Quotes about plot

A collection of quotes on the topic of plot, doing, people, likeness.

Quotes about plot

“Soon the crashes, the blackouts, the hypothermias, the demands for public lighting and a lot of misdeeds will hide the disappearances, the plots, the deaths, the domestic violence, the corruptions and a long etcetera…”

José Baroja book Sueño en Guadalajara y otros cuentos

Light, Death

“This is how, without the consent of the two lovers, of its two main characters, of the only ones who were originally worth anything in this short story, the narrator decided to incorporate two more words into the plot: “doubt” and “uncertainty.””

José Baroja book El curioso caso de la sombra que murió como un recuerdo y otros cuentos

Lovers

“This is how it should be done: lodge yourself on a stratum, experiment with the opportunities it offers, find an advantageous place on it, find potential movements of deterritorialization, possible lines of flight, experience them, produce flow conjunctions here and there, try out continuums of intensities segment by segment, have a small plot of new land at all times.”

Gilles Deleuze (1925–1995) French philosopher

Time

“God save us from seeing a Russian revolt, senseless and merciless. Those who plot impossible upheavals among us, are either young and do not know our people, or are hard-hearted men who do not care a straw either about their own lives or those of others.”

Aleksandr Pushkin (1799–1837) Russian poet

Found in Pushkin's. The Captain's Daughter and Other Stories. English edition by Random House LLC. 2013. p. 139
As quoted by Joseph Frank in Dostoevsky: A Writer in His Time (2009). Princeton University Press, p. 203.

Men, God, People, Heart

“I am going the way of my fathers, as the Scripture says, for I see myself called by the Lord. Be you wary and undo not your long service of God, but be earnest to keep your strong purpose, as though you were but now beginning. You know the demons who plot against you, you know how savage they are and how powerless; therefore, fear them not. Let Christ be as the breath you breathe; in Him put your trust. Live as dying daily, heeding yourselves and remembering the counsels you have heard from me. … So do you also be earnest always to be in union first with the Lord and then with the Saints, that after death, they also may receive you into everlasting tabernacles as known friends. Ponder these things, and mean them. … And now God save you, children, for Antony departs and is with you no more.”

Anthony the Great (251–357) Christian saint, monk, and hermit

Book IV, Chapter 20 (his last words), St. Athanasius. Trans. Dom J.B. McLaughlin, O.S.B. St. Antony of the Desert. Rockford: Tan Books and Publishers, Inc, 1995.
From St. Athanasius' Life of St. Antony

Death, God, Children, Fear

“My life has a superb cast, but I cannot figure out the plot.”

Ashleigh Brilliant (1933) American author and cartoonist

Life

“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.
BY ORDER OF THE AUTHOR.”

Mark Twain book Adventures of Huckleberry Finn

Notice
Adventures of Huckleberry Finn (1885)
Source: The Adventures of Huck Finn

Motivation, Personality

“The whole of life is just like watching a film. Only it's as though you always get in ten minutes after the big picture has started, and no-one will tell you the plot, so you have to work it out all yourself from the clues.”

Terry Pratchett book Moving Pictures

Source: Moving Pictures

Life

“It is easy to be beautiful; it is difficult to appear so.
I admire you, beloved, for the trap you've set. It's like a final chapter no one reads because the plot is over.”

Frank O'Hara book Meditations in an Emergency (book)

Source: Meditations in an Emergency

Beauty, Appearance, Reading

“Accidents did not just happen. From time to time they were carefully plotted, calculated, and arranged to one’s advantage-all, of course, under the cloak of happenstance.”

Jodi Picoult book The Pact

Source: The Pact

Time

“It is to be observed throughout Mr. Burke's book that he never speaks of plots against the Revolution; and it is from those plots that all the mischiefs have arisen. It suits his purpose to exhibit the consequences without their causes. It is one of the arts of the drama to do so. If the crimes of men were exhibited with their sufferings, stage effect would sometimes be lost, and the audience would be inclined to approve where it was intended they should commiserate.”

Thomas Paine book Rights of Man

Part 1.3 Rights of Man
1790s, Rights of Man, Part I (1791)

Men, Books, Art, Suffering

“Life and experience. If one notices how some individuals know how to treat their experiences (their insignificant everyday experiences) so that these become a plot of ground that bears fruit three times a year; while others (and how many of them!) are driven through the waves of the most exciting turns of fate, of the most varied currents of their time or nation, and yet always stay lightly on the surface, like cork: then one is finally tempted to divide mankind into a minority (minimality) of those people who know how to make much out of little and a majority of those who know how to make a little out of much; indeed, one meets those perverse wizards who, instead of creating the world out of nothing, create nothing out of the world.”

