Quotes about pulse

A collection of quotes on the topic of pulse, heart, likeness, time.

Quotes about pulse

Nikola Tesla photo

“Pulsing like a beacon through the days and nights, the birthplace of the fortunate sends out its invisible waves of recollection. It always has and it always will, until even the last of us come home.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Closing lines, p. 174
Memoirs, Unreliable Memoirs (1980)
Context: As I begin this last paragraph, outside my window a misty afternoon drizzle gently but inexorably soaks the City of London. Down there in the street I can see umbrellas commiserating with each other. In Sydney Harbour, twelve thousand miles away and ten hours from now, the yachts will be racing on the crushed diamond water under a sky the texture of powdered sapphires. It would be churlish not to concede that the same abundance of natural blessings which gave us the energy to leave has every right to call us back. All in, the whippy's taken. Pulsing like a beacon through the days and nights, the birthplace of the fortunate sends out its invisible waves of recollection. It always has and it always will, until even the last of us come home.

Homér photo

“There is the heat of Love,
the pulsing rush of Longing, the lover's whisper,
irresistible—magic to make the sanest man go mad.”

XIV. 216–217 (tr. Robert Fagles).
Alexander Pope's translation:
: In this was every art, and every charm,
To win the wisest, and the coldest warm:
Fond love, the gentle vow, the gay desire,
The kind deceit, the still reviving fire,
Persuasive speech, and more persuasive sighs,
Silence that spoke, and eloquence of eyes.
Iliad (c. 750 BC)
Source: The Iliad

Julian Barnes photo
Tamora Pierce photo
Henry Wadsworth Longfellow photo

“My soul is full of longing
For the secret of the Sea,
And the heart of the great ocean
Sends a thrilling pulse through me.”

Henry Wadsworth Longfellow (1807–1882) American poet

The Secret of the Sea, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Aldo Leopold photo
Benjamin Disraeli photo
Ovid photo

“O mortals, from your fellows' blood abstain,
Nor taint your bodies with a food profane:
While corn, and pulse by Nature are bestow'd,
And planted orchards bend their willing load;
While labour'd gardens wholesom herbs produce,
And teeming vines afford their gen'rous juice;
Nor tardier fruits of cruder kind are lost,
But tam'd with fire, or mellow'd by the frost;
While kine to pails distended udders bring,
And bees their hony redolent of Spring;
While Earth not only can your needs supply,
But, lavish of her store, provides for luxury;
A guiltless feast administers with ease,
And without blood is prodigal to please.”

Parcite, mortales, dapibus temerare nefandis corpora! sunt fruges, sunt deducentia ramos pondere poma suo tumidaeque in vitibus uvae, sunt herbae dulces, sunt quae mitescere flamma mollirique queant; nec vobis lacteus umor eripitur, nec mella thymi redolentia florem: prodiga divitias alimentaque mitia tellus suggerit atque epulas sine caede et sanguine praebet.

Book XV, 75–82 (from Wikisource); on vegetarianism, as the following quote
Metamorphoses (Transformations)

Barack Obama photo

“It's a belief that pulsed in the cradle of civilization, and that still beats in the heart of billions around the world. It's a faith in other people”

Barack Obama (1961) 44th President of the United States of America

2009, A New Beginning (June 2009)
Context: It's easier to start wars than to end them. It is easier to blame others than to look inward. It is easier to see what is different about someone than to find the things we share. But we should choose the right path, not just the easy path. There is one rule that lies at the heart of every religion: that we do unto others as we would have them do unto us. This truth transcends nations and peoples, a belief that isn't new; that isn't black or white or brown; that isn't Christian, or Muslim or Jew. It's a belief that pulsed in the cradle of civilization, and that still beats in the heart of billions around the world. It's a faith in other people, and it's what brought me here today.

“LATER than usual one summer morning in 1984, Zoyd Wheeler drifted awake in sunlight through a creeping fig that hung in the window, with a squadron of blue jays stomping around on the roof. In his dream these had been carrier pigeons from someplace far across the ocean, landing and taking off again one by one, each bearing a message for him, but none of whom, light pulsing in their wings, he could ever quite get to in time.”

First lines
Vineland (1990)
Context: LATER than usual one summer morning in 1984, Zoyd Wheeler drifted awake in sunlight through a creeping fig that hung in the window, with a squadron of blue jays stomping around on the roof. In his dream these had been carrier pigeons from someplace far across the ocean, landing and taking off again one by one, each bearing a message for him, but none of whom, light pulsing in their wings, he could ever quite get to in time. He understood it to be another deep nudge from forces unseen, almost surely connected with the letter that had come along with his latest mental-disability check, reminding him that unless he did something publicly crazy before a date now less than a week away, he would no longer qualify for benefits. He groaned out of bed.

Marlene Dietrich photo
Robert Browning photo
Lydia Millet photo
Rick Riordan photo
Rachel Caine photo

“Jealous?"

"Maybe."

"No reason. I like my ladies with a pulse.”

Rachel Caine (1962) American writer

Source: Feast of Fools

Marianne Williamson photo
Arthur Koestler photo
Thomas Middleton photo

“Let me feel how thy pulses beat.”

