“When you have drawn the same thing so many times that it seems that you know it by heart try to do it without the model; but having a tracing made of the model upon a thin piece of smooth glass and lay this upon the drawing you have made without the model. …where you find that you have erred bear it in mind in order not to make the mistake again. …if you cannot procure smooth glass to make a tracing… take a piece of very fine parchment well oiled and then dried, and when you have used it for for one drawing you can wipe this out with a sponge and do a second.”

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter

Adopted from Wikiquote. Last update Sept. 27, 2023. History

Help us to complete the source, original and additional information

Do you have more details about the quote "When you have drawn the same thing so many times that it seems that you know it by heart try to do it without the model…" by Leonardo Da Vinci?

Leonardo Da Vinci363

Italian Renaissance polymath 1452–1519

Related quotes

“When you take the UNCF model that, what a waste it is to lose one's mind, or not to have a mind is being very wasteful, how true that is.”

Dan Quayle (1947) American politician, lawyer

Speech to the United Negro College Fund (9 May 1989), mangling the Fund's slogan "A mind is a terrible thing to waste."

“Imagine you are doing a woodworking project, perhaps making a table. Fortunately, you needn't make all the parts yourself. Some are standard sizes and shapes - lengths of two by four, for instance - available at any lumberyard. Some have already been designed and made by other people - drawer pulls and turned legs. All you have to do is fit them into the places you left for them, knowing they were available. You want to make an argument instead of a table. You have created some of the argument yourself, perhaps on the basis of new data or information you have collected. But you needn't invent the whole thing. Other people have worked on your problems or problems related to it, and have made some of the pieces you need. You just have to fit them in where they belong. Like the woodworker, you leave space, when you make your portion of the argument, for the other parts you know you can get. You do that, that is, if you know that they are there to use. And that's one good reason to know the literature: so that you will know the pieces are available and not waste time doing what has already been done.”

Howard S. Becker (1928) American sociologist

Source: Writing for Social Scientists (1986), p. 141-142 as cited in: Using the Literature to Formulate your Research Question http://www.utexas.edu/research/pair/usingthe.htm at utexas.edu. Accessed Feb 19, 2013.

“In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.”

Ernest Hemingway (1899–1961) American author and journalist

Preface to The First Forty-Nine Stories (1944)

“Love is when you have a really amazing piece of cake, and it’s the very last piece, but you let him have it.”

E. Lockhart (1967) American writer of novels as E. Lockhart (mainly for teenage girls) and of picture books under real name Emily J…

Source: Real Live Boyfriends: Yes. Boyfriends, Plural. If My Life Weren't Complicated, I Wouldn't Be Ruby Oliver

“I believe in recovery, and as a role model I have the responsibility to let young people know that you can make a mistake and come back from it.”

Ann Richards (1933–2006) American politician

“Fortunately, there is a strategy that does double duty: it both helps you keep control of your own insights, and makes those insights accessible to others. The strategy is: always try to express your ideas in the simplest possible model. The act of stripping down to this minimalist model will force you to get to the essence of what you are trying to say (and will also make obvious to you those situations in which you actually have nothing to say). And this minimalist model will then be easy to explain to other economists as well.”

Paul Krugman (1953) American economist

How I Work (1993)

“How could you make appeal to the future when not a trace of you, not even an anonymous word scribbled on a piece of paper, could physically survive?”

George Orwell book 1984

Source: 1984

“I view the work I've done related to statistics and economics as roughly speaking, how to do something without having to do everything. So economic models -- how any model by definition isn't right. When someone just says, 'Oh, your model is wrong.' That's not much of an insight. What you want to know is, is wrong in important ways or wrong in ways that are less relevant? And you want to know what does the data really say about the model?”

Lars Peter Hansen (1952) American economist

Source: David Brancaccio (2013) " Nobel Prize in Economics winner Lars Peter Hansen on imperfect models http://www.marketplace.org/topics/economy/nobel-prize-economics-winner-lars-peter-hansen-imperfect-models" at marketplace.org.

“It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.”

Kazuo Ishiguro book Never Let Me Go

Source: Never Let Me Go (2005), Chapter 10

“Take a piece of glass of the size of a half sheet of royal folio paper, and fix it… between your eye and the object you wish to portray. Then move it away until your eye is two-thirds of a braccio away from the piece of glass, and fasten your head by means of an instrument in such a way as to prevent any movement of it whatsoever. Then close or cover up one eye, and with a brush or a piece of red chalk finely ground mark out on the glass what is visible beyond it; afterwards, copy it by tracing on paper from the glass, then prick it out upon paper of a better quality and paint it if you so desire, paying special attention to the aerial perspective.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter

Help us to complete the source, original and additional information

Leonardo Da Vinci363

Related quotes

Related topics