Friedrich Nietzsche book Human, All Too Human

Section IX, "Man Alone with Himself" / aphorism 627
Human, All Too Human (1878), Helen Zimmern translation

Life, Fate, People, World

“The world attributes its misfortunes to the schemes and plottings of the very evil and powerful. I think stupidity is underestimated.”

Adolfo Bioy Casares (1914–1999) Argentine novelist

"El mundo atribuye sus infortunios a las conspiraciones y maquinaciones de grandes malvados. Entiendo que se subestima la estupidez."
Breve diccionario del argentino exquisito, 1978.

Stupidity, World, Thinking, Evil

“I find poetic links, the logic of poetry in cinema, extraordinarily pleasing. They seem to me perfectly appropriate to the potential of cinema as the most truthful and poetic of art forms. Certainly I am more at home with them than with traditional theatrical writing which links images through the linear rigid logical development of plot. That sort of fussily correct way of linking events usually involves arbitrarily forcing them into sequence in obedience to some abstract notion of order. And even when this is not so, even when the plot is governed by the characters, one finds that the links which hold it together rest on a facile interpretation of life's complexities.”

Andrei Tarkovsky book Sculpting in Time

Sculpting in Time (1986)

Life, Truth, Art, Way

“He had no wish to obliterate anything he had written, but he would dearly have liked to revise it, envying painters, who are allowed to return to the same theme time and time again, clarifying and enriching until they have done all they can with it. A novelist is condemned to provide a succession of novelties, new names for characters, new incidents for his plots, new scenery; but, Mr Pinfold maintained, most men harbour the germs of one or two books only; all else is professional trickery of which the most daemonic of the masters — Dickens and Balzac even — were flagrantly guilty.”

Evelyn Waugh book The Ordeal of Gilbert Pinfold

Source: The Ordeal of Gilbert Pinfold (1957), Chapter 1

Men, Books, Time, Success

“In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story….. Okay, it started out as a lazy's man's device…but we realized this was absolutely the best way to do a comic….. Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.”

Stan Lee (1922–2018) American comic book writer

The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something. On the early days of work at Marvel Comics. Interview (1975) http://www.ditko.comics.org/ditko/why/whyquote.html

Money, Books, Way, Feeling

“Hale: There is a prodigious fear of this court in the country —
Danforth: Then there is a prodigious guilt in the country. Are you afraid to be questioned here?
Hale: I may only fear the Lord, sir, but there is fear in the country nevertheless.
Danforth: Reproach me not with the fear in the country; there is fear in the country because there is a moving plot to topple Christ in the country!
Hale: But it does not follow that everyone accused is part of it.
Danforth: No uncorrupted man may fear this court, Mr. Hale!”

Arthur Miller The Crucible

The Crucible (1953)

Fear, Question, Christ, Parting

“As I could not and did not aspire to venture beyond my little plot of cultivated land, all I had left was the possibility of digging down, underneath, towards the roots. My own but also the world's, if I can be allowed such an immoderate ambition.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Nobel Lecture (1998)

World

“As we focus on destroying ISIL, over-the-top claims that this is World War III just play into their hands. Masses of fighters on the back of pickup trucks and twisted souls plotting in apartments or garages pose an enormous danger to civilians and must be stopped. But they do not threaten our national existence. That’s the story ISIL wants to tell; that’s the kind of propaganda they use to recruit. We don’t need to build them up to show that we’re serious, nor do we need to push away vital allies in this fight by echoing the lie that ISIL is representative of one of the world’s largest religions. We just need to call them what they are — killers and fanatics who have to be rooted out, hunted down, and destroyed.”

Barack Obama (1961) 44th President of the United States of America

2016, State of the Union address (January 2016)

War, Lie, World, Religion

“No opera plot can be sensible, for people do not sing when they are feeling sensible.”

W. H. Auden book The Dyer's Hand

"Notes on Music and Opera", p. 472
The Dyer's Hand, and Other Essays (1962)

People, Feeling, Singing

“A story to me means a plot where there is some surprise… Because that is how life is — full of surprises.”

Isaac Bashevis Singer (1902–1991) Polish-born Jewish-American author

The New York Times (26 November 1978)

Life

“My soul, sit thou a patient looker-on;
Judge not the play before the play is done:
Her plot hath many changes; every day
Speaks a new scene; the last act crowns the play.”

Francis Quarles (1592–1644) English poet

Epigram. Respice Finem (1635).

Soul, Change

“Those in positions of power spend day and night plotting and pondering about what to do. The body is treated in a very careless way. People live their lives, constantly surrounded by anxiety. If they live long before dying, they end up in senility, worn out by concerns: a terrible fate.”