Source: The Changeling

George Eliot photo

“O may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude…”

George Eliot (1819–1880) English novelist, journalist and translator

O May I Join the Choir Invisible (1867)
Source: O May I Join the Choir Invisible! And Other Favourite Poems
Context: O may I join the choir invisible <br/> Of those immortal dead who live again <br/> In minds made better by their presence; live <br/> In pulses stirred to generosity, <br/> In deeds of daring rectitude, in scorn <br/> For miserable aims that end with self, <br/> In thoughts sublime that pierce the night like stars, <br/> And with their mild persistence urge men's search <br/> To vaster issues.
Context: O may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men's search
To vaster issues.

Maya Angelou photo
Suzanne Weyn photo
Meg Cabot photo
Francois Truffaut photo
Anthony Doerr photo
John Updike photo
Mike Oldfield photo
Amit Chaudhuri photo
Clifford D. Simak photo
Jani Allan photo

“As remote as the rings of Saturn… A man with his stubby million-rand finger perennially prodding the public's pulse, his eyes constantly roving the horizons of the future, Kerzner has the power of a Prometheus unbound.”

Jani Allan (1952) South African columnist and broadcaster

Description of Sol Kerzner from interview published in the Just Jani column of the Sunday Times, republished in Face Value by Jani Allan.
Sunday Times

Viktor Schauberger photo

“Wherever we look the dreadful disintegration of the bridges of life, the capillaries and the bodies they have created, is evident, which has been caused by the mechanical and mindless work of man, who has torn away the soul from the Earth's blood - water. The more the engineer endeavors to channel water, of whose spirit and nature he is today still ignorant, by the shortest and straightest route to the sea, the more the flow of water weighs into the bends, the longer its path and the worse the water will become. The spreading of the most terrible disease of all, of cancer, is the necessary consequence of such unnatural regulatory works. These mistaken activities - our work - must legitimately lead to increasingly widespread unemployment, because our present methods of working, which have a purely mechanical basis, are already destroying not only all of wise Nature's formative processes, but first and foremost the growth of the vegetation itself, which is being destroyed even as it grows. The drying up of mountain springs, the change in the whole pattern of motion of the groundwater, and the disturbance in the blood circulation of the organism - Earth - is the direct result of modern forestry practices. The pulse-beat of the Earth was factually arrested by the modern timber production industry. Every economic death of a people is always preceded by the death of its forests. The forest is the habitat of water and as such the habitat of life processes too, whose quality declines as the organic development of the forest is disturbed. Ultimately, due to a law which functions with awesome constancy, it will slowly but surely come around to our turn. Our accustomed way of thinking in many ways, and perhaps even without exception, is opposed to the true workings of Nature. Our work is the embodiment of our will. The spiritual manifestation of this work is its effect. When such work is carried out correctly, it brings happiness, but when carried out incorrectly, it assuredly brings misery.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

Thomas Moore photo

“The harp that once through Tara's halls
The soul of music shed,
Now hangs as mute on Tara's walls
As if that soul were fled.
So sleeps the pride of former days,
So glory's thrill is o'er;
And hearts that once beat high for praise
Now feel that pulse no more.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

The Harp That Once Through Tara's Halls, st. 1.
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Stephenie Meyer photo
Nathaniel Parker Willis photo

“For it stirs the blood in an old man’s heart,
And makes his pulses fly,
To catch the thrill of a happy voice
And the light of a pleasant eye.”

Nathaniel Parker Willis (1806–1867) American magazine writer, editor, and publisher

Saturday Afternoon.
Bartlett's Familiar Quotations (1919)

Sylvia Plath photo
Bill Mollison photo
Narendra Modi photo
Christopher Hitchens photo
Dylan Moran photo
José Ortega Y Gasset photo
Jan Hendrik Weissenbruch photo

“I am here the doctor [in his studio], bringing his morning visit. I feel them all [his watercolors] the pulse. One I say: Wait, I'll make you an ointment, so you will refresh completely. The other I say: Friend, you need air, and even more the light.”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: ..ik ben hier [in zijn atelier] de dokter die zijn morgen-visite brengt. Ik voel ze allen [zijn aquarellen] de pols. Tegen den een zeg ik, wacht ik zal voor jou een zalfje maken, daar je helemaal van opknapt. Tegen den ander: Vrind, jij hebt lucht nodig, en nog meer licht.
Source: J. H. Weissenbruch', (n.d.), p. 50

Joseph Addison photo
Glenn Gould photo
Peter Greenaway photo
Stanley Baldwin photo
Eric R. Kandel photo
Leszek Kolakowski photo
Paul Laurence Dunbar photo
Letitia Elizabeth Landon photo
Brian Clevinger photo
James A. Garfield photo
William Wordsworth photo

“And now I see with eye serene
The very pulse of the machine.”

