s too bad because together we could do more for the people you represent than either of us can do alone.”

Ronald Reagan (1911–2004) American politician, 40th president of the United States (in office from 1981 to 1989)

As quoted in "Ronald Reagan and Race" https://www.nationalreview.com/2019/08/ronald-reagan-and-race-richard-nixon-tape/ (August 2019), by Jay Nordlinger, National Review
1980s, First term of office (1981–1985)

Leopold Mandić photo

“We hide everything, even what may appear to be a gift of God, so as not to make it an instrument of profit. To God alone be honour and glory! If it were possible, we should pass over the earth like a shadow that leaves no trace.”

Leopold Mandić (1866–1942) Catholic priest; saint

Quoted in Pope John Paul II, Homily for the Canonization of Father Leopold of Castelnovo (16 October 1983) https://www.vatican.va/content/john-paul-ii/it/homilies/1983/documents/hf_jp-ii_hom_19831016_leopoldo-da-castelnovo.html.
Original: (it) Nascondiamo tutto, anche quello che può avere apparenza di dono di Dio, affinché non se ne faccia mercato. A Dio solo l'onore e la gloria! Se fosse possibile, noi dovremmo passare sulla terra come un'ombra che non lascia traccia di sé.

T.S. Eliot photo
Rick Riordan photo
Pierre Teilhard De Chardin photo
Cassandra Clare photo
Anna Akhmatova photo
Martin Heidegger photo
Haruki Murakami photo
Cassandra Clare photo

“Alec was closeted, shy, obviously insecure, and obviously hung up on his blond friend Trace Wayland.”

Cassandra Clare (1973) American author

Source: The Course of True Love [and First Dates]

Gretchen Rubin photo

“Studies show that aggressively expressing anger doesn't relieve anger but amplifies it. On the other hand, not expressing anger often allows it to disappear without leaving ugly traces.”

Gretchen Rubin (1966) American writer

Source: The Happiness Project: Or Why I Spent a Year Trying to Sing in the Morning, Clean My Closets, Fight Right, Read Aristotle, and Generally Have More Fun

Max Lucado photo
Karen Marie Moning photo
Robert A. Heinlein photo
Yann Martel photo

“… for everything has a trace of the divine in it.”

Source: Life of Pi

Georges Bataille photo
Robert Henri photo
Carl Sagan photo

“We have begun to contemplate our origins: starstuff pondering the stars; organized assemblages of ten billion billion billion atoms considering the evolution of atoms; tracing the long journey by which, here at least, consciousness arose.”

53 min 54 sec
Source: We are the local embodiment of a Cosmos grown to selfawareness. We have begun to contemplate our origins: starstuff pondering the stars; organized assemblages of ten billion billion billion atoms considering the evolution of atoms; tracing the long journey by which, here at least, consciousness arose. Our loyalties are to the species and the planet. We speak for Earth. Our obligation to survive is owed not just to ourselves but also to that Cosmos, ancient and vast, from which we spring.
Context: And we who embody the local eyes and ears and thoughts and feelings of the cosmos we've begun, at last, to wonder about our origins. Star stuff, contemplating the stars organized collections of 10 billion-billion-billion atoms contemplating the evolution of matter tracing that long path by which it arrived at consciousness here on the planet Earth and perhaps, throughout the cosmos.

Marguerite Duras photo
John Muir photo

“One learns that the world, though made, is yet being made. That this is still the morning of creation. That mountains, long conceived, are now being born, brought to light by the glaciers, channels traced for coming rivers, basins hollowed for lakes.”

John Muir (1838–1914) Scottish-born American naturalist and author

"Alaska Glaciers: Graphic Description of the Yosemite of the Far Northwest", San Francisco Daily Evening Bulletin (part 5 of 11 part series "Notes of a Naturalist") dated 7 September 1879, published 27 September 1879; reprinted as "Baird Glacier" in Letters from Alaska, edited by Robert Engberg and Bruce Merrell (University of Wisconsin Press, 1993), pages 28-32 (at page 31); modified slightly and reprinted in Travels in Alaska http://www.sierraclub.org/john_muir_exhibit/writings/travels_in_alaska/ (1915), chapter 5, A Cruise in the Cassiar
First lines of the documentary film series " The National Parks: America's Best Idea http://www.pbs.org/nationalparks/" by Ken Burns.
1910s

Frantz Fanon photo
Chuck Palahniuk photo
Darren Shan photo
Chuck Palahniuk photo
Lori Foster photo
Jenny Han photo
Jodi Picoult photo
Stephen Kendrick photo
Charles Lamb photo
Henry Wadsworth Longfellow photo
Yasunari Kawabata photo
Letitia Elizabeth Landon photo
Francis Maitland Balfour photo
John Muir photo

“That memorable day died in purple and gold, and just as the last traces of the sunset faded in the west and the star-lilies filled the sky, the full moon looked down over the rim of the valley, and the great rocks, catching the silvery glow, came forth out of the dusky shadows like very spirits.”

John Muir (1838–1914) Scottish-born American naturalist and author

" A Rival of the Yosemite: The Cañon of the South Fork of King's River, California http://books.google.com/books?id=fWoiAQAAIAAJ&pg=PA77" The Century Magazine, volume XLIII, number 1 (November 1891) pages 77-97 (at page 86)
1890s

Nathaniel Hawthorne photo
Joseph Addison photo