Zhuangzi (-369–-286 BC) classic Chinese philosopher

Ch. 18 (Martin Palmer/Elizabeth Breuily, Penguin Publishing 1996)

Fate, People, Way, Night

“Words had to change their ordinary meaning and to take that which was now given them. Reckless audacity came to be considered the courage of a loyal ally; prudent hesitation, specious cowardice; moderation was held to be a cloak for unmanliness; ability to see all sides of a question, inaptness to act on any. Frantic violence became the attribute of manliness; cautious plotting, a justifiable means of self-defence. The advocate of extreme measures was always trustworthy; his opponent a man to be suspected. To succeed in a plot was to have a shrewd head, to divine a plot a still shrewder; but to try to provide against having to do either was to break up your party and to be afraid of your adversaries.”

Thucydides History of the Peloponnesian War

Book III, 3.82-[4]
History of the Peloponnesian War, Book III

Courage, Question, Change

“I'm a kind of a paranoiac in reverse. I suspect people of plotting to make me happy.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Raise High the Roof Beam, Carpenters (1955), p. 76

People, Happiness

“For over two decades, bin Laden has been al Qaeda’s leader and symbol, and has continued to plot attacks against our country and our friends and allies. The death of bin Laden marks the most significant achievement to date in our nation’s effort to defeat al Qaeda.
Yet his death does not mark the end of our effort.”

Barack Obama (1961) 44th President of the United States of America

2011, Remarks on death of Osama bin Laden (May 2011)
Context: For over two decades, bin Laden has been al Qaeda’s leader and symbol, and has continued to plot attacks against our country and our friends and allies. The death of bin Laden marks the most significant achievement to date in our nation’s effort to defeat al Qaeda.
Yet his death does not mark the end of our effort. There’s no doubt that al Qaeda will continue to pursue attacks against us. We must — and we will — remain vigilant at home and abroad.
As we do, we must also reaffirm that the United States is not — and never will be — at war with Islam. I’ve made clear, just as President Bush did shortly after 9/11, that our war is not against Islam. Bin Laden was not a Muslim leader; he was a mass murderer of Muslims. Indeed, al Qaeda has slaughtered scores of Muslims in many countries, including our own. So his demise should be welcomed by all who believe in peace and human dignity.

Death, Effort, Country

“I think it’s an organic process. I don’t plot. I don’t plan. I start writing and characters and geography emerges. I find that in telling stories, the best laid plans go poof when your characters do what they want to do because you don’t control them—they become real and live their own lives. I certainly am influenced by the people I meet and the places I go to when I create my characters but it’s an intuitive thing, I just know who this person is or that person is and I know their name and I just know. And what I don’t know, he or she tells me.”

Amulya Malladi (1974) Indian writer

On formulating characters in “An Interview with Amulya Malladi” http://jaggerylit.com/an-interview-with-amulya-malladi/ in Jaggery

Personality, Thinking, People

“The cool-person syndrome is peculiarly American. Part of that has to do with the way the educational business is run in the U. S. It’s not based on how much you can teach your child: it’s based on how much money the suppliers of basic materials can make off your child. Somewhere along the line most people pick up the desire to be a cool person, which is just another way to make them buy things. Once you’ve decided that you need to be a cool person, it makes you a possible victim of anyone whose products are the equivalent of bottled smoke. Somebody tells you to buy this particularly useless item and you’ll be a cool person. No matter how stupid it seems, you have to buy it. Pet Rocks. Pringle’s potato chips. whatever it is — the newest, the latest. Since the cool-person thing is something you learn in school, and since the school business is pretty suspicious and definitely tied up with the government, it makes you wonder whether or not the desire to be cool is part of a government plot to make you buy stupid things.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Oui interview (1979)

Money, School, Business, Personality

“My life does not lack flavour nor colour. It is like a hit show. It has a very interesting cast but I still can't figure out the plot.”

Stephie Pahlavi Zan

Life

This quote waiting for review.

“Sometimes the plot seems like a fissure in the city, at other times like a symptom.”

José Baroja (1983) Chilean author and editor

Source: https://www.mundoclasico.com/articulo/45227/entrevista-intrapersonal-confrontada-omar-jerez-con-jose-baroja

Time

“Story is honorable and trustworthy; plot is shifty, and best kept under house arrest.”

Stephen King (1947) American author

Source: On Writing: A Memoir of the Craft

Housing

“For the moment, he's off plotting his Igoresque revenge. I don't know about you, but I have this image of him rubbing his hands together and laughing like Dexter from Dexter's Laboratory. (Kyrian)”

Sherrilyn Kenyon book Night Pleasures

Source: Night Pleasures

Revenge

“Without conflict there is no plot, without hope there is no story”

Cassandra Clare (1973) American author

Hope

“The most temptation I'd experienced had been with Tomas, the Senate's spy who had been feeding off me without permission, and Mircea, who was probably plotting some nefarious scheme. I have no taste in men.”