William Wordsworth (1770–1850) English Romantic poet

Stanza 3.
She Was a Phantom of Delight http://www.bartleby.com/145/ww259.html (1804)

John Muir photo
Arthur Hugh Clough photo
John Muir photo
John Keats photo
Lee De Forest photo
Elaine Goodale Eastman photo
James Anthony Froude photo

“We start with enthusiasm — out we go each of us to our task in all the brightness of sunrise, and hope beats along our pulses; we believe the world has no blanks except to cowards, and we find, at last, that, as far as we ourselves are concerned, it has no prizes; we sicken over the endless unprofitableness of labour most when we have most succeeded, and when the time comes for us to lay down our tools we cast them from us with the bitter aching sense, that it were better for us if it had been all a dream. We seem to know either too much or too little of ourselves — too much, for we feel that we are better than we can accomplish; too little, for, if we have done any good at all, it has heen as we were servants of a system too vast for us to comprehend. We get along through life happily between clouds and sunshine, forgetting ourselves in our employments or our amusements, and so long as we can lose our consciousness in activity we can struggle on to the end. But when the end comes, when the life is lived and done, and stands there face to face with us; or if the heart is weak, and the spell breaks too soon, as if the strange master-worker has no longer any work to offer us, and turns us off to idleness and to ourselves; in the silence then our hearts lift up their voices, and cry out they can find no rest here, no home. Neither pleasure, nor rank, nor money, nor success in life, as it is called, have satisfied, or can satisfy; and either earth has nothing at all which answers to our cravings, or else it is something different from all these, which we have missed finding — this peace which passes understanding — and from which in the heyday of hope we had turned away, as lacking the meretricious charm which then seemed most alluring.
I am not sermonizing of Religion, or of God, or of Heaven, at least not directly.”

Confessions Of A Sceptic
The Nemesis of Faith (1849)

“While memory lasts and pulses beat,
The thought of Dido shall be sweet.”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book IV, p. 124

Evelyn Waugh photo
Denis Diderot photo
Octavius Winslow photo

“Prayer is the pulse of the renewed soul; and the constancy of its beat is the test and measure of the spiritual life.”

Octavius Winslow (1808–1878) English theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 458.

James Thomson (B.V.) photo
Filippo Tommaso Marinetti photo
Christopher Hitchens photo
Loreena McKennitt photo
Carl Maria von Weber photo
Edward Young photo
Jacques Barzun photo
Andrew Sega photo

“I'm not a big fan of asynchronicity just for its own sake - a lot of people push rhythmic variation so far that the basic pulse of the music gets lost”

Andrew Sega (1975) musician from America

and the listener is confused
Static Line interview, 1998

Stephenie Meyer photo
Edwin Arlington Robinson photo
George Gissing photo

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Hermann Hesse photo
Michael Chabon photo
D.H. Lawrence photo
Dante Gabriel Rossetti photo

“From the fix'd place of Heaven she saw
Time like a pulse shake fierce
Through all the worlds. Her gaze still strove
Within the gulf to pierce
Its path; and now she spoke as when
The stars sang in their spheres.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

The Blessed Damozel http://www.cs.rice.edu/~ssiyer/minstrels/poems/715.html (1850)

Jeanette Winterson photo
Henry Van Dyke photo
Hartley Coleridge photo

“In televisionland we are all sophisticated enough now to realize that every statistic has an equal and opposite statistic somewhere in the universe. It is not a candidate's favorite statistic per se that engages us, but the assurance with which he can use it.
We are testing the candidates for self-confidence, for "Presidentiality" in statistical bombardment. It doesn't really matter if their statistics be homemade. What settles the business is the cool with which they are dropped.
And so, as the second half hour treads the decimaled path toward the third hour, we become aware of being locked in a tacit conspiracy with the candidates. We know their statistics go to nothing of importance, and they know we know, and we know they know we know.
There is total but unspoken agreement that the "debate," the arguments which are being mustered here, are of only the slightest importance.
As in some primitive ritual, we all agree — candidates and onlookers — to pretend we are involved in a debate, although the real exercise is a test of style and manners. Which of the competitors can better execute the intricate maneuvers prescribed by a largely irrelevant ritual?
This accounts for the curious lack of passion in both performers. Even when Ford accuses Carter of inconsistency, it is done in a flat, emotionless, game-playing style. The delivery has the tuneless ring of an old press release from the Republican National Committee. Just so, when Carter has an opportunity to set pulses pounding by denouncing the Nixon pardon, he dances delicately around the invitation like a maiden skirting a bog.
We judge that both men judge us to be drained of desire for passion in public life, to be looking for Presidents who are cool and noninflammable. They present themselves as passionless technocrats using an English singularly devoid of poetry, metaphor and even coherent forthright declaration.
Caught up in the conspiracy, we watch their coolness with fine technical understanding and, in the final half hour, begin asking each other for technical judgments. How well is Carter exploiting the event to improve our image of him? Is Ford's television manner sufficiently self-confident to make us sense him as "Presidential"?
It is quite extraordinary. Here we are, fully aware that we are being manipulated by image projectionists, yet happily asking ourselves how obligingly we are submitting to the manipulation. It is as though a rat running a maze were more interested in the psychologist's charts on his behavior than in getting the cheese at the goal line.”

Russell Baker (1925–2019) writer and satirst from the United States

"And All of Us So Cool" (p.340)
There's a Country in My Cellar (1990)

Letitia Elizabeth Landon photo