“I'm not a big fan of asynchronicity just for its own sake - a lot of people push rhythmic variation so far that the basic pulse of the music gets lost”

Source: V is for Vengeance

Sunday Service, 13 December 2004
Context: I'm not terribly interested in playing harp on other people's music right now. Partly because I feel like many people view the harp as this kind of gimmick. You know, like they have songs that are fully realized, complete songs, and then they think "How do we make this special? - Ooh, let's bring the harp in!" and they kind of want a harpist to play a glissando and play some heavenly noise in the background. I'm really interested in the harp as a fully actualized, self-contained way of presenting songs. That there is a bass in the harp - there is a way to create a rhythmic sense without drums - there's a way to have all sorts of textural variations and expressive variations.
I also don't want to feel bound to the harp, I'd be interested in bringing other instruments in at some time. But I think the harp has been viewed in one particular way for so long, and has been limited for so long, that I feel like I am really interested in stretching the boundaries of what it's capable of doing and how it's perceived.

" High School Musical Starring Frances Bean Cobain http://www.harpersbazaar.com/celebrity/red-carpet-dresses/a235/frances-bean-cobain-0308/" (2008)

Source: A Long Way Down

QRO Magazine interview (2007)

On a United States Information Agency Film about President Lyndon Johnson's trip to Asia, which he worked on as an editor
1970s, Interview with Judy Stone (1971)

Guitar World (March 1992)

Her comment when she was to turn 60
"Meryl Streep: Movies, marriage, and turning sixty," 2009