Karen Chance book Touch the Dark

Source: Touch the Dark

Men

“There is a time in every man's education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but though his toil bestowed on that plot of ground which is given to him to till.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Source: 1840s, Essays: First Series (1841), Self-Reliance

Education, Suicide, Universe, Time

“They're puttin' music to AIDS germs--putting a drum machine behind them and a metronome beat and Ted Turner's colorizing them, goddamn it. These aren't even really people, man. It's a CIA plot to make you think malls are good. Don't you see?”

Bill Hicks (1961–1994) American comedian

Sane Man (1989)
Context: Rick Astley? Have you seen this banal incubus at work? Boy, if this guy isn't heralding Satan's imminent approach to Earth, huh. "Don't ever wanna make you cry, never wanna make you sigh … never gonna break your heart" … oh, I wouldn't worry about that without a dick, buddy. You got a corn nut! You got a clit! You're not even a guy! You're an AIDS germ that got off a slide! They're puttin' music to AIDS germs, they're puttin' a drum machine behind them in a metronome beat and Ted Turner's colorizing 'em, God damn it! These aren't even people man! It's a CIA plot to make you think malls are good!! Don't ya see? (Imitates stereotypical American in a robotic manner) "But Bill, malls are good! Malls allow us to shop 365 days of the year at a 72 degree heat. That must be good."

People, Music, Color, Thinking

“The plot is so tired that even this reviewer, who in infancy was let drop by a nurse with the result that she has ever since been mystified by amateur coin tricks, was able to guess the identity of the murderer from the middle of the book.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Books

“You can wipe your feet on me, twist my motives around all you like, you can dump millstones on my head and drown me in the river, but you can’t get me out of the story. I’m the plot, babe, and don’t ever forget it.”

Margaret Atwood book Good Bones

Source: Good Bones

Motivation, Forgetting

“When we submit our lives to what we read in scripture, we find that we are not being led to see God in our stories but our stories in God's. God is the larger context and plot in which our stories find themselves.”

Eugene H. Peterson (1932–2018) American translator

God, Reading

“There is not one big cosmic meaning for all; there is only the meaning we each give to our life, an individual meaning, an individual plot, like an individual novel, a book for each person.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Source: The Diary of Anaïs Nin, Vol. 1: 1931-1934

Life, Books, Personality

“I have a catchphrase to describe my plot-generation technique — "What's the worst possible thing I can do to these people?"”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

"Putting It Together" p. 6
The Vorkosigan Companion (2008)
Source: Cordelia's Honor

People

“We did just leave an insane asylum,” Hi agreed. “For all we know, Chance spend his nights dancing naked with sock puppets, plotting to invade Canada.”

Kathy Reichs book Seizure

Source: Seizure

Chance, Dance, Night

“Character, I think, is the single most important thing in fiction. You might read a book once for its interesting plot—but not twice.”

Diana Gabaldon (1952) American author

Books, Thinking, Reading

“Life has no plot. It is by far more interesting than anything you can say about it…”

Erica Jong book Fear of Flying

Source: Fear of Flying

Life

“12--Lose Battles, But Win The War: Grand Strategy

Grand strategy is the art of looking beyond the present battle and calculating ahead. Focus on your ultimate goal and plot to reach it.”

Robert Greene The 33 Strategies of War

Source: The 33 Strategies of War

War, Art

“Plots behind plots, plans behind plans. There was always another secret.”

Brandon Sanderson (1975) American fantasy writer

Source: The Final Empire

Secret

“I was attempting to write the story of my life. It wasn't so much about plot. It was much more about character.”

David Levithan (1972) American author and editor

Source: Dash & Lily's Book of Dares

Life

“Carney is like a graveyard where everyone already owns their plots and has built houses on top of them.”

Holly Black book White Cat

Source: White Cat

Housing

“To love truth for truth's sake is the principal part of human perfection in this world, and the seed-plot of all other virtues.”

John Locke (1632–1704) English philosopher and physician

Letter to Anthony Collins (29 October 1703) http://oll.libertyfund.org/titles/1726#lf0128-09_head_098

Love, Truth, World, Parting

“There are thirty-two ways to write a story, and I’ve used every one, but there is only one plot – things are not as they seem.”

Jim Thompson (1906–1977) American writer

Way

“Character is plot, plot is character.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

“Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.”

Ray Bradbury book Zen in the Art of Writing

Source: Zen in the Art of Writing

Way

“My muse is an ungrateful harlot who’s abandoned me to actually come up with my own plots.”

Richelle Mead (1976) American writer

Source: Succubus Shadows

“But it isn’t a rough draft either. The one I turned in several months ago was rough. There were some bad plot holes, some logical inconsistencies, pacing problems, and not nearly enough lesbian unicorns.”

Patrick Rothfuss (1973) American fantasy writer

Problem

“I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Source: Life Itself

Life

“Remember, remember the fifth of November of gunpowder treason and plot. I know of no reason why the gun powder treason should ever be forgot.”

Alan Moore V for Vendetta

Source: V for Vendetta

“I lost the plot for a while then. And I lost the subplot, the script, the soundtrack, the intermission, my popcorn, the credits, and the exit sign.”

Nick Hornby book High Fidelity

Source: High Fidelity

“(text message) CMDR ROOT. TRBLE BELOW. HAVN OVRRN BY GOBLINS. PLCE PLAZA SRROUNDED. CUDGEON + OPL KBOI BHND PLOT. NO WPONS OR CMMUNICATIONS. DNA CNONS CNTRLLED BY KBOI. I M TRPPED IN OP BTH. CNCL THNKS IM 2 BLM. IF ALIVE PLSE HLP. IF NOT, WRNG NMBR.”

Eoin Colfer (1965) Irish author of children's books

Source: The Arctic Incident

“All plots tend to move deathwards. This is the nature of plots.”

Don DeLillo book White Noise

Source: White Noise (1984), Ch. 6

Nature

“But people will do anything rather than admit that their lives have no meaning. No use, that is. No plot.”

Margaret Atwood book The Handmaid's Tale

Source: The Handmaid's Tale

People

“Me with nothing left to lose, plotting my big revenge in the spotlight. Give me violent revenge fantasies as a coping mechanism.”

Chuck Palahniuk (1962) American novelist, essayist

Revenge

“Suppose it is desired to test the efficiency of several treatments intended to destroy certain larvae on a field. The experiments are arranged in the usual way. The treatments compared are applied to particular plots with several replications and then the plots (or smaller parts of them) are inspected and all the surviving larvae are counted. Thus the observations represent the numbers of surviving larvae in several equal areas. It happens frequently that, while there is room for doubt as to whether there is any significant difference between the average number of survivors corresponding to particular treatments, there is no doubt whatever that the variablitity of the observations differs from treatment to treatment.”

Jerzy Neyman (1894–1981) Polish statistician

p. 35 of "On a new class of "contagious" distributions, applicable in entomology and bacteriology." http://www.jstor.org/stable/2235986 The Annals of Mathematical Statistics 10, no. 1 (1939): 35–57.

Way, Parting

“Childhood lays itself out, like a novel, he suggests, complete with central observer, fixed characters, and linear plot. Later, life disperses itself into anecdotes. At twenty-one, it no longer strictly matters whether the author went first to Ireland and then to Spain, or Spain first. And after thirty, he could stitch the pages in backward for all we care.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"V. S. Pritchett: Midnight Oil," p. 224
The Good Word & Other Words (1978)

Life, Childhood

“Upon the sunny grass-plot stood the dial,
Whose measured time strange contrast with ours made :
Ah! was it omen of life's after trial,
That even then the hours were told in shade,
In the old, old times,
The dear old times?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1837 3) (Vol 51) The Old Times
The Monthly Magazine

Life, Grass, Time

“Sentio aliquos togatos contra me conspirare.
I think some people in togas are plotting against me.”

Henry N. Beard book Latin for All Occasions

Latin for All Occasions (1990)

People, Thinking

“This is a painful movie to watch. But it is also exhilarating, as all good movies are, because we are watching the director and actors venturing beyond any conventional idea of what a modern movie can be about. Here there is no plot, no characters to identify with, no hope. But there is care: The filmmakers care enough about these people to observe them very closely, to note how they look and sound and what they feel.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/naked-1994 of Naked (18 February 1994) Reviews, Four star reviews

Pain, People, Hope, Feeling

“Music conveys moods and images. Even in opera, where plots deal with the structure of destiny, it’s music, not words, that provides power.”

Marcel Marceau (1923–2007) French mime and actor

US News & World Report (23 February 1987)

Music, Mood

“[Regarding how the L Word change how she selects her roles] I really have a lot less tolerance for being subjugated to simply being the emotional center of a story, rather than being the active portion of the plot. It's as if women can't drive the action so often in stories. I don't know who made up that rule but it can get very frustrating if there's not more to play.”

Jennifer Beals (1963) American actress and a former teen model

Interview on AfterEllen.com (3 June 2010) http://archive.is/20130628093754/http://www.afterellen.com/people/2010/6/jennifer-beals-interview?page=0,1

Women, Change

“I think it was when I got to the butterflies -- in that brief, beautiful image comprising life, death and technology -- that the hair on the back of my neck began to stand on end. All at once, the pleasure I took in reading was altered irrevocably. Before then I had never noticed, somehow, that stories were made not of ideas or exciting twists of plot but of language. And not merely of pretty words and neat turns of phrase, but of systems of imagery, strategies of metaphor.”

Michael Chabon (1963) Novelist, short story writer, essayist

Close Encounters http://www.washingtonpost.com/ac2/wp-dyn/A62470-2002Apr4, Washington Post (April 7, 2002) On reading Rocket Man by Ray Bradbury

Life, Death, Pleasure, Beauty

“Many is the mirage I chased. Always I was overreaching myself. The oftener I touched reality, the harder I bounced back to the world of illusion, which is the name for everyday life. 'Experience! More experience!' I clamored. In a frantic effort to arrive at some kind of order, some tentative working program, I would sit down quietly now and then and spend long, long hours mapping out a plan of procedure. Plans, such as architects and engineers sweat over, were never my forte. But I could always visualize my dreams in a cosmogonic pattern. Though I could never formulate a plot I could balance and weigh opposing forces, characters, situations, events, distribute them in a sort of heavenly lay-out, always with plenty of space between, always with the certitude that there is no end, only worlds within worlds ad infinitum, and that wherever one left off one had created a world, a world finite, total, complete.”

Henry Miller book Plexus

The Rosy Crucifixion II : Plexus (1953)

Life, World, Dreams, Reality

“You can assume that if a writer's work has survived for centuries, there are reasons why this is so, explanations that have nothing to do with a conspiracy of academics plotting to resuscitate a zombie army of dead white males.”

Francine Prose book Reading Like a Writer

Reading Like a Writer, ch. 2, p. 15 (2006)

Dead

“There are earth-shattering events going on around you, Lydia. men are scheming, debating, plotting, intriguing for the future of our country but, despite all their talk, it is the little children who are really creating the future. While these big men spend hours talking and arguing, you and your friends are busy building a nation. I don't exaggerate: all societies must be based on justice, love, trust and sharing. Though only 3, you are already practising them in your playgroup. Left to yourselves, you black and white children are actually doing that, while the politicians nervously insert clauses into bills to guard their investments and vested interest, or to protect people from people. You don't need to be protected from children of other races, because to you they are simply your friends, and you accept them totally for what they are. Your playgroup is based on trust. That is a precious commodity. I hope you never lose it. When men in Namibia act on that lesson we too, like you, can begin to build a nation.”

Colin Winter (1928–1981) Bishop of Damaraland noted for opposing apartheid; exiled Bishop of Namibia; Irish-British Anglican bishop

"An Open Letter to Lydia Morrow" Pro Veritate, V.15, No. 4 (September 1976) http://disa.nu.ac.za/articledisplaypage.asp?filename=PVSep76&articletitle=An+open+letter+to+Lydia+Morrow+from+Colin+Winter%2C+Bishop+of+Damaraland+in+exile+++++++++&searchtype=browse. Pro Veritate http://disa.nu.ac.za/journals/jourpvexpand.htm was a Christian monthly journal published in South Africa from 1962 to 1977. Lydia Morrow was the small daughter of Winter's friends and associates, Edward and Laureen Morrow.

Love, Men, Children, People

“My use of extracts from the "Protocols of the Elders of Zion" was too much for political purity to take. It didn't matter that I had emphasised, as I do in this book, that this is not a plot by Jewish people; it didn't matter that I renamed them the "Illuminati Protocols" for the specific reason of getting away from their association with Jewish people; it didn't matter that these Protocols, which came to light in the late-1800s, contain details of the very plan of manipulation which has provably unfolded through the twentieth century.”

David Icke (1952) English writer and public speaker

ibid. p. 453

People, Books, Light

“A million bureaucrats are diligently plotting death and some of them even know it.”

Thomas Pynchon book Gravity's Rainbow

Gravity's Rainbow (1973)

Death

“In tragic life, God wot,
No villain need be! Passions spin the plot:
We are betrayed by what is false within.”

George Meredith (1828–1909) British novelist and poet of the Victorian era

St. 43. Modern Love http://www.ev90481.dial.pipex.com/Meredith/modern_love.htm (1862)

Life, God, Passion, Falseness

“"Lust is the offspring of a thousand sighs,
"Intrigue, deception, and as many lies;
"A strange compound of hidden, plotting ill,
"To fire with rage, to torture, or to kill"
-Lust”

John Lyon (poet) (1803–1889) Scottish Latter Day Saint poet and hymn writer

The Harp of Zion (1853)

Rage

“Am I reading too much into all that innuendo, or did you in fact just connive to assassinate Gregor in one breath, offer to cuckold him in the next, accuse your father of homosexuality, suggest a patricidal plot against him, and league yourself with Cavilo -- what are you going to do for an encore?”

Lois McMaster Bujold Vorkosigan Saga

"Depends on the straight lines."
Vorkosigan Saga, The Vor Game (1990)

Reading, Dependency

“What does really happen when the factor of love withdraws from a human relationship? Is it a loss or a gain? Is the real landscape revealed at last, hitherto transfigured, but delusive, too, by the driving mist of fantasy? Is it a perverted vision which finds a glowing cloud more beautiful than the solid truth of a plot of earth? And vice versa, what really happens when the radiance, the glamour, begins to take shape, concentrating on a landscape or on a face?”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Diaries 1957-59.

Love, Truth, Beauty, Loss

“A book at the very start comes to me as a nebulous geometric form, a kind of tension in space that has to be resolved. The resolution is effected by fleshing out the form with character, plot, dialogue, etc. But the original structure perseveres throughout, even when, or perhaps especially when, I am not conscious of it being at work. Art is a mysterious business.”

John Banville (1945) Irish writer

Fully Booked: Q & A with John Banville (2012)

Books, Art, Business, Perseverance

“Plots- it seems there are thousands of them, all one's acquaintances known some, strangers make a present of them in letters, each the basis for a play or a novel…”

Max Frisch (1911–1991) Swiss playwright and novelist

Sketchbook 1946-1949

“Unlike most wars, which make rotten fiction in themselves — all plot and no characters, or made-up characters — Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"A Fun-House Mirror" (1972), pp. 107-108
The Good Word & Other Words (1978)

God, Fate, War, Thinking

“Through characters, non-linear plot lines, or the involvement of multiple dimensions, it ultimately witnesses the physical world as inextricable from consciousness or the observer of that world.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

World

“Through rationality we shall become awesome, and invent and test systematic methods for making people awesome, and plot to optimize everything in sight, and the more fun we have the more people will want to join us.”

Eliezer Yudkowsky (1979) American blogger, writer, and artificial intelligence researcher

Epistle to the New York Less Wrongians (April 2011) http://lesswrong.com/lw/5c0/epistle_to_the_new_york_less_wrongians/

People, Optimism

“Nobody is going to Bolero for the plot anyway. They're going for the Good Parts. There are two Good Parts, not counting her naked ride on horseback, which was the only scene in the movie that had me wondering how she did it. The real future of Bolero is in home cassette rentals, where your fast forward and instant replay controls will supply the editing job the movie so desperately needs.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/bolero-1984 of Bolero (1 January 1984) Reviews, Half-star reviews

Home, Future, Parting

“As a writer you will know that one of the favourite fantasy plots of a writer is, a character's told 'you've got three months to live,' and who would you kill? I call my cancer Rupert, so I can get close to it. Because that man, Murdoch, is the one who, if I had the time (I've got too much writing to do…) I would shoot the bugger if I could. There is no one person more responsible for the pollution of what was already a fairly polluted press. And the pollution of the British press is an important part of the pollution of British political life, and it's an important part of the cynicism and misperception of our own realities that is destroying so much of our political discourse.”

Dennis Potter (1935–1994) English television dramatist, screenwriter and journalist

"The Long Goodbye," The Guardian (6 April 1994); the quote is from Potter's final television interview with Melvyn Bragg (5 April 1994)

Life, Reality, Time, Parting

“I envisaged future generations of Iranians proudly taking their rightful place among the vast family of nations, and fulfilling their responsibilities with dignity. I hoped to see dispelled for ever the medieval shadows from which Iran had emerged only half a century ago, and that the light which is the very essence of Iranian civilization and culture would prevail. Throughout my reign, I lived only for the realization of this dream which was beginning to become reality.
It will be seen that I worked tirelessly and keenly to this end. I had ceaselessly to struggle against all sorts of obstacles and difficulties. I had to confront innumerable plots and intrigues both inside the country and abroad. I combated the all-powerful, multi-national trusts and cartels when all my advisers warned me against such challenges. I may have made mistakes, of course, but this long battle was not one of them.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

Page 11
Publications, The Shah's Story (1980), On himself

Family, Dreams, Hope, Reality

“But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The World's Last Night (1952)

“The Poet could not remember ever fearing death, but he had often suspected Providence of plotting the worst for him as to the manner of his dying when the time came to go. He had expected to rot away. Slowly and not very fragrantly. Some poetic insight had warned him that he would surely die a blubbering leprous lump, cravenly penitential but impenitent. Never had he anticipated anything so blunt and final as a bullet in the stomach, and with not even an audience at hand to hear his dying quips. The last thing they had heard him say when they shot him was: "Oof!"”

Walter M. Miller, Jr. book A Canticle for Leibowitz

his testament for posterity. Ooof!
Ch 23
A Canticle for Leibowitz (1959), Fiat Lux

Death, Fear, Time

“It took centuries of intellectual, philosophical development to achieve political freedom. It was a long struggle, stretching from Aristotle to John Locke to the Founding Fathers. The system they established was not based on unlimited majority rule, but on its opposite: on individual rights, which were not to be alienated by majority vote or minority plotting. The individual was not left at the mercy of his neighbors or his leaders: the Constitutional system of checks and balances was scientifically devised to protect him from both. This was the great American achievement—and if concern for the actual welfare of other nations were our present leaders' motive, this is what we should have been teaching the world.”

Ayn Rand book Capitalism: The Unknown Ideal

Capitalism: The Unknown Ideal (1966)

World, Motivation, Freedom

“I went up to my room, up the dusty stairs of Bunker Hill, past the soot-covered frame buildings along that dark street, sand and oil and grease choking the futile palm trees standing like dying prisoners, chained to a little plot of ground with black pavement hiding their feet. Dust and old buildings and old people sitting at windows, old people tottering out of doors, old people moving painfully along the dark street. The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles. The uprooted ones, the empty sad folks, the old and the young folks, the folks from back home. These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged.”

John Fante book Ask the Dust

Ask the Dust (1939)

Money, People, Sadness, Angels

“The most extraordinary aspect of the Protocols of the Elders of Zion is not so much the history of its inception as that of its reception. That this fake was produced by a number of secret services and police of at least three countries, assembled from a collage of different texts, is by now a well-known fact-and Will Eisner tells it in full, taking into account the most recent research.
In one of my essays I identify other sources that scholars had not taken into account: for example, the Protocols “Jewish plan” for conquering the world follows, almost literally at times, the Jesuit plan as told by Eugene Sue first in Le juif errant, (1844-45) and later in Les myst’eres du people (1849-57)-the similarities are so great that one is tempted to conclude that Maurice Holy himself (the French satirist whose pamphlet Dialogues in Hell Between Machiavelli and Montesquieu, published in 1864, is considered to be the direct predecessor of the Protocols, and who is a figure in Eisner’s The Plot) had been inspired by Sue’s novels.”

Will Eisner (1917–2005) American cartoonist

Umberto Eco, p. v
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

People, Secret, World, History

“When Tibet was invaded by the Chinese Red Army in October 1950, the explanation which Peking put forward was: "Anglo-American imperialism and their running dog Nehru were plotting a coup for the annexation of Tibet." The only reaction from Pandit Nehru was to start apologising for Peking immediately…. A few days later, the Prime Minister did something infinitely worse. Speaking on Foreign Affairs in the Rajya Sabha on September 23, he denounced and threatened the organisers of the Tibet Day in a language which was wild…. This statement was full of insinuations. Here was the Prime Minister of a democratic country showing extreme intolerance for, and interfering publicly with other people's freedom to think and express opinion about matters which concerned the security of the nation.”

Sita Ram Goel (1921–2003) Indian activist

Genesis and Growth of Nehruism (1993)

People, Dogs, Thinking, Freedom

“If Congress refuse to listen to and grant what women ask, there is but one course left then to pursue. Women have no government. Men have organized a government, and they maintain it to the utter exclusion of women…. [¶] Under such glaring inconsistencies, such unwarrantable tyranny, such unscrupulous despotism, what is there left [for] women to do but to become the mothers of the future government? [¶] There is one alternative left, and we have resolved on that. This convention is for the purpose of this declaration. As surely as one year passes from this day, and this right is not fully, frankly and unequivocally considered, we shall proceed to call another convention expressly to frame a new constitution and to erect a new government, complete in all its parts and to take measures to maintain it as effectually as men do theirs. [¶] We mean treason; we mean secession, and on a thousand times grander scale than was that of the south. We are plotting revolution; we will overslough this bogus republic and plant a government of righteousness in its stead, which shall not only profess to derive its power from consent of the governed, but shall do so in reality.”

Victoria Woodhull (1838–1927) American suffragist

A Lecture on Constitutional Equality, also known as The Great Secession Speech, speech to Woman's Suffrage Convention, New York, May 11, 1871, excerpt quoted in Gabriel, Mary, Notorious Victoria: The Life of Victoria Woodhull, Uncensored (Chapel Hill, N.Car.: Algonquin Books of Chapel Hill, 1st ed. 1998 ISBN 1-56512-132-5, pp. 86–87 & n. [13] (ellipsis or suspension points in original & "[for]" so in original) (author Mary Gabriel journalist, Reuters News Service). Also excerpted, differently, in Underhill, Lois Beachy, The Woman Who Ran for President: The Many Lives of Victoria Woodhull (Bridgehampton, N.Y.: Bridge Works, 1st ed. 1995 ISBN 1-882593-10-3, pp. 125–126 & unnumbered n.

Women, Men, Reality